Trivia: Starting out as a child evangelist, Marjoe Gortner spent 25 energetic years preaching on the religious-revival circuit. In the early 1970s, Gortner turned his back on all that, summing up his new philosophy in the tell-all 1972 documentary Marjoe. He made his acting debut as a sex killer in the made-for-TV The Marcus/Nelson Murders (1973), then fluctuated between good and bad guys in such films as The Gun and the Pulpit (1974), Earthquake (1974), Bobbie Jo and the Outlaw (1976) and When You Comin' Back, Red Ryder? (1979). Touted by Columbia's publicity department as the embodiment of "magnetic masculinity," Gortner never caught on as a leading man; his most impressive achievements in the past 20 years have been in the field of fundraising. Still, Marjoe Gortner has kept his hand in moviemaking into the 1990s, accepting supporting roles in films like Fire, Ice and Dynamite (1991) and Wild Bill (1995).

Trivia: Big-framed character actor (and sometime leading man) David Huddleston worked in virtually every film and television genre there is, from Westerns to crime dramas to science fiction. Born in Vinton, Virginia, he attended the Fork Union Military Academy before entering the United States Air Force, where he received a commission as an officer. After returning to civilian life, Huddleston enrolled in the American Academy of Dramatic Arts. He made his television debut in 1961, at age 31, in an episode of the Western series Shotgun Slade. Two years later, the actor made his first big-screen appearance with a small role in All the Way Home (1963). A year later, he showed up in Black Like Me; and in 1968, Huddleston was back on the big screen in the thriller A Lovely Way to Die. He got considerably busier in the years that followed, mostly on television series such as Adam 12, Then Came Bronson, and Room 222, in roles of ever-increasing size. These were broken up by the occasional film job, of which the most notable at the time was the part of the comically helpful town dentist in Howard Hawks' Western Rio Lobo (1970), which gave Huddleston some extended (and humorous) screen-time alongside John Wayne. At the time, his feature-film work was weighted very heavily toward Westerns, while on television Huddleston played everything from service-station attendants to teachers to devious executives, primarily in crime shows. With his deep voice and prominent screen presence, plus a sense of humor that never seemed too far from his portrayals -- even of villains -- Huddleston was one of the busier character actors of the 1970s. Indeed, 1974 comprised a year of credits that any actor in the business could envy: John Wayne used Huddleston in McQ, one of the aging star's efforts to get away from Westerns, but Huddleston was back doing oaters in Billy Two Hats and aided Mel Brooks in parodying the genre in Blazing Saddles (all 1974). As comical as Huddleston could be, he could play sinister equally well, as he proved in Terence Young's The Klansman (1974) -- and that doesn't even count his television roles. By the end of the 1970s, he had graduated to a starring role in the series Hizzoner (1979), about a small-town mayor; and in the 1980s he had recurring roles in series such as The Wonder Years. Huddleston's big-screen breakthrough came with the title role in Santa Claus: The Movie (1985), and he became a ubiquitous figure on the small screen with a series of orange-juice commercials. His subsequent big-screen appearances included Frantic (1988) and The Big Lebowski (1998), playing the title character, and he continued working into the first decade of the 21st century. In 2004, Huddleston essayed one of the most interesting and challenging roles of his screen career, in the short film Reveille. Working without dialogue alongside James McEachin (with whom he'd previously worked in the series Tenafly), he helped tell the story of a sometimes comical, ultimately bittersweet rivalry between two veterans of different armed services. Huddleston died in 2016, at age 85.

Trivia: Though he spoke most of his movie dialogue in a slow Western drawl, actor Slim Pickens was a pure-bred California boy. An expert rider from the age of four, Pickens was performing in rodeos at 12. Three years later, he quit school to become a full-time equestrian and bull wrangler, eventually becoming the highest-paid rodeo clown in show business. In films since 1950's Rocky Mountain, Pickens specialized in Westerns (what a surprise), appearing as the comic sidekick of Republic cowboy star Rex Allen. By the end of the 1950s, Pickens had gained so much extra poundage that he practically grew out of his nickname. Generally cast in boisterous comedy roles, Pickens was also an effectively odious villain in 1966's An Eye for an Eye, starting the film off with a jolt by shooting a baby in its crib. In 1963, director Stanley Kubrick handed Pickens his greatest role: honcho bomber pilot "King" Kong in Dr. Strangelove. One of the most unforgettable of all cinematic images is the sight of Pickens straddling a nuclear bomb and "riding" it to its target, whooping and hollering all the way down. Almost as good was Pickens' performance as Harvey Korman's henchman in Mel Brooks' bawdy Western spoof Blazing Saddles (1974). Slim Pickens was also kept busy on television, with numerous guest shots and regular roles in the TV series The Legend of Custer, B.J. and the Bear, and Filthy Rich.

Trivia: A professional model since high school, Pamela Sue Martin began appearing in theatrical films in 1971. She achieved stardom in the 1977 TV series The Hardy Boys/Nancy Drew Mysteries, playing Carolyn Keene's teenaged sleuth Nancy Drew. Quitting the series over creative difference, Martin began cultivating a sexier, more adult screen image in films like The Lady in Red. She spent much of the early 1980s in the role of Fallon Carrington Colby in the prime-time TV serial Dynasty; her character wound up being killed in a car crash, only to be revived in the person of Emma Samms on the Dynasty spin-off The Colbys. In 1984, Pamela Sue Martin both starred in and co-scripted the feature film Torchlight.

Trivia: Specializing in playing fanatical or neurotic women, character actress Estelle Parsons has found success on stage, screen, and television, particularly in the latter venue where she is best remembered for playing Roseanne Arnold's screechy, lunatic mother on Roseanne (1988-1997). In show business, Parsons started out as a production assistant and then a staff writer on NBC's Today show, where she was eventually promoted to feature producer.Parsons launched her acting career on-stage in the late '50s. She went on to appear on and off-Broadway and in stock theater, specializing in satirical reviews. The actress made her film debut with a small role in Ladybug, Ladybug (1963). Four years later, she won an Oscar for her portrayal as Blanche in Bonnie and Clyde (1967). She earned a second Oscar nomination for playing a religious fanatic in Rachel, Rachel the following year. Parsons has appeared in many made-for-television movies, notably The UFO Incident (1977), in which she played a woman convinced that she and her husband (played by James Earl Jones) had been abducted by aliens. But for her long stint as a semi-regular on Roseanne, Parsons prefers the stage; her film and television appearances remain sporadic.