Trivia: A graduate of Oxford, actor Hugh Grant would seem more a natural product of Cambridge University, breeding ground for such comic talents as Monty Python's Flying Circus. Grant's classic good looks make him a shoo-in for romantic leads, but his comic abilities -- marked by a nervous stutter, desperately fluttering eyelids, and an ability to capture a brand of distinctly English embarrassment -- have also marked him as a gifted comic performer. Born in London on September 9, 1960, Grant made his film debut under the very Oxbridge name of Hughie Grant in the Oxford-financed Privileged (1982). He then worked in repertory before forming his own comedy troupe, the Jockeys of Norfolk. Following some television roles, Grant made his first professional film appearance in 1987 with a blink-and-he's-gone part in White Mischief. The same year he did more substantial work, first as Lord Byron in Rowing With the Wind, and then as a sexually conflicted Edwardian in Ismail Merchant and James Ivory's adaptation of E.M. Forster's Maurice. The role won him a Best Actor award at the Venice Film Festival, but despite such acclaim, Grant's next films were largely forgettable affairs. One exception -- albeit a dubious one -- was Ken Russell's The Lair of the White Worm, in which the actor attained some degree of cult status as a lord attempting to foil the murderous charms of a campy, trampy vampire (Amanda Donahoe).Following period work in Impromptu (in which he played a consumptive, bewigged Chopin) and another Merchant-Ivory outing, The Remains of the Day, Grant finally hit it big in 1994 with starring roles in two films, Sirens and Four Weddings and a Funeral. The latter film in particular gave the actor almost overnight transatlantic stardom, landing him on a number of magazine covers and TV talk shows. The following year, Grant gained fame of an entirely different sort when he was arrested for soliciting the services of an L.A. prostitute. The box-office take of his subsequent film, Nine Months, released on the heels of his arrest, was buoyed by his notoriety, as were the ratings of the episode of The Tonight Show which featured Grant's sheepish apology to his then-girlfriend, model/actress Elizabeth Hurley. The actor managed to recoup some of his professional dignity with a restrained performance as Emma Thompson's suitor in the acclaimed Sense and Sensibility, but his next feature, Extreme Measures, a thriller produced by his and Hurley's production company, Simian Films, proved a disappointment. Following this relative failure, Grant receded somewhat from the public consciousness, but reappeared in 1999 with Notting Hill. A commercial as well as relative critical success, the comedy helped to restore some of the actor's luster, further assisted by his roles in the comedies Mickey Blue Eyes (1999) and Woody Allen's Small Time Crooks (2000). After once again charming filmgoers while competing for the affections of Renee Zellweger in Bridget Jones's Diary, Grant took on the role of a playful London lothario who forms a bond with one of his conquests' offspring in the romantic comedy About a Boy. Indeed, the romantic comedy seemed to be simply the most natural fit for the actor, and he found more success in new millennium with returns to this genre in Two Weeks Notice, Love Actually, and the sequel to Bridget Jones's Diary, Bridget Jones: The Edge of Reason.He played a fictionalized version of Simon Cowell in the comedy American Dreamz, and was solid as a washed-up 80's pop star opposite Drew Barrymore in the romantic comedy Music and Lyrics in 2007. His next film, 2009's Did You Hear About the Morgans?, was his last on-screen appearance for nearly three years, when he took on a small role (six small roles, actually) in the Wachowski's Cloud Atlas. In 2015, he had a supporting role in The Man From U.N.C.L.E., but made bigger waves for the role he didn't take: Grant would not appear in the third Bridget Jones films, shocking fans of the series.

Trivia: Plucky Brooklyn-born actress Marisa Tomei was one year into her college education at Boston University when she was tapped for a co-starring role on the CBS daytime drama As the World Turns. Her role on that show, as well as work on another soap, One Life to Live, paved the way for her entrance into film: In 1984, she made her film debut with a bit part in The Flamingo Kid.Three years later Tomei became known for her role as Maggie Lawton, Lisa Bonet's college roommate, on the sitcom A Different World. Her real breakthrough came in 1992, when she co-starred as Joe Pesci's hilariously foul-mouthed girlfriend in My Cousin Vinny, a performance that won her a Best Supporting Actress Oscar. Later that year, she turned up briefly as a snippy Mabel Normand in director Richard Attenborough's mammoth biopic Chaplin, and was soon given her first starring role in Untamed Heart (1993). A subsequent starring role -- and attempted makeover into Audrey Hepburn -- in the romantic comedy Only You (1994) proved only moderately successful. Tomei's other 1994 role as Michael Keaton's hugely pregnant wife in The Paper was well-received, although the film as a whole was not. Worse luck hit with her participation in the critically thrashed Four Rooms in 1995. Fortunately for Tomei, she was able to rebound somewhat the following year with a solid performance as a troubled single mother in Nick Cassavetes' Unhook the Stars. She turned in a similarly strong work in Welcome to Sarajevo in 1997, and in 1998 did some of her best work in years as the sexually liberated, unhinged cousin of Natasha Lyonne's Vivian Abramowitz in Tamara Jenkins' The Slums of Beverly Hills. Appearing in no less than five movies in 2000, Tomei continued her journey back to the top with a memorable performance in 2001's In the Bedroom. An emotionally wrenching tale of loss and grief, Tomei's performance as a recently separated wife who begins a tragic affair with a college student struck a common cord with critics and filmgoers alike, in addition to earning the talented actress her second Oscar nomination.Tomei's versatility assured her continuous work in a variety of different kinds of films. She played one of the women in the remake of Alfie, co-starred opposite Adam Sandler in Anger Management, and worked in the Charles Bukowski-inspired independent film Factotum. In 2007 she earned strong reviews for her work in Sidney Lumet's Before the Devil Knows You're Dead, and appeared in the box office smash Wild Hogs. In 2008, Tomei enjoyed her largest critical acclaim since In the Bedroom thanks to her supporting turn opposite Mickey Rourke in The Wrestelr. Her performance earned her a number of year-end critics awards, as well as nominations from both the Golden Globes and the Academy.In 2010 she appeared in the Duplass Borthers comedy Cyrus, as the overly clingy mother to a son played by Jonah Hill, and the next year she had memorable turns in Crazy Stupid Love as a teacher who picks an unfortunate partner for a one-night-stand, and The Ides of March as a political reporter who has a hand in shaking up a presidential campaign.

Trivia: Took speech and drama lessons as a form of distraction after her mother's death, which occurred when Heathcote was 12. First major TV role was as Amanda Fowler in the Australian soap Neighbours in 2009. Moved to Los Angeles after receiving the Heath Ledger Scholarship in 2010. Asked to audition for Dark Shadows (2012) after director Tim Burton saw her photo in a magazine; within two days she had the dual roles of Victoria Winters and Josette du Pres. On Variety's 10 Actors to Watch list in 2012. Appeared in the music video for the Killers "Shot at the Night" in 2013. Part of Miu Miu's Spring/Summer 2014 campaign.

Trivia: One of the most talented -- and often underappreciated -- character actresses of the late 1990s, Allison Janney first began courting critical attention with roles in such acclaimed films as Big Night (1996) and American Beauty (1998). Able to play characters ranging from a name-dropping Manhattan socialite to a withdrawn, abused wife, the 6'0" Janney infuses all of her portrayals with equal parts poignancy and unforced gusto.A product of Dayton, Ohio, where she was born November 19, 1959, Janney was raised as the daughter of a homemaker and the president of a real estate firm. She aspired to be a champion figure skater from a young age, but any hopes of pursuing a skating career were halted by a freak accident that badly damaged Janney's leg when she was in her mid-teens. As a student at Kenyon College, she became interested in acting, and got her first break when she successfully auditioned for a play being directed by Kenyon alum Paul Newman. After impressing Newman, a racing enthusiast, with both her acting skills and her love of fast cars, Janney went on to impress his wife, Joanne Woodward, who directed her in a number of off-off-Broadway plays during the early 1980s.Although she enjoyed early stage success, Janney had difficulty starting her career, something that was hindered by her height: one disparaging casting agent went so far as to tell her that the only roles she was suitable for were lesbians and aliens. Thankfully, the actress pressed on in the face of such idiocy, waitressing and scooping ice cream to support herself during dry spells. Her luck began to change for the better in the late 1990s, when she started garnering luminous reviews for her work both on Broadway -- where she earned a Tony nomination for her role in 1998's A View from the Bridge -- and onscreen in such films as Big Night (1996) and Mike Nichols' Primary Colors (1998). In the former film, she appeared as the quiet, capable love interest of Tony Shalhoub's struggling Italian chef, while the latter featured the actress in the minor but poignant role of a painfully-awkward schoolteacher who is seduced by John Travolta's libidinous Presidential candidate. Janney, who had been appearing on television and in films since the early '90s, went on to do reliably excellent work in a variety of films that ranged from The Object of My Affection (1998), in which she played the supercilious, name-dropping wife of a high-powered literary agent (Alan Alda); to Drop Dead Gorgeous (1999), which featured her as a beehived, chain-smoking trailer park resident; to American Beauty (1999), in which she gave a quietly powerful portrayal of the abused wife of a tyrannical ex-Marine (Chris Cooper). Janney's talents have also been put on ample display on the small screen: in 1999, she joined the cast of the acclaimed NBC White House drama The West Wing, originating the role of tough press secretary C.J. Cregg.In addition to continuing her work on The West Wing, Janney played a supporting role in the award winning psychological drama The Hours (2002), and voiced Peach the Starfish in Pixar's wildly successful Finding Nemo (2003). The actress' would play the neighbor of protagonist Jim Winters (Anthony LaPaglia) in 2004's drama Winter Solstice, and continued to play small, yet meaty roles throughout the coming years (among them include On Our Very Own and Hairspray), she earned mainstream attention and critical praise for her role as the parent of a pregnant teen (Ellen Page) in Juno. Ironically, in light of her Juno success, Janney was also critically recognized for her performance as an emotionally detached mother in Sam Mendes' bittersweet comedy Away We Go (2009).

Trivia: Jonathan Kimble Simmons was originally a singer, with a degree in music from the University of Montana. He turned to theater in the late 1970s and appeared in many regional productions in the Pacific Northwest before moving to New York in 1983. He appeared in Broadway and off-Broadway shows and also did some television -- his early roles included the portrayal of a white supremacist responsible for multiple murders in an episode of Homicide: Life on the Street. In that same vein, Simmons first gained wide exposure as Vern Schillinger, the leader of an Aryan Brotherhood-type organization in prison in the HBO series Oz. Parlaying his small-screen notoriety into feature film opportunities, Simmons had a small part in the 1997 thriller The Jackal and played a leading role in Frank Todaro's low-budget comedy Above Freezing, a runner-up for the most popular film at the 1998 Seattle Film Festival. Also in 1997, Simmons increased his television prolificacy by taking on the role of Dr. Emil Skoda, the consulting psychiatrist to the Manhattan district attorney's office in the series Law and Order. By 1999, Simmons was showing up in such prominent films as The Cider House Rules and the baseball drama For Love of the Game, directed by Sam Raimi. The director again enlisted Simmons for his next film, 2000's The Gift. After a supporting turn in the disappointing comedy The Mexican, Simmons teamed with Raimi for the third time, bringing cigar-chomping comic-book newspaperman J. Jonah Jameson screaming to life in the 2002 summer blockbuster Spider-Man. In 2004, he would reprise the role in the highly anticipated sequel, Spider-Man 2. That same year, along with appearing alongside Tom Hanks in the Coen Brothers' The Ladykillers, Simmons continued to be a presence on the tube, costarring on ABC's midseason-replacement ensemble drama The D.A.His career subsequently kicking into overdrive, the popular character actor was in increasingly high demand in the next few years, enjoying a productive run as a voice performer in such animated television series' as Justice League, Kim Possible, The Legend of Korra, and Ultimate Spider-Man (the latter of which found him reprising his role as J. Jonah Jameson), as well as turning in memorable performances in Jason Reitman's Juno, Mike Judge's Extract, and as a hard-nosed captain in the 2012 crime thriller Contraband. Meanwhile, in 2005, he joined the cast of TNT's popular crime drama The Closer as Assistant Chief Will Pope -- a role which no doublt played a part in the cast earning five Screen Actors Guild Award nominations for Best Ensemble Cast. Simmons continued to work steadily in movies, returning to the Spider-Man franchise in 2007. That same year he co-starred as the father of a pregnant teen in Juno, which led to him being cast regularly by that film's director Jason Reitman in many of his future projects including Up In the Air and Labor Day. It was Reitman who got Simmons the script for Whiplash, Damien Chazelle's directorial debut. The actor took the part of an abusive, but respected music teacher and the ensuing performance garnered Simmons multiple year-end awards including a Best Supporting Actor nomination from the Academy.

Trivia: Chris Elliott may have been born with a funny spoon in his mouth -- he's the son of Bob Elliott, the more deadpan half of the famous comedy duo Bob and Ray -- but he's developed his own offbeat brand of humor and gained his own substantial cult following. Elliott began his show business career as a standup comic, but he first gained public attention as a writer and performer on Late Night With David Letterman, helping that show define a new age of ironic comedy, and winning two Emmys as part of Letterman's writing team. Elliott played the sarcastic firebrand to Letterman's perturbable Midwestern reserve. He starred in sketches as the Panicky Guy, the Fugitive Guy, and the Guy Under the Seats, a character who lived in a cramped passageway underneath the audience, and would occasionally interrupt the show to chat with Letterman. As a result of Elliott's growing popularity on Late Night, his acting career took off. Or, to be more precise, he got bit parts in Michael Mann's Manhunter, James Cameron's The Abyss, and the Francis Ford Coppola segment of New York Stories. Elliott also went on to star in two hilarious, but little-seen half-hour comedy shows for Cinemax. FDR -- A One Man Show featured Elliott playing Chris Elliott, a pompous egomaniacal actor portraying FDR in a one-man show of tremendous historical inaccuracy, while Action Family economically combined satire of TV police dramas with a satire of a typical living room family sitcom. Around this time, Elliott published a Mommy Dearest-style mock exposé about his childhood, Daddy's Boy: A Son's Shocking Account of Life With a Famous Father, which featured chapter-by-chapter rebuttals from his father, Bob, and a foreword by David Letterman.In 1990, Elliott, with help from talented collaborators like David Mirkin, Bob Odenkirk, and Adam Resnick, starred in a bizarrely funny sitcom, Get a Life. The character Elliott played, Chris Peterson, a 30-year-old paperboy, was not a far cry from his previous television personae. Peterson was a dimwitted, balding, doughy, sarcastic, celebrity-worshipping dolt, with a hilariously high degree of self-regard. He was an utter failure who somehow convinced himself he was doing great. Bob Elliott played Chris Peterson's father on the show. The mucky mucks at the fledgling Fox network didn't understand the show, and were hoping Peterson would be cuddlier. Elliott would later remember a network exec optimistically comparing the character to "Tom Hanks in Big." The show had disastrous ratings. Despite support from savvier TV critics, Fox gave up on the show quickly, and canceled Get a Life after two seasons. The show had gained a passionate cult following and some episodes were eventually released on DVD and syndicated briefly on the USA Network. Get a Life was later recognized for its influence on other, more successful programs, including The Simpsons and South Park.Elliott also had key supporting roles in the smash hit Groundhog Day, opposite Bill Murray, and in the unsuccessful rap mockumentary CB4 with Chris Rock. In 1994, he joined the cast of Saturday Night Live. Despite the addition of other talented comic actors (Randy Quaid, Michael McKean, and Janeane Garofalo), it was a dismal season, and Elliott was put off by the lack of collaborative spirit among some of the long-term cast members. He moved on after one season.This was also the period of Elliott's greatest professional disappointment -- the failure of the feature film he co-wrote and starred in, Cabin Boy. His frequent collaborator Adam Resnick co-wrote the film, and, at the urging of producer Tim Burton, also directed it. Letterman makes a brief, but very funny cameo appearance. The film has developed a small cult following, particularly among devotees of Get a Life, but it was a box-office flop. While the filmmakers themselves have acknowledged that Cabin Boy fell short of their expectations, Elliott was stung by the viciousness of the reviews. Elliott went through a creative dry spell after this, appearing in a recurring role in the Tea Leoni sitcom Flying Blind, and gaining more national visibility as a spokesman for Tostitos snack chips. He also continued making guest appearances on a variety of sitcoms. Since then, Elliott has appeared in supporting roles in a number of silly comedies (Snow Day, sequels to The Nutty Professor, and Scary Movie) and has developed a fruitful relationship with the Farrelly brothers, appearing in Kingpin, Osmosis Jones, and, most notably, in their smash hit, There's Something About Mary. He was also heard as the voice of Dogbert on the short-lived animated series, Dilbert, and he was a regular on the appropriately named, ill-fated Steven Weber series, Cursed.

Trivia: Broadway-to-Hollywood transplant Jason Antoon is no stranger to the hardships of show business. Raised in Pacific Palisades and Sherman Oaks, CA, he moved to Pittsburgh after graduating high school in order to study drama at Carnegie Mellon University. After earning his Bachelor's of Fine Arts in 1994, he relocated to New York City to begin his professional acting career. Unfortunately, paying gigs were few and far between and when Antoon did work it was most likely as a guest star or an understudy. He appeared in small roles on Fox's New York Undercover, ABC's Spin City, and NBC's Law & Order, as well as in the television film Path to Paradise: The Untold Story of the World Trade Center Bombing (1997). On-stage, he served as standby for the leads in Steve Martin's Picasso at the Lapin Agile and the Roundabout Theater Company's Scapin. Antoon earned his breakout role in 2000, when Susan Stroman cast him as a principal performer in her innovative dance play, Contact. The Broadway production won the 2000 Tony Award for Best Musical and Antoon earned a Drama Desk Award nomination for his work. Many theater critics openly felt that he was unfairly shut out of the Tony nominations. When Antoon's contract ended in the winter of 2001, he left Contact to return to television and film. He appeared on the East Coast-based shows A&E's 100 Centre Street, NBC's Ed, and HBO's Sex and the City before leaving for Los Angeles. Antoon's career hit a snag when NBC did not pick up his sitcom pilot, "Count Me In," for its fall season and Paramount delayed his major feature-film debut, Phil Alden Robinson's The Sum of All Fears (2002), from its 2001 release. Antoon remained in Hollywood, even when asked by Contact director Stroman to audition for the part of Ali Hakim in the Broadway revival Oklahoma! His decision quickly paid off: The Sum of All Fears, which starred Morgan Freeman and Ben Affleck, opened at number one in the box office in the spring of 2002. Barely a month later, Antoon delivered a scene-stealing performance as an eccentric cyber parlor owner opposite Tom Cruise in Steven Spielberg's Minority Report (2002). Well on his way to becoming a recognizable supporting actor, the actor went on to appear alongside Hugh Grant and Sandra Bullock in the romantic comedy Two Weeks Notice (2002).

Trivia: One of Hollywood's most steadily employed character actresses, Caroline Aaron has appeared in an impressive array of films for some of the industry's most esteemed directors. A native of Richmond, VA, where she was born August 7, 1952, Aaron made her film debut as a waitress in John Sayles' Baby, It's You (1982). Her subsequent film credits include Sayles' Brother From Another Planet (1984), Mike Nichols' Heartburn (1986), Working Girl (1988), and Primary Colors (1998); Woody Allen's Crimes and Misdemeanors (1989), Alice (1990), Husbands and Wives (1992), and Deconstructing Harry (1997); Nora Ephron's Sleepless in Seattle (1993), and Wayne Wang's Anywhere but Here (1999). In 2000, she popped up in Nichols' alien comedy What Planet Are You From? and Don Roos' romantic drama Bounce, co-starring Ben Affleck and Gwyneth Paltrow.Aaron has also acted extensively on television and the stage. Within the former medium, she has guest starred on such popular series as Mad About You and Law & Order, while she has appeared on-stage in such acclaimed works as the Broadway production of The Iceman Cometh and the national tour of Wendy Wasserstein's The Sisters Rosensweig.

Trivia: Grew up in Chatham, a small town in upstate New York.First audition was for the HBO comedy drama series Girls and she won the part of Staten Island Girl in the 2013 episode "Boys."First theatrical film credit was Yara in the 2014 horror film It Follows.Curated and produced East Village art program The Quarterly Arts Soirée at Webster Hall.Has had recurring and main roles in Orange Is the New Black, The Deuce and Channel Zero: Butcher's Block.

Trivia: Her mother, Mary Westbrook-Geha, is a noted American mezzo-soprano and choral director. Named Miss Vermont and participated in the Miss Teen USA pageant in 2004. Selected as a semi-finalist for the Beauty at All Ages shoot with e.l.f. cosmetics. Appeared in a short film for Bionda Castana that featured David Gandy, and modeled for Hanes, Randi Rahm Bridal and Swimco. Featured in Beyonce's music video for "Pretty Hurts" in 2014.

Trivia: Performed in numerous productions at Yale University's School of Drama, including A Midsummer Night's Dream, Little Shop of Horrors and Angels in America. Appeared in several short films before landing guest roles on Blue Bloods and Person of Interest. Big break came in 2012 when she was cast as a surgical intern on the CW drama Emily Owens, M.D.

Trivia: Born in a small town just outside of Chicago, IL, performer Keke Palmer initially gravitated to singing as a young child, but soon landed a memorable screen role as the niece of Queen Latifah in the urban comedy Barbershop 2: Back in Business (2004). Palmer turned to acting given the success of this first assignment; its positive reception prompted the budding actress' family to relocate to Southern California and doubtless helped open the doors that led to Palmer's first lead portrayal. She played Akeelah, the 11-year-old daughter of a single parent who ascends through the ranks of spelling bee competitions, in the sleeper hit Akeelah and the Bee (2006). Palmer subsequently teamed up with director Tyler Perry twice, first with a role in his comedy Madea's Family Reunion, then with a guest spot on his series Tyler Perry's House of Payne, and landed the lead role in the teen movie musical Jump In! (2007), a made-for-television picture about two adolescents who compete against one another in a rope-skipping competition.

Trivia: Was awarded the Raul Julia Prize for Excellence at The Julliard School.Is an Ensemble Studio Theatre member.Has training in law enforcement tactical weapons.Also writes and composes music.Made his Broadway debut as George Murchison in Lorraine Hansberry's A Raisin In The Sun.

Trivia: Thespian Steven J. Kaplan gravitated to the dramatic arts as early as elementary school, when he began enrolling in acting classes at the local Play Group Theatre and promptly discovered his life's calling. During adolescence, he landed a series of commercials on the Nickelodeon children's network, plus a guest spot on Law & Order, meanwhile enrolling in the drama program at NYU's famed Tisch School for the Arts and securing representation. Extracurricular hours found Kaplan honing his craft at two highly esteemed local events, The New York International Fringe Festival and Young Connecticut Playwrights Festival. His big break arrived during the summer of 2008, when his agent phoned (amid Kaplan's birthday celebration with friends) and promptly informed the excited young man that he had landed one of the leads in a mainstream feature, Bart Got a Room (2008), opposite heavyweights William H. Macy (Homicide) and Cheryl Hines (Waitress). In the film, Kaplan played Danny Stein, a socially maladroit teenager struggling to find a date for the upcoming prom.