Trivia: Over the course of his extraordinary life, Audie Murphy went from being a poor Texas sharecropper's son to America's most decorated WWII hero to a popular Western and action movie star. Though he died in 1971, his accomplishments are still commemorated in a variety of ways that range from his native Hunt County's annual Audie Murphy Day celebration to his induction into the National Cowboy Hall of Fame and the Country Music Association of Texas. His name also appears on a VA hospital, a library room, a stretch of U.S. Highway 69 in Texas, and a San Antonio division of the Army. Murphy was born to a family of cotton growers near Kingston, TX. Boyish-looking and slender, he appeared an unlikely war hero, but while stationed in Europe with his infantry unit, Murphy was credited with killing 240 Germans, was promoted to lieutenant, and earned at least 24 medals, including a Purple Heart for a gunshot wound that shattered his hip and the coveted Congressional Medal of Honor. Following the war, Murphy worked as a clerk and a garage attendant before James Cagney invited him to his Hollywood home. Murphy stayed for 18 months and made his screen debut in Beyond Glory (1948), playing a guilt-ridden soldier. He had his first starring role in Bad Boy (1949) and was praised for his naturalistic acting style. Some critics chided him for only playing himself, but Murphy never claimed any acting ability. For audiences impressed with his war record and charmed by his charisma, Murphy playing himself was enough to sustain his busy film career for two decades. By the early '50s, Murphy was appearing in second-string Westerns. In 1953, distinguished director John Huston, whom Murphy regarded as a friend and mentor, starred him as the young soldier in his adaptation of Stephen Crane's The Red Badge of Courage (1953). He would again work with Huston in 1960s' The Unforgiven. In 1955, Murphy appeared in his signature film, To Hell and Back, a chronicle of his war experiences based on his published autobiography. This film's box-office success allowed Murphy to appear in larger-budget films through the early '60s when he once again returned to B-movies. All told, during his heyday, Murphy worked with some of the era's most prominent stars including Jimmy Stewart, Broderick Crawford, and Audrey Hepburn. But while Murphy's professional life flourished, he had to grapple with some tough situations in his personal life. In the late '60s, an Algerian oil field he'd purchased was blown up during the Seven Day War. Murphy lost around 250,000 dollars. In 1970, he was tried and acquitted for beating up and threatening to kill a man during a heated fight, the precise circumstances of which remain muddled. Despite this courtroom victory, rumors circulated that Murphy was suffering personal problems resulting from his war experiences. Murphy was once briefly married to actress Wanda Hendrix with whom he had appeared in Sierra (1950). In 1951, Murphy married Pamela Archer and they remained happily wed until he accidentally crashed his plane into a Virginia mountainside on Memorial Day 1971. Murphy was given a full military burial and was interred in Arlington Cemetery.

Trivia: The daughter of a California dry-cleaning establishment owner, Gloria Talbott was dancing and singing almost from the time she could walk and talk. As a child and adolescent, she played unbilled bits in such films as Maytime (1937) and A Tree Grows in Brooklyn (1945). During her teen years, she won a high school acting trophy, and was voted "Miss Glendale" in 1947. Her first big professional break was in a Los Angeles stage production of One Fine Day, which starred the screen team of Charles Ruggles and Mary Boland. Restarting her film career in 1953, Talbott's first screen role of consequence was as the daughter of Leo G. Carroll and Joan Bennett in the delightful "comedy of murders" We're No Angels (1955). She truly came into her own as the nervous but self-reliant heroine of such B horror gems as The Cyclops (1957), The Daughter of Dr. Jekyll (1957), I Married a Monster from Outer Space (1957) and The Leech Woman (1960). On a less fearsome note, she was seen in the recurring role of Abbie Crandall on the 1950s TV western Wyatt Earp. Though it might appear to the casual viewer that Talbott accepted any role that came her way, the claustrophobic actress was known to turn down parts that required her to swim underwater or to be trapped in small, enclosed places. She retired from acting in 1966 to spend more time with her family, emerging publicly only to appear at various science-fiction and nostalgia conventions around the country. In 1985, Gloria was co-starred with several other horror-flick veterans in the tongue-in-cheek thriller Attack of the B-Movie Monsters.

Trivia: Actor Michael Dante was first seen in a secondary role in Somebody Up There Likes Me (1956). A bit too "threatening" for romantic leads, Dante was more effectively cast in antagonistic roles, notably Chief Crazy Horse in the 1967 TV series Custer and the 1990 theatrical feature Crazy Horse and Custer: The Untold Story. Even when ostensibly cast as a good guy in Samuel Fuller's The Naked Kiss (1965), he turned out to be a heel in the film's final scenes. Star Trek devotees will recall Michael Dante as Maab in the 1967 episode "Friday's Child."

Trivia: From adolescence on, Ben Cooper was an actor on both the stage and in radio. After attending Columbia University, Cooper began his film career with 1950's Side Street. A low-key actor, Cooper fluctuated between heroes and villains, mostly in westerns, until retiring from films in 1961. Ben Cooper also popped up in secondary roles on many TV anthologies of the so-called "Golden Era."

Trivia: Athletic actor Buster Crabbe, born Clarence Crabbe, grew up in Hawaii where he developed into a first-rate swimmer and athlete, going on to win the gold medal in 400-meter swimming at the 1932 Olympics (he broke the record held by another actor-athlete, Johnny Weissmuller). After the Olympics he found work in Hollywood playing Tarzan, branching out from this character to eventually play Flash Gordon, Billy the Kid, and Buck Rogers, among other action heroes. He became enormously popular with young audiences for his appearances in many serials and action flicks of the '30s and '40s, and ultimately starred in over 100 films. He also made westerns (in the '40s he was teamed with sidekick Al "Fuzzy" St. John), and was on the list of Top Ten Western Stars at the box office in 1936. Crabbe went on to star in the '50s TV series Captain Gallant, which also featured his son Cullen "Cuffy" Crabbe. He considerably slowed down his acting output in the '50s and '60s, becoming the athletic director for a resort hotel in the Catskills and investing in the swimming pool business. He also authored Energetics, a book on physical fitness for people over 50. Crabbe later returned to the screen once, for a large role in The Alien Dead (1980).

Trivia: One of many handsome studio contractees of the '50s, American actor Ray Stricklyn seldom rose any farther than "second lead" status. After a few years' stage work and his film debut in Paramount's Proud and the Profane (1956), Stricklyn signed with 20th Century-Fox, where he offered steadfast support to such larger luminaries as Richard Widmark (The Last Wagon [1956]), Gary Cooper (Ten North Frederick [1957]) and Claude Rains (The Lost World [1960]). Good-looking in an assembly line way, Stricklyn was a stalwart of second-feature westerns in the '60s like Young Jesse James (1960) and Arizona Raiders (1965). Ray Stricklyn never quite achieved full stardom, but it certainly wasn't from lack of exposure.

Trivia: In films from the early 1930s, Fred Graham was one of Hollywood's busiest stunt men and stunt coordinators. A fixture of the Republic serial unit in the 1940s and 1950s, Graham was occasionally afforded a speaking part, usually as a bearded villain. His baseball expertise landed him roles in films like Death on the Diamond (1934), Angels in the Outfield (1951) and The Pride of St. Louis (1952). He was also prominently featured in several John Wayne vehicles, including She Wore a Yellow Ribbon (1949), The Fighting Kentuckian (1949), The Horse Soldiers (1959) and The Alamo (1960). After retiring from films, Fred Graham served as director of the Arizona Motion Pictures Development Office.

Trivia: Expert horseman Boyd "Red" Morgan entered films as a stunt man in 1937. Morgan was justifiably proud of his specialty: falling from a horse in the most convincingly bone-crushing manner possible. He doubled for several top western stars, including John Wayne and Wayne's protégé James Arness. He could also be seen in speaking roles in such films as The Amazing Transparent Man (1959), The Alamo (1960), True Grit (1968), The Wild Rovers (1969) and Rio Lobo (1970). According to one report, Boyd "Red" Morgan served as the model for the TV-commercial icon Mister Clean.

Trivia: One of the kings of B-movies, William Witney is rapidly achieving recognition at the end of the 20th century as an unheralded master of the action film. Born in Lawton, OK, Witney came to movies as a messenger boy, and gradually worked his way up the ladder at Republic Pictures. In 1936, he was on the site of the location shooting for The Painted Stallion, which had run into serious shooting delays, when he was ordered to take over directing the serial; Witney finished it on time and on budget, and for the next six years was one of the studio's three most reliable makers of chapterplays, along with Spencer Bennet and John English, with whom he frequently worked.Witney's serials were all characterized by breathtaking action sequences, seamlessly mated to well-played scenes depicting character development, which accounts for the fact that they continue to play well for modern audiences. His major contribution to action films derived from his innovative way of shooting fight scenes. After watching the way that choreographer Busby Berkeley broke his dances into segments, Witney did the same with his fight scenes, breaking them into shots lasting less than two minutes before changing his set-ups and giving his stunt men a rest; in that way, they could work full-out in every shot and put that much more into their work. Witney augmented this effect by undercranking the camera slightly -- that is, running the film slightly slowed down -- so that when projected at normal speed the action seemed even more furious, and his resulting fight scenes are amazing to watch. In 1946, after a stint in the U.S. Navy, Witney returned to Republic but declined to pursue serial work. Instead, he was assigned to take over the shooting of Roy Rogers' movies, which had fallen into a rut and were in danger of losing popularity. Witney put the action back into them and brought Rogers and the studio continued success into the mid-'50s.Witney's most popular feature films are The Master of the World, starring Vincent Price and Charles Bronson, and The Bonnie Parker Story, starring Dorothy Provine, and the latter is considered something of a B-movie classic, and his exploitation movies Juvenile Jungle and The Cool and the Crazy also have cult followings. But his most enduring work, for those familiar with the genre, can be found in the Republic serials Nyoka and the Tigermen, Jungle Girl, and Spy Smasher. All of them display boundless energy and a lean, eloquent focus on character that never slows down the narrative. Although Witney himself would be the first to deny any artistic intentions, he is a master stylist within the action genre.