Trivia: Handsome, well-built and able to communicate a rangy sort of charm in front of the camera, Dennis Quaid possesses many star qualities. Despite attaining heartthrob status for his work in such films as The Big Easy, however, Quaid has had a difficult time maintaining this status, thanks in part to work in a number of films that have failed to fully exploit his talent.The son of an electrician and younger brother of actor Randy Quaid, Dennis was born in Houston, Texas on April 9, 1954. He began acting in high school, and in college he enrolled in a drama program. He dropped out at the age of 20 to follow his brother to Hollywood and spent the next year mired in rejection and relative unemployment. He got his first break in 1977 when he was cast in minor roles in I Never Promised You a Rose Garden and 9/30/55, but it was not until 1979, when he starred in the seminal coming-of-age drama Breaking Away, that Quaid gained attention. It was his role as astronaut Gordo Cooper in The Right Stuff four years later that finally gave the actor his Hollywood breakthrough. He subsequently went on to appear in a number of films of widely varying quality. 1987 proved to be a particularly good year for Quaid, as he did acclaimed work in The Big Easy and Suspect. That same year, he also starred in the comedy Innerspace; that experience proved to be an auspicious one, as it provided him with an introduction to co-star Meg Ryan, whom he would marry in 1991. The two also starred together in the 1988 mystery D.O.A. and in the crime drama Flesh and Bone in 1993. Other notable roles for Quaid included that of wild man Jerry Lee Lewis in Great Balls of Fire (1989), a 1930s union organizer in Come See the Paradise (1990), and Meryl Streep's love interest in Postcards From the Edge (1990). During a large part of the '90s, Quaid starred in a string of disappointing films, including the disastrous Wyatt Earp (1994) and the failed medieval fantasy Dragonheart (1996). He made something of a comeback in 1998, appearing in the ensemble film Playing By Heart and the successful remake of The Parent Trap, in which he starred opposite Natasha Richardson. The following year, he had a starring role as a Miami football team's legendary quarterback in Oliver Stone's Any Given Sunday, and then starred in the supernatural thriller Frequency (2000) as a dead man who is able to communicate with his son (James Caviezel) over ham radio. Though both films proved moderately successful, it was two-years-later that Quaid would truly return to the good graces of critics with his striking turn in director Todd Haynes' Far From Heaven. As a closeted homosexual husband living a typical suburban dream in 1950s era Connecticut, Quaid's sensitive performance proved integral to convincingly recreating the tone of a Douglas Sirk era melodrama. Quaid portrayed a middle-aged man whose life is turned upside-down by the arrival of a young upstart who takes over his job in 2004's comedy drama Good Company, and appeared in The Alamo and Flight of the Phoenix the same year. Despite Quaid's involvement in several commercial and critical failures throughout the 2000s (The Day After Tomorrow, American Dreamz, Cold Creek Manor), the actor shone as widower Lawrence Wetherhold in Smart People (2008), and again as the stern Reverend Shaw Moore in 2011's Footloose reboot. Quaid appeared in the ensemble film What To Expect When You're Expecting, had a supporting role in the 2012 romcom Playing for Keeps and was in the anthology film Movie 43 (2013).

Trivia: As the offspring of producer/writer Naomi Foner and director Stephen Gyllenhaal, it is not surprising that Jake Gyllenhaal has been acting since childhood. Raised in Los Angeles, Gyllenhaal acted in school plays and made his winsome screen debut when he was in the fifth grade, playing Billy Crystal's son in the blockbuster summer comedy City Slickers (1991). Keeping it in the family while acting with some of the industry's most notable talents, Gyllenhaal subsequently appeared in his parents' 1993 adaptation of the novel A Dangerous Woman with Debra Winger, and played Robin Williams' son in a 1994 episode of TV's Homicide that was directed by his father. Poised to make the transition from child to adult actor, Gyllenhaal earned rave reviews, heralding him as a star in the making, for his emotionally sincere performance as real-life rocket builder Homer Hickam in the warmly received drama October Sky (1999). Though he opted to stay in school and attend college at Columbia University, Gyllenhaal continued his creative pursuits, playing in a rock band and starring as the oddball title character alongside Drew Barrymore in the Barrymore-produced Sundance Film Festival entrant Donnie Darko (2001). Gyllenhaal could be seen later that same year as the titular character in the ill-fated Bubble Boy.After co-starring on the London stage in This Is Our Youth in spring 2002, Gyllenhaal was declared one half of Entertainment Weekly's "It Gene Pool" (with sister Maggie Gyllenhaal) for his aversion to taking the easy, teen flick route. In keeping with his preference for off-center work, Gyllenhaal coincidentally played the younger love object of choice in two consecutive indie comedies, appearing as Catherine Keener's sensitive boss in Nicole Holofcener's slyly witty Lovely & Amazing (2002) and Jennifer Aniston's enticing yet disturbed co-worker in Miguel Arteta's sardonic The Good Girl (2002). As further proof that he had the acting chops to go with his sad-eyed good looks, Gyllenhaal subsequently co-starred with Dustin Hoffman and Susan Sarandon as a young man enmeshed in his dead fiancée's family in Moonlight Mile (2002).With his star on the rise and his status as a heartthrob all but cemented, it became impossible for Gyllenhaal to avoid the draw of a big summer blockbuster. In 2004, he starred alongside Dennis Quaid in the mega-budgeted The Day After Tomorrow, and the success of that film put him in another league altogether. What followed was an interesting, challenging mix of roles for the young actor. He could be seen in the fall of 2005 starring in no less than three high-profile prestige films, all of them adaptations: the delayed big-screen version of the Pulitzer-prize winning play Proof, with Gwyneth Paltrow; the Gulf War memoir Jarhead, directed by American Beauty wunderkind Sam Mendes; and Ang Lee's cowboy romance Brokeback Mountain. The first two films received an indifferent response by critics, even though Jarhead's opening-weekend gross confirmed Gyllenhaal's bankability. Lee's film, however, garnered the most acclaim of 2005, and offered him perhaps his riskiest, most rewarding role to date. Playing the closeted, romantically frustrated rancher Jack Twist, Gyllenhaal added heartbreaking shades of vulnerability to his usual frat-boy cockiness, and more than held his own opposite a memorably gruff, taciturn Heath Ledger. As praise was heaped out upon the film and its two male leads, Gyllenhaal found himself the recipient of a BAFTA award, a National Board of Review notice, and an Oscar nomination for Best Supporting Actor. Gyllenhaal would spend the next several years enjoying his status as a leading man, appearing in projects like Zodiac, Brothers, Love and Other Drugs, and Source Code.

Trivia: Possessing the sort of Cinemascope smile that could part the clouds over even the most curmudgeonly of pessimists, talented actress/singer Emmy Rossum has made her mark on stage and screen as one of the most promising talents of her generation. Having worked on-stage alongside such legends as Plácido Domingo and Luciano Pavarotti, and held her own onscreen opposite such formidable talents as Sean Penn and Tim Robbins, Rossum had accomplished by the age of 18 what most actresses dream for a lifetime of achieving. A New York City native whose early work included tenures at the Metropolitan Opera and Carnegie Hall, the multi-lingual songbird performed in over 20 separate operas in six different languages before making her television debut in the popular daytime soap As the World Turns. Subsequently, Rossum was nominated for a Young Artist Award for her performance in the Disney Channel feature Genius, and her portrayal of a young Audrey Hepburn in the 2000 made-for-television drama The Audrey Hepburn Story provided the burgeoning screen talent with her widest exposure up to that point. Various television roles were quick to follow, with a feature debut as an Appalachian orphan in the 2000 drama Songcatcher proving that young Rossum could light up the silver screen just as effectively as she did its home-based counterpart. In addition to earning her an Independent Spirit Award nomination for Best Debut Performance, Songcatcher also took home the Best Ensemble Performance award at that year's Sundance Film Festival. As Rossum climbed the credits with roles in An American Rhapsody, Happy Now, and Passionada, it was obvious to those in the know that her career was only getting warmed up. Her role as the eponymous songwriter in the 2003 romantic comedy Nola proved without a doubt that she could carry a film and provided the perfect transition between her early independent career and her impending success in Hollywood. Cast as the ill-fated daughter of a former thug-turned-semi-legitimate small-business owner in director Clint Eastwood's critically acclaimed drama Mystic River, Rossum's blend of youthful innocence and daddy's girl charm echoed through the film in a way that made the violence of her death truly heartbreaking. After striving to survive the apocalyptic meteorological developments in the popcorn extravaganza The Day After Tomorrow, Rossum next had the honor of being handpicked by none other than Andrew Lloyd Webber for the role of Christine in the eagerly anticipated feature version of The Phantom of the Opera. The recipient of a Young Artist Award for Best Performance in the film, Rossum had indeed lived up to the potential seen by Lloyd Webber in the early stages of production. In 2006 Rossum raced through a sinking ship in Poseidon, and the following year she managed to make a splash in the pop world with her debut album Inside Out. And while in recent years it had appeared Rossum was gravitating away from television, a starring role in the Showtime series Shamless found her hitting an impressive stride on the small screen.

Trivia: An actor with an undeniably friendly appeal, Dash Mihok was born in New York in 1974. Both of Mihok's parents were active in theater and the arts, and they encouraged their son to explore his creative side. He joined up with the program City Kids while in high school, a production involving Jim Henson puppets that performed all over the city, teaching children about character and self-esteem.Mihok's interest in performance only grew as he got older, and he began auditioning for professional roles after high school, scoring appearances on Law & Order and in the movie Sleepers. Then, still a virtual unknown, Mihok got a callback for a much more prominent role when he was cast as Benvolio, best friend of Leonardo DiCaprio's Romeo in Baz Luhrmann's hallucinatory, modern take on William Shakespeare's Romeo and Juliet. The project gave Mihok an amazing chance to show his stuff; not only did he impress audiences by handling a serious, emotional acting role complete with difficult, antiquated language, but he also walked around bare-chested in many scenes, wowing viewers with his muscular physique. Mihok continued to pick and choose interesting projects, acting in everything from big-budget blockbusters like The Day After Tomorrow and The Perfect Storm to independent arthouse movies like Johnny Flynton and Mojave. Mihok was a particular delight to audiences in 2006's Hollywoodland and in 2007's family film Firehouse Dog, and over the coming years, he would find success in an ongoing series of films, like I Am Legend, The Longshots, and Trespass.

Trivia: After attending State University of New York at Purchase, Jay O. Sanders made his off-Broadway debut in a 1976 production of Shakespeare's Henry V. Three years later, he graduated to Broadway in Loose Ends. Sanders' first major film role was Charles Rawlings, the husband of novelist Marjorie Rawlings (Mary Steenburgen) in Cross Creek (1980). He went on to spend a year in the role of feckless resident physician Dr. Gene Pfeiffer in TV's After MASH (1982). He later portrayed Steven Kordo in the 1987-88 (and last) season of the serialized prime time weekly Crime Story. In the 1990s, Jay O. Sanders played real-life "political prisoner" Terry Anderson in the made-for-TV film Hostages (1993), and was also seen in such theatrical features as JFK (1991) and Angels in the Outfield (1994). Bit roles in such Hollywood comedies as For Richer or Poorer and The Odd Couple II helped keep Sanders a familiar face to moviegoers between frequent independent roles. Meanwhile, the busy character actor also found steady work narrating audio books and television shows such as Nova and Wide Angle. In 2011 he joined the cast of Law & Order: Criminal Intent as Captain Joseph Hannah, but by then the show was in its tenth and final season. Guest appearances on such high-profile television series' as Pan Am, Blue Bloods, and Person of Interest were quick to follow.

Trivia: Born July 11th, 1956, brunette leading lady Sela Ward graduated from the University of Alabama, where among many other activities she was a cheerleader for the Crimson Tide football team. Heading to New York, Ward determined to either become an airline stewardess or a model; a fear of flying led to her choosing the latter vocation. She proved she could act as well as pose when she was cast in the 1985 Burt Reynolds vehicle The Man Who Loved Women. Beginning in 1991, Ward portrayed Teddy on the weekly TV "dramedy" Sisters, a role that earned her a 1994 Emmy award. Sela Ward's additional television credits include the title role in the 1995 cable TV biopic Almost Golden: The Jessica Savitch Story, as well as Once and Again, for which she would win the Best TV Series Actress in a Drama Award at the 2000 Golden Globes. 2004 would find the actress in the role of a private investigator in the made-for-tv movie Suburban Madness, and appeared on the big screen for The Day After Tomorrow. The following year Ward joined the cast of Fox's hit television series House in the recurring role of Stacy Warner, ex-partner of House, and former attorney for the hospital. Though her character was eventually written off the show, Ward reprised the role of Stacy Warner in House's 2012 finale.

Trivia: Multi-talented actor Austin Nichols effectively straddled industry films and smaller, low-budget independent productions when he debuted onscreen in the early 2000s. With a fresh-faced, clean-cut look that spoke to his heightened versatility in many roles, Nichols landed his first major feature assignment in Richard Loncraine's quirky romantic comedy Wimbledon (2004) -- with a memorable turn as a snotty, obnoxious American tennis player trying desperately to seduce Kirsten Dunst. Following small roles in the disaster film The Day After Tomorrow (2004) and Jerry Bruckheimer's period basketball saga Glory Road (2006), Nichols "went indie" with a part in the low-budget drama Lenexa, 1 Mile. He also landed a plum role on the HBO series John From Cincinnati, as a mystically powered surfer, but that program failed to connect with an audience and received a cancellation after only one season. Off-camera, Nichols was a champion athlete who ranked third in the international pantheon of water skiers and won the 1997 Pan American championship in that sport; he also demonstrated great prowess in equestrianism, golf, and tennis, which more than prepared him for the Wimbledon role.

Trivia: Competed in pageants starting at the age of 4. Started a dance troupe in elementary school. Appeared in The Chocolate Nutcracker with the Culture Show Dance Troupe in Los Angeles. Starred in a Snickers commercial alongside Aretha Franklin and Liza Minnelli.

Trivia: Born in Okinawa, Japan, actress Tamlyn Tomita performed on-stage in Los Angeles before making her film debut in The Karate Kid Part II in 1986 as Ralph Macchio's love interest, Kumiko. Soap opera appearances and supporting roles followed, as well as a few made-for-TV movies about Hiroshima. In 1990, she gained some attention as Dennis Quaid's love interest in Alan Parker's WWII romance Come See the Paradise. In 1993, she was part of the excellent ensemble cast in the generation-gap drama The Joy Luck Club, based on the novel by Amy Tan. Other films include the Hawaiian-set romantic drama Picture Bride, the clever comedy drama Four Rooms, the horror thriller Killing Jar, and the independent relationship comedy Hundred Percent. On television, she found work in the sci-fi movie Babylon 5: The Gathering and landed reoccurring roles on The Burning Zone JAG, and 24. She also can be seen in Greg Pak's little-seen but critically praised digital video project Robot Stories and Roland Emmerich's 2004 sci-fi disaster film The Day After Tomorrow.

Trivia: Born in Jaffa, Israel, his family moved to Montreal, Canada when he was 7. Parents are Russian Jewish immigrants, and they all still speak Russian at home. Was at one time the drummer for the indie-rock band Tricky Woo, based in Montreal. Studied history before pursuing drama. Role in the pilot for the television series Caprica was originally a guest spot, but was later expanded to be included as a regular character. Indicating his traditional Russian Jewish background, he claims that his father still plays the accordion and "a lot of things get pickled." Is trilingual (English, French and Russian).

Trivia: Popularly known as "Mr. Ubiquitous" thanks to his versatility as a stage and screen actor, Ian Holm is one of Britain's most acclaimed -- to say nothing of steadily employed -- performers. Although the foundations of his career were built on the stage, he has become an increasingly popular onscreen presence in his later years. Holm earned particular plaudits for his work in Atom Egoyan's The Sweet Hereafter (1997), in which he played an emotionally broken lawyer who comes to a small town that has been devastated by a recent school bus crash.Born on September 12, 1931, Holm came into the world in a Goodmayes, Ilford, mental asylum, where his father resided as a psychiatrist and superintendent. When he wasn't tending to the insane, Holm's father took him to the theatre, where he was first inspired, at the age of seven, by a production of Les Miserables starring Charles Laughton. The inspiration carried him through his adolescence -- which, by his account, was not a happy one -- and in 1950, Holm enrolled at London's Royal Academy of Dramatic Art. Coincidentally, while a student at RADA, he ended up acting with none other than Laughton himself.Following a year of national service, Holm joined the Royal Shakespeare Company, making his stage debut as a sword carrier in Othello. In 1956, after two years with the RSC, he debuted on the London stage in a West End production of Love Affair; that same year, he toured Europe with Laurence Olivier's production of Titus Andronicus. Holm subsequently returned to the RSC, where he stayed for the next ten years, winning a number of awards. Among the honors he received were two Evening Standard Actor of the Year Awards for his work in Henry V and The Homecoming; in 1967, he won a Tony Award for his performance in the Broadway production The Homecoming.The diminutive actor (standing 5'6") made his film debut as Puck in Peter Hall's 1968 adaptation of A Midsummer Night's Dream, a production that Holm himself characterized as "a total disaster." Less disastrous was that same year's The Bofors Gun, a military drama that earned Holm a Best Supporting Actor BAFTA. He went on to appear in a steady stream of British films and television series throughout the '70s, doing memorable work in films ranging from Mary, Queen of Scots (1971) to Alien (1978), the latter of which saw him achieving a measure of celluloid immortality as Ash, the treacherous android. Holm's TV work during the decade included a 1973 production of The Homecoming and a 1978 production of Les Miserables, made a full 40 years after he first saw it staged with Charles Laughton.Holm began the '80s surrounded by a halo of acclaim garnered for his supporting role as Harold Abrahams' coach in Chariots of Fire (1981). Nominated for a Best Supporting Actor Oscar, he won both a BAFTA and Cannes Festival Award in the same category for his performance. Not content to rest on his laurels, he played Napoleon in Terry Gilliam's surreal Time Bandits that same year; he and Gilliam again collaborated on the 1985 future dystopia masterpiece Brazil. Also in 1985, Holm turned in one of his greatest -- and most overlooked -- performances of the decade as Desmond Cussen, Ruth Ellis' steadfast, unrequited admirer in Dance with a Stranger. He also continued to bring his interpretations of the Bard to the screen, providing Kenneth Branagh's Henry V (1989) with a very sympathetic Fluellen and Franco Zeffirelli's Hamlet (1990) with a resolutely meddlesome Polonius.The following decade brought with it further acclaim for Holm on both the stage and screen. On the stage -- from which he had been absent since 1976, when he suffered a bout of stage fright -- he won a number of honors, including the 1998 Olivier Award for Best Actor for his eponymous performance in King Lear; he also earned Evening Standard and Critics Circle Awards for his work in the play, as well as an Emmy nomination for its television adaptation. On the screen, Holm was shown to great effect in The Madness of King George (1994), which cast him as the king's unorthodox physician, Atom Egoyan's aforementioned The Sweet Hereafter (1997), and Joe Gould's Secret (1999), in which he starred in the title role of a Greenwich Village eccentric with a surprising secret. In 2000, Holm took on a role of an entirely different sort when he starred as Bilbo Baggins in Peter Jackson's long awaited adaptation of J.R.R. Tolkien's Lord of the Rings. Holm, who was made a Commander of the Order of the British Empire in 1989, was knighted by Queen Elizabeth II in 1998 for his "services to drama."After the final installment in the Lord of the Rings trilogy was released in 2003, Holm took a role in completely different kind of film. 2004's Garden State was a far cry from the epic, big-budget fantasy he'd just starred in and rather, was a quiet, independent film written, directed, produced by and starring the young Zach Braff. Holm's portrayal of the flawed but well-meaning father a confused adult son was a great success, and he went on to play equally complex and enjoyable supporting roles in a variety of films over the next year, from the Strangers with Candy movie to Lord of War. In 2006, Holm signed on to lend his voice to the casts of two animated films: the innovative sci-fi noir, Renaissance, and the family feature Ratatouille--slated for release in 2006 and 2007 respectively. He also joined the cast of the controversial drama O Jerusalem, a movie about a friendship between a Jewish and Arab man during the creation of the state of Israel. After five years away from the big screen, he returned to play Bilbo Baggins yet again in Peter Jackson's adaptations of The Hobbit.

Trivia: British actor Jared Harris first won recognition for his riveting portrayal of influential American pop artist Andy Warhol in the acclaimed I Shot Andy Warhol (1996). Though he is the son of esteemed British actor Richard Harris, he showed little interest in following his father's path until he was cast in a college production while attending North Carolina's Duke University during the early '80s. Following graduation, he returned to Britain and worked with the Royal Shakespeare Company for several years, before heading back to the states to appear off-Broadway. The actor made his screen debut in The Rachel Papers (1989). Following his appearances as Harvey Keitel's slightly retarded shop assistant in Smoke and its companion piece Blue in the Face (both 1995), Harris became a familiar face in American independent films, though he still made the occasional foray into mainstream films, appearing in Lost in Space in 1998. After portraying a sleazy Russian cab driver in Todd Solondz's acclaimed Happiness (1998), Harris could be seen in Michael Radford's B. Monkey, starring opposite Asia Argento, Rupert Everett, and Jonathan Rhys Myers. He went on to appear in Perfume and Igby Goes Down in the next few years. In 2003 he found himself playing one of Europe's most famous historical figures when he tackled the role of King Henry VIII in The Other Boleyn Girl. The next year he had small parts in The Day After Tomorrow and Ocean's Twelve. Although he was in the notorious flop Lady in the Water in 2006, two years later he appeared in the multiple Oscar nominated The Curious Case of Benjamin Button. In 2009 he had his most high-profile success joining the cast of the award-winning drama Mad Men as a British businessman. He was the bad guy in the second of Robert Downey Jr's Sherlock Holmes films, and played one of the important figures in American history when Steven Spielberg cast him in Lincoln as General Ulysses S. Grant.

Trivia: Dreadlocked character actor Glenn Plummer began his acting career on television during the late '80s. He appeared in the TV movies The Women of Brewster Place, Heat Wave, and Deadlock. On the big screen, he played thug High Top in Dennis Hopper's crime drama Colors and rookie pitcher Tyrone in the baseball movie Pastime. In 1992, he landed his first starring role as an ex-convict father who wants the best for his son in Steve Anderson's compelling drama South Central. After supporting roles in Trespass, Menace II Society, and Speed, he made a brief return to television to play staff member Timmy Rawlins during the first season of ER. Back on the big screen, he played a choreographer in Showgirls, a musician/activist in Strange Days, and drama teacher in The Substitute More feature films followed, he landed a spot on the HBO miniseries The Corner, and he tried producing with Love Beat the Hell Outta Me. In addition to several straight-to-video action thrillers, Plummer appeared in the feature film The Salton Sea. He also had starring roles in the independent drama 100 Kilos and the motorcycle movie Road Kings.

Trivia: Talented British actor Adrian Lester first became known to American audiences with his role as an idealistic presidential campaign worker in Mike Nichols' Primary Colors (1998). Lester, who was born in Birmingham, England, in 1970, got his start on the stage, winning an Olivier Award in 1996 for his performance in Company. He made his film debut in 1991, acting in a number of British productions, and got his first Hollywood break with Primary Colors. In 2000, he could be seen interpreting the Bard as Dumaine, one of the noblemen in Kenneth Branagh's adaptation of Love's Labour's Lost who finds that the demands of the body are liable to undermine the noble pursuits of the mind.

Trivia: A striking character actor with a knack for playing either cops or outlaws and a sinister undercurrent, Nestor Serrano was born in New York City on February 26, 1957. Serrano got his start as an actor on the New York stage, appearing in off-Broadway productions while supporting himself as a computer operator. Serrano landed his first big break in 1985 when he was an understudy in the Broadway drama The Boys of Winter, starring Matt Dillon, Wesley Snipes, Ving Rhames, and Andrew McCarthy. In 1986, Serrano landed a showier role in the off-Broadway production Cuba and his Teddy Bear, in which Robert De Niro made his first stage appearance in over 15 years. Serrano made his film debut in 1986 with a bit part as a pilot in Brenda Starr, although it would be several years later before the film received a theatrical release. His first role to be seen by audiences was a small part as a housepainter in the comedy The Money Pit. Serrano also began adding television work to his increasingly busy schedule of stage roles and film appearances; he played the recurring role of Officer Geno Toffenelli on the short-lived police drama True Blue, and he was also a regular on two other cop shows, The Hat Squad, which lasted a single season in 1992-1993, and Moloney, another short-lived series which bowed in 1996. However, in 2001, Serrano finally landed a high-profile television role on the sci-fi action fantasy series Witchblade, where he played Captain Bruno Dante, nemesis of detective-turned-superheroine Sara Pezzini (Yancy Butler). Serrano also played notable supporting roles in Bringing Out the Dead, The Negotiator, Bait, and The Insider.

Trivia: Perry King received his acting training at Yale and Juilliard. Entering films in 1972 with Slaughterhouse Five, the handsome, flinty-eyed King went on to play roles ranging from menacing to passive in such films as The Lords of Flatbush (1974), The Wild Party (1975) and Lipstick (1976). King's plentiful work has included the part of Rory Armagh in the 1976 miniseries Captains and the Kings, starring roles in the weekly series Quest (1981), Riptide (1985) and The Trouble With Larry (1993), and a wealth of made-for-TV movies, among them Foster and Laurie (1975), Golden Gate (1981), The Hasty Heart (1983) and Helen Keller: The Miracle Continues (1984). Perry King is the grandson of fabled literary editor Maxfield Perkins.

Trivia: Canadian actress Mimi Kuzyk is best known for playing Detective Patsy Mayo on the acclaimed 1980s police drama Hill Street Blues. Kuzyk made her feature debut in 1984's He's Hired, She's Fired, but went on to spend the bulk of her career playing supporting roles and occasional leads in television movies such as Family Sins (1987) and The Lifeforce Experiment (1995).

Trivia: Waited tables at an L.A. deli before his big break. Was named one of the 10 Actors to Watch by Variety in 2000. Shared screen time on the TV series Suits with his mother and father, Gail and Charlie Hoffman, when they made their acting debut as the parents of their son's character.

Trivia: Lead actress, onscreen from I've Heard the Mermaids Singing (1956).

Trivia: An alluring red-headed siren and a genial presence in U.S. theatrical films and television during the first decades of the new millennium, actress Amy Sloan first caught the attention of viewers when cast in the 2000 telemovie A Diva's Christmas Carol, starring Vanessa Williams as an aggressive and acid-mouthed variant on Ebenezer Scrooge. Sloan then teamed with the gifted director Euzhan Palcy (of Sugar Cane Alley and A Dry White Season fame) for a small supporting role in the gritty, sobering prison drama The Killing Yard (2001). After a spin as a reporter in the made-for-cable production No Ordinary Baby, Sloan once again demonstrated her keen instinct for picking exemplary filmmakers as collaborators, by signing on to work with acclaimed stage director Peter Masterson in the psychological thriller Lost Junction. Unfortunately, this -- like The Killing Yard -- failed to generate substantial recognition, and a supporting role in the disappointing Halle Berry/Robert Downey Jr. thriller Gothika (2003) (as an inmate) provided Sloan with only a small amount of screen time. Sloan fared better -- and received slightly higher billing -- as Sheila on television's popular Gilmore Girls and as Wendy on the short-lived 2007 series Big Shots.

Trivia: Leading actor onscreen from 1987.