Trivia: Red-haired, occasionally bearded American actor Timothy Busfield was a stage professional virtually from the moment he left East Tennessee State University. His earliest regular TV work was on the short-lived 1983 sitcom Reggie, playing the layabout aspiring-actor son of Richard Mulligan. One year later, Busfield was cast as Pernell Roberts' intern son on Trapper John, MD. He also appeared as Poindexter in Revenge of the Nerds and its sequel. In 1987, Busfield was fortuitously cast on the "yuppie" TV weekly thirtysomething, playing Elliot Weston, the business partner and best friend of series lead Michael Steadman (Ken Olin). From this point onward, Busfield was able to secure choice film supporting roles, generally as a stuffy, snotty "upwardly mobile" type. In addition to being honored with Emmy nominations from 1988-1990 for his work on thirtysomething, Busfield won a Best Supporting Actor in a Drama Series Emmy in 1991. His most likeable screen portrayal was as Kevin Costner's uptight, money-conscious, and essentially decent brother-in-law in the 1989 blockbuster Field of Dreams.Busfield forged a career behind the scenes as well, starting with directing episodes of thirtysomething while he was acting on that show. Among the series for which he has directed episodes are Sports Night, Ed, Las Vegas, and Joan of Arcadia. He also took on co-executive producing with the shows Ed and Without a Trace. Busfield still acted regularly throughout the '90s and into the new millenium in both film and television, but his more major roles tended to be on the small screen. He starred in the family drama Byrds of Paradise and the sitcom Champs, also making guest-starring appearances on numerous shows, including Ed and Without a Trace. But Busfield's most memorable and notable TV role of this period was that of White House reporter Danny Concannon on the critically acclaimed series The West Wing. Busfield played the character off-and-on through the whole series, appearing in the second-to-last episode, wooing Allison Janney's C.J. Cregg. Busfield worked on Aaron Sorkin's follow-up series, Studio 60 on the Sunset Strip, playing director Cal Shanley on the show, and also helmed six episodes. Studio 60 was canceled after only one season, and since then, Busfield has alternated between guest spots and directing gigs.

Trivia: Tall, straight-laced American actor Robert Culp parlayed his appearance and demeanor into a series of clean-cut character roles, often (though not always) with a humorous, mildly sarcastic edge. He was perhaps best known for three accomplishments: his turn as a Southern California documentary filmmaker who decides, along with his wife (Natalie Wood) to suddenly go counterculture with an "open marriage" in Paul Mazursky's Bob & Carol & Ted & Alice (1969); his iconic three-season role as an undercover agent in the espionage-themed series I Spy (1965-8); and his three-season run as Bill Maxwell on Stephen Cannell's superhero spoof series The Greatest American Hero (1981-3). Born in Oakland, California in 1930, Culp attended several West Coast colleges while training for a dramatic career. At 21, he made his Broadway debut in He Who Gets Slapped. Within six years, he was starring in his own Friday night CBS Western, Trackdown (1957-9) as Hoby Gilman, an 1870s era Texas Ranger. During the two-year run of this program, Culp began writing scripts, a habit he'd carry over to other series, notably The Rifleman and Gunsmoke. These all represented fine and noble accomplishments for a young actor, but as indicated, I Spy delivered a far greater impact to the young actor's career: it made Culp (along with his co-star, Bill Cosby) a bona fide celebrity. The men co-starred in the NBC adventure yarn as, respectively, Kelly Robinson and Alexander Scott, undercover agents involved in globetrotting missions for the U.S. government. Both actors brought to the program a sharp yet subtle sense of humor that (coupled with its exotic locations) made it one of the major discoveries of the 1965-6 prime-time line-up. During the second of I Spy's three seasons, Culp made his directorial debut by helming episodes of Spy; he went on to direct installments of several other TV programs. The success of Bob & Carol at the tail end of the 1960s proved that Culp could hold his own as a movie star, and he later directed and co-starred in 1972 theatrical feature Hickey and Boggs, which reunited him with Cosby, albeit to much lesser acclaim. Unfortunately, as the years rolled on, Culp proved susceptible to the lure of parts in B-pictures, such as Sky Riders (1976), Flood! (1976) and Hot Rod (1979), though he delivered a fine portrayal in television's critically-acclaimed Roots: The Next Generations (1979). Culp rebounded further with the semicomic role of CIA chief Maxwell on American Hero, but many now-infamous behind-the-scenes issues (and external issues, such as the shooting of Ronald Reagan) beleaguered that program and ended its run after only three seasons. In the years that followed, Culp vacillated between exploitation roles, in tripe such as Big Bad Mama 2 and Silent Night, Deadly Night 3, and more respectable, mainstream guest turns in television series including The Cosby Show and Murder, She Wrote. He enjoyed one of his most prestigious assignments with a supporting role in the big screen John Grisham-Alan Pakula thriller The Parallax View (1993), opposite Denzel Washington and Julia Roberts. In the years that followed, Culp's on-camera presence grew less and less frequent, though he did make a cameo in the 1996 Leslie Nielsen laugher Spy Hard. Television continued to provide some of Culp's finest work: he rejoined old friend Cosby for a 1994 I Spy TV-movie reunion and made guest appearances in such series as Lonesome Dove, Law & Order and The Dead Zone. Following a period of semi-retirement, Culp died suddenly and rather arbitrarily, when he sustained a head injury during a fall outside of his Hollywood home in March 2010. He was 79 years old.

Trivia: Inextricably associated with the 1980s for her memorable, seven-season portrayal of bookish teen Carol Seaver on the family-oriented sitcom Growing Pains (1985-1992), actress Tracey Gold grew up in a show-business family. The older sister of Missy Gold (Benson), Brandy Gold (Wildcats), and Jessie Gold (A Crime of Passion), Tracey signed for her first part at the age of seven in the miniseries Captains and the Kings. Major projects during the early '80s included a key supporting role in Alan Parker's critically acclaimed, divorce-themed psychodrama Shoot the Moon (1982, as one of the central couple's daughters) and a stint on the short-lived sitcom Goodnight, Beantown as the daughter of single working mom Mariette Hartley. Growing Pains, of course, represented Gold's major career break. She experienced difficulty around the end of the program by enduring and surviving a well-publicized bout with anorexia nervosa. After the sitcom wrapped, Gold began tackling parts in occasional telemovies that would come to shape and define her career in the years to follow. These included For the Love of Nancy (1994, which dramatized the story of a girl suffering from anorexia), Lady Killer (1995), Dirty Little Secret (1998), and Wildfire 7: The Inferno (2002). Gold made television headlines in 2004 when cast in the fourth season of the reality series The Mole, which featured celebrity participants.

Trivia: For a time at the tail-end of the 1960s and the beginning of the 1970s, Marcia Rodd seemed poised for stardom, either on the big-screen or on television. She was, at the outset of the 1970s, the ideal "gently" liberated woman. Rodd was one of the first actresses who looked good in the briefly fashionable, close-cropped female hairstyle (a sort of attractive version of the "Moe Howard" cut) of the period, conveying intelligence and sensitivity as well as independence. What's more, her first two film appearances included a starring role in Alan Arkin's fashionable black comedy Little Murders (1971) and a major supporting role in Herbert Ross' high-profile adult romance T.R. Baskin, and she was also a recipient of choice roles from television producer Norman Lear. Rodd was born in Lyons, KS, and attended Northwestern University at the end of the 1950s and the start of the 1960s as a drama major, studying under Alvina Krause; her fellow undergraduates included Richard Benjamin and Paula Prentiss. Arriving in New York during the early '60s, she made her off-Broadway debut at the Provincetown Playhouse in Oh Say Can You See! in 1962, which got her onto her first cast album as part of a quartet called "the Girls"; she also appeared in the showcase Talent 64. She made her Broadway debut in the replacement cast of Oh! What a Lovely War and later appeared in The Mad Show. In 1968, she managed to appear in two different adaptations of Shakespeare's Twelfth Night, Love and Let Love, and Your Own Thing (as Olivia), and played Bobbi Mitchell in Last of the Red Hot Lovers, working opposite James Coco. In 1970, she was cast as the doomed Patsy Newquist in Little Murders (1971), Alan Arkin's dark comedy of life in New York City, based on Jules Feiffer's off-Broadway play. Her supporting role in T.R. Baskin followed later in 1971, and then Rodd began her first foray into television, principally through the work of Norman Lear in the second season of All in the Family; she played a harried single mother driven to desperate measures to make a decent life for her young son, and in episode No. 37, which was the pilot for the series Maude, Rodd played Carol, the divorced daughter of the title character. Rodd declined to portray the role when the series was picked up, however, and the part went to the more physically endowed but less professionally adept Adrienne Barbeau. Rodd busied herself in New York theater during the early '70s, including a production of The Merry Wives of Windsor at The New York Shakespeare Festival. She was also very briefly in the cast of the ill-fated musical Mack and Mabel as Mabel Normand (succeeded by Kelly Garrett and then Bernadette Peters). She then moved to Los Angeles, where she continued her stage work and also acted in two successive films by director Jonathan Demme, Citizens Band (1977) and The Last Embrace (1979). By the 1980s, she was no longer in the running for starring roles, but was a busy working actress in television, portraying Jack Weston's wife in the short-lived series The Four Seasons and playing the wife of Dr. Stanley Riverside on Trapper John, M.D. During the 1990s, Rodd returned to doing occasional feature films. She has also done a one-woman play about the life of Diana Vreeland, and guest starred on such series as Home Improvement and Sisters.