Trivia: Steely jawed, hard bodied, terse in speech, Charlton Heston was an American man's man, an epic unto himself. While he played modern men, he was at his best when portraying larger-than-life figures from world history, preferably with his shirt off. He was born John Charles Carter on October 4, 1924 and originally trained in the classics in Northwestern University's drama program, gaining early experience playing the lead in a 1941 filmed school production of Peer Gynt. He also performed on the radio, and then went on to serve in the Air Force for three years during WWII. Afterwards, he went to work as a model in New York, where he met his wife, fellow model Lydia Clarke, to whom he remained married until his death. Later the two operated a theater in Asheville, North Carolina where Heston honed his acting skills. He made his Broadway debut in Katharine Cornell's 1947 production of Anthony and Cleopatra and subsequently went on to be a staple of the highly-regarded New York-based Studio One live television anthology where he played such classic characters as Heathcliff, Julius Caesar and Petruchio. The show made Heston a star. He made his Hollywood film debut in William Dieterle's film noir Dark City playing opposite Lizabeth Scott. Even though she was more established in Hollywood, it was Heston who received top billing. He went on to appear as a white man raised in Indian culture in The Savage (1952) and then as a snob who snubs a country girl in King Vidor's Ruby Gentry (1952). His big break came when Cecil B. DeMille cast him as the bitter circus manager Brad Braden in The Greatest Show on Earth (1952). In subsequent films, Heston began developing his persona of an unflinching hero with a piercing blue-eyed stare and unbending, self-righteous Middle American ethics. Heston's heroes could be violent and cruel, but only when absolutely necessary. He began a long stint of playing historical characters with his portrayal of Buffalo Bill in Pony Express and then Andrew Jackson in The President's Lady (both 1953). Heston's star burned at its brightest when DeMille cast him as the stern Moses in the lavish The Ten Commandments (1956). From there, Heston went on to headline numerous spectaculars which provided him the opportunity to play every one from John the Baptist to Michelangelo to El Cid to General "Chinese" Gordon. In 1959, Heston won an Academy Award for the title role in William Wyler's Ben Hur. By the mid-1960s, the reign of the epic film passed and Heston began appearing in westerns (Will Penny) and epic war dramas (Midway). He also did sci-fi films, the most famous of which were the campy satire Planet of the Apes (1968), The Omega Man (1970) and the cult favorite Soylent Green (1973). The '70s brought Heston into a new kind of epic, the disaster film, and he appeared in three, notably Airport 1975. From the late '80s though the '90s, Heston has returned to television, appearing in series, miniseries and made-for TV movies. He also appeared in such films as Kenneth Branagh's Hamlet (1996) and 1998's Armageddon (as the narrator).Outside of his film work, Heston served six terms as the president of the Screen Actors Guild and also chaired the American Film Institute. Active in such charities as The Will Rogers Institute, he was awarded the Jean Hersholt Humanitarian Award at the 1977 Oscar ceremony. Known as a conservative Republican and proud member of the National Rifle Association, Heston worked closely with his long-time colleague and friend President Ronald Reagan as the leader of the president's task force on arts and the humanities. He made two of his final film appearances in the disastrous Warren Beatty-Diane Keaton sex farce Town and Country (2001) (in a parodistic role, as a shotgun wielding arsonist who burns Beatty's cabin to the ground) and as himself in Michael Moore's documentary Bowling For Columbine (2002) (in which he stormed out of an interview after Moore pummeled him with gun-related questions). Heston died in the spring of 2008 at age 84; although the cause of death was officially undisclosed, he had revealed several years prior that he was suffering from Alzheimer's Disease.

Trivia: The sister of Judith Exner -- the reputed mistress of both a president and mob kingpin -- brunette starlet Susan Morrow is best remembered for co-starring in two of the most ridiculous sci-fi thrillers of the 1950s: the poverty-stricken Republic serial Canadian Mounties vs. Atomic Invaders (1953) and the hilariously inept Cat Women of the Moon (1954). Her final big-screen appearance was in the 1958 gimmick horror film Macabre. Morrow retired after a 1960 segment of television's Lawman, although was later seen in the 1966 TV-movie Missile Base at Taniak, a feature version (and assembled from episodes) of the old Canadian Mounties serial.

Trivia: Supporting actor Richard Rober came to films in 1947 most often playing character bits, frequently unbilled, at 20th Century-Fox. His one-and-only film starring role was as Sheriff Ben Kellogg in United Artists' The Well (1950), a low-budget but well-intentioned plea for racial tolerance. Richard Rober was 46 years old when he was killed in an automobile accident in 1952; he made his last screen appearance five years later, when producer Howard Hughes finally released his 1950 production Jet Pilot.

Trivia: After a few seasons of stage work, Don Porter signed a Universal Pictures contract in 1939. Porter spent most of his screen time at Universal as a general-purpose actor: he was most interestingly cast in Abbott and Costello's Who Done It? (1942), energetically participating in the film's slapstick climax. In the postwar years, Porter played many a stuffed-shirt businessman, often with a few illegal irons in the fire. On television, he played Ann Sothern's eternally flummoxed boss, theatrical agent Peter Sands, in the long-running (1953-57) sitcom Private Secretary (aka Susie). When Sothern decided to make a few alterations in her subsequent Ann Sothern Show(1958-61), she brought in her old friend and colleague Porter to play another boss, hotelier James Devery. In 1963, Porter was cast as Gidget's dad Mr. Lawrence in the theatrical feature Gidget Goes to Rome (1963); this led to his being recast in the same role on the 1965 TV version of Gidget starring Sally Field. One of Porter's more rewarding post-Gidget assignments was the part of the teflon-coated Republican incumbent in Robert Redford's The Candidate. Don Porter was married to actress Peggy Converse. Porter passed away in Los Angeles at age 84.

Trivia: Before his motion picture career DeCorsia was a radio actor ("March of Time," "That Hammer Guy," "The Shadow"). He made his film debut in 1948 with The Lady from Shanghai. DeCorsia generally played lead villain roles (Enforcer, Naked City, Slightly Scarlet) or he occasionally parodied those villainous types (Kettles in the Ozarks, Dance With Me Henry).

Trivia: Flint-eyed American character actor Ian MacDonald began appearing in films in 1941. The war interrupted MacDonald's screen career, but he was back at his post in 1947. Nearly always a villain on-screen, his most celebrated role was Frank Miller, the vindictive gunman who motivates the plot of High Noon (1952). Likewise memorable were his portrayals of Bo Creel in White Heat (1949) and Geronimo in Taza, Son of Cochise (1954). In films until 1959, Ian MacDonald also occasionally dabbled in screenwriting.

Trivia: Milburn Stone got his start in vaudeville as one-half of the song 'n' snappy patter team of Stone and Strain. He worked with several touring theatrical troupes before settling down in Hollywood in 1935, where he played everything from bits to full leads in the B-picture product ground out by such studios as Mascot and Monogram. One of his few appearances in an A-picture was his uncredited but memorable turn as Stephen A. Douglas in John Ford's Young Mr. Lincoln. During this period, he was also a regular in the low-budget but popular Tailspin Tommy series. He spent the 1940s at Universal in a vast array of character parts, at one point being cast in a leading role only because he physically matched the actor in the film's stock-footage scenes! Full stardom would elude Stone until 1955, when he was cast as the irascible Doc Adams in Gunsmoke. Milburn Stone went on to win an Emmy for this colorful characterization, retiring from the series in 1972 due to ill health.

Trivia: American stage actress Angela Clarke entered films in 1949. Though only in her early 40s, Angela cornered the market in grey-haired matriarch roles, usually with accompanying ethnic accent. One of her best-remembered parts in this capacity was Harry Houdini's Jewish mama Mrs. Weiss in Houdini (1953). Clark also made a strong impression as Bob Hope's disapproving Italian aunt-in-law in the 1955 biopic The Seven Little Foys. Angela Clarke was busy in films and TV until the early 1980s, essaying supporting roles in such movies as Blindfold (1966) and Harrad Summer (1974).

Trivia: American general purpose actor Howard Negley made his screen bow as Nelson in 20th Century Fox's Smokey. Negley went on to reasonably prominent character parts in such B-pictures as Charlie Chan in the Trap (1947). For the most part, he played nameless bit parts as police captains, politicians, and reporters. Howard Negley was last seen as the Twentieth Century Limited conductor in Hitchcock's North by Northwest (1959).

Trivia: A stage actor from 1938, American-born Frank Richards made his earliest recorded-film appearance in 1940. Generally cast as stubble-chinned heavies and slick gangsters, he also served as an "art director" for the 1946 Western Rustler's Roundup. More notable among his 200 or so on-camera television credits was his bad-guy role on the 1951 Superman episode "A Night of Terror." Richards' last film was John Cassavetes' A Woman Under the Influence in 1974. He died in 1992.

Trivia: An actor since the age of 15, John Miljan entered films in 1923. Miljan was handsome enough for leading roles, but realized early on that he'd have a longer screen career as a villain, usually an oily "other man" type. The archetypal Miljan performance can be seen in 1927's The Yankee Clipper. In the course of that film, he (a) feigned an injury to avoid heavy work on board ship, (b) fomented a mutiny, then pretended to fight off the mutineers, and (c) hoarded water for himself while the rest of the crew was dying of thirst--and all the while he pledged undying love for the heroine, who stupidly swallowed his line until the last reel. He made his talkie debut in the promotional trailer for The Jazz Singer (1927), ingratiatingly inviting the audience to see the upcoming landmark production. While he continued playing bad guys in the sound era, he was just as often seen as military officers and police inspectors. His slender frame and authoritative air enabled him to play such roles as General Custer in DeMille's The Plainsman (1936) and a character based on General Wainwright in Back to Bataan (1945). John Miljan remained in harness until 1958, two years before his death.

Trivia: Michigan-born actor Michael Tolan is a graduate of Wayne State University. Tolan made his Broadway bow in the original 1955 production of George Axelrod's Will Success Spoil Rock Hunter, then went on to appear in such long-runners as A Hatful of Rain and Romanoff and Juliet. Reportedly in films from 1953 (he is credited in many sources with a bit in Julius Caesar), Tolan has essayed such character roles as Dr. Ballinger in All That Jazz (1980) and Mr. Polhemus in Presumed Innocent (1990). Continually busy on television, Michael Tolan was seen on a weekly basis as resident Dr. Alex Tazinski during the 1964-65 season of The Nurses, and as administrative aide Jordan Boyle on the 1970 Hal Holbrook starrer The Senator.

Trivia: Fresh out of Columbia University, handsome Kirk Alyn auditioned for a Broadway show as a gag , and much to his amazement, landed the role. He went on to appear as a chorus boy in such major musicals of the 1930s as Girl Crazy, Of Thee I Sing, and Hellzapoppin, and took small acting jobs in the Vitaphone two-reelers produced at Warner Bros.' Brooklyn studios. Moving to Hollywood in 1942, he was briefly seen in Columbia's My Sister Eileen (1942) and You Were Never Lovelier (1943), and played leads at PRC and Monogram. From 1946 to 1952, Alyn starred in six Columbia and Republic serials, never more memorably than as the Man of Steel in The Adventures of Superman (1948) and Atom Man Vs. Superman. Though it has been argued that he was more effective as Clark Kent than as Superman, Alyn still enjoys a loyal fan following for his two Superman appearances, reflecting this fact in the title of his 1974 autobiography A Job for Superman. From 1943 to 1949, Alyn was married to MGM contract vocalist Virginia O'Brien. Until his retirement in the 1960s, Kirk Alyn continued making TV appearances and also toured the straw-hat theater circuit with such Hollywood favorites as June Havoc and Veronica Lake.

Trivia: While maintaining his whole life that he was part Cree and part Cherokee, actor Iron Eyes Cody was in fact born Espera DeCorti, a second generation Italian-American. He started out as a Wild-West-show performer, like his father before him. His earliest recognizable film appearances date back to 1919's Back to God's Country. While his choice of film roles was rather limited in the 1930s, 1940s and 1950s, Cody made himself a valuable Hollywood commodity by offering his services as a technical advisor on Indian lore, customs, costuming and sign language. In between his TV work and personal appearances with the Ringling Bros. Circus and other such touring concerns, Iron Eyes continued accepting supporting roles in Hollywood westerns of the 1950s; he played Chief Crazy Horse twice, in Sitting Bull (1954) and The Great Sioux Massacre (1965). Far more erudite and well-read than most of his screen characters, Iron Eyes has in recent years become a popular interview subject and a fixture at western-movie conventions and film festivals. His famous appearance as the tear-shedding Indian in the "Keep America Beautiful" TV campaign of the 1970s recently enjoyed a "revival" on cable television. In 1982, Cody wrote his enjoyably candid autobiography, in which several high-profile movie stars were given the "emperor has no clothes" treatment. As well as being an actor, Cody owns an enormous collection of Indian artifacts, costumes, books and artwork; has written several books with Indian themes; is a member of the board of directors of the Los Angeles Indian Center, the Southwest Museum and the Los Angeles Library Association; is vice-president of the Little Big Horn Indian Association; is a member of the Verdugo Council of the Boy Scouts of America; and has participated as Grand Marshal of Native American pow-wows throughout the U.S.