Trivia: Before he started acting, Mark Wahlberg was best known as Marky Mark, the pants-dropping rapper who attained fame and notoriety with his group the Funky Bunch. In the tradition of Will Smith and Ice Cube, Wahlberg has made a successful transition from music to film, garnering particular early praise for his role in Boogie Nights.Born June 5, 1971, in Dorchester, MA, Wahlberg had a troubled early life. One of nine children, he dropped out of school at 16 (he would later earn his GED) and committed a number of minor felonies. After working various odd jobs, Wahlberg briefly joined brother Donnie and his group New Kids on the Block before forming his own, Marky Mark & the Funky Bunch. The group had widespread popularity for a time, most notably with its 1992 hit single "Good Vibrations." However, it was Wahlberg himself who received the lion's share of attention, whether it was for the homophobia controversy that surrounded him for a time, or for the 1992 Calvin Klein ad campaign featuring him wearing nothing more than his underwear, Kate Moss, and an attitude. In 1993, Wahlberg turned his attentions to acting with a role in The Substitute. The film, co-starring a then-unknown Natasha Gregson Wagner, was a critical and commercial failure, but Wahlberg's next project, 1994's Renaissance Man, with Danny De Vito, gave him the positive notices that would increase with the release of his next film, The Basketball Diaries (1995). Although the film received mixed reviews, many critics praised Wahlberg's performance as Mickey, Leonardo Di Caprio's friend and fellow junkie. Following Diaries, Wahlberg appeared in Fear (1996) in the role of Reese Witherspoon's psychotic boyfriend.It was with the release of Paul Thomas Anderson's Boogie Nights in 1997 that Wahlberg finally received across-the-board respect for his commanding yet unassuming performance as busboy-turned-porn-star Eddie Adams/Dirk Diggler. The film was nominated for three Oscars and a slew of other awards by associations ranging from the British Academy to the New York Film Critics Circle to MTV. The positive attention landed Wahlberg on a wide range of magazine covers and gave him greater Hollywood pulling power. He had, as they say, arrived. Wahlberg's follow-up to Boogie Nights was 1998's The Big Hit, an action comedy that, particularly in the wake of Boogie Night's acclaim, proved to be a disappointment. This disappointment was hardly lessened by the relative critical and commercial shortcomings of Wahlberg's next film, The Corruptor (1999). An action flick that co-starred Chow Yun-Fat, The Corruptor showcased Wahlberg's familiar macho side and indicated that success in Hollywood is a strange and unpredictable thing. Though he gained positive notice for his role in David O. Russell' s unconventional war film Three Kings the same year, the film was only a moderate success, paving the way for an even more dramatic turn in the downbeat true story of the ill-fated Andrea Gail, The Perfect Storm, in 2000.The following year found Wahlberg filling some big shoes -- and receiving some hefty criticism as a result -- with his lead role in Tim Burton's much-anticipated remake of Planet of the Apes. Taking over the role that Charlton Heston made famous, Wahlberg found himself pursued onscreen by sinister simians, as well as offscreen by critics who decried the lack of depth that the actor brought to the role. Late that summer, Wahlberg came back down to Earth -- specifically to the everyday-Joe-rises-to-fame territory of Boogie Nights -- with Rock Star, the story of a tribute-band singer who gets a chance to sing for the band he idolizes. Though his noble attempt to fill the considerable shoes of Hollywood legend Cary Grant in the 2002 Charade remake The Truth About Charlie would be only slightly exceeded by his assumption of the role originally played by Michael Caine in the following year's remake of The Italian Job, Wahlberg would subsequently prove that there's nothing like the fresh breeze of an original script in director David O. Russell's existential 2004 comedy I Heart Huckabees. Of course, Wahlberg was never one to let a crowd down, and after riling audiences alongside Tyrese Gibson and André Benjamin in the Detroit-based revenge flick Four Brothers, the athletic actor would take to the gridiron to tell the inspirational story of one football fan whose dreams of playing in the NFL actually came true in the 2006 sports drama Invincible. Also released in the fall of 2006, The Departed allowed Wahlberg to act opposite such heavy hitters as Jack Nicholson, Matt Damon, Alec Baldwin, and his old Basketball Diaries co-star Leonardo Di Caprio under the direction of Martin Scorsese. Not only did Wahlberg hold his own against the cast of critics' darlings, he landed the film's only acting Academy Award nod. In 2007, Wahlberg starred in the suspense actioner The Shooter, as well as in director Peter Jackson's adaptation of The Lovely Bones. Wahlberg starred as the leader of a ragtag group trying to survive amidst murderous plant life in M. Night Shyamalan's so-bad-it's-good The Happening (2008), and played the titular role of Max Payne, which was adapted from a video game of the same name. In 2010 the actor starred in the inspirational docudrama chronicling the life of brothers Micky and Dicky Ecklund as they take on the world of boxing. Wahlberg earned an Academy Award nomination for producing the film; that same year, he began producing a new show for HBO, Boardwalk Empire. Wahlberg had a huge hit in 2012 with Seth MacFarlane's Ted, and joined the Transformer franchise in Transformers: Age of Extinction in 2014. Wahlberg continued his steady work, starring and producing both Deepwater Horizon (which was nominated for two Oscars) and Patriots Day (about the Boston Marathon bombing) in 2016.

Trivia: As legend has it, Charlize Theron was discovered by an agent while fighting with a bank manager on Hollywood Boulevard. Eighteen and starving, Theron purportedly got into the argument after the manager refused to cash her check. The outburst caught the agent's attention, and eight months later Theron got her first acting job. She subsequently went on to become one of the hottest young actors in Hollywood, thanks to a fortuitous combination of talent and the blonde, statuesque good looks so fervently adored by the camera. Born August 7, 1975, Theron was raised on a farm in Benoni, South Africa. Trained as a ballet dancer, she was sent to Milan at 16 to become a model following the death of her father (which, it was later revealed, occurred after he was shot by Theron's mother, who was defending herself from his drunken abuse). After tiring of modeling, Theron returned to her first love, dancing, which resulted in a move to New York to dance with the Joffrey Ballet. Unfortunately, her career was halted by a knee injury, which led Theron -- at her mother's behest -- to travel to Los Angeles to try her luck with acting. After a long, unprofitable struggle, fate smiled upon Theron in the form of the aforementioned bank encounter. Following an inauspicious bit part in 1994's Children of the Corn III, Theron won her first dose of recognition with 2 Days in the Valley (1996). The film wasn't particularly successful, but it did give her both much-needed exposure and critical praise. The film also served as the stepping stone to her first leading role, that of Keanu Reeves' embattled wife in The Devil's Advocate (1997). The film drew poor reviews, but Theron managed to win widespread praise for her performance. Her next project, Trial and Error (1997), surfaced briefly before disappearing with nary a trace, but the subsequent Mighty Joe Young (1998) netted Theron more positive notices. Her ascent was confirmed with her casting in Celebrity, Woody Allen's 1998 cameo-fest that also featured turns from everyone from Kenneth Branagh to Winona Ryder to Leonardo DiCaprio to Isaac Mizrahi. In her portrayal of a perpetually aroused supermodel, Theron shone in a role seemingly designed to allow her to flaunt her natural attributes and little else. She was rewarded with more substantial -- not to mention multilayered -- work in The Cider House Rules (1999), Lasse Hallström's Oscar-winning adaptation of John Irving's novel. As a troubled young woman with secrets to hide, Theron received star billing alongside Michael Caine and Tobey Maguire.In the wake of The Cider House Rules came a few highly publicized but ultimately disappointing projects, including John Frankenheimer's Reindeer Games (2000), Robert Redford's The Legend of Bagger Vance (2000), and Sweet November (2001), the last of which reunited her with erstwhile co-star Keanu Reeves. Theron was also reunited with Woody Allen in his The Curse of the Jade Scorpion (2001), another widely anticipated film that, despite a high-profile cast and stylish period design, was both a critical and commercial underachiever.None of this, however, nudged Theron from her A-list status, something that was confirmed by her casting in the flashy, star-studded 2003 remake of The Italian Job, a much-beloved 1969 comedy caper starring Michael Caine. The 2003 version featured Mark Wahlberg in the starring role, with Theron, Edward Norton, Seth Green, and Mos Def, among others, backing him up. That same year, Theron switched gears and dove headfirst into the "serious actress" category with her starring role in Monster, the crime drama based upon the real-life story of serial killer Aileen Wuornos, a prostitute who, in the late '80s, murdered seven men in Florida. Co-starring Christina Ricci as Wuornos' lover, the film promised to show audiences a side of Theron that certainly hadn't been hinted at in her previous portrayals of models, girlfriends, and Southern debutantes. It was evidently successful as Theron was showered with more than a dozen awards including an Oscar following her first-ever Academy Award nomination.2005 would be a decidedly mixed year for Theron. She first appeared in the live-action adaptation of the cult animated series Aeon Flux, a film that was nearly unanimously maligned by critics and largely avoided by audiences. Luckily, she also starred in the well-received docudrama North Country. Playing a woman who successfully battled sexual harassment, Theron was honored with her second Oscar nomination for the performance.In 2007 Theron earned critical praise for her supporting role as a detective in In the Valley of Elah, and joined the star-studded cast of The Road in 2008. Theron took a lead role the following year in Young Adult (penned by Juno collaborators Diablo Cody and Jason Reitman) as a recently divorced author who returns to her hometown with her sights set on winning back her high school sweet heart. Young Adult was received well by both box office and critical standards. 2012's Snow White and the Huntsman featured Theron as the diabolical queen, while Prometheus (2012) found the actress playing the cold but complex character of corporate representative Meredith Vickers. In 2014, she took on a out-of-character comic role, playing the romantic lead in Seth Macfarlane's A Million Ways to Die in the West, before returning to top form in Mad Max: Fury Road the following year.

Trivia: An actor of unusual talent, Edward Norton attained almost instant stardom with his film debut in 1996's Primal Fear. For his thoroughly chilling breakthrough performance as a Kentucky altar boy accused of murder, Norton was credited with saving an otherwise mediocre film and further rewarded with Golden Globe and Oscar nominations. Remarkably disconnected from all of the hype that is usually associated with fresh talent, Norton has gone on to further prove his worth in such films as American History X, The People vs. Larry Flynt, and Fight Club.The son of a former Carter Administration federal prosecutor and an English teacher, as well as the grandson of famed developer James Rouse, Norton was born in Boston on August 18, 1969. He was raised in the planned community of Columbia, MD, and from an early age was known as an extremely bright and somewhat serious person. His interest in acting began at the age of five when his babysitter, Betsy True (who went on to become an actress on stage and screen), took him to a musical adaptation of Cinderella. Shortly after that, Norton enrolled at Orenstein's Columbia School for Theatrical Arts, making his stage debut at the age of eight in a local production of Annie Get Your Gun. Although young, Norton already exhibited an unusual amount of professionalism and took his subsequent roles seriously. After high school, he studied astronomy, history, and Japanese at Yale, and was also active in the university's theatrical productions. After earning a history degree, Norton spent a few months in Japan and then moved to New York, where he worked for the Enterprise Foundation, a group devoted to stopping urban decay. Again, Norton continued acting at every opportunity and eventually decided to become a full-time actor. In 1994, he appeared in Edward Albee's Fragments after deeply impressing the distinguished playwright during an audition. Norton then joined the New York Signature Theater Company, which frequently premieres Albee's plays. With a number of off-Broadway credits to his name, Norton won his role in Primal Fear after being chosen out of 2,100 hopefuls. He nabbed the part after telling casting directors in a flawless drawl that he was a native of eastern Kentucky, the same area where the character came from; legend has it that the actor watched Coal Miner's Daughter to learn the accent. The intensity of Norton's screen test readings stunned almost all who saw them, and the actor became something of a hot property even before the film was released. The same year, Norton was cast as Drew Barrymore's affable fiancé in Woody Allen's tribute to Hollywood musicals, Everyone Says I Love You. Like all of the other actors in the film (excepting Barrymore), Norton did his own singing, further impressing audiences and critics alike with his versatility. Then, as if two completely different films in one year weren't enough, Norton again wowed audiences that same year with his portrayal of a determined defense attorney in Milos Forman's widely acclaimed The People vs. Larry Flynt. In 1998, Norton turned in two more stellar performances. The first was as Matt Damon's low-life buddy, the appropriately named Worm, in Rounders. The fact that Norton's work was more or less overshadowed by the film's lackluster reviews was almost negligible when compared to the controversy surrounding his other major project that year, American History X. Norton's stunningly powerful portrayal of a reformed white supremacist won him an Oscar nomination, but the film itself was both a box-office disappointment and the subject of vituperative disassociation on the part of its director Tony Kaye, who insisted that Norton and the studio had edited his film beyond recognition. Despite such embittered controversy, Norton managed to emerge from the mess relatively unscathed. After serving as one of the narrators for the acclaimed documentary Out of the Past the same year, he went on to star opposite Brad Pitt and Helena Bonham Carter in Fight Club in 1999. Though that film garnered a mixed reaction at the box office, a stellar DVD release helped the film to form a solid fan base and Norton next moved on to the slightly more successful crime drama The Score (2001). After dropping a full-fledged bomb with his appearance as a naive children's show host in Danny DeVito's black comedy Death to Smoochy, Norton assisted love interest Salma Hayek by offering an uncredited re-write of the script. Norton would also make a brief appearance as Nelson Rockefeller in the film. Drawn to the mystique of screen villain Hannibal Lecter, Norton's next major film was that of FBI agent Will Graham in the well-recieved 2002 thriller Red Dragon. Though a virtual remake of Michael Mann's 1986 effort Manhunter, Red Dragon stood tall enough on its own terms to gain the respect of both fans of the previous version as well as fans of the book. His appearance as a drug dealer celebrating one last night on the town before serving a prison term in Spike Lee's 25th Hour drew decent enought reviews, though its ultimate take at the box office proved fairly disappointing. An appearance in the high profile 2003 remake The Italian Job caused something of a rift in industry headlines when Norton made it publicly known that his participation in the film was strictly a result of contractual obligation, and in 2005 the actor would return to quieter, more challenging territory with his portrayal of a delusional cowboy wannabe in Dahmer director David Jacobson's Down in the Valley. A headlining performance as a turn-of-the-century Vienna magician who uses his powers to win the love of the woman he longs for in the romantic fantasy The Illusionist found Norton making a particularly powerful impression opposite Paul Giamatti and Jessical Biel, and later that same year he would return to the screen in director John Curran's screen adaptation of W. Somerset Maugham's novel The Painted Veil. Meanwhile, the sneaking suspicion that Norton wasn't quite living up to early career expectations was growing difficult to ignore; though his turn as Bruce Banner in 2008's The Incredible Hulk drew generally favorable reviews (it didn't hurt that the film itself was markedly more exciting than Ang Lee's misguided 2003 take on the material), Norton's next film Pride and Glory proved somewhat forgettable, and his quirky duel role in Tim Blake Nelson's Leaves of Grass only received a limited theatrical release before getting lost in the shuffle. Poor reviews for Norton's 2010 film Stone didn't help much to reinvigorate his career, and when it was announced that Mark Ruffalo would be taking over the role of Banner in Joss Whedon's all-star comic book romp The Avengers, some feared that the actor's previous rift with Marvel Studios had come back to haunt him.In 2012, when he took high-profile roles in two eagerly anticipated films -- Wes Anderson's Moonrise Kingdom and Tony Gilroy's The Bourne Legacy, and two years later he earned rave reviews for his supporting turn as a monstrously egotistical and hugely talented actor in Alejandro Inarritu's Birdman, a part that earned him an Oscar nomination and a slew of other industry accolades.

Trivia: British director Guy Ritchie frequently attributes the success of his unorthodox crime films -- 1998's Lock, Stock, and Two Smoking Barrels, 2000's Snatch -- to the fact that his offbeat miscreants are more than believable, they are real. Preferring to cast for authenticity rather than resumé, Ritchie handpicks many of his actors from the true-life cult figures and rascals of London's underbelly. Actor Jason Statham is among the best of them.A one-time Olympic diver, fashion model, and black-market salesman, Statham came to acting by way of commercials and "street theater" -- a euphemism for hustling tourists on London's Oxford Street. Raised in Syndenham, London, he was the second son of a lounge singer and a dressmaker turned dancer. Although Statham had the familial background to go immediately into entertainment, he excelled first on the high dive. He was a member of the 1988 British Olympic Team in Seoul, Korea, and remained on the National Diving Squad for ten years. In the late '90s, a talent agent specializing in athletes landed Statham a gig in an ad campaign for the European clothing retailer French Connection. This led to an appearance in a Levi's Jeans commercial and a fledgling modeling career. Meanwhile, Statham had also earned local fame as a street corner con man, selling stolen jewelry and counterfeit perfume out of a briefcase. Thus, when French Connection's owner became one of the biggest investors in Lock, Stock, and Two Smoking Barrels, he naturally introduced the diver/model/hustler to knave-hunting Ritchie.Intrigued by Statham's past and impressed by his modeling work, Ritchie invited him to audition for a part in the film. The director challenged Statham to impersonate an illegal street vendor and convince him to purchase a piece of imitation gold jewelry. Statham was evidently so persuasive that Ritchie bought four sets. When the director attempted to return his worthless acquisition -- pretending that the gold had turned to stainless steel -- Statham was so graciously inflexible that Ritchie hired him.This unorthodox audition resulted in Statham's big screen debut as Bacon, one of Lock, Stock, and Two Smoking Barrels' four primary characters engaged in a risky get-rich-quick scheme to repay a massive gambling debt. Bacon supplies a streetwise discipline and restraint that the other characters lack and a sense of humility crucial to Ritchie's film. In the director's follow-up crime comedy, Snatch, Ritchie rehired Statham to play Turkish, a smalltime hood vainly trying to break into the world of underground boxing. As this amateur but respectable hoodlum, Statham is attractive, urbane, immaculate, and smart enough to be bewildered by even his own laughable criminal ineptitude. The role began as a small supporting part in Snatch's star-filled ensemble cast but expanded throughout shooting. By the time of the film's theatrical release, Statham received top billing as its narrator and chief anti-hero.The Guy Ritchie oeuvre that supplied his breakthrough performances is not Statham's only acting arena. In 2000, he made his American film debut as a British drug dealer in Robert Adetuyi's Turn It Up starring Pras Michel. By 2001, he had finished shooting John Carpenter's sci-fi thriller Ghosts of Mars and joined Delroy Lindo in the cast of the Jet Li vehicle The One. A chance to reteam with former Lock, Stock, and Two Smoking Barrel co-star Vinnie Jones proved too fun an opportunity to resist, and Stratham would round out a particularly busy 2001 with his role in the prison-bound sports remake Mean Machine. Just as audiences were finally standing up to take notice of the amiable tough-guy, Stratham stepped into his own as the action lead of the explosive 2002 adrenaline ride The Transporter. A sizable hit that would earn Statham increasingly prominent roles in such high profile pics as The Italian Job, and Cellular, The Transporter established Stratham as a bankable international action star and was eventually followed by a 2005 sequel that miraculously managed the improbable feat of upping the ante of the previous installment's over-the-top cartoon violence. A starring role in Ritchie's 2005 crime thriller Revolver found Stratham re-teaming with the director who launched his career with decidedly mixed results, and the following year it was off to race the clock and rescue the girl as a reformed assassin looking to make good in the hyper-intense action entry Crank. The positively outrageous Crank: High Voltage upped the ante (and the ampage) in every possible way in 2009, but not before Statham got behind the wheel for Resident Evil director Paul W.A. Anderson for the 2008 remake Death Race, discovered just how far a foolproof heist could go awry in The Bank Job, and once again put the pedal to the metal in The Transporter 3. All of this left little doubt that Statham had quickly become one of the most bankable action stars of his generation, and in 2010 he teamed with none other than Sylvester Stallone for the all-star action flick The Expendables. The action just kept coming in The Mechanic, Blitz, Killer Elite (which paired him with screen legend Robert DeNiro), Safe, and the super-sized The Expendables 2 in 2012. Statham next joined another franchise, making a cameo appearance in Fast & Furious 6. He also reprised his role in The Expendables 3. In 2015, Statham appeared in Furious 7 and flexed his comedy chops in Spy, opposite Melissa McCarthy, earning favorable reviews and opening him to another genre.

Trivia: As Oz, the guitarist with a bit of a werewolf problem on the WB's Buffy the Vampire Slayer, actor Seth Green became known and loved by television viewers from the U.S. to Australia. What isn't as well-known to many of these viewers is the fact that Green has been acting in films and on television since 1984, when he made his debut as Egg, the little brother of Jodie Foster and Rob Lowe in The Hotel New Hampshire. A native of Philadelphia, Green was born February 8, 1974, and raised in the suburbs by his artist mother and math-teacher father. Although unbeknownst to him at the time, his first onscreen stint was as a newborn in a natural childbirth video. Green's more conscious interest in acting began at the age of six, when he had his first role in a summer camp play. With the help of his uncle, who was a casting director, Green was soon appearing in commercials and on various television shows. Getting his first real break with 1984's The Hotel New Hampshire, the young actor spent the next few years appearing in television shows before landing his first starring role in Woody Allen's 1987 film Radio Days. As Allen's young alter-ego, Green won a respectable amount of recognition (including an appearance on Johnny Carson's Tonight Show) for his part in the nostalgic tale of a boy growing up as part of an eccentric family in 1940s America. The role led to work in various films, such as Can't Buy Me Love (1987) and the following year's My Stepmother Is an Alien (in which he co-starred with his future Buffy love interest Alyson Hannigan). The early '90s were not kind to Green, who found himself acting in a series of bad films and winning only small parts on the occasional television show, including The Wonder Years. In fact, if audiences recognized the actor at all, it was probably due to a series of Rally's commercials that featured him as the obnoxious fast-food worker who made "Cha-ching" part of the national lexicon for about three months. Things finally began to pick up in 1997, when Green won his substantial role on Buffy the Vampire Slayer. Coincidentally, he had been cast five years earlier in the original film incarnation of Buffy the Vampire Slayer, but his scenes had ended up on the cutting-room floor. Green found further success in 1997, when he landed a memorable supporting role as the son of Dr. Evil in the sleeper hit Austin Powers: International Man of Mystery. Suddenly once again in favor with Hollywood's Powers That Be, Green appeared the following year in the Jennifer Love Hewitt film Can't Hardly Wait and in 1999 reprised his role as Scott Evil in Austin Powers: The Spy Who Shagged Me. Also in 1999, the actor landed a starring role as Devon Sawa's zombie friend in Idle Hands. The film, which was about a teen with murderous hands, had the unfortunate luck of opening a week after the Columbine High School shootings and quickly disappeared without a trace. However, this didn't seem to do substantial damage to the red-headed actor's career, as he continued riding high with his role on Buffy. Green also kept busy doing the voice of Chris Griffin on Fox's animated series The Family Guy, which he would stick with for over ten years. The turnover to the new millennium found Green increasingly popular on the big screen, with roles in such films as Rat Race and America's Sweethearts (both 2001). It wasn't long before the inevitable third chapter in the adventures of Austin Powers was to go before the cameras, and Green once again agreed to fill the shoes of Scott Evil.Green would spend the following several years appering in a number of filims, like The Italian Job, Scooby Doo 2: Monsters Unleashed, Sex Drive, Old Dogs, and Mars Needs Moms. Green would also nurture a career as a writer and producer with animated comedy series like Robot Chicken and Titan Maximum.

Trivia: Mos Def may seem, to the casual observer, like a rare example of a musician successfully transitioning into acting, but in truth, his acclaimed music career did not take off until long after he'd cemented himself as a working actor. Nonetheless, the man has built both his music and film careers on a foundation of integrity, earning him critical praise and audience approval for both. His contributions to the underground hip-hop scene started with the 1996 single "Universal Magnetic," a rare example of introspection in a genre dominated by blustering and callousness. Def's film debut, however, came almost ten years before, when he appeared in the 1988 TV movie God Bless the Child at the age of 15. Then going by his birth name, Dante Terrell Smith, Mos Def landed appearances on shows like Here and Now, The Cosby Mysteries, Brooklyn South, Spin City, and NYPD Blue. The spots sustained his career throughout the '90s, as did his roles in feature films like Bamboozled and MTV's Carmen: A Hip Hopera. Slowly but steadily becoming a recognizable face in acting, Mos Def continued to take parts in high-quality films, even if this meant a lower profile for himself as an actor. His supporting roles in Monster's Ball, Brown Sugar, The Italian Job, and The Woodsman, however, garnered him attention on talent alone. In 2004, he co-starred in the HBO movie Something the Lord Made with Alan Rickman and was honored with an Emmy nomination for Outstanding Lead Actor in a Miniseries or Movie, along with Rickman. By the time Def appeared in 2005's Golden Globe award-winning HBO miniseries Lackawanna Blues alongside Terrence Howard and S. Epatha Merkerson, he was a recognized and sought-after face in film. Def soon afterward donned a British accent for a leading role in The Hitchhiker's Guide to the Galaxy, giving audiences a taste of his comedic skills -- which were also on display in his recurring role on the hit Comedy Central series Chappelle's Show, as well as Michel Gondry's retro comedy Be Kind, Rewind -- which found the actor playing a hapless video store clerk opposite Jack Black. Increasingly versatile, Def was just as effective as a key witness hoping to avoid assassination in Richard Donner's 16 Blocks as he was as legendary rock & roller Chuck Berry in 2008's Cadillac Records. Back on the small screen, Def's recurring role as the haunted Brother Sam on Showtime's Dexter found the actor earning even more critical praise in 2011.

Trivia: Certainly one of the most distinctive looking men ever to be granted the title of movie star, Donald Sutherland is an actor defined as much by his almost caricature-like features as his considerable talent. Tall, lanky and bearing perhaps the most enjoyably sinister face this side of Vincent Price, Sutherland made a name for himself in some of the most influential films of the 1970s and early '80s.A native of Canada, Sutherland was born in New Brunswick on July 17, 1935. Raised in Bridgewater, Nova Scotia, he took an early interest in the entertainment industry, becoming a radio DJ by the time he was fourteen. While an engineering student at the University of Toronto, he discovered his love for acting and duly decided to pursue theatrical training. An attempt to enroll at the London Academy of Music and Dramatic Art was thwarted, however, because of his size (6'4") and idiosyncratic looks. Not one to give up, Sutherland began doing British repertory theatre and getting acting stints on television series like The Saint. In 1964 the actor got his first big break, making his screen debut in the Italian horror film Il Castello dei Morti Vivi (The Castle of the Living Dead). His dual role as a young soldier and an old hag was enough to convince various casting directors of a certain kind of versatility, and Sutherland was soon appearing in a number of remarkably schlocky films, including Dr. Terror's House of Horrors and Die! Die! Darling! (both 1965). A move into more respectable fare came in 1967, when Robert Aldrich cast him as a retarded killer in the highly successful The Dirty Dozen. By the early '70s, Sutherland had become something of a bonafide star, thanks to lead roles in films like Start the Revolution without Me and Robert Altman's MASH (both 1970). It was his role as Army surgeon Hawkeye Pierce in the latter film that gave the actor particular respect and credibility, and the following year he enhanced his reputation with a portrayal of the titular private detective in Alan J. Pakula's Klute.It was during this period that Sutherland became something of an idol for a younger, counter culture audience, due to both the kind of roles he took and his own anti-war stance. Offscreen, he spent a great deal of time protesting the Vietnam War, and, with the participation of fellow protestor and Klute co-star Jane Fonda, made the anti-war documentary F.T.A. in 1972. He also continued his mainstream Hollywood work, enjoying success with films like Don't Look Now (1973), The Day of the Locust (1975), and Fellini's Casanova (1976). In 1978, he won a permanent place in the hearts and minds of slackers everywhere with his portrayal of a pot-smoking, metaphysics-spouting college professor in National Lampoon's Animal House.After a starring role in the critically acclaimed Ordinary People (1980), Sutherland entered a relatively unremarkable phase of his career, appearing in one forgettable film after another. This phase continued for much of the decade, and didn't begin to change until 1989, when the actor won raves for his starring role in A Dry White Season and his title role in Bethune: The Making of a Hero. He spent the 1990s doing steady work in films of widely varying quality, appearing as the informant who cried conspiracy in JFK (1991), a Van Helsing-type figure in Buffy The Vampire Slayer (1992), a wealthy New Yorker who gets taken in by con artist Will Smith in Six Degrees of Separation (1993), and a general in the virus thriller Outbreak (1995). In 1998, the actor did some of his best work in years (in addition to the made-for-TV Citizen X (1995), for which he won an Emmy and a Golden Globe) when he starred as a track coach in Without Limits, Robert Towne's biopic of runner Steve Prefontaine. In 2000, Sutherland enjoyed further critical and commerical success with Space Cowboys, an adventure drama that teamed the actor alongside Tommy Lee Jones, Clint Eastwood, and James Garner as geriatric astronauts who get another chance to blast into orbit.Sutherland didn't pause as the new millennium began, continuing to contribute to several projects a year. He won a Golden Globe for his performance in the 2003 Vietnam era HBO film Path to War, and over the next few years appeared in high-profile films such as The Italian Job, Cold Mountain, and Pride and Prejudice, while continuing to spend time on smaller projects, like 2005's Aurora Borealis. The next year, Sutherland appeared with Mira Sorvino in the TV movie Human Trafficking, which tackled the frightening subject matter of modern day sexual slave trade. He also joined the cast of the new ABC series Commander in Chief, starring Geena Davis as the American vice president who assumes the role of commander in chief when the president dies. Sutherland's role as one of the old boys who is none too pleased to see a woman in the Oval Office earned him a Golden Globe nomination in 2006, as did his performance in Human Trafficking. In 2006, Sutherland worked with Collin Farrell and Salma Hayek in one of screenwriter Robert Towne's rare ventures into film direction with Ask the Dust. Sutherland has also earned a different sort of recognition for his real-life role as the father of actor and sometimes tabloid fodder Kiefer Sutherland. The elder Sutherland named his son after producer Warren Kiefer, who gave him his first big break by casting him in Il Castello dei Morti Vivi. In 2009 he voiced the part of President Stone in the film Astro Boy, an adventure comedy for children. Sutherland played a supporting role in the action thriller The Mechanic (2011), and joined the cast of The Hunger Games in the role of the coldhearted President Stone.

Trivia: Probably best known as Oscar from the TV comedy The Office, Oscar Nuñez was born in Cuba but raised in New Jersey. In addition to graduating from the Warner Bros. Comedy Writer's Workshop, Nuñez performed with The Shock of the Funny Theatre Company in New York, and with the Groundlings in California. He would lend his comedic writing and acting abilities to Reno 911!, 24, Halfway Home, and more before joining up with The Office in 2006. His work on that series as Oscar, the homosexual accountant, gave him his highest profile success to that point and led directly to his appearance as an exotic dancer in the Sandra Bullock hit The Proposal.

Trivia: With a varied background that includes time spent as a semi-professional football player and a competitive bodybuilder -- not to mention a strip club bouncer -- Brooklyn-born tough-guy actor Franky G. may not seem anything more than a muscle-bound meathead upon first inspection, but a closer look into his filmography reveals a notable onscreen talent who just may have the potential to become more than just the next Vin Diesel. From his screen debut as a troubled ex-con struggling to setting a new course for is life in Manitou to his turn as a rookie cop in the fact-based 2003 drama Wonderland, G. seems to have the kind of drive and range that could easily propel him beyond that of the stereotypical action icon. In addition to maintaining a normal existence and not letting success go to his head, G (the actor was born Frankie Gonzalez) is also determined not to let his ethnicity dictate his film roles. By eschewing typical Diesel-reject scripts for challenging roles that push him to expand his repertoire, the former college football player hopes to keep his career fresh and give audiences what they might least expect from an actor with such a physical background. In 2005, G made an impression on television viewers with a role as an ex-con whose attempts to go straight are complicated by local police who insist that he infiltrate his former partners in crime in the Fox drama Jonny Calvo.

Trivia: Thespian Christina Cabot began her acting career with guest roles on television series including The King of Queens, Working, and Six Feet Under during the late '90s and early 2000s, and segued into features in 1999 with bit roles in the A-listers Man on the Moon and Fight Club. Additional big-screen roles of equal exposure followed before Cabot ascended to supporting billing with a turn as a military officer, Major Kathleen "Kat" Spar, in Louis Leterrier's superhero action movie The Incredible Hulk.