Trivia: Forrest Tucker occupied an odd niche in movies -- though not an "A" movie lead, he was, nonetheless, a prominent "B" picture star and even a marquee name, who could pull audiences into theaters for certain kinds of pictures. From the early/mid-1950s on, he was a solid presence in westerns and other genre pictures. Born Forrest Meredith Tucker in Plainfield, Indiana in 1919, he was bitten by the performing bug early in life -- he made his debut in burlesque while he was still under-age. Shortly after graduating from high school in 1937, he enlisted in the United States Army, joining a cavalry unit. Tucker next headed for Hollywood, where his powerful build and six-foot-four frame and his enthusiasm were sufficient to get him a big-screen debut in The Westerner (1940), starring Gary Cooper and Walter Brennan. Signed to Columbia Pictures, he mostly played anonymous tough-guy roles over the next two years, primarily in B pictures, before entering the army in 1943. Resuming his career in 1946, he started getting bigger roles on a steady basis in better pictures, and in 1948 signed with Republic Pictures. He became a mainstay of that studio's star roster, moving up to a co-starring role in Sands Of Iwo Jima (1949), which also brought him into the professional orbit of John Wayne, the movie's star. Across the early/middle 1950s, Tucker starred in a brace of action/adventure films and westerns, alternating between heroes and villains, building up a significant fan base. By the mid-1950s, he was one of the company's top box-office draws. As it also turned out, Tucker's appeal was international, and he went to England in the second half of the decade to play starring roles in a handful of movies. At that time, British studios such as Hammer Films needed visiting American actors to boost the international appeal of their best productions, and Tucker fulfilled the role admirably in a trio of sci-fi/horror films: The Crawling Eye, The Cosmic Monsters, and The Abominable Snowman of the Himalayas. Part of Tucker's motivation for taking these roles, beyond the money, he later admitted, was his desire to sample the offerings of England's pubs -- Tucker was a two-fisted drinker and, in those days, was well able to handle the effects of that activity so that it never showed up on-screen. And he ran with the opportunity afforded by those three science fiction movies -- each of those films, he played a distinctly different role, in a different way, but always with a certain fundamental honesty that resonated with audiences. When he returned to Hollywood, he was cast as Beauregard Burnside in Auntie Mame (1958), which was the top-grossing movie of the year. Then stage director Morton De Costa, seeing a joyful, playful romantic huckster in Tucker (where others had mostly seen an earnest tough-guy), picked him to star as Professor Harold Hill in the touring production of The Music Man -- Tucker played that role more than 2000 times over the years that followed. He was also the star of the 1964 Broadway show Fair Game For Lovers (in a cast that included Leo Genn, Maggie Hayes, and a young Alan Alda), which closed after eight performances. The Music Man opened a new phase for Tucker's career. The wily huckster became his image, one that was picked up by Warner Bros.' television division, which cast him in the role of Sgt. Morgan O'Rourke, the charmingly larcenous post-Civil War cavalry soldier at the center of the western/spoof series F-Troop. That series only ran for two seasons, but was in syndicated reruns for decades afterward, and though Tucker kept his hand in other media -- returning to The Music Man and also starring in an unsold pilot based on the movie The Flim-Flam Man (taking over the George C. Scott part), it was the part of O'Rourke with which he would be most closely identified for the rest of his life. He did occasionally take tougher roles that moved him away from the comedy in that series -- in one of the better episodes of the series Hondo, entitled "Hondo And The Judas", he played Colonel William Clark Quantrill very effectively. At the end of the decade, he returned to straight dramatic acting, most notably in the John Wayne western Chisum, in which he played primary villain Lawrence Murphy. That same year, he appeared in a challenging episode of the series Bracken's World entitled "Love It Or Leave It, Change It Or Lose It", playing "Jim Grange," a sort of film-a-clef version of John Wayne -- a World War II-era film star known for his patriotism, Grange is determined to express his political views while working alongside a young film star (portrayed by Tony Bill) who is closely associated with the anti-war movement. Tucker continued getting television work and occasional film roles, in addition to returning to the straw-hat circuit, mostly as Professor Harold Hill. None of his subsequent series lasted very long, but he was seldom out of work, despite a drinking problem that did worsen significantly during his final decade. In his final years, he had brought that under control, and was in the process of making a comeback -- there was even talk of an F-Troop revival in film form -- when he was diagnosed with lung cancer and emphysema. He died in the fall of 1986 at age 67.

Trivia: Though born in Michigan, Adele Mara exuded enough exotic Latin charm to be hired as a vocalist by bandleader Xavier Cugat. In 1941, she was signed to a Columbia Pictures contract, appearing in large roles and small in everything from 2-reel comedies to "B" features like Alias Boston Blackie (1941). She became a star at Republic Studios in the mid-1940s, appearing in many a Republic musical and melodrama and adorning lockers all over the world in cheesecake pin-ups; among her last assignments at Republic was the big-budget 1949 war epic Sands of Iwo Jima. In the late 1950s, Adele Mara curtailed her screen activities upon her marriage to TV producer Roy Huggins.

Trivia: Combustible Cuban entertainer Estelita Rodriguez made her American film bow in 1945. After a few years' worth of supporting roles and specialties in the studio's B-Western product, she was promoted to her own starring series, which Republic hoped would match the popularity of 20th Century Fox's Carmen Miranda films. Heading vehicles bearing such titles as Cuban Fireball, Rodriguez -- billed simply as Estelita -- usually played a Latin American spitfire with a propensity for bursting into song at the slightest provocation. She retired from films after playing a prominent supporting role in Howard Hawks' Rio Bravo (1958), returning in 1966 for another featured part in the unforgettable Jesse James Meets Frankenstein's Daughter. Married four times, her first husband was American actor Grant Withers. She died at age 37.

Trivia: From his appearance as Humphrey Bogart's son in the Casablanca follow-up A Passage to Marseille to his career as the writer of films including They Saved Hitler's Brain (1968), actor-turned-screenwriter Gerald Perreau-Saissine's (aka Peter Miles) tenure in film and television provided audiences with both memorable characters and intriguing stories. Born in Tokyo and raised in Los Angeles, Saissine made his feature debut as a baby in Murder Will Out (1939). Saissine would appear in such features as Heaven Only Knows (1947), Special Agent (1949), and Quo Vadis? (1951) throughout the 1950s before making his screenwriting debut with the sci-fi-thriller Madmen of Mandoras (aka They Saved Hitler's Brain) in 1963. Frequently appearing onscreen with sister Gigi Perreau, the siblings remained in close contact with producer Samuel Goldwyn, who would later present Saissine with two Samuel Goldwyn writing awards. In addition to his film work, Saissine published novels and poetry; he also created numerous catalogues of Japanese woodblock print artists and curated their shows at such locations as the Pacific-Asia Museum in Pasadena and the Honolulu Academy of Arts. On August 3, 2002, Gerald Perreau-Saissine died of cancer in his Los Angeles home. He was 64.

Trivia: Chubby, gravelly-voiced American comic actor Charles Kemper learned his trade in vaudeville and minstrel shows. Kemper came to films as a short-subject headliner in 1929, working in the comedy output of Educational Studios at least until 1937. He then spent several seasons on stage and radio before returning to films in 1945 as a character actor. He is best remembered for his quietly chilling portrayal of outlaw leader Uncle Shilo Clegg in John Ford's Wagonmaster (1950). Charles Kemper was fifty years old when he died of injuries sustained in an auto crash; his last film, On Dangerous Ground (1951), was released posthumously.

Trivia: Educated at the Pratt Institute, Brooklyn-born Bill Williams broke into performing as a professional swimmer. Williams went on to work as a singer/actor in regional stock and vaudeville before making his film bow in 1943. After World War II service, he was signed by RKO Radio Pictures, which gave him the star buildup with such 1946 releases as Till the End of Time and Deadline at Dawn. Also in 1946, he wed another RKO contractee, Barbara Hale, with whom he co-starred in A Likely Story (1948) and Clay Pigeon (1949). His film career on the wane in the early 1950s, Williams signed up to star in the weekly TV western The Adventures of Kit Carson, which ran from 1952 to 1955. After the cancellation of Kit Carson, he remained active in television starring opposite Betty White in the 1955 sitcom Date with the Angels and showing off his athletic and aquatic prowess in the 1960 Sea Hunt clone Assignment: Underwater. He stayed active into the 1980s, playing rugged character roles. Bill Williams was the father of actor William Katt, star of the 1980s adventure weekly The Greatest American Hero.

Trivia: Few of the performers in director John Ford's How Green Was My Valley (1941) were as qualified to appear in the film as Rhys Williams. Born in Wales and intimately familiar from childhood with that region's various coal-mining communities, the balding, pug-nosed Williams was brought to Hollywood to work as technical director and dialect coach for Ford's film. The director was so impressed by Williams that he cast the actor in the important role of Welsh prize fighter Dai Bando. Accruing further acting experience in summer stock, Rhys Williams became a full-time Hollywood character player, appearing in such films as Mrs. Miniver (1942), The Spiral Staircase (1946), The Inspector General (1949), and Our Man Flint (1966).

Trivia: The son of a brewery owner, steely-eyed American character actor Paul Fix went the vaudeville and stock-company route before settling in Hollywood in 1926. During the 1930s and 1940s he appeared prolifically in varied fleeting roles: a transvestite jewel thief in the Our Gang two-reeler Free Eats (1932), a lascivious zookeeper (appropriately named Heinie) in Zoo in Budapest (1933), a humorless gangster who puts Bob Hope "on the spot" in The Ghost Breakers (1940), and a bespectacled ex-convict who muscles his way into Berlin in Hitler: Dead or Alive (1943), among others. During this period, Fix was most closely associated with westerns, essaying many a villainous (or at least untrustworthy) role at various "B"-picture mills. In the mid-1930s, Fix befriended young John Wayne and helped coach the star-to-be in the whys and wherefores of effective screen acting. Fix ended up appearing in 27 films with "The Duke," among them Pittsburgh (1942), The Fighting Seabees (1943), Tall in the Saddle (1944), Back to Bataan (1945), Red River (1948) and The High and the Mighty (1954). Busy in TV during the 1950s, Fix often found himself softening his bad-guy image to portray crusty old gents with golden hearts-- characters not far removed from the real Fix, who by all reports was a 100% nice guy. His most familiar role was as the honest but often ineffectual sheriff Micah Torrance on the TV series The Rifleman. In the 1960s, Fix was frequently cast as sagacious backwoods judges and attorneys, as in To Kill a Mockingbird (1962).

Trivia: Blessed with matinee idol looks, an athletic physique, and a generous supply of talent, Francis J. McDonald entered films in 1912 after brief stage experience. A popular leading man of the teen years, McDonald segued into villainous characterizations in the 1920s, notably as the title character in Buster Keaton's Battling Butler (1926). He remained busy during the talkie era, primarily as a mustachioed heavy in "B" westerns and a featured player in the films of Cecil B. DeMille. Francis J. McDonald was at one time the husband of the "ever popular" Mae Busch.

Trivia: Eddy Waller's career moved along the same channels as most western comedy-relief performers: medicine shows, vaudeville, legitimate theatre, movie bit parts (from 1938) and finally the unshaven, grizzled, "by gum" routine. During the '40s, Waller was teamed with virtually everyone at Republic studios. He was amusing with his soup-strainer mustache, dusty duds and double takes, but virtually indistinguishable from such other Republic sagebrush clowns as Olin Howlin and Chubby Johnson. Eddy Waller is most fondly remembered for his 26-week stint as Rusty Lee, sidekick to star Douglas Kennedy on the 1952 TV series Steve Donovan, Western Marshal.

Trivia: A grandson of the legendary Apache chief Geronimo, Charles Stevens (often billed as Charles "Injun" Stevens because of his ethnic background) made his film bow as an extra in The Birth of a Nation (1915). The close friend and "mascot" of cinema idol Douglas Fairbanks Sr., Stevens appeared in all but one of Fairbanks' starring films, beginning with 1915's The Lamb. He was often seen in multiple roles, never more obviously than in Fairbanks' The Black Pirate (1926). His largest role during his Fairbanks years was Planchet in The Three Musketeers (1921) and its sequel The Iron Mask (1929). In talkies, Stevens was generally cast as a villain, usually an Indian, Mexican, or Arab. Outside of major roles in early sound efforts like The Big Trail and Tom Sawyer (both 1930), he could be found playing menacing tribal chiefs and bandits in serials and B-pictures, and seedy, drunken "redskin" stereotypes (invariably named Injun Joe or Injun Charlie or some such) in big-budget films like John Ford's My Darling Clementine (1946). He was also much in demand as a technical adviser on Native American lore and customs. Charles Stevens remained active until 1956, 17 years after the death of his pal and mentor Doug Fairbanks.

Trivia: While maintaining his whole life that he was part Cree and part Cherokee, actor Iron Eyes Cody was in fact born Espera DeCorti, a second generation Italian-American. He started out as a Wild-West-show performer, like his father before him. His earliest recognizable film appearances date back to 1919's Back to God's Country. While his choice of film roles was rather limited in the 1930s, 1940s and 1950s, Cody made himself a valuable Hollywood commodity by offering his services as a technical advisor on Indian lore, customs, costuming and sign language. In between his TV work and personal appearances with the Ringling Bros. Circus and other such touring concerns, Iron Eyes continued accepting supporting roles in Hollywood westerns of the 1950s; he played Chief Crazy Horse twice, in Sitting Bull (1954) and The Great Sioux Massacre (1965). Far more erudite and well-read than most of his screen characters, Iron Eyes has in recent years become a popular interview subject and a fixture at western-movie conventions and film festivals. His famous appearance as the tear-shedding Indian in the "Keep America Beautiful" TV campaign of the 1970s recently enjoyed a "revival" on cable television. In 1982, Cody wrote his enjoyably candid autobiography, in which several high-profile movie stars were given the "emperor has no clothes" treatment. As well as being an actor, Cody owns an enormous collection of Indian artifacts, costumes, books and artwork; has written several books with Indian themes; is a member of the board of directors of the Los Angeles Indian Center, the Southwest Museum and the Los Angeles Library Association; is vice-president of the Little Big Horn Indian Association; is a member of the Verdugo Council of the Boy Scouts of America; and has participated as Grand Marshal of Native American pow-wows throughout the U.S.

Trivia: In films from 1931, Alan Bridge was always immediately recognizable thanks to his gravel voice, unkempt moustache and sour-persimmon disposition. Bridge spent a lot of time in westerns, playing crooked sheriffs and two-bit political hacks; he showed up in so many Hopalong Cassidy westerns that he was practically a series regular. From 1940's Christmas in July onward, the actor was one of the most ubiquitous members of writer/director Preston Sturges' "stock company." He was at his very best as "The Mister," a vicious chain-gang overseer, in Sturges' Sullivan's Travels, and as the political-machine boss in the director's Hail the Conquering Hero, shining brightly in an extremely lengthy single-take scene with blustery Raymond Walburn. Alan Bridge also essayed amusing characterizations in Sturges' Sin of Harold Diddlebock (1946), Unfaithfully Yours (1948, as the house detective) and the director's final American film, The Beautiful Blonde From Bashful Bend (1949).

Trivia: Jim Davis' show business career began in a circus where he worked as a tent-rigger. He came to Los Angeles as a traveling salesman in 1940, gradually drifting into the movies following an MGM screen test with Esther Williams. After six long years in minor roles, he was "introduced" in 1948's Winter Meeting, co-starring with Bette Davis (no relation, though the Warner Bros. publicity department made much of the fact that the two stars shared the same name). He never caught on as a romantic lead, however, and spent most of the 1950s in secondary roles often as Western heavies. He starred in two syndicated TV series, Stories of the Century (1954) and Rescue 8 (1958-1959), and made at least 200 guest star appearances on other programs. Jim Davis is best known today for his work as oil-rich Jock Ewing on the prime time TV serial Dallas, a role he held down from 1978 to his unexpected death following surgery in 1981.

Trivia: One of the most prolific of the "Who IS that?"school of character actors, Dabbs Greer has been playing small-town doctors, bankers, merchants, druggists, mayors and ministers since at least 1950. His purse-lipped countenance and Midwestern twang was equally effective in taciturn villainous roles. Essentially a bit player in films of the 1950s (Diplomatic Courier, Deadline USA, Living It Up), Greer was given more screen time than usual as a New York detective in House of Wax (1953), while his surface normality served as excellent contrast to the extraterrestrial goings-on in Invasion of the Body Snatchers (1956) and It! The Terror from Beyond Space. A television actor since the dawn of the cathode-tube era, Greer has shown up in hundreds of TV supporting roles, including the "origin" episode of the original Superman series, in which he played the dangling dirigible worker rescued in mid-air by the Man of Steel. Greer also played the recurring roles of storekeeper Mr. Jones on Gunsmoke (1955-60) and Reverend Robert Alden on Little House on the Prairie (1974-83). Showing no signs of slowing down, Dabbs Greer continued accepting roles in such films as Two Moon Junction (1988) and Pacific Heights (1990) into the '90s. He died following a battle with kidney and heart disease, on April 28, 2007, not quite a month after his 90th birthday.

Trivia: Child actor Teddy Infuhr made his first screen appearance as one of Charles Laughton's kids in 1942's The Tuttles of Tahiti. Long associated with Universal Pictures, Infuhr garnered a great deal of critical attention for his brief appearance as a mute, semi-autistic pygmy in Sherlock Holmes and the Spider Woman (1944). Later on, he showed up as one of the anonymous children of Ma and Pa Kettle (Marjorie Main and Percy Kilbride) in Universal's The Egg and I; when the Kettles were spun off into their own long-running movie series, Infuhr remained with the backwoods brood, usually cast as either George or Benjamin Kettle. One of his many free-lance assignments was Hitchcock's Spellbound (1945), in which the poor boy suffered one of the most horrible deaths ever inflicted upon a movie juvenile. Teddy Infuhr's film career came to a quiet close in the early 1950s. He died in June 2007 at age 70.

Trivia: With his slight built, narrow face and pencil-thin mustache, I. Stanford Jolley did not exactly look trustworthy, and a great many of his screen roles (more than 500) were indeed to be found on the wrong side of the law. Isaac Stanford Jolley had toured as a child with his father's traveling circus and later worked in stock and vaudeville, prior to making his Broadway debut opposite Charles Trowbridge in Sweet Seventeen (1924). Radio work followed and he arrived in Hollywood in 1935. Pegged early on as a gangster or Western outlaw, Jolley graduated to playing lead henchman or the boss villain in the '40s, mostly appearing for such poverty-row companies as Monogram and PRC. Although Jolley is often mentioned as a regular member of the Republic Pictures' stock company, he was never under contract to that legendary studio and only appeared in 25 films for them between 1936 and 1954. From 1950 on, Jolley worked frequently on television and remained a busy performer until at least 1976. According to his widow, the actor, who died of emphysema at the Motion Picture Country Hospital, never earned more than 100 dollars on any given movie assignment. He was the father of art director Stan Jolley.

Trivia: Hailing from Indiana despite his moniker, Tex Terry was one of those utilitarian B-Western performers who could play almost anything, from bearded henchmen or rustlers to solid townsmen to clean-cut cowboys. Genre expert Les Adams has clocked Terry's B-Western and serial appearances to 52 but he can be found lurking in the background of many a Grade-A budget oaters as well. Onscreen from at least 1940, Terry later added television to his curriculum vitae, appearing on such programs as The Gene Autry Show, Gunsmoke, and Have Gun Will Travel.

Trivia: The son of Andy Jauregui who, from 1928 until his death in 1990, operated the Jauregui Movie Ranch near Placerita, CA, Edward Jauregui became one of Hollywood's better stunt riders, working in both B-Westerns and serials from the 1930s right into the television era of the 1950s. The movie ranch that bore the family name was erased when Andy's wife, Camille, died in 1996 and the property sold to neighboring Walt Disney.

Trivia: A graduate of the Nashville Conservatory and the model for U.S. Navy recruiting posters, John Pickard entered films in 1946 following a four-year stint in the navy. Pickard played supporting roles in scores of Westerns and action dramas before reaching stardom as Captain Shank of the U. S. Cavalry on the NBC television Western series Boots and Saddles. Filmed entirely on location at Kanab, UT, the series enjoyed a two-season run (1957-1958) and also featured Gardner McKay as Lieutenant Kelly. Pickard earned a second stab at small-screen stardom in Gunslinger (1961) and played supporting roles in nearly every other popular television drama, from Gunsmoke to Simon and Simon. He was tragically killed by a rampant bull while vacationing on a family farm in his home state of Tennessee.

Trivia: American general purpose actor Howard Negley made his screen bow as Nelson in 20th Century Fox's Smokey. Negley went on to reasonably prominent character parts in such B-pictures as Charlie Chan in the Trap (1947). For the most part, he played nameless bit parts as police captains, politicians, and reporters. Howard Negley was last seen as the Twentieth Century Limited conductor in Hitchcock's North by Northwest (1959).

Trivia: Character actress, onscreen from 1957.

Trivia: In films from 1941, American character actor Norman Leavitt spent much of his career in uncredited bits and supporting roles. Leavitt can briefly be seen in such "A" pictures of the 1940s and 1950s as The Inspector General (1949) and Harvey (1950). His larger roles include Folsom in the 1960 budget western Young Jesse James. Three Stooges fans will immediately recognize Norman Leavitt from The Three Stooges in Orbit (1962), in which he player scientist Emil Sitka's sinister butler--who turned out to be a spy from Mars!

Trivia: A stage actor from 1938, American-born Frank Richards made his earliest recorded-film appearance in 1940. Generally cast as stubble-chinned heavies and slick gangsters, he also served as an "art director" for the 1946 Western Rustler's Roundup. More notable among his 200 or so on-camera television credits was his bad-guy role on the 1951 Superman episode "A Night of Terror." Richards' last film was John Cassavetes' A Woman Under the Influence in 1974. He died in 1992.

Trivia: Six-foot-tall American actor Rory Mallinson launched his screen career at the end of WW II. Mallinson was signed to a Warner Bros. contract in 1945, making his first appearance in Price of the Marines. In 1947, he began free-lancing at Republic, Columbia and other "B"-picture mills. One of his larger roles was Hodge in the 1952 Columbia serial Blackhawk. Rory Mallinson made his last film in 1963.

Trivia: In films from 1944, actor Marshall Reed played all sorts of roles in all sorts of westerns. Occasionally the lead (especially if the budget was beneath $80,000), Reed was more often a supporting player in films like Angel and the Badman (1947) and The Way West (1967). He was also active in serials, appearing in such chapter plays of the 1940s and 1950s as Federal Agents vs. Underworld Inc, The Invisible Monster Strikes, and Blackhawk. On television, Reed played Lt. Fred Asher on The Lineup (1954-58), and later became a TV documentary producer. Colorado-born Marshall Reed should not be confused with the British actor of the same name, nor the child performer who appeared as John Curtis Willard on the 1970s TV series The Waltons.

Trivia: American actor William H. Ruhl made his first film in 1934, and his last in 1952. Seldom rising above bit parts, Ruhl showed up in one-scene assignments as detectives, lawyers, and the like. Someone over at Monogram must have liked Ruhl, else why would the actor have shown up in six of the studio's Bowery Boys features from 1946 to 1949? William H. Ruhl also appeared in various other Monogram series, including Charlie Chan and Joe Palooka.

Trivia: American character actor Crane Whitley made his first film appearance in 1938, acting under his given name of Clem Wilenchik. One of Whitley's first billed roles was the Foreign Legion corporal in Laurel and Hardy's Flying Deuces (1939). From 1939's Hitler: The Beast of Berlin until the end of the war, the actor was generally cast as a Nazi spy or military officer. In this capacity, he showed up in several Republic serials, including Spy Smasher (1942). After the war, and until his retirement in 1958, Crane Whitley played scores of doctors, ministers, and detectives.