Trivia: One of the leading actors of her generation, Kirsten Dunst made her name in teen films without succumbing to entrapment in the teen film ghetto. Skinny, blonde, and possessing a charmingly crooked Pepsodent smile, she has repeatedly demonstrated her talent and charisma in projects ranging from kiddie comedies to high school romances to towering summer blockbusters.Born in Point Pleasant, NJ, on April 30, 1982, Dunst first appeared in front of a camera at the age of three, when she became a Ford model and commercial actor. She continued to model and do commercials until 1989, when she made her film debut in Woody Allen's New York Stories. Her uncredited role led to a part as Tom Hanks' daughter in the infamously troubled 1990 adaptation of Tom Wolfe's The Bonfire of the Vanities.Three years later, Dunst got her first big break when director Neil Jordan chose her over 5,000 hopefuls for the role of Claudia, the child vampire in his 1994 adaptation of Anne Rice's Interview with the Vampire. Dunst made a big impact on audiences and critics alike with her portrayal of a woman trapped eternally in the body of an 11-year-old, kissing co-star Brad Pitt, and gorging herself on human and animal blood. That same year, Dunst also appeared alongside Winona Ryder and Susan Sarandon in Gillian Armstrong's adaptation of Little Women; the combined success of these two movies propelled Dunst to the top of the child-actor hierarchy, in terms of both bankability and exposure.Dunst followed up with a lead role in the Robin Williams action-fantasy Jumanji (1995), and lent her voice to a few animated features, including Disney's Anastasia (1997). She also had a brief but memorable turn as a refugee from a war-torn country in Barry Levinson's highly praised satire Wag the Dog (1997).1999 marked a turning point in Dunst's career, as she began appearing in films that cast her as a young woman instead of a precocious child. She starred as a small-town beauty queen contestant in the satirical comedy Drop Dead Gorgeous and as one of two teenage girls (the other played by Michelle Williams) who unwittingly uncover the Watergate scandal in Dick, another satirical comedy. Dunst further lived up to her title as one of Teen People's 21 Hottest Stars Under 21 with her leading role as the sexually rebellious Lux in Sofia Coppola's acclaimed adaptation of Jeffrey Eugenides' novel The Virgin Suicides (1999). Her work in the film proved to be a critical breakthrough for Dunst, whom critics praised for her portrayal of the conflicted, headstrong character.Dunst subsequently did her bit for the high school comedy-romance genre, starring as a cheerleader in Bring It On (2000), and as another teen queen in Get Over It (2001); she also forsake makeup and a hairdresser for her role as the archetypal poor little rich girl in crazy/beautiful (2001), a teen romantic drama.Subsequently cast as the actress Marion Davies in Peter Bogdanovich's The Cat's Meow, Dunst got her first shot at playing a grown woman. She garnered praise for her work in the period drama, but any notice she received was quickly eclipsed by the maelstrom of publicity surrounding her starring role as Mary Jane Watson, true love of Peter Parker in Sam Raimi's big-budget adaptation of Spider-Man. Playing opposite Tobey Maguire as the web-spinning superhero, Dunst spent a lot of the movie running around as a damsel in distress, but there was nothing distressing about the 110-million dollars the film grossed in its opening weekend, breaking new box-office records and catapulting both Dunst and Maguire into the rarefied realm of full-fledged movie stars. She would stick with the franchise as it became a trilogy, and she became a bigger star than ever before.Even though Spider-Man gave her a great deal of box-office clout, Dunst would continue to appear in more independent minded films as the years wore on as well. While appearing in films like Mona Lisa Smile and Elizabethtown, Dunst would also earn accolades for appearances in films like Eternal Sunshine of the Spotless Mind, Marie Antoinette, and Melancholia. After spending a couple of years making small appearances in even smaller movies, Dunst resurged in a big way, playing the lead in season 2 of Fargo on FX. Dunst earned raved reviews for her work on the series and spent the next seasons on the awards circuit.

Trivia: Relatives of famous people rarely have the chops to overcome nepotism cries, but Jason Schwartzman, nephew of Francis Ford Coppola, is one actor who does.Schwartzman was born June 26, 1980, to producer Jack Schwartzman and actress Talia Shire, the latter best known as Rocky Balboa's love interest Adrian. He graduated from the Windwood School in 1999 and continued to live with his mom and two brothers at their home in the Los Angeles area.Chosen at the tail end of an exhausting casting search, Schwartzman burst into the film industry with his deft, hilarious portrayal of chronic overachiever Max Fischer in Wes Anderson's critically acclaimed Rushmore (1998). Since then, the young actor kept a low profile, opting to spend time with his band Phantom Planet, which recorded an album for Epic Records. Keeping with his geek-chic nature, he also chose small, quirky roles in television, such as his guest appearance as a slimy fake-ID dealer on NBC's tragically short-lived series Freaks and Geeks or his work in spoofs for the 1999 MTV Movie Awards.He maintained his credibility in the independent scene during the next couple of years, appearing in Spun, and acting in his cousin Roman Coppola's CQ. After a role on the short-lived, though critically acclaimed, Fox sitcom Cracking Up in 2003, Schwartzman began kicking his film career into high gear. After a role in the quirky 2004 David O. Russell ensemble comedy I Heart Huckabees, the young actor appeared in 2005's big-screen version of Bewitched with Will Ferrell. He then played a lovable slacker in the intimate, critically acclaimed dramedy Shopgirl, appearing with Claire Danes and Steve Martin, who wrote the novella that the script was adapted from. In 2006, Schwartzman joined the cast of his cousin Sophia Coppola's biopic Marie Antoinette, playing French king Louis XVI opposite star Kirsten Dunst. Then in 2007, he re-teamed with Wes Anderson, starring in and co-writing The Darjeeling Limited, a film about three brothers taking a soul-searching train ride through India. The film got mixed reviews, but reception to it was positive overall, setting Schwartzman up nicely for his next film, The Marc Pease Experience, in which he played the title role of a former high-school musical star who's stuck living in the past.He voiced the role of Ash in Fantastic Mr. Fox in 2009 which turned out to be a busy year for him as he co-starred in Funny People, and became the star of the HBO comedy Bored to Death. He had a brief but memorable turn in Scott Pilgrim vs. the World in 2010, and two years later he teamed up with Anderson yet again in Moonrise Kingdom.

Trivia: Steve Coogan's inspired, off-the-cuff lead performance in 2002's Brit-rock biopic 24 Hour Party People had American critics heralding the arrival of a unique new talent -- but to U.K. audiences, his star turn was the next logical step for one of that country's most celebrated comics. Born into a working-class, Catholic family in Manchester, England, Coogan took to performance in his teens, and hit the standup scene soon thereafter. It was there that television casting agents took notice of his spot-on impersonations of world leaders, pop stars, and sundry celebrities, and they soon put him to work playing various comedic bit parts in network shows. One of his early breakthroughs came when he provided several recurring voices on the long-running puppet show Spitting Image, a weekly satirical review that took aim at Margaret Thatcher, Michael Jackson, and Ronald Reagan, among others.Coogan's talents led him away from the small screen to radio, where he made an even bigger splash with the comedy program On the Hour. The show gave the comedian free reign to try out a number of vocal characterizations, among them the arrogant, ignorant radio announcer Alan Partridge, whose hilariously lame puns and non-sequiturs quickly made him -- and, by proxy, Coogan -- an audience favorite. Coogan parlayed the Partridge character into a mini-empire, first with his own mock radio talk show -- cheekily titled Knowing Me, Knowing You...With Alan Partridge -- then in the flesh on 1994's BBC 2 news satire The Day Today, and finally with the wildly successful TV show Knowing Me, Knowing You...With Alan Partridge.Not content to rest on Partridge's laurels, Coogan developed many other characters through the '90s, taking them on the road for a wildly successful standup tour late in the decade. It was around this time that he was approached by iconoclastic director Michael Winterbottom to play the part of Tony Wilson, the charismatic Manchester TV personality who found himself the unlikely founder of one of the most influential record labels of the '80s. 24 Hour Party People charted the rise and fall of Factory Records, home to such bands as Joy Division, New Order, and the Happy Mondays, all of which were nurtured by the intuitive, unpredictable Wilson. In Coogan, Winterbottom saw a spiritual heir: Both men were born and raised in Manchester, and both had been impetuous on-air performers. The director wouldn't take "no" for an answer, and as the two forged ahead on the picture, Coogan began to develop his own slant on Wilson, improvising dialogue and talking directly to the camera. The unconventional biopic won raves at the 2002 Cannes Film Festival, with Coogan in particular singled out for the wit and ingenuity of his freewheeling interpretation. Though touted in the press as British cinema's "next Trainspotting," 24 Hour Party People failed to perform at the U.K. box office, where it was effectively steamrolled by two other hit British comedies, Bend It Like Beckham and Ali G: Indahouse. 24 Hour's arthouse U.S. run later that year was solid, if unremarkable, as American audiences had less of a vested interest in the subject matter. Still, Hollywood casting agents were duly impressed with Coogan, and lured him to Tinseltown for the plum role of Phileas Fogg in the big-budget updating of Around the World in 80 Days, which was prepped for a high-profile summer 2004 release.Coogan would continue to enjoy his success on screen over the coming years in films like Hamlet 2 and The Trip.

Trivia: Known for her intense intelligence and the range of unconventional characters she has brought to life, Australian actress Judy Davis has had a fairly brilliant career. Born in Perth, Western Australia, on April 23, 1955, Davis rebelled against her Catholic upbringing by leaving home at the age of 17 to join a rock band, which toured across Asia for six months. Upon her return to Australia, she soon gave up her singing career to attend the Western Australia Institute of Technology and then concentrated on another branch of performing at the National Institute of Dramatic Art. At NIDA she trained with the likes of Mel Gibson, with whom she starred in a school production of Romeo and Juliet.In her subsequent stage work, Davis gravitated toward characters whose significant traits alternated between steel-like strength and vacillating vulnerability: She played the title roles in Lulu and Piaf. In films from 1977, Davis ascended to stardom as Sybilla Melvin in director Gillian Armstrong's My Brilliant Career (1979), a performance that won her several awards, including the Australian and British equivalents of the Oscar. She was likewise showered with industry and film-festival honors for her work in Hoodwink (1981), The Winter of Our Dreams (1982), Heatwave (1982), and Kangaroo (1984), appearing in the latter film with her husband, Colin Friels. She was nominated for an Emmy for her portrayal of young Golda Meir in the TV miniseries A Woman Called Golda (1982), and earned her first Oscar nomination for her interpretation of the enigmatic Adela Quested in David Lean's A Passage to India in 1984.Described by one colleague as "the patron saint of modern emotions," Davis has never done anything by halves: She was a lusty George Sand in Impromptu (1991), the junkie wife of William Lee in Naked Lunch (1991), a bibulous, self-destructive Hollywood ghostwriter in Barton Fink (1991), an overbearing ex-spouse in Woody Allen's Husbands and Wives (1992) (the second of her Oscar-nominated turns), and a hostage from Hell in The Ref (1994). Davis' films during the second half of the '90s were marked by a notably uneven quality, and she could be seen in everything from the wildly idiosyncratic Children of the Revolution (1996) to some other disappointing collaborations with Allen, Deconstructing Harry (1997) and Celebrity (1998). In 1999, Davis received another Emmy nomination for her work in Dash and Lilly, in which she starred as Lillian Hellman opposite Sam Shepard as Dashiell Hammett. Nonetheless, that particular award eluded her grasp.During the first few years of the new millennium, Davis stepped down and maintained a somewhat lower profile than in prior years, placing a much greater emphasis on telemovies than she had in the nineties, and limiting herself to lower-profile theatrical features. She gleaned positive notices - and won a Golden Globe - for her portrayal of the adult Judy Garland in the telemovie Life With Judy Garland: Me and My Shadows (2001), opposite Hugh Laurie and Victor Garber.Two years later, Davis received yet another Golden Globe nomination (her fifth nod, including the Garland win) for her portrayal of Nancy Reagan (opposite James Brolin as Ronald) in the unexpectedly controversial TV biopic The Reagans.A few scattered theatrical features highlighted this period, such as the twin 2001 releases The Man Who Sued God and Susan Seidelman's Gaudi Afternoon. Davis then joined the ensembles of two A-list features in 2006. The Jennifer Aniston-Vince Vaughn vehicle The Break-Up - a comedy about the constant sparring between a couple of live-in lovers - hit cinemas in June 2006 to mixed critical receptions, and struck gold at the box, doubtless riding high on the popularity of its twin leads. In the picture, Davis plays Marilyn Dean, Aniston's slave-driving boss at an art gallery. In that same year's hotly-anticipated but underperforming Marie Antoinette, Davis put her inimitably chilly stamp on the role of La Comtesse de Noailles. She appeared in the miniseries The Starter Wife, and in 2011 she co-starred opposite Geoffrey Rush in the drama The Eye of the Storm and appeared in the well-reviewed spy film Page Eight. In 2012 she reteamed with Woody Allen for the first time in nearly fifteen years, appearing in his Italian comedy To Rome With Love.Judy Davis married Scotch actor Colin Friels (A Good Man in Africa) in 1984.

Trivia: Rip Torn may qualify as a "character actor" in the broadest sense of the term -- he typically fleshes out variations on the same role again and again, typecast as genially earthy, volatile, and loudmouthed good old boys. But, love him or hate him, Torn's roles over the course of more than half a century are distinct and pronounced enough to have elevated him above many of his contemporaries, into a veritable staple of American cinematic pop culture.Born Elmore Rual Torn, Jr. in Temple, TX, on February 6, 1931, and nicknamed "Rip" by his father, Torn attended Texas A&M as an undergraduate and studied animal husbandry. He intended to establish himself as a rancher after graduation, but first opted to pursue an acting career as a means to buy a ranch, mistakenly believing that he would hit Hollywood and achieve instant stardom. Instead, Torn scrounged around Los Angeles for several years as a dishwasher and short-order cook, but continued to pursue acting in his off time. Torn's persistence paid off, and he eventually landed several bit parts in movies and television series. He moved to Manhattan in the late '50s, where he formally studied acting under Lee Strasberg and danced under the aegis of Martha Graham; a wealth of movie roles followed over the next several decades, beginning with that of Brick in Actors Studio associate Elia Kazan's controversial classic Baby Doll (1956, with a script by Tennessee Williams) and, a few years later, the role of Finley in another Williams drama, the Richard Brooks-directed Sweet Bird of Youth (for which Torn received a great deal of notoriety). Additional supporting roles throughout the late '60s and early '70s included Slade in Norman Jewison's The Cincinnati Kid (1965), I.H. Chanticleer in Francis Ford Coppola's You're a Big Boy Now (1966), and Sgt. Honeywell in Cornel Wilde's Beach Red (1967).In the late '60s, two key (albeit temporary) shifts occurred in Torn's career. First, he went counterculture (and arthouse) with an unofficial trilogy of experimental roles. In the most pronounced -- Joe Glazer in Milton Moses Ginsberg's Coming Apart (1969, opposite Andy Warhol regular Sally Kirkland) -- Torn plays a nutty psychiatrist who specializes in female neuroses and decides to film all of his sessions, then his own mental breakdown. (Ginsberg films all of the action as reflected in a mirror.) The X-rated picture -- which features graphic sequences of Kirkland performing fellatio on Torn -- was (and is still) widely derided as spectacularly bad. Variety hit the proverbial nail on the head in 1969 when it concluded, "The problem with Coming Apart is that while it suggests some interesting ideas, it can't deliver any of them in cogent form....The results are not satisfactory." Neither are the second or third installments in Torn's "experimental" phase: roles in the first and third features directed by literary giant Norman Mailer, Beyond the Law (1967) and Maidstone (1970). Of Law -- an improvisational, comic piece set in a precinct house (with Torn as a character called Popcorn), The Motion Picture Guide sneered, "Barney Miller may have been inspired by this movie," and Roger Ebert declared it unintentionally funny, but those were the kindest reactions. Maidstone -- a fragmented, barely coherent drama -- stars only Mailer, as a politician-cum-film director, and Torn. This partially improvised picture became notorious for an on-camera sequence in which Torn (playing Mailer's half-brother) attacks Mailer with a hammer (allegedly for real), sans forewarning, bloodying up the author's face while the actress playing his wife screams in the background. Some wrote the scene off as a fake, but many others dissented. Variety observed in 1970: "[Torn] states he had to do it to make his character real and for the film. But he claims he pulled the hammer and had never drawn blood before while acting. The Mailer character is furious and vindictive. Mailer would not disclose whether it was real or not, but it did look ferociously authentic...."The second "shift" of Torn's career in the early '70s yielded infinitely greater success: a pair of rare leads in A-list features. He played Henry Miller opposite Ellen Burstyn in Joe Strick's marvelous, picaresque adaptation of that author's novel, Tropic of Cancer, and the abusive, booze and pill-addled country singer Maury Dann in Daryl Duke's harrowing drama Payday (1973). The pictures opened to generally spectacular reviews and raves over Torn's portrayals; Variety, for one, termed his performance in the Duke picture "excellent."While these lead roles showcased limitless dramatic ability, they unfortunately marked exceptions to the rule, and for the remainder of the '70s, '80s, and '90s, Torn contented himself with an endless (albeit impressive) array of colorful supporting turns -- dozens of them. High points include Nathan Bryce in The Man Who Fell to Earth (1976); Dr. George in Coma (1978); the boozing, hell-raising, and philandering Senator Kittner in Jerry Schatzberg's The Seduction of Joe Tynan (1979); longhaired record producer Walter Fox in Paul Simon's One Trick Pony (1980); the pirate-like Scully in Carl Reiner's Summer Rental (1985); Buford Pope in Robert Benton's sex farce Nadine (1987); the none-too-gifted afterlife attorney Bob Diamond in Albert Brooks' fantasy Defending Your Life (1991); Zed in Men in Black (1997); acid-mouthed coach Patches O'Houlihan in the Ben Stiller comedy Dodgeball: A True Underdog Story (2004); and King Louis XV in Sofia Coppola's much-ballyhooed tertiary directorial outing, Marie Antoinette (2006). His low point undoubtedly arrived in 2001, when he played Tom Green's father, Jim Brody, in the controversial comedian's yuck-fest Freddy Got Fingered (2001). (A very low point; the film's comic highlight has Torn being showered with fake elephant ejaculate.)In addition to his film work, Torn made a series of critically acclaimed contributions to the small screen throughout the '80s and '90s, most vividly as Artie on HBO's Larry Sanders Show, for which he gleaned two Cable Ace awards, three Emmy nominations, and an Emmy for Best Supporting Actor in a Comedy Series. Torn did direct one feature, the 1988 Whoopi Goldberg vehicle The Telephone, which opened and immediately closed to devastating critical reviews and dismal box office.Torn was married to actress Ann Wedgeworth from 1956 until their divorce in 1961 and Geraldine Page from 1961 until her death in 1987, and is currently married to actress Amy Wright. He is the cousin of actress Sissy Spacek.

Trivia: One of Italy's most popular actresses, Asia Argento has been labeled on more than one occasion in her native country as "the face of the new generation." The daughter of legendary horror director Dario Argento and stage actress Daria Nicolodi, Argento was born in Rome on September 20, 1975. She broke into film at the tender age of nine and has gone on to enjoy an illustrious and acclaimed career. Although the actress' early prospects were undoubtedly aided by her father's famous name -- she has appeared in a number of his films -- she has become known as an actress in her own right, winning two David di Donatello awards (the Italian Oscar) and two Ciacks (the Italian Golden Globe), among other honors. Argento has acted for a number of non-Italian directors, most notably Patrice Chéreau in La Reine Margot (1994) and Michael Radford in B. Monkey (1998). The latter film, which starred Argento as a master thief alongside Rupert Everett and Jonathan Rhys Meyers, succeeded in giving her an initial introduction to American art house audiences. In addition to acting, Argento is also a screenwriter and director with a growing number of credits to her name. The handover to then new millennium found the now-established actress following in the footsteps of her father with the release of her directorial debut, Scarlet Diva (2000). A semi-autobiographical tale that journied into the frenzied mind of an actress fueled by excess, Scarlet Diva combined the garish visuals of her father's cinematic heyday with the sensory overload that defined cinema of the millennial crossover. With B. Monkey and Abel Ferrara's New Rose Hotel failing to gain Argento as much stateside exposure as may have been anticipated and Scarlett Diva still not having found suitable distribution in the U.S., the release of numerous articles and photo spreads in such magazines as Bizarre, Maxim and Entertainment Weekly began to generate a substantial buzz surrounding the release of what would be her biggest American film to date, XXX. As the mysterious love interest of Vin Diesel, Argento seemed poised for the elusive international success that, though she had no doubt gained a reputation as a desirable dark goddess on the glossy pages of men's magazines nationwide, had yet to cement itself in celluliod form.

Trivia: Another Saturday Night Live cast member who has taken her act to the big screen, Molly Shannon is probably best known to TV and film audiences as Mary Katherine Gallagher, the hapless, armpit-sniffing Catholic school girl she originated on SNL and then brought to multiplexes everywhere as the heroine of Superstar.Born in Shaker Heights, a posh suburb of Cleveland, on September 16, 1964, Shannon developed a proclivity for performing at an early age and dreamt of being famous. After receiving a Catholic school education, she earned a B.F.A. in drama from NYU's Tisch School of the Arts, Circle in the Square Studio. Armed with her diploma, she headed West to L.A., where she proceeded to struggle in relative poverty and almost complete obscurity for the next nine years. Although she occasionally found bit parts in film and on such TV series as Seinfeld, Shannon mainly supported herself with odd jobs and waitressing. Finally, in 1994, she got her big break when she won a spot on Saturday Night Live. After making her debut during the 1995 season, Shannon became exceedingly popular with audiences, thanks to her impersonations of the likes of Monica Lewinsky, and Courtney Love.In 1998, Shannon joined fellow SNL cast members Will Ferrell and Chris Kattan to appear in the disastrous A Night at the Roxbury; the following year, she brought her own alter ego to the screen in Superstar. The film earned drastically mixed reviews, although it did fare somewhat better than any number of other SNL film adaptations. Also in 1999, Shannon played Drew Barrymore's newsroom colleague in Never Been Kissed and had a supporting role alongside Robert De Niro, Billy Crystal, and Lisa Kudrow in Analyze This. She subsequently starred alongside Jim Carrey in Ron Howard's 2000 screen adaptation of The Grinch.She continued to work primarily in comedies including Wet Hot American Summer, Good Boy, American Splendor, Scary Movie 4, Little Man, and Talladega Nights: The Ballad of Ricky Bobby. After a small part in Sofia Coppola's Marie Antoinette, she starred in the Mike White film Year of the Dog, and appeared in the big-budget sequel Evan Almighty. She had a short-lived sitcom, Kath & Kim, before appearing in a number of animated films including Igor, Snow Buddies, and Hotel Transylvania. In 2012 she could be seen opposite her old SNL castmate Will Ferrell in the Spanish-language comedy Casa de mi Padre.

Trivia: A former childhood thrush who has since moved on to find success as an actress, Scottish-born stage and screen star Shirley Henderson has come a long way from her working-class roots with roles in such internationally popular features as Bridget Jones's Diary, Once Upon a Time in the Midlands, and Harry Potter and the Chamber of Secrets. The eldest of three sisters whose striking voice set her apart from the pack, Henderson found early success on the local music circuit before moving on to study drama at Kirkaldy Technical College. Her tenure at Kirkaldy eventually led her to study at the acclaimed Guildhall School of Music and Drama, and it wasn't long before Henderson made an impression on the stages of The National Theater, The Royal Court, and the Hampstead Theater. Equally adept at performances of both the classical and contemporary variety, Henderson's stage experience served her well when she appeared opposite Robert Carlyle in the 1995 television series Hamish Macbeth. After going international the following year with a role in the big-screen hit Rob Roy, Henderson would next appear opposite Carlyle once again in the heroin-flavored arthouse hit Trainspotting. A key role in director Michael Winterbottom's 1999 drama Wonderland, coupled with critical acclaim for her role in the same year's Topsy-Turvy, gave Henderson a reputation for versatility and talent onscreen, with subsequent supporting roles in The Claim and 24 Hour Party People finding her becoming something of a stock player for Winterbottom. A role as the eponymous characters' best friend in the 2001 comedy Bridget Jones' Diary found Henderson's profile rising on the other side of the Atlantic, and in 2002, the then-36-year-old actress pulled off the unlikely feat of portraying Hogwarts student Moaning Myrtle in Harry Potter and the Chamber of Secrets. Arthouse success in Wilbur Wants to Kill Himself served well to balance out Henderson's mainstream success, and after appearing in a series of shorts, the increasingly busy actress appeared in no less than three films in 2004, including the eagerly anticipated sequel Bridget Jones: The Edge of Reason.

Trivia: Though Australian-born actress Rose Byrne made her film debut in 1994, when she played a supporting role in the eccentric drama Dallas Doll alongside Sandra Bernhard and Jake Blundell, her breakout performances within her native country were both on the small screen; namely, in the soap opera Echo Point and the long-running drama series Heartbreak High. After developing a fan base and gaining some critical recognition, Byrne was cast alongside fellow Aussie Heath Ledger in Two Hands (1999), which featured the actress playing an innocent country girl whose would-be suitor has unwittingly found himself in the midst of a mafia scandal. Though she undoubtedly caught the eye of American filmmakers after Two Hands' premiere at the 1999 Sundance Film Festival, Byrne wouldn't appear in an American film until several years later, when she made a very small appearance in a very big movie -- Star Wars: Episode II -- Attack of the Clones. However, before Star Wars, Byrne starred in two little-known, but nonetheless significant, Australian parts, including her first lead role in The Goddess of 1967 (2000), in which she portrayed a blind, emotionally unstable orphan, and My Mother Frank, which featured her as the unrequited love interest of a pining college student. After the 2002 release of Attack of the Clones, Byrne could be seen in a minor but indelible supporting role in Matt Dillon's City of Ghosts. Byrne went on to perform in two critically acclaimed Australian features -- The Rage in Placid Lake (2003) and The Night We Called It a Day (2003) -- as well as the U.K. release I Capture the Castle (2003), in which she co-starred as the beautiful daughter of a once-grand English family. In 2004, Byrne played a supporting role in Wolfgang Petersen's big-budget historical epic Troy, and went on to star with Josh Hartnett, Matthew Lillard, and Troy alumna Diane Kruger in director Paul McGuigan's thriller Wicker Park. In 2006 she was cast in a supporting role in Sofia Coppola's Marie Antoinette. In 2007 she had a hit on the small-screen as one of the leads in the series Damages. Although she continued to work steadily in movies as well, she didn't find herself in a big hit until 2011 when she was one of the main characters in the Oscar nominated comedy Bridesmaids. That same year she also appeared in X-Men: First Class as Dr. Moira MacTaggert.Byrne soon became a mainstay in the comedy world, appearing in The Internship, Neighbors and Spy. She also appeared in the 2014 remake of Annie, playing Grace, and reprised her role of in X-Men: Apocalypse (2016).

Trivia: Intimidation often looms large for a legendary director's son who wishes to follow in the footsteps of his famous parent; perhaps for this reason, more than a few opt to establish themselves in another field. For Danny Huston, however -- the scion of mythically revered, Academy Award-winning filmmaker John Huston -- it wasn't at all a question of intimidation, merely one of circumstance. After pursuing directorial work fervently and dauntlessly, but encountering mixed success and frustration about his own inability to get studio backing for projects, Danny Huston found himself being drawn, one assignment at a time, into bit roles before the camera. In the process, Huston inadvertently launched himself as one of the most respected character actors of the late 20th and early 21st centuries.Born May 14, 1962, in Rome, as the illegitimate child of John Huston and European actress Zoe Sallis (during the former's separation from his then-wife, the late Ricki Soma), Daniel Huston came of age in Ireland and London. He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made-for-television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast). The elder Huston -- then riding on the tails of his mid-'80s comeback with Under the Volcano and Prizzi's Honor -- engineered Danny's premier A-list feature. For it, Danny signed to helm a cinematization of Thornton Wilder's picaresque fantasy novel Theophilus North, co-adapted by John Huston, Prizzi's Honor scribe Janet Roach, and James Costigan. The Hustons assembled a dream cast: Anthony Edwards, Lauren Bacall, Harry Dean Stanton, Mary Stuart Masterson, Anjelica Huston (Danny's half-sister), David Warner, and Virginia Madsen, who dated and then married Danny in the fall of 1989. Robert Mitchum replaced John Huston in a key role when he died during production. Mr. North stars Edwards as the title character, a Yale graduate who wheedles his way into the upper crust of Newport, RI, in 1926, thanks to an inherent surge of electricity in his body that enables him to relieve the ailments of locals and thus charm them irrepressibly.Unfortunately, Mr. North -- which took its stateside bows in early August 1988 -- received tepid and lackluster reviews. Perhaps for this reason, Huston found it difficult to lock down a follow-up. Within a decade, the assignments were few and far between, and he occasionally found himself directing embarrassing fare like the 1995 direct-to-video horror exploitationer The Maddening (where psychotic marrieds Burt Reynolds and Angie Dickinson trap a poor woman and her daughter in their home and torture them systematically), and waiting, ever so patiently, for additional projects to take shape. Huston's personal life also decrescendoed during the early '90s, given his separation and divorce from Madsen. With no other immediate options visible to him, Huston started accepting Hollywood friends' invitations to play on-camera bit roles -- and scored tremendous success in this arena to rival anything prior in his career. He debuted as a bartender in Mike Figgis' late-1995 critical smash Leaving Las Vegas, then followed it up with turns in such cause célèbres as Timecode (2000), 21 Grams (2003), Silver City (2004), and The Aviator (2004). Huston was particularly memorable as British agent Sandy Woodrow in Fernando Mereilles' The Constant Gardener (2005), and as sociopath Arthur Burns in John Hillcoat's ultraviolent Western The Proposition (2005). He would go on to appear in films like Robin Hood, Stolen, and on the series Magic City.

Trivia: Singer and lead actress Marianne Faithfull first appeared onscreen in 1967.

Trivia: Mother died of pancreatic cancer when he was 16 years old. Formed the folk band Sons of Jim and the record label Doorstep Records with his college friend David Alexander. Dropped out of college to pursue a modeling career.

Trivia: Made his television debut in a 2002 episode of Brum. Made his professional theatre debut in a 2004 production of Hamlet at the Old Vic theatre.As of 2019, has starred as Leonard Finch in Grantchester since 2014. Nominated for the Best Male Lead Vocal Performance in a Video Game at the 2018 BTVA Video Game Voice Acting Awards, for his role in Zenobureido 2. In 2018, starred as James Edwards in miniseries Press.

Trivia: Hailing from South West London, dashing and luscious-lipped young actor Tom Hardy started off his career in war dramas alongside other hunky newcomers. He began his studies at the prestigious Drama Centre, but left early for a part in the award-winning HBO miniseries Band of Brothers. He made his feature film debut in Ridley Scott's Black Hawk Down, with Josh Hartnett. He then appeared with Paul Bettany in The Reckoning, a British film based on the novel Morality Play. In 2002, he remained in the U.K. for the independent film Dot the I, sharing the bill with the handsome Gael García Bernal. He then traveled to North Africa for Simon: An English Legionnarie, a story of the French Foreign Legion. In the same year, he gained some heavy international exposure as Shinzon, a clone of Captain Picard in Star Trek: Nemesis. He returned to England for the 2003 thriller LD 50. He was in the 2004 crime film Layer Cake, but scored prime roles in a number of 2005 films including Minotaur and Elizabeth I: The Virgin Queen. Sofia Coppola cast him in Marie Antoinette in 2006, and two years later he had a crucial role in the international hit Bronson. He scored his biggest American hit to that point in 2010 when he was part of the crew in Christopher Nolan's Inception. He played one of two battling brothers in 2011's Warrior, and had a major part in the Oscar nominated remake of Tinker, Tailor, Soldier Spy. He enjoyed is highest profile role to date playing the bad guy Bane in Christopher Nolan's The Dark Knight Rises in the summer of 2012. Hardy had a monster 2015, taking over the title role in the hugely successful Mad Max: Fury Road and scoring his first Oscar nomination for his turn in Alejandro G. Iñárritu's The Revenant.

Trivia: Took up acting when he was 19. Won a Molière Award for Best Newcomer in 2010 for his one-man stage show Les Garçons et Guillaume, à table! (Boys and Guillaume, to the table!). Became a member of the Comédie-Française company in 2005. Became a Knight of the National Order of Merit in November 2008 and later an Officer of the Order of Arts and Letters in 2013. Made his directorial debut in 2013 with the autobiographical feature Me, Myself and Mum, which he also co-wrote and starred in. Recorded the children's music album Monsieur Django et Lady Swing with The Amazing Keystone Big Band, and it was released in September 2017.

Trivia: Described by one critic as an "Antoine Doinel for the '90s" who also evokes François Truffaut's feral Wild Child, Mathieu Amalric established himself as one of France's top young actors by playing intellectually-attuned young men dealing with fateful decisions regarding life and love. Although he began appearing in films in the 1980s, Amalric became a more prominent cinematic presence in the 1990s, beginning with the comedy La Chasse aux Papillons (1992) and a small part in Arnaud Desplechin's Kafkaesque drama La Sentinelle (1992). One of a new generation of gifted French directors, Desplechin's My Sex Life. . .or How I Got into an Argument (1996) brought Amalric international renown, as well as the Most Promising Young Actor César, for his incisive performance as an irresolute academic who cannot settle his love life or his career. Talkative and book-smart, yet unwise, Amalric's Paul Dedalus personified inner paralysis amidst a complex range of characters that suggested with humor and canny emotion the roads he could possibly take. Continuing his collaborations with France's most esteemed filmmakers, Amalric worked with André Téchiné in Alice et Martin (1998) and played a writer facing a personal crossroads in Olivier Assayas' voluble, intimate character study Late August, Early September (1998). An experienced assistant director and editor as well as actor, Amalric made his own directorial debut with the low budget slice of life Mange Ta Soupe (1997).

Trivia: John Arnold was a technical pioneer in the development of cinema as well as a cinematographer. He earned a degree in engineering at Columbia University and later joined the engineering department of the Thomas Edison company. Eventually he went on to work with early film companies such as Biograph where he made many technical advances. In 1915, he began working as a cinematographer and became noted for his successful experiments with lighting and special effects. During the 1920s, he was recognized as one of the premiere cinematographers in film. Arnold retired from actual photography in 1929, but then he went on to helm the American Society of Cinematographers from 1931 through 1936. Beginning in 1931, Arnold also began his 25-year stint as the head of the MGM camera department.

Trivia: Started acting on the stage in 1991 when he appeared in both Three Judgements In One and Dammed For Despair - both at the Gate Theatre in Notting Hill, London. Appeared in Casualty twice as an extra before gaining his permanent role. Appeared in London electronic rock band Modestep's music video "Show Me A Sign" in 2012.

Trivia: Attended the Acting Corps L.A.Is the principal dancer in Beyoncé's music video "Run the World (Girls)."Avid dancer in many styles including tap, ballroom and hip hop.Special skills include yoga, running, gymnastics, rollerblading, bowling and cheerleading.Appeared in television, film, theater, commercials, music videos and print advertising.