Trivia: Handsome, well-built and able to communicate a rangy sort of charm in front of the camera, Dennis Quaid possesses many star qualities. Despite attaining heartthrob status for his work in such films as The Big Easy, however, Quaid has had a difficult time maintaining this status, thanks in part to work in a number of films that have failed to fully exploit his talent.The son of an electrician and younger brother of actor Randy Quaid, Dennis was born in Houston, Texas on April 9, 1954. He began acting in high school, and in college he enrolled in a drama program. He dropped out at the age of 20 to follow his brother to Hollywood and spent the next year mired in rejection and relative unemployment. He got his first break in 1977 when he was cast in minor roles in I Never Promised You a Rose Garden and 9/30/55, but it was not until 1979, when he starred in the seminal coming-of-age drama Breaking Away, that Quaid gained attention. It was his role as astronaut Gordo Cooper in The Right Stuff four years later that finally gave the actor his Hollywood breakthrough. He subsequently went on to appear in a number of films of widely varying quality. 1987 proved to be a particularly good year for Quaid, as he did acclaimed work in The Big Easy and Suspect. That same year, he also starred in the comedy Innerspace; that experience proved to be an auspicious one, as it provided him with an introduction to co-star Meg Ryan, whom he would marry in 1991. The two also starred together in the 1988 mystery D.O.A. and in the crime drama Flesh and Bone in 1993. Other notable roles for Quaid included that of wild man Jerry Lee Lewis in Great Balls of Fire (1989), a 1930s union organizer in Come See the Paradise (1990), and Meryl Streep's love interest in Postcards From the Edge (1990). During a large part of the '90s, Quaid starred in a string of disappointing films, including the disastrous Wyatt Earp (1994) and the failed medieval fantasy Dragonheart (1996). He made something of a comeback in 1998, appearing in the ensemble film Playing By Heart and the successful remake of The Parent Trap, in which he starred opposite Natasha Richardson. The following year, he had a starring role as a Miami football team's legendary quarterback in Oliver Stone's Any Given Sunday, and then starred in the supernatural thriller Frequency (2000) as a dead man who is able to communicate with his son (James Caviezel) over ham radio. Though both films proved moderately successful, it was two-years-later that Quaid would truly return to the good graces of critics with his striking turn in director Todd Haynes' Far From Heaven. As a closeted homosexual husband living a typical suburban dream in 1950s era Connecticut, Quaid's sensitive performance proved integral to convincingly recreating the tone of a Douglas Sirk era melodrama. Quaid portrayed a middle-aged man whose life is turned upside-down by the arrival of a young upstart who takes over his job in 2004's comedy drama Good Company, and appeared in The Alamo and Flight of the Phoenix the same year. Despite Quaid's involvement in several commercial and critical failures throughout the 2000s (The Day After Tomorrow, American Dreamz, Cold Creek Manor), the actor shone as widower Lawrence Wetherhold in Smart People (2008), and again as the stern Reverend Shaw Moore in 2011's Footloose reboot. Quaid appeared in the ensemble film What To Expect When You're Expecting, had a supporting role in the 2012 romcom Playing for Keeps and was in the anthology film Movie 43 (2013).

Trivia: One of Hollywood's few celebrators of the "Southern bad boy" image, country musician turned actor-screenwriter-director Billy Bob Thornton consistently engenders a reputation -- via chosen onscreen parts and fervent tabloid reports of his allegedly wild off-camera life -- as an iconoclastic American hellraiser with lightning in his veins. But appearances can deceive, for Thornton also reveals depth and complexity as one Hollywood's most articulate interviewees, graced with intelligent, sensitive observations, cultural allusions, and poignant reflections on his experiences as a thespian and film artist. Moreover, this acute insight evidences itself equally in Thornton's craftsmanship as a screenwriter and director. Though his behind-the-camera projects have become increasingly rare over time, his few directorial outings evince surprising control, refinement, insight, and taste. Born in Hot Springs, AR, on August 4, 1955, Thornton grew up dirt poor in the nearby backwoods community of Alpine. Despite his father's gainful employment as a history teacher, Thornton was forced to live with his parents and grandparents in a house without electricity or indoor plumbing. After high-school graduation, Thornton landed a steady job and got married; neither the job nor the marriage lasted, as Thornton divorced two years later and returned to college to study psychology; however, that didn't last, either -- he decided that his heart lay in rock & roll, and tried and failed to make it in New York. So Thornton returned to his job for awhile until he and Epperson renewed their dedication to a music career. Eventually, he would travel to California to write screenplays. It was a difficult time for Thornton who, in addition to living in poverty, also suffered a near-fatal heart attack. Thornton eventually turned to acting, making his screen debut in the straight-to-video Hunter's Blood in 1987. Subsequent roles in many forgettable movies followed (including Troma's Chopper Chicks in Zombietown), as did an appearance on the Burt Reynolds sitcom Evening Shade; the actor simultaneously weathered several marriages through the '80s and '90s, to Toni Lawrence, Cynda Williams, and Pietra Dawn Cherniak. Then, in 1990, Thornton caught the attention of critics when he wrote and appeared in Carl Franklin's critically acclaimed directorial debut, One False Move (1991). A dark crime drama set in a small Arkansas town, the film provided a suitable antecedent to Some Folks Call It a Sling Blade, a 1993 short that Thornton scripted. The George Hickenlooper-directed piece stars Thornton as Karl Childers, a mentally retarded, soft-spoken man, institutionalized for murder, who delivers a reflective monologue to a reporter (Molly Ringwald) just prior to his release from the psychiatric institution where he resides. (Thornton allegedly invented the Childers character years prior, while shaving and talking to himself in the mirror.) The effort won a number of positive notices and Thornton subsequently appeared in Jim Jarmusch's Dead Man in 1995 and (with Epperson), co-authored the screenplay for A Family Thing (1996), a gentle Southern drama starring Robert Duvall as a Caucasian man who discovers that he is half black.After years of relative obscurity as an actor and screenwriter, Thornton made a great cultural impact with the low-budget, independent drama Sling Blade. A feature-length expansion of the Hickenlooper short, and a sequel of sorts to that work, the picture finds Karl Childers returning to the outside world for the first occasion in decades, and attempting to begin a new, quiet life in a small Southern town. In the story, Karl befriends a local woman, her little boy, and a gay storekeeper (John Ritter), and finds lodging and steady income, but runs headfirst into Doyle Hargraves (Dwight Yoakam), a psychotically abusive lout who turns life for the mother and son into a waking nightmare. Bit by bit, Karl's old demons awaken and he feels himself being drawn back into the sphere of retributive violence. When Sling Blade premiered during the late 1996 holiday season, it swept away the hearts of audiences and critics worldwide and heralded the arrival of a major new talent. Journalists waxed rhapsodic in their praise. For Thornton's work on the film, he won a Best Adapted Screenplay Oscar, as well as a Best Actor Oscar nomination. The 1996 triumph of Sling Blade brought Thornton a whirlwind of opportunities. He followed his success with a key supporting role in Robert Duvall's The Apostle (1998) as a hardened racist, a turn in Primary Colors (1998) as a James Carville-like campaign manager with a penchant for exhibitionism, and a role in Armageddon as NASA's executive director. Also in 1998, he received another Best Actor nomination for his work in Sam Raimi's A Simple Plan, the story of two brothers (Thornton and Bill Paxton) who descend into the depths of distrust and paranoia after stumbling upon four million dollars in the woods; it allowed Thornton to plumb the darker areas of the backwoods psyche as only he could do so well. The following year, Thornton starred in Mike Newell's Pushing Tin (1999), a comedy about two dueling air traffic controllers (Thornton and John Cusack). He also returned to his duties behind the camera, directing, writing, and starring in Daddy and Them, a comedy drama about the ups and downs of an eccentric Alabama family. In addition to Daddy and Them, Thornton signed on to act in a number of projects during 2000, including Wakin' Up in Reno, a romantic comedy about two white-trash couples; and South of Heaven, West of Hell, an ensemble Western that marked the directorial debut of country singer Dwight Yoakam. Thornton then delivered a pair of impressive dramatic performances in the first year of the new millennium. Agreeing to appear in Joel and Ethan Coen's neo noir The Man Who Wasn't There without so much as looking at the script (Thornton immediately accepted the role based on his creative respect for the Coens), the gangly actor earned a Golden Globe nomination for his turn as a barber who gets in over his head while attempting to execute a seemingly simple blackmail scheme. Subsequently cast alongside Bruce Willis in Barry Levinson's summer 2001 crime comedy Bandits, that film fared only marginally better than Thornton's sophomore directorial effort Daddy and Them.Thornton's performance in the redemption-themed drama Monster's Ball more than redeemed him in the eyes of the public and press. In that picture, Thornton offers a sensitive portrayal of a conflicted soul who attempts to come to terms with his love for an African-American woman in the face of his racist father's hateful teachings. After once again chasing redemption in the Sundance premiere Levity, Thornton joined the Coen brothers for the disappointing romantic comedy Intolerable Cruelty. In December of that same year, Thornton appeared in a role that only the gutsiest actors would take: the title character in Terry Zwigoff's (jet) black comedy, Bad Santa. Though gleefully, deliberately offensive, the picture never sacrifices its sharp sense of humor or its acid insight, and (perhaps as a result) became a massive runaway hit -- the definitive sleeper of 2003. At about the same time, Thornton cameoed as a slimy, philandering U.S. president who attempts to thwart the amorous conquest of Hugh Grant's prime minister, in the British romantic comedy Love Actually (2003).In 2004, Thornton essayed the role of Davy Crockett in the historical action-epic The Alamo (2004). He was instrumental in bringing Bad Santa scribes John Requa and Glenn Ficarra on board for exhaustive rewrites of Richard Linklater's Bad News Bears remake (2005). Thornton then starred in director Todd Phillips' remake of Robert Hamer's 1960 comedy School for Scoundrels, which debuted in September 2006. Despite some scattered exceptions, the film received mostly negative reviews. Not long after, Thornton essayed the title role in the spectacular drama The Astronaut Farmer, issued in February 2007. This film cast the actor as Charlie Farmer, a retired NASA astronaut-cum-farmer who raises the ire of government authorities by building a spacecraft in his barn. Subsequent roles included a sadistic gym teacher in Mr. Woodcock (2007), an issue-ridden Hollywood studio head in The Informers (2008), and a manure salesman in The Smell of Success (2009). Not long after, Thornton announced his return to directing with the eagerly-anticipated drama Jayne Mansfield's Car. In 2011 he voiced Jack, of Jack and Kill fame, in the hit animated film Puss In Boots. In 2014, Thornton took a lead role in the massively popular TV series Fargo, nabbing an Emmy nomination in the process. Later in the year, he had a supporting role in the film The Judge.

Trivia: The son of actor/playwright Jason Miller and the grandson of comedian Jackie Gleason, the handsomely chiseled actor Jason Patric moved from New York City to California at the age of 16. Ever since his debut role as a drug-addicted teen for the ABC movie Tough Love, the hunky actor has preferred to play intense characters. He would nearly perfect the sexy, brooding man in many serious dramas and thrillers throughout his career, while trying to maintain privacy by refusing to talk about himself in interviews. After the unsuccessful Solarbabies, his gave his breakthrough performance in the teen classic The Lost Boys as the reluctant vampire Michael. He then gained starring roles as a soldier in the war movie The Beast and as an ex-boxer in the crime drama After Dark, My Sweet. Moving on to horror, he was chosen to portray Lord Byron in Roger Corman's Frankenstein Unbound. In 1991, he gained some critical recognition -- and a beard -- for his role as a drug-addicted narcotics officer in Rush, opposite his moody counterpart Jennifer Jason Leigh. The same year he was dragged into the tabloids for his affair with Hollywood sweetheart Julia Roberts. She had broken off her engagement with Kiefer Sutherland and ran off to Europe with Patric, causing a disruption to his enigmatic public persona. Taking some time off, he returned for Geronimo: An American Legend with Gene Hackman and Robert Duvall. He starred in the period piece The Journey of August King, the romantic thriller Incognito, and had a small part in Sleepers before making a wild career turn for Speed 2: Cruise Control. However, it appears that starring in the action blockbuster was just a way to get some cash to fund his next project as actor and producer for Neil LaBute's independent film Your Friends & Neighbors. After this brave venture, he sought out more experimental work, interpreting Anton Chekhov's plays in 3 Days of Rain and appearing in the documentary Scene Smoking: Cigarettes, Cinema, and the Myth of Cool. In 2002, Patric returned to the gritty world of undercover narcotics officers for Narc with Ray Liotta and Busta Rhymes.

Trivia: A handsome actor whose skills on stage and screen are only rivaled by his remarkable voice, Patrick Wilson made a name for himself in theater before making a gradual transition to the silver screen. The Norfolk, VA, native pursued his higher education at the famed Carnegie Mellon University, where he stood out from the pack when he was awarded the Charles Willard Memorial Award for Undergraduate Excellence in Music Theatre before earning his B.F.A. in drama in 1995. The next year, Wilson took the lead for a national tour of Carousel, followed by a performance in a Goodspeed Opera House production of Lucky in the Rain. After a memorable turn as pianist Erwin "Chopin" Boots in a La Jolla Playhouse production of Barry Manilow's Harmony, Wilson performed in the nonmusical, six-hour stage version of The Cider House Rules. Though his supposed "breakthrough" role in a stage production of Bright Lights, Big City failed to cement his career, the rising star made his Broadway debut in The Gershwin's Fascinating Rhythm shortly thereafter. Wilson's true breakthrough did eventually come when he took the lead for a stage version of the popular film The Full Monty, and in 2001, he made his screen debut in Dark Stories: Tales from Beyond the Grave. Though that film went largely unseen, a role in HBO's acclaimed miniseries Angels in America found his transition to the big screen moving along smoothly. The following year, Wilson tackled his biggest role to date in the eagerly anticipated historical drama The Alamo (2004) before gearing up for a key part in Joel Schumacher's Phantom of the Opera (also 2004).

Trivia: A veteran actor with a charming drawl, South Carolina native Leon Rippy began his acting career in the early '80s, making very minor appearances in very big films, like a store clerk in The Color Purple and an FBI agent in Firestarter. Rippy would continue to appear in several projects over the coming years, often taking on a number of roles every year. He notably played a prosecutor in 1988's Illegally Yours, and an Army sergeant in 1990's Moon 44, one of seven collaborations Rippy would make with director Roland Emmerich. The '90s would find the actor just as active as ever, appearing in the usual plethora of movies and TV shows, including high-profile appearances in 2000's The Patriot and on the series Walker, Texas Ranger. The new millennium would bring even more prominent work for the now silver-haired actor, with a starring role on the HBO western series Deadwood, which Rippy would appear on from 2004 to 2006. He soon took on another starring role on the police drama Saving Grace with Holly Hunter, playing Earl, a tough-talking, tobacco-spitting messenger from God. Although he was away from screens for nearly a half-decade after Saving Grace came to an end, he returned in the Johnny Depp project The Lone Ranger.

Trivia: When college basketball star Marc Blucas did not make the NBA, he decided to apply to law school. The day before he was scheduled to take the Law School Admission Test, he unwound by watching Rob Reiner's courtroom drama A Few Good Men (1992) and realized that what excited him about the film was not the law, but the acting. A few years later, Blucas was a television veteran with several feature films under his belt and a coveted spot in Vanity Fair's prestigious Hollywood Issue.Born Marcus Paul Blucas on January 11, 1972, the actor grew up in the small town of Girard, PA. The son of a school superintendent and an education administrator, he made his stage debut as a cupcake in his third grade class' production of Hansel and Gretel. At 6'2" tall, he was the star center on the Girard High School basketball team. An All-State athlete, Blucas averaged 20.8 points and 10.1 rebounds per game and lead his team to two 2A championships. In his senior year, the team went undefeated and was ranked among the best high school basketball teams by USA Today. Blucas earned a full scholarship to Wake Forest University in Winston-Salem, NC, where he majored in business with a minor in speech communication and played shooting guard and small forward for the Wake Forest Demon Deacons. He competed in four NCAA tournaments and won the Murray C. Greason Sr. Athletic Academic Award and the Weaver-James-Corrigan Postgraduate Scholarship in his senior year. When Blucas was not picked in the NBA draft, he joined the Manchester Giants and played pro basketball in England for one season. After starting a company that was targeted to assist athletes in endorsement and contract negotiations, he intended to go to law school but tried his hand at acting instead.Blucas had already appeared opposite Marg Helgenberger and Kris Kristofferson in the television movie Inflammable (1995), when a friend at Wake Forest informed him that the producers of the Whoopi Goldberg comedy Eddie (1996) were looking for a baby-faced basketball player to appear in the picture. He was a perfect fit and made his feature-film debut as a benched player on the New York Knicks. After working as the technical advisor on NBC's sports biopic Never Give Up: The Jimmy V Story (1996), Blucas was able to expand his part as an athlete in Pleasantville (1997) by coordinating the film's basketball sequences. He then dedicated himself to honing his craft through workshops and acting classes, before resurfacing as Jerry O'Connell's best friend in the NBC miniseries The '60s (1999), and as Carmen Electra's ex-beau in Jeff Abugov's The Mating Habits of the Earthbound Human (1999). He also appeared on MTV's Undressed, the WB's Clueless, and HBO's Arli$$.Blucas' breakthrough role came in the fall of 1999, when he was cast as a regular on Joss Whedon's hit series Buffy the Vampire Slayer. Portraying Buffy's (Sarah Michelle Gellar) demon-hunting boyfriend, Riley Finn, he became a recognizable actor with a sturdy fan base. Blucas left the show in 2000 (with the promise that he would be back) in order to pursue film work. After starring in the baseball-themed Summer Catch (2001) with Freddie Prinze Jr. and Jessica Biel, he began a back-to-back shooting schedule that included Kevin Smith's Jay and Silent Bob Strike Back (2001) with Ben Affleck and Jason Lee, John Sayles' The Sunshine State (2001) with Angela Bassett and Edie Falco, and Randall Wallace's We Were Soldiers (2002) with Mel Gibson and Chris Klein. He also joined the casts of the Gwyneth Paltrow comedy A View From the Top (2002), the thriller They (2002), and the period piece I Capture the Castle (2002).While still swearing to fans that he will return to Buffy the Vampire Slayer as soon as he can, Blucas signed on to director Alex Steyermark's Pray for Rock 'n' Roll, which stars Gina Gershon, Jennifer Esposito, Jane Adams, and Shelly Cole as a struggling Los Angeles-based girl band. Despite his onscreen success and his busy schedule, the actor still makes time for basketball. He plays on an adult team and serves as a referee for a Los Angeles youth league.

Trivia: Character actor Afemo Omilami built a career out of portraying gritty, urban types in Hollywood features, often with an aggressive edge, such as taxi drivers, longshoremen, barkeeps, drill sergeants, and angry spouses. Omilami debuted onscreen in the late '70s and evolved into an increasingly common screen presence as the years passed. The dozens of projects in which he appeared include the Tom Hanks-Shelley Long disaster comedy The Money Pit (1986), the Sydney Pollack-directed legal thriller The Firm (1993), Best Picture winner Forrest Gump (1994) (as a screaming drill sergeant), and the Ray Charles biopic Ray (2004). In 2007, Omilami joined the cast of director Deborah Kampmeier's rape-themed period drama Hounddog.

Trivia: Actor Edwin Hodge resisted being typecast and pigeonholed, and felt equally at home in projects representing a myriad of genres, from frat-boy comedies (National Lampoon Presents: Dorm Daze) to period epics (The Alamo) to teen-oriented thrillers (All the Boys Love Mandy Lane). Hodge (the brother of actor Aldis Hodge) debuted in the early 2000s, signing for one of his first jobs with a supporting role in Victor Nuñez's fine, overlooked ensemble drama Coastlines (2002), and at around the same time made guest appearances on such series as Angel and Touched By an Angel. In 2004, he appeared on the critically praised but short-lived series drama Jack & Bobby; he then tackled roles in the telemovie Fighting the Odds: The Marilyn Gambrell Story (2005) and the teen drama Debating Robert Lee (2006).

Trivia: An actress whose piercing, pale blue eyes could give even Meg Foster a run for her money, Emily Deschanel has come quite a long way since being listed as one of Interview magazine's "Six Actors to Watch" back in 2001. The firstborn daughter of Oscar-winning cinematographer Caleb Deschanel and actress Mary Jo Weir (their second was starlet Zooey), Emily received her B.F.A. in theater from Boston University before launching her career on the stage and screen. Early roles in It's a Shame About Ray and Rose Red found the rising starlet gradually gaining her footing before the cameras, and as her confidence as an actress increased, so did her screen time. By the time Deschanel appeared in such features as Cold Mountain and The Alamo, viewers were already beginning to pick up on her talent, while she could also still be seen acting on-stage, frequently appearing in plays for the Interact Theatre Company. In 2003, Deschanel appeared in minor capacity as a receptionist in Sam Raimi's Spider-Man 2, with her role in Ghost House Pictures' 2004 frightener Boogeyman serving to prove that she was much more than just another pretty face.As the 2000's rolled on, Deschanel would prove to be an even bigger force on the small screen, playing forensic anthropologist Dr. Temperance "Bones" Brennan, partner of FBI agent Seeley Booth (David Boreanaz), on the popular Fox crime drama series Bones.

Trivia: Attended The Theatre School at DePaul University at the same time as Gillian Anderson; the pair performed together in Scenes From American Life while both at school. Appeared in a Steppenwolf Theatre production of A View From the Bridge shortly after graduating from DePaul. Was a vocal coach on Backdraft. Wrote and produced the film Bloodworth (2011). Appears in the 2012 music video for Miranda Lambert's "Fastest Girl in Town." Plays the guitar in a bluegrass band called Sacred Cowboy.

Trivia: Encouraged by better-than-average success as a stage performer in such plays as Mister Roberts and The Seven Year Itch, American actor Rance Howard decided to try his luck in Hollywood. Talent, however, meant less than star appeal in Tinseltown, thus Howard was confined to small roles which took only minimal advantage of his abilities. Howard's wife Jean was also an actress, but retired to raise their son Ron (both mother and child appeared in the 1956 Western Frontier Woman). Ron was photogenic enough to attain supporting parts on various TV shows and films, leading to a regular role as Opie on The Andy Griffith Show (1960). Those cynics who believe that Rance Howard forced his son into acting in order to create a meal ticket are referred to a well-known anecdote concerning the earliest years of the Griffith program. Little Ron decided to test his value by throwing a temper tantrum -- whereupon Rance took the boy aside, gave him a spanking, and told his son that if he didn't want to act like a professional he'd have to go home and forget about acting. While Rance certainly did not rely on Ron's fame alone to get work (he remained a busy stage actor), it is true that Ron recommended his dad for supporting roles in such films as The Music Man (1962) and The Courtship of Eddie's Father (1963), both of which featured the younger Howard. When child star Ronny Howard became A-list film director Ron Howard in the '80s he continued casting both dad Rance and younger brother Clint Howard in Splash (1984) and other films. Rance Howard remained a reliable general purpose actor well into the 2000s.

Trivia: Charles Saunders (often misspelled Sanders) was active in the British film industry from at least 1930. Saunders started out as an art director, then served as editor for films as diverse as the chop-licking meller Murder in the Red Barn (1935) and the patriotic We Dive at Dawn (1943). His first directorial credit was the 1944 comedy Tawny Pipit. Active until 1962, Charles Saunders spent the 1950s specializing in unsubtle melodramas, notably Kill Her Gently (1957) and Womaneater (1959).

Trivia: American actor Buck Taylor was the son of western comical sidekick Dub "Cannonball" Taylor. Buck was born in 1938, coincidentally the same year that Taylor pere made his film debut in You Can't Take it with You. True to his heritage, Buck showed up in the occasional western, notably Cattle Annie and Little Britches (1980) and Triumphs of a Man Called Horse (1983). For the most part, Taylor's film roles fell into the "young character" niche, notably his appearances in Ensign Pulver (1964), The Wild Angels (1966) (as motorcycle punk Dear John), and Pickup on 101 (1972). Buck Taylor will probably be seen on TV in perpetuity thanks to his recurring role as Newly O'Brian on the marathon TV western Gunsmoke, a role which he recreated for a 1987 Gunsmoke reunion film.

Trivia: Early in his acting career, Jordi Molla was in danger of being forever cast in pretty boy roles. Slender, short, and possessing a rugged and shaggy handsomeness, Molla changed that when he played a luckless small thief in La Buena Estrella (1997). Molla's other notable roles are in Bigas Luna's Jamon, Jamon (1994) and Montxo Armendariz's Kronen Stories (1994).

Trivia: Full-blooded Cherokee actor Wes Studi didn't discover his true calling until much later in life than most actors. Stricken by his vocational teacher's early advice that he should be realistic and settle for life as a low-paid and under-appreciated worker, Studi admits that the advice cast a shadow under which he lived for years, uninspired to seek his fortune in the face of overwhelming adversity and slim odds of finding true success.Born in Nofire Hollow, OK, in 1946 (or maybe 1947), Studi laughingly admits that there is some uncertainty to the actual date), the soft-spoken actor was the eldest of four sons and spent the majority of his childhood in Northeastern Oklahoma. The son of a ranch hand, Studi received his early education at Chilocco Indian School before graduating high school and being drafted into the army. Soon after being drafted Studi served 18 months in Vietnam.Returning disillusioned by the horrors of war and the sometimes hostile reception that veterans received, Studi drifted for a couple of years, spending much of his time traveling and visiting his old Vietnam buddies. Seeking further sustenance, Studi entered Tulsa Junior College on the G.I. Bill. After Tulsa, Studi became inspired to make a difference in peoples lives, soon joining the American Indian Movement. Later attending Tahlequah University, Studi made further attempts at positive influence in his work with the Cherokee Nation. Though he had been married previously, the relationship had failed and Studi remarried in 1974. Working for the Tulsa Indian Times while his wife worked as a teacher, the couple had two children while living in their Tulsa ranch before his second marriage suffered the same unfortunate fate as his first. It was the breakup of this marriage that found Studi discovering his true calling as an actor. Studi found success appearing in theater as well as in productions for Nebraska Public Television in the summer of 1985. It was after Studi's role in the 1988 PBS production The Trial of Standing Bear that he fully realized his passion for acting. Soon deciding to make the fateful move to Los Angeles, Studi found work in such films as Dances With Wolves (1990) and Last of the Mohicans (1992) before taking a starring role in 1993's Geronimo: An American Legend. Making memorable appearances in such films as Heat (1995), Crazy Horse (1996), and Deep Rising (1998), Studi flourished in his new calling, finding frequent work with his expressive features and warm sense of humor.