Trivia: One of the leading actors of his generation and an important figure in world cinema, John Malkovich made the term "icy calm" his trademark. After winning acclaim for his characterization of the scheming Vicomte de Valmont in Dangerous Liaisons, he became associated with a series of roles that, to put it plainly, essentially required him to be an evil bastard.The product of a large, highly intellectual family, Malkovich was born December 9, 1953, in Christopher, IL. Initially a portly youth, he underwent a self-imposed physical transformation, emerging as a star high school athlete. He went on to attend Eastern Illinois University, where he originally aspired to be a professional environmentalist. With his friend Gary Sinise, Malkovich helped co-found Chicago's Steppenwolf Theatre in 1976. Seven years later, he won an Obie award when the Steppenwolf production of Sam Shepard's True West was brought to New York. He next appeared on Broadway with Dustin Hoffman in the 1984 revival of Death of a Salesman; when it was transformed into a television movie a year later, Malkovich won an Emmy for his efforts. While he was working on Broadway, he made his film debut, playing a blind transient in Places in the Heart (1984), which earned him an Oscar nomination. He also had a starring role in The Killing Fields the same year.Although certainly capable of projecting warmth and pathos, Malkovich became best-known for his ice-water-in-the-veins roles. In addition to praise for his performance in Dangerous Liaisons, Malkovich won recognition -- and Oscar and Golden Globe nominations -- for his portrayal of the chameleon-like political assassin in Wolfgang Peterson's In the Line of Fire (1993). Other sinister Malkovich characterizations include Kurtz in the 1994 TV-movie version of Joseph Conrad's Heart of Darkness, the secretive Dr. Jekyll in Mary Reilly (1996), and Isabel Archer's dastardly husband in The Portrait of a Lady (1996). In 1999, Malkovich played what was undoubtedly his most unusual role -- himself -- in Spike Jonze's Being John Malkovich. Both the subject of the film and one of its stars, he had the surreal duty of letting the film's other characters into his mind, something many audience members had no doubt been dreaming of doing for years. The film provided Malkovich's career with a sort of popular resurgence, and the following year found him essaying the role of a wild eyed F.W. Murnau in the dark horror comedy Shadow of the Vampire. The second feature by experimental filmmaker E. ELias Mehrige, Shadow of the Vampire took a magic realism approach to documenting the production of Murnau's legendary 1922 classic Nosferatu. In the years that followed Malkovich continued his trend of alternating roles in high-profile Hollywood fare with more artistically gratifying foreign films, and after turning up in the German miniseries Les Miserables (2000) and Je rentre a la maison Malkovich turned up opposite Vin Diesel in the box office flash Knockaround Guys (2001). In 2002 Malkovich picked up where Matt Damon left off in the thriller Ripley's Game before traveling back in time for the historical adventure drama Napoleon. After cracking up international audiences in Johnny English (2003), fans got to see Malkovich take on the role of a Stanley Kubrick imposter in the fact based Colour Me Kubrick. After a string of decidedly small films, Malkovich surfaced in 2005 in the sci-fi comedy blockbuster The Hitchhiker's Guide to the Galaxy. Based on the cult novel by Douglas Adams, the picture cast Malkovich as an alien guru and gave him a chance to flex some of his sillier chops. Subsequent roles in Art School Confidential, the Coen Brother's Burn After Reading, and Jonah Hex offered a bit of levity between performances in more serious-minded dramas like Disgrace and Secretariat, and on the heels of a memorable comic performance as an unhinged former assassin in the big budget action comedy Red, Malkovich could be spotted amidst an explosion of robot carnage in 2011's Transformers: Dark of the Moon. Maintaining his theatrical ties while tending to his successful film career, Malkovich appeared in the 1993 Broadway production State of Shock, and has periodically returned to Chicago to both act and direct in local presentations. For a number of years, he was married to fellow Steppenwolf alumnus Glenne Headly.

Trivia: A founding member of the Chicago's influential Steppenwolf Theatre Company (along with Terry Kinney and Jeff Perry) when he was barely 19, Gary Sinise made his professional acting debut at the age of 17 in a 1973 production of The Physicist. Sinise himself would sum up his career best by noting that the secret to a successful career is not to focus on taking off like a rocket, but to "always keep the engine running." With a prolific and well-defined career on each side of the camera in addition to his stage work, keeping the engine running is precisely what Sinise has done, and that engine has been well maintained.Born March 17th, 1955 in Blue Island, IL, Sinise's attraction to the stage was supported early on through the encouragement of Barbara Patterson, his high school drama teacher. After a role in West Side Story, Sinise's love for the stage was set in stone, leading him to found the Steppenwolf Theatre Company, where he would meet his future wife, actress Moira Harris. Initially based in a church basement, the Steppenwolf quickly grew in stature and respectability, serving as the breeding ground for such talents as John Malkovich and Laurie Metcalf, and earning critical praise with productions like Sam Shepard's True West, which would eventually become the company's Broadway debut. Sinise's film and television career began as a director on such television series' as Crime Story and thirtysomething, eventually leading to his feature directorial debut with the rural drama Miles From Home (starring fellow Steppenwolfers Metcalf and Malkovich) and his feature acting debut in the haunting war drama A Midnight Clear (1991). Sinise's love for the stage resurfaced with his ambitious 1992 remake of Of Mice and Men (in which he also starred, again with fellow Steppenwolf alum Malkovich, in the roles they had both portrayed on stage).But it was his performance as the physically crippled and emotionally shattered Lt. Dan in Robert Zemeckis' blockbuster Forrest Gump (1994) that brought Sinise to light as an actor of considerable talent. His sensitive portrait of a once invincible soldier reduced to a pathetic self-pitying ghost of his own former glory was the perfect vessel for the actor's quiet intensity and florid emotional capabilities, and brought him the Oscar nomination for Best Supporting Actor. That same year Sinise had a starring role in the long-anticipated television adaptation of Stephen King's apocalyptic thriller The Stand.Sinise continued to display his dramatic abilities through the '90s, rejoining Gump co-star Tom Hanks in Ron Howard's Apollo 13 and starring as both Harry S. Truman and George Wallace in the biopics Truman (1995) (for which he won a Cable Ace Award and a Golden Globe) and George Wallace (1997) (for which he won an Emmy). With minor appearances in The Green Mile and Being John Malkovich (both 1999), Sinise brought in the year 2000 in a sci-fi mode, with Brian De Palma's existential thriller Mission to Mars and as a weapons engineer with questionable motives in Imposter. Throughout the next decade Sinise worked in a variety of films including The Big Bounce, The Human Stain, and The Forgotten. However he had is most visible role on the small screen when he was cast as the male lead in the third of the popular CSI series, CSI: NY. In 2006 he brought his theater trained voice to the animated Open Season.

Trivia: Raised in New Orleans' French Quarter, Ray Walston relocated to Houston, where he first set foot on stage in a community production of High Tor. Walston went on to spend six years at the Houston Civic Theater then three more at the Cleveland Playhouse. Moving to New York, he worked as linotype operator at the New York Times before landing small parts in theatrical productions ranging from Maurice Evans' G.I. Hamlet to The Insect Comedy. He won Theater World's "Most Promising Newcomer" award for his portrayal of Mr. Kramer in the original 1948 production of Summer and Smoke. In 1950, he was cast as "big dealer" Luther Billis in the touring and London companies of South Pacific, and it was this that led to a major role in Rodgers & Hammerstein's 1953 Broadway musical Me and Juliet. Two years later, he was cast in his breakthrough role: the puckish Mr. Applegate, aka The Devil, in the Adler-Ross musical smash Damn Yankees. He won a Tony Award for his performance, as well as the opportunity to repeat the role of Applegate in the 1958 film version of Yankees; prior to this triumph, he'd made his film debut in Kiss Them for Me (1957) and recreated Luther Billis in the 1958 filmization of South Pacific. A favorite of director Billy Wilder, Walston was cast as philandering executive Dobisch in The Apartment (1960) and replaced an ailing Peter Sellers as would-be songwriter Orville J. Spooner in Kiss Me, Stupid (1960). Having first appeared on television in 1950, Walston resisted all entreaties to star in a weekly series until he was offered the title role in My Favorite Martian (1963-1966). While he was gratified at the adulation he received for his work on this series (he was particularly pleased by the response from his kiddie fans), Walston later insisted that Martian had "ruined" him in Hollywood, forever typecasting him as an erudite eccentric. By the 1970s, however, Walston was popping up in a wide variety of roles in films like The Sting (1974) and Silver Streak (1977). For the past two decades or so, he has been one of moviedom's favorite curmudgeons, playing such roles as Poopdeck Pappy in Popeye (1980) and officious high school teacher Mr. Hand, who reacts with smoldering rage as his class is interrupted by a pizza delivery in Fast Times at Ridgemont High (1982). He would re-create this last-named role in the weekly sitcom Fast Times (1985), one of several TV assignments of the 1970s and 1980s. In 1995, Ray Walston reacted with schoolboy enthusiasm upon winning an Emmy award for his portrayal of irascible Wisconsin judge Henry Bone on the cult-fave TVer Picket Fences.

Trivia: Though not among Hollywood's best known supporting actors, Casey Siemaszko (pronounced Sheh-MA-zshko) has worked with some of Tinseltown's most important directors. Born Kazimierz Siemaszko in Chicago to a Polish survivor of a Nazi concentration camp and an English dancer, Siemaszko started performing at age five with his father's dance troupe, the Kosciuszko Dancers. As a young man, Siemaszko studied fine arts at Chicago's Goodman School of Drama and launched his professional career on the Chicago stage before moving to L.A. where it took him four years before landing a role in Class (1983). In 1985, he played 3-D in Robert Zemeckis' Back to the Future (1985); he later reprised the role in the 1989 sequel. Since then Siemaszko has worked with Steven Spielberg on an episode of Amazing Stories, with Rob Reiner in Stand By Me(1986) where he played a member of Keifer Sutherland's gang, and had a major supporting role in Mike Nichol's Biloxi Blues (1989). Siemasko's film career slowed considerably in the 1990s with notable roles in Gary Sinise's Of Mice and Men (1992) and in Lance Young's sexually charged Bliss (1997).

Trivia: Actress Sherilyn Fenn had her first taste of show business while touring the country with her mother, a rock musician. Fresh out of high school, Fenn decided to put her stunning physical attributes to good use as a Playboy bunny, but, alas, she failed to survive the first year of "bunny school." After posing for perfume and designer jean ads, Fenn made her film debut in The Wild Life (1984). She skyrocketed to fame in the early '90s as Audrey Horne in David Lynch's cult TV series Twin Peaks. (Her singular series highlight was the scene in which she tied a knot in a cherry stem with her tongue.) Fenn played a seductive wife in Gary Sinese's 1992 version of John Steinbeck's Of Mice and Men, and the following year replaced a recalcitrant Kim Basinger in the role of a haughty beauty whose arms and legs are amputated by a love-obsessed surgeon in Boxing Helena, directed by David Lynch's daughter, Jennifer Lynch. The apex of Fenn's '90s roles, however, may well have been her take-no-prisoners 1995 TV performance as screen goddess Elizabeth Taylor.

Trivia: Lead actor, onscreen from the '80s.

Trivia: A Windy City native, distinguished character actor Richard Riehle earned his undergraduate degree from Notre Dame and his master's from the University of Minnesota, then took his first cinematic bow with a bit part in 1975's Western Rooster Cogburn -- opposite John Wayne and Katharine Hepburn. After Rooster, Riehle abandoned screen work for over a decade to hit the East Coast and focus almost exclusively on Broadway and regional theater. Ed Zwick's acclaimed Civil War opus Glory (1989) marked Riehle's Hollywood comeback; he subsequently increased his screen time dramatically, and chalked up a resumé playing everymen -- usually heavyset and unpolished working stiffs such as policemen, detectives, judges, and bartenders -- in literally dozens of films. Riehle's credits include Ghosts of Mississippi (1996), Mercury Rising (1998), Office Space (1999), Deuce Bigalow: Male Gigolo (1999), and National Lampoon's Dorm Daze 2 (2006). The actor is also known for his regular presence on two television series: the 1990 Ferris Bueller (as Principal Ed Rooney) and the 2001-2005 Grounded for Life (as Walt Finnerty). Riehle subsequently returned to National Lampoon work with the 2007 frat-boy comedy National Lampoon Presents The Beach Party at the Threshold of Hell.

Trivia: Perhaps the most enigmatic -- and unpredictable -- member of the Arquette acting dynasty, Alexis Arquette appeared in a huge variety of colorful supporting roles that highlighted both his range and eccentricity as a performer. Born Robert Arquette, the grandson of vaudevillians, son of veteran character actor Lewis Arquette and poet Mardi Arquette, and brother of Rosanna, Patricia, David, and Richmond Arquette, she was born in L.A. in 1969. Like her siblings, Arquette broke into film at a young age, making his screen debut with a minor role in Down and out in Beverly Hills in 1986 and had her first breakthrough as Georgette, a sensitive young man with a crush on a neighborhood thug in Last Exit to Brooklyn (1990).Arquette went on to portray characters ranging from a gay university student in Threesome (1994) to an unfortunate gunman summarily dispatched by John Travolta and Samuel L. Jackson in Pulp Fiction (1994) to a Boy George-esque musician in The Wedding Singer (1998). She also did a memorable turn as himself in Wigstock: The Movie (1995), a documentary about New York's famed Outfest in which the actor flaunted plenty of glorious plumage, to say nothing of attitude. Arquette's role in the film was particularly appropriate, considering his well-known second job as a drag performer by the name of Eva Destruction. After decades of doing drag and pushing gender-bending limits, Arquette official began male-to-female transitioning in 2006. She later confirmed that she often changed the gender she identified with from day-to-day. Arquette died in 2016, at age 47.

Trivia: Though he spent most of his childhood in Japan and Europe, Joe Morton, along with his mother and remaining family, moved from Germany to New York after the passing of his father. While he hadn't given acting an incredible amount of thought during his adolescence, Morton decided to pursue a career in the performing arts during his first day at Hofstra University. After his first professional acting job in an off-Broadway production of A Month of Sundays, Morton was cast in Hair (1968), and subsequently became a well-known name within Broadway circles. Morton's role in Raisin, a musical version of A Raisin in the Sun, earned him a Tony nomination. Though he didn't manage to snag the award, the young actor nonetheless found work on several popular television shows of the time, including M*A*S*H and Mission: Impossible. By the late '70s, Morton had appeared in a variety of equally acclaimed films, such as The Outside Man (1973), Between the Lines (1977), and ...And Justice for All (1979).After continuing his work in television, Morton made his first leading-man feature-film appearance as "The Brother," an intergalactic escaped slave, in John Sayles' 1984 hit The Brother From Another Planet. A year later, Morton could be seen in a supporting capacity alongside Lori Singer and Keith Carradine in the post-noir romantic drama Trouble in Mind (1985). Though Morton found no small amount of work during the 1980s, it wasn't until 1991 that he would play one of the most recognizable roles of his career: the cyborg-components researcher in Terminator 2: Judgment Day. However, Terminator 2 was by no means the peak in his career -- that same year, he reunited with Sayles and played a frustrated city councilman in City of Hope. In 1994, Morton portrayed a police captain in Speed, and, after a recurring role on NBC's Homicide: Life on the Street, starred in two highly lauded films: The Walking Dead (1995), in which he played a deeply religious marine, and Lone Star (1996), another John Sayles film. By this stage in his career, Morton had developed a reputation for playing scientists and government officials, and his role as an explosives expert in Executive Decision (1996) was no exception. However, Morton was certainly not incapable of more emotional fare, as demonstrated in his performance in HBO's Miss Evers' Boys, which won three Emmy awards in 1997. In 1998, Morton further avoided typecasting with his role in Blues Brothers 2000 as Cabel Chamberlain, the son of music man Curtis (Cab Calloway) from the original film.The early 2000s proved an equally busy time for Morton, who, aside from participating in numerous documentaries and made-for-television features, continued his role as Leon Chiles in NBC's Law & Order, and began regularly appearing as Dr. Steve Hamilton on the WB's Smallville. During this time, he could also be seen in supporting performances for What Lies Beneath (2000), Bounce (2000), and Ali (2001). 2003 found Morton playing another government agent in Paycheck, while 2004 brought another opportunity altogether -- Morton took the director's seat for Sunday on the Rocks. Also that year, Morton joined director Rob Cohen to film Stealth. A recurring role on the Pentagon television drama E-Ring found the actor continuing on his impressive television run, with a supporting role in the 2006 feature The Night Listener serving well to keep Morton's feature credits expanding as well.A contributing narrator of the long-running PBS series The American Experience, Morton became a familiar voice to television viewers who refused to switch their brains off for prime-time viewing. But it was recurring roles in both The Good Wife and Eureka that helped to keep him a familar face to more casual TV fans.

Trivia: Formerly a schoolteacher, Texas-born Noble Willingham has been essaying crusty character roles since 1969. Willingham's resumé includes a brace of location-filmed Peter Bogdanovich films, The Last Picture Show (1971) and Paper Moon (1973), and the role of Clay Stone in both of Billy Crystal's City Slickers comedies. Among his TV-movie credits is the part of President James Knox Polk in 1985's Dream West. A regular on several TV series (The Ann Jillian Show, Texas Wheelers, Cutter to Houston, AfterMASH, When the Whistle Blows), Willingham is best known to 1990s viewers as Mr. Binford (of Binford Tools) in Home Improvement and C. D. Parker in Walker, Texas Ranger. Noble Willingham's most recent film assignments include Ace Ventura, Pet Detective (1994) Up Close and Personal (1996) and Space Jam (1996). In 2000, Willingham left Walker, Texas Ranger to run for Congress in Texas. After losing the election to his Democratic opponent, Max Sandlin, Willingham returned to acting with a supporting role in the Val Kilmer thriller Blind Horizon. Sadly, the part would be the actor's last. In early 2004, at the age of 72, Willingham passed away at home from natural causes.

Trivia: Burly and heavyset character actor Mark Boone Jr. specialized in portrayals of thuggish rednecks and imposing blue-collar types, occasionally those with a slightly shady undercurrent. Boone first stepped in front of the camera in the early '80s, and grew more prolific over time; he was memorable in films such as the 1990 Die Hard 2 (as a terrorist), the 1995 Seven (as a greasy FBI agent), and the 2003 2 Fast 2 Furious (as a detective). His onscreen activity crescendoed circa 2005, with performances in four of that year's features, including Batman Begins. The following year, Boone signed for one of the key supporting roles in David Slade's supernatural horror opus 30 Days of Night (2007).