Trivia: Born July 7th, 1966, Indiana native and standup comic Jim Gaffigan cultivated a reputation during the late '90s and early 2000s as a low-key, witty, and inventive comic with mildly self-deprecative routines. He then branched out into television and film roles, finding mixed (if not unqualified) success in those venues. Launched during the early '90s, Gaffigan's original standup act sparked the attention of such after-hours talk programs as Late Night with David Letterman (on CBS) and Late Night with Conan O'Brien (on NBC). Both shows booked the comic for repeated spots to tremendous audience enthusiasm. Letterman was reportedly so wowed by Gaffigan's material, delivery, and presence, in fact, that he commissioned his company, Worldwide Pants Incorporated, to produce a sitcom for Gaffigan, Welcome to New York. The series cast Gaffigan as a character named Jim Gaffigan, a former weatherman from Indiana who moves to New York and takes a job on a Good Morning America-like local talk show called "AM New York." Christine Baranski co-starred as Gaffigan's caustic producer, Marsha Bickner, Roseanne's Sara Gilbert as Marsha's assistant, Amy, and Rocky Carroll as Adrian Spencer, the program's smarmy, artificial host. Many of the initial gags and bits revolved around the "fish out of water" concept of a Hoosier thrust into the Big Apple, and Gaffigan's co-workers' cutting objections to his presence in the newsroom. Unfortunately, Welcome to New York folded a few months in, thanks to markedly poor ratings and viewership. The comic continued his television work unabated, however, with a recurring role on the equally short-lived Ellen DeGeneres starrer The Ellen Show. Beginning in 1999, Gaffigan began signing for supporting roles, typically comic turns, in feature films, starting with David O. Russell's Three Kings. He played Larry Johnson, the highway pullover dumbfounded by a "meow"-spouting cop, in Broken Lizard's Super Troopers (2001), then a hotel manager in the eccentric dramedy Igby Goes Down (2002). Gaffigan also landed a bit part as Chris Grandy in Gary Winick's Big update 13 Going on 30 (2004). In mid-2005, Gaffigan issued his premier comedy video, Jim Gaffigan: Beyond the Pale -- an hour-long special in which the comic delivers a number of riffs on the subjects of food, holidays, gift giving, and religion. (The title refers to the fair-haired Gaffigan's ghostly white complexion, one of the recurring subjects of his shtick.) Gaffigan then essayed a supporting role in Hilary Brougher's 2006 psychodrama Stephanie Daley, starring Tilda Swinton, Amber Tamblyn and Timothy Hutton. 2008 found the actor co-starring alongside Justin Timberlake and Verne Troyer in the Love Guru, which won the dubious honor of three Raspberry Awards. Gaffigan would have better luck in 2009, when he joined the cast of Sam Mendes' comedy Away We Go, and again in 2010 for the films Going the Distance and It's Kind of a Funny Story. He also worked in the television sitcom My Boys from 2006-2009. '

Trivia: With her wild curls, gawky build, and street-smart attitude, Natasha Lyonne presents a refreshing departure from the many blow-dried, plasticized young actors of her generation. Since appearing in Woody Allen's Everyone Says I Love You in 1996, Lyonne has consistently wowed critics with her intelligent, no-nonsense portrayals of teenage girls who are anything but typical.Born into a conservative Jewish family on April 4, 1979, in New York City, Lyonne spent her childhood in New York and Israel. She broke into show business early with her role as Opal on Pee-Wee's Playhouse (1986). Her first film of any import (aside from Heartburn (1986), in which she had an uncredited role) was 1993's Dennis the Menace. It was her next film, Everyone Says I Love You, that won Lyonne initial recognition. Critics praised her portrayal of Woody Allen's daughter, praise that was magnified with her role in Tamara Jenkins' The Slums of Beverly Hills (1998). The film won almost unanimous critical praise, as did Lyonne's endearingly jaded portrayal of Vivian Abramowitz. The success of Slums was inversely proportional to that of Lyonne's next film, Krippendorf's Tribe, which also starred Richard Dreyfuss and Jenna Elfman. However, the disappointment of that movie was more than made up for by Lyonne's following project, the very successful American Pie. As the wise and weary Jessica, Lyonne, in the minds of many critics, stole the show with her all-too limited appearance. Fortunately, thanks to both the film's success and her consistently solid performances, it was virtually ensured that critics and audiences alike would be able to see a great deal more of her, though her roles in the sequels American Pie 2 and Scary Movie 2 amounted to little more than glorified cameos, almost unrecognizably so in the case of the latter.

Trivia: One of the screen's most versatile and woefully under-appreciated character actors, John C. Reilly has appeared in a series of films united only in their complete lack of similarity. To date, he has been used most intelligently by director Paul Thomas Anderson, who has cast him in Hard Eight, Boogie Nights, and Magnolia.A native of Chicago, where he was born May 24, 1965, Reilly broke into film in 1989, the year he starred in Casualties of War and We're No Angels, both of which featured Sean Penn and a less than stellar reception. Reilly subsequently spent the early '90s appearing in films of every conceivable genre, from the Tom Cruise testosterone extravaganza Days of Thunder (1990) to Woody Allen's Shadows and Fog (1992) to What's Eating Gilbert Grape (1993). Thanks to his unglamorous appearance, Reilly also did an obligatory turn as a backwoods psycho, popping up alongside Kevin Bacon in The River Wild (1994) long enough to freak out Meryl Streep and her family.1996 marked the beginning of Reilly's collaboration with director Anderson. That year, he starred as a none-too-bright loser stranded in Vegas in Hard Eight, Anderson's feature-length directorial debut. Reilly earned wide praise for his work in the film, which went largely unseen by audiences. The same couldn't be said of Reilly and Anderson's second collaboration, Boogie Nights, the following year. One of the most critically lauded films of 1997, it featured Reilly as another loser, a dim porn actor with dreams of becoming a magician/songwriter.Thanks to the film's success, Reilly finally earned a bit of long-overdue recognition, as was evidenced by his subsequent casting in Terrence Malick's adaptation of The Thin Red Line (1998). The actor's visibility further increased the following year, thanks to prominent roles in no less than four films. One of these was Magnolia, Anderson's follow-up to Boogie Nights. Like his previous film, Magnolia boasted a large ensemble cast of first-rate actors; among them, Reilly stood out as a lonely police officer who becomes involved with an emotionally unstable woman.With his career continuing to build momentum, Reilly was next cast alongside George Clooney and Mark Wahlberg in the 2000 big-budget adaptation of the best-selling book The Perfect Storm. However, his biggest year to date came in 2002. Not only could Reilly be seen in prominent roles in four high-profile films, but his scene-stealing turn in the musical Chicago netted him his first Academy Award nomination. Riding high on his escalating stardom, Reilly spent 2003 hard at work on three big releases, The Aviator, Dark Water, and Criminal. Of Reilly's 2004 projects, Criminal arrived first - in September of that year. A remake of the late Argentinian director Fabian Bielinsky's debut crime, the American version tells the story of a couple of scammers (Reilly and Diego Luna) who con members of the Beverly Hills upper-crust, the picture (brought to fruition by Steven Soderbergh) received average to positive reviews. On the enthusiastic end, The Los Angeles Times's Carina Chocano called the picture "funny, original and very well observed," and The Philadelphia Inquirer's Carrie Rickey remarked, "Gregory Jacobs' zircon remake of that glowing Argentine gem Nine Queens is the film equivalent of Chinese boxes or Russian matrushka dolls. If you've never played with them before, then there's a prize inside for you." Less enthused was The Charlotte Observer's Lawrence Toppmann, who compared the film somewhat unfavorably to its original: "a watered-down version of the same pleasures." Issued in December 2004, Martin Scorsese's The Aviator fared immeasurably better (with critics and at the box) and left in its wake the most enduring legacy of Reilly's 2004 efforts. As Noah Dietrich, the individual who manages Howard Hughes's (Leonardo di Caprio) business affairs, Reilly contributed to a strong ensemble cast that included Cate Blanchett and the splendid Alan Alda. Dark Water, Walter Salles's gothic horror opus, hit cinemas in July 2005. As the real estate agent who leases young mother Jennifer Connelly a possessed New York City apartment, Reilly delivers effective and substantial menace, even as the motion picture divided critics. In 2006, Reilly starred in two key A-list releases. Released in June 2006, Bob Altman's Garrison Keillor cinematization A Prairie Home Companion lays out a "genial" Altmanesque tapestry of the backstage shenanigans at a fictionalized version of Prairie, that transpire between the cast members. Reilly (who established himself with such force in Altman protege Paul Anderson's similar films) portrays Lefty, one half of a cowboy duo opposite Woody Harrelson's Dusty; they bicker throughout the film and ultimately perform a dirty-lyrics musical number together. The picture opened, almost unanimously, to glowing reviews. The supporting cast includes Keillor, Meryl Streep, Lindsay Lohan, and Kevin Kline. Reilly showcased his versatility by following up his work in the Altman film by co-starring opposite Will Farrell in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby.In 2007 he was the lead in the musical biopic spoof Walk Hard: The Dewey Cox Story, also singing a number of song spoofs for the movie. The next year he reteamed with Will Farrell in Step Brothers. He had a major role in Cirque Du Freak in 2009. It was easy to find the well-respected character actor on screen in 2011, a year in which he appeared in the winning comedy Cedar Rapids, Roman Polanski's adaptation of the award-winning play Carnage, and the husband of Tilda Swinton in the psychological drama We Need to Talk About Kevin.