Trivia: Sexy and talented, with a memorably exotic look (due to a multiethnic ancestry), model-turned-actress Eva La Rue (also occasionally billed by her married name, Eva LaRue Callahan) launched her career in print work, with a heavy emphasis on covers for such periodicals as Woman's World, Latina, and Cosmopolitan en Español. La Rue segued into acting in the late '80s and early '90s, and landed a number of nonfiction television assignments, first as cohost, with the legendary Dom DeLuise, of the gag-laden series revival The New Candid Camera (1991), then as hostess of the Miss America Pageant and the Lifetime network special Weddings of a Lifetime. The ever-versatile La Rue concurrently tackled scripted roles as well. After supporting parts in many a Hollywood programmer (Robocop 3, Ghoulies III: Ghoulies Go to College, Mirror Images 2) and several years as a regular on the soap All My Children, she earned stellar notices for her portrayal of Mouseketeer-turned-beach bunny Annette Funicello in the telemovie A Dream Is a Wish Your Heart Makes: The Annette Funicello Story. She went on to perform in recurring roles on the popular series Third Watch and Soul Food. La Rue culled her broadest fan base, however, for her portrayal of lab specialist and grant writer Natalia Boa Vista on the crime series phenomenon CSI: Miami.

Trivia: Growing up in Northern California, Grant Show developed an interest in acting while he was still in high school. He pursued his passion to UCLA, where he studied theater arts for a year before leaving school to appear on the TV show Ryan's Hope. Other appearances would follow on shows like The Love Boat, but Show didn't give up on studying his craft at the first sign of a blossoming career. He also traveled to London, where he enrolled at the London Academy of Music and Dramatic Art for a year.In 1992, Show joined the cast of a new night-time soap called Melrose Place, premiering on the Fox network. The show became a massive hit, and thousands of viewers came to know Show for his hunky character, Jake Hanson. He stayed with the show until 1997, and he went on play prominent roles in the cult hit Point Pleasant and 2007's The Girl Next Door. He also took a recurring role as Jack Dawson on the saucy series Dirt with Courteney Cox Arquette. The next year, Show appeared in the regular role Tom Decker in the '70s period drama series Swingtown. He went on to appear in Justice for Natalie Holloway, Born 2 Race, and the 2012 horror film The Possession. In 2013, Show returned to television in Lifetime series Devious Maids.

Trivia: Possessing a pair of the most elegantly piercing steel blue eyes ever to be captured on celluloid, German cult actor Udo Kier has made a distinct mark for himself in the world of cinema with roles in everything from obscure European exploitation films to the most mainstream of Hollywood fare. Though as an actor Kier has made a name for himself by essaying frequently bizarre and sometimes sadistic film roles, the man himself is almost the complete opposite of the characters he portrays onscreen, exuding a flamboyant and personable earthy elegance that stands in stark contrast to his unforgettably cold, vampiric screen presence. Born in October of 1944 in Cologne, Germany, it may come as no surprise that Kier's incredibly dramatic birth would easily rival the intensity of any of the future actor's film roles. As war raged outside the serene confines of the hospital, Kier's mother requested a few moments alone with her newborn son immediately following his birth. Moments later the hospital was bombed and Kier's mother began the grueling task of digging herself and her son from out of the rubble. His father absent for much of his youth, Kier had a chance encounter with an aspiring young filmmaker named Rainer Werner Fassbinder before moving to Britain at the age of 18 to study English and acting. Shortly after Kier's arrival, director Mike Sarne offered him the role of a gigolo in The Road to St. Tropez (1966), and with that film the young actor made his screen debut. Though Kier would appear in a few films rounding out the 1960s, it was his part in the controversial 1970 film The Mark of the Devil that would truly set his career path in motion. His role as a witch hunter apprentice who meets a gruesome demise horrified audiences, and the film was subsequently banned in many areas of the world. Increasingly prolific in the following years, it was a pair of Paul Morrissey films from the mid-'70s that would leave an indelible impression on not only European audiences, but American audiences as well. It was while on a flight from Rome to Munich that Kier made the acquaintance of director Morrissey, and shortly thereafter Kier was cast in the role of Baron Frankenstein in Andy Warhol's Frankenstein (aka Flesh for Frankenstein). Filled to the brim with satirical gore and graphic violence, the notorious film immediately garnered an X-rating though it would become a hit with strong-stomached audiences who could appreciate its dark humor. Released that same year, Andy Warhol's Dracula (aka Blood for Dracula) once again found Kier relishing in gore-drenched satire. In 1977 Kier would appear before old friend Fassbinder's lens in the television drama The Stationmaster's Wife and play a small role in Italian horror director Dario Argento's Suspiria. The remainder of the 1970s as well as the majority of the 1980s, found Kier appearing frequently in European exploitation films with such lurid titles as G.I. Bro (1977) and Prison Camp Girls, Jailed for Love (1982). Though sharp-eyed American audiences could catch glimpses of Kier in such films as Moscow on the Hudson (1984) (in which he appeared uncredited), it was during this period that Kier would work almost exclusively in Europe. Though American audiences didn't necessarily bear witness to most of Kier's work in the 1980s, his career continued to flourish overseas and the actor began to develop a strong personal and professional relationship with director Lars von Trier. Following his appearance in von Trier's Medea (1987), Kier would not only appear in all of the director future films, but also become the godfather of von Trier's daughter Agnes as well. It was Kier's role in director Gus Van Sant's My Own Private Idaho (1991) that brought the actor back to stateside audiences, and following his memorable appearance in the film, Kier would appear in such big-budget American films as Johnny Mnemonic (1995), Armageddon (1998), and Blade (also 1998). Despite appearances in such mainstream comedies as Ace Ventura: Pet Detective (1994), Kier would remain true to his European roots by simultaneously appearing in numerous foreign films such as von Trier's Europa (1991) and the gleefully amoral Terror 2000 (1992). With the millennial turnover bringing Kier more stateside exposure than ever, following a memorable turn in Shadow of the Vampire (2000), the tireless actor would appear in no less than eight films in 2001 alone, including Werner Herzog's Invincible and the apocalyptic thriller Meggido: The Omega Code 2. His feature career continuing to flourish, Kier could now be considered a full-fledged star, as appearances in numerous commercials and music videos by such popular acts as Korn virtually guaranteed that while he might not necessarily be a household name, his face would be instantly recognizable by virtually anyone. Though he continued to appear in numerous mainstream films, his experimental side could be evidenced with his participation in director von Trier's film Dimension. The production of the film would span 30 years, following the actors (without makeup) as they aged. The actors and director got together once a year to shoot a scene. Spending much of his free time in nature, Kier enjoys gardening, enjoying the company of his dog, and working on his home in California.

Trivia: Lead actor, onscreen from the late '80s.

Trivia: Started dancing in New York, demonstrating acrobatic skills that earned him the nickname "Flex." Tried stand-up comedy in several Manhattan clubs before relocating to Los Angeles in 1995 to focus on acting. Made his TV-acting debut in the short-lived Fox series Where I Live. Was nominated for NAACP Image Awards for his acting on the sitcom One on One and in 2004's Man in the Mirror: The Michael Jackson Story.

Trivia: Veteran actor Art Hindle had already established a successful career in finance when he decided to try his hand at acting. He'd always had an interest in the arts and had been involved in local theater since his teens, but it wasn't until he was 21 and working as a stockbroker that he decided to pursue acting full time and relocate with his family to L.A. He began appearing in movies and on TV in the early '70s, showing up in episodes of shows like Starsky & Hutch and Baretta. In addition to starring roles on the short-lived crime drama Kingston Confidential in 1977 and the popular nighttime soap Dallas in 1981, Hindle would largely spend the following decades amassing a long résumé of single-episode appearances, from JAG to Mutant X to Puppets Who Kill. He would also appear in a number of TV movies and feature films and starred in the series Paradise Falls from 2001 to 2008.