Trivia: The son of a wealthy California businessman, Robert Stack spent his teen years giving skeet shooting lessons to such Hollywood celebrities as Carole Lombard and Clark Gable; it was only natural, then, that he should gravitate to films himself after attending the University of Southern California. At age 20, he made his screen debut in Deanna Durbin's First Love (1939) in which he gave his teenaged co-star her very first screen kiss. Two years later he appeared opposite his former "pupil" Carole Lombard in the Ernst Lubitsch classic To Be or Not to Be (1942). After serving with the navy in WWII he resumed his film career, avoiding typecasting with such dramatically demanding film assignments as The Bullfighter and the Lady (1951), The Tarnished Angels (1957), and John Paul Jones (1959). He earned an Academy Award nomination for his performance as a self-destructive alcoholic in Written on the Wind (1956). In 1959 he gained a whole new flock of fans when he was cast as humorless federal agent Elliot Ness in TV's The Untouchables, which ran for four seasons and won him an Emmy award. He continued playing taciturn leading roles in such TV series as Name of the Game (1969-1971), Most Wanted (1976-1977), and Strike Force (1981), and from 1987 to 2002 was the no-nonsense host of the TV anthology Unsolved Mysteries. Not nearly as stoic and serious in real life, Stack was willing to spoof his established screen image in Steven Spielberg's 1941 (1979) and Zucker-Abraham-Zucker's Airplane! (1980). The warmer side of Robert Stack could be glimpsed in the TV informational series It's a Great Life (1985), which he hosted with his wife Rosemarie, and in his 1980 autobiography, Straight Shooting. Though film appearances grew increasingly sporatic through the 1990s, Stack remained a familiar figure to television viewers thanks to syndicated reruns of Unsolved Mysteries well into the new millennium. Memorable film roles in 1990s included lending his voice to Beavis and Butthead Do America (1996) and appearing as himself in the 1999 comedy drama Mumford. In October of 2002 Stack underwent successful radiation treatment for prostate cancer. On May 14, 2003, Robert Stack's wife Rosemarie found the actor dead in their Los Angeles home. He was 84.

Trivia: John Hodiak began his radio acting career in Detroit, where he'd previously worked in the warehouse at the Chevrolet motor company. Signed to an MGM contract in 1942, Hodiak did some of his best work on loan-out to 20th Century-Fox, where he appeared as a communist stoker in Hitchcock's Lifeboat (1944) and as the humanitarian US army officer in A Bell for Adano (1945). Putting his film career on the back burner in the 1950s, Hodiak made several notable Broadway appearances; he originated the role of Lieutenant Maryk in Herman Wouk's The Caine Mutiny Court Martial. From 1946 through 1953, Hodiak was married to actress Anne Baxter. While shaving in his Tarzana, California home, 41-year-old John Hodiak suffered a sudden and fatal heart attack.

Trivia: The exotic-looking daughter of silent star Don Alvarado, Joy Page is best remembered for playing newlywed Annina Brandel in Casablanca (1942). She came to the small but memorable role by way of nepotism, though, her mother, Ann Alvarado, having married studio boss Jack Warner. In the long run, the familial relationship with Warner Bros. became more of a hindrance than a help and Page's subsequent screen career proved decidedly anticlimactic and was mostly spent in programmers. In 1945, she married actor William Orr, who was created a producer almost overnight, a circumstance that occasioned the often quoted dig that "the son-in-law also rises." Orr was later put in charge of Warner Bros.' television division and Mrs. Orr starred opposite Leslie Nielsen in the first season of Walt Disney's Swamp Fox (1959), her final professional appearance. She was the mother of television writer-producer Gregory Orr.

Trivia: A law student at the University of Madrid, Fortunio Bonanova switched his major to music at Madrid's Real Conservatory and the Paris Conservatory. Bonanova inaugurated his operatic career as a baritone at the age of 17. By age 21 he was in films, producing, directing and starring in a silent production of Don Juan (1921). He spent most of the 1920s singing at the Paris opera and writing books, plays and short stories; he arrived in America in 1930 to co-star with Katherine Cornell on Broadway. At the invitation of his friend Orson Welles, Bononova portrayed the feverish singing teacher Signor Matisti in Welles' Citizen Kane (1941). Fortunio Bonanova remained gainfully employed in Hollywood as a character actor into the early 1960s.

Trivia: Amapola Del Vando appeared in many Hollywood films between the 1930s and late 1960s. A native of Spain, she immigrated to California at age nine and started out working in local theaters during the late '20s. After appearing in a few films during the early '30s, Del Vando also began working for Central Casting where she was instrumental in promoting Latino actors. Later she became a technical adviser and specialist in Latin American music for the major studios. During the 1950s Del Vando appeared in a few television shows ranging from I Love Lucy to Fiesta Kitchen.

Trivia: Character actor John Crawford has appeared on screen in many films since 1945.

Trivia: Actor Edward Hearn's Hollywood career extended from 1916 to 1951. A leading man in the silent era, Hearn was seen in such roles as Philip Nolan, the title character in Man without a Country (1925). His first talkie effort was Frank Capra's The Donovan Affair (1929). Capra never forgot Hearn, securing minor roles for the actor when his star faded in the early 1930s. Edward Hearn spent his last two decades in films playing dozens of cops, jurors, and military officers, essaying bits in features and supporting roles in serials and short subjects.

Trivia: A grandson of the legendary Apache chief Geronimo, Charles Stevens (often billed as Charles "Injun" Stevens because of his ethnic background) made his film bow as an extra in The Birth of a Nation (1915). The close friend and "mascot" of cinema idol Douglas Fairbanks Sr., Stevens appeared in all but one of Fairbanks' starring films, beginning with 1915's The Lamb. He was often seen in multiple roles, never more obviously than in Fairbanks' The Black Pirate (1926). His largest role during his Fairbanks years was Planchet in The Three Musketeers (1921) and its sequel The Iron Mask (1929). In talkies, Stevens was generally cast as a villain, usually an Indian, Mexican, or Arab. Outside of major roles in early sound efforts like The Big Trail and Tom Sawyer (both 1930), he could be found playing menacing tribal chiefs and bandits in serials and B-pictures, and seedy, drunken "redskin" stereotypes (invariably named Injun Joe or Injun Charlie or some such) in big-budget films like John Ford's My Darling Clementine (1946). He was also much in demand as a technical adviser on Native American lore and customs. Charles Stevens remained active until 1956, 17 years after the death of his pal and mentor Doug Fairbanks.

Trivia: Burly 6'2", 200 pound Bob Reeves, a Texan, was a rodeo champion and stunt double at Universal until a prominent role in the action-packed serial The Great Radium Mystery (1919) paved the way for a starring series of 2-reel westerns. A bit bland as an action lead, Reeves nevertheless worked steadily through the 1920s for small Gower Gulch outfits like Cactus Features and Anchor. Reeves vehicles such as Cyclone Bob (1926), Desperate Chances (1926), Fighting Luck (1926) and Iron Fist (1926) had no production values whatsoever, suffered from nondescript direction (often old hacks like J.P. McGowan), and were saddled with amateurish supporting casts. But they almost always offered non-stop action and were usually filmed on locations in real-life California villages. Unfortunately, Hollywood suffered a glut of inexpensive western fare in the mid 1920s, and Reeves was demoted to minor supporting roles by the time talkies came around. He continued in films for another three decades or so, playing scores of henchmen, cops, security guards, or simply a face in the crowd, rarely billed but always a welcome presence in films ranging from The Amazing Dr. Clitterhouse (1939; he played a policeman) to Canadian Mounties vs. Atomic Invaders (1953; as a bartender). Bob Reeves died of a heart attack in his Los Angeles home in 1960.