Trivia: An actor whose name became synonymous with all-American entertainment, Tom Cruise spent the 1980s as one of Hollywood's brightest-shining golden boys. Born on July 3, 1962 in Syracuse, NY, Cruise was high-school wrestler until he was sidelined by a knee injury. Soon taking up acting, he found that the activity served a dual purpose: performing satiated his need for attention, while the memorization aspect of acting helped him come to grips with his dyslexia. Moving to New York in 1980, Cruise's first big hit was Risky Business in 1982, in which he entered movie-trivia infamy with the scene wherein he celebrates his parents' absence by dancing around the living room in his underwear. The Hollywood press corps began touting Cruise as one of the "Brat Pack," a group of twenty-something actors who seemed on the verge of taking over the movie industry in the early '80s. Top Gun 1985 established Cruise as an action star, but again he refused to be pigeonholed, and followed it up with a solid characterization of a fledgling pool shark in the Martin Scorsese film The Color of Money in 1986, for which co-star Paul Newman earned an Academy Award. In 1988, he played the brother of an autistic savant played by Dustin Hoffman in Rain Man, a dramatic turn for sure, though Cruise had not yet totally convinced critics he was more than a pretty face.His chance came in 1989, when he played a paraplegic Vietnam vet in Born on the Fourth of July. Though his bankability faltered a bit with the expensive disappointment Far and Away in 1990 (though it did give him a chance to co-star with his-then wife Nicole Kidman), 1992's A Few Good Men brought him back into the game. By 1994, the star was undercutting his own leading man image with the role of the slick, dastardly vampire Lestat in the long-delayed film adaptation of the Anne Rice novel Interview with the Vampire. Although the author was vehemently opposed to Cruise's casting, Rice famously reversed her decision upon seeing the actor's performance, and publicly praised Cruise's portrayal.In 1996, Cruise scored financial success with the big-budget action film Mission: Impossible, but it was with his multilayered, Oscar-nominated performance in Jerry Maguire that Cruise proved once again why he is considered a major Hollywood player. 1999 saw Cruise reunited onscreen with Kidman in a project of a very different sort, Stanley Kubrick's Eyes Wide Shut. The film, which was the director's last, had been the subject of controversy, rumor, and speculation since it began filming. It opened to curious critics and audiences alike across the nation, and was met with a violently mixed response. However, it allowed Cruise to once again take part in film history, further solidifying his position as one of Hollywood's most well-placed movers and shakers.Cruise's enviable position was again solidified later in 1999, when he earned a Best Supporting Actor nomination for his role as a loathsome "sexual prowess" guru in Paul Thomas Anderson's Magnolia. In 2000, he scored again when he reprised his role as international agent Ethan Hunt in John Woo's Mission: Impossible II, which proved to be one of the summer's first big moneymakers. He then reteamed with Jerry Maguire director Cameron Crowe for a remake of Spanish director Alejandro Amenábar's Abre los Ojos titled Vanilla Sky. Though Vanilla Sky's sometimes surreal trappings found the film receiving a mixed reception at the box office, the same could not be said for the following year's massively successful sci-fi chase film Minority Report, directed by Steven Spielberg , or of the historical epic The Last Samurai, directed by Edward Zwick.For his next film, Cruise picked a role unlike any he'd ever played; starring as a sociopathic hitman in the Michael Mann psychological thriller Collateral. He received major praise for his departure from the good-guy characters he'd built his career on, and for doing so convincingly. By 2005, he teamed up with Steven Spielberg again for the second time in three years with an epic adaptation of the H.G. Wells alien invasion story War of the Worlds.The summer blockbuster was in some ways overshadowed, however, by a cloud of negative publicity. It began in 2005, when Cruise became suddenly vocal about his beliefs in Scientology, the religion created by science fiction author L. Ron Hubbard. Cruise publicly denounced actress Brooke Shields for taking medication to combat her postpartum depression, calling going so far as to call the psychological science a "Nazi science" in an Entertainment Weekly interview. On June 24, 2005, he was interviewed by Matt Lauer for The Today Show during which time he appeared to be distractingly argumentative in his insistence that psychiatry is a "pseudoscience," and in a Der Spiegel interview, he was quoted as saying that Scientology has the only successful drug rehabilitation program in the world.This behavior caused a stirring of public opinion about Cruise, as did his relationship with 27-year-old actress Katie Holmes. The two announced their engagement in the spring of 2005, and Cruise's enthusiasm for his new romantic interest created more curiosity about his mental stability. He appeared on The Oprah Winfrey Show on May 23, where he jumped up and down on the couch, professing his love for the newly-Scientologist Holmes. The actor's newly outspoken attitude about Scientology linked to the buzz surrounding his new relationship, and the media was flooded with rumors that Holmes had been brainwashed.Some audiences found Cruise's ultra-enthusiastic behavior refreshing, but for the most part, the actor's new public image alienated many of his viewers. As he geared up for the spring 2006 release of Mission: Impossible III, his ability to sell a film based almost purely on his own likability was in question for the first time in 20 years.Despite this, the movie ended up performing essentially as expected, and Cruise moved on to making headlines on the business front, when -- in November 2006 -- he and corporate partner Paula Wagner (the twin forces behind the lucrative Cruise-Wagner Productions) officially "took over" the defunct United Artists studio. Originally founded by such giants as Douglas Fairbanks and Charles Chaplin in 1921, UA was all but completely defunct. The press announced that Cruise and Wagner would "revive" the studio, with Wagner serving as Chief Executive Officer and Cruise starring in and producing projects.One of the fist films to be produced by the new United Artists was the tense political thriller Lions for Lambs, which took an earnest and unflinching look at the politics behind the Iraq war. This was followed by the World War II thriller Valkyrie. Cruise would find a solid footing as the 2010s progressed, with films like Mission: Impossible - Ghost Protocol and Rock of Ages. Cruise and Holmes would announce they were divorcing in 2012.

Trivia: Launching her performing career in her native Tulsa, Jeanne Tripplehorn spent several years as a local radio DJ and TV host. Educated at both the University of Oklahoma and Juilliard, Born June 10th, 1963, Tripplehorn was first seen on a nationwide basis in 1991 in a supporting role in the made-for-TV movie The Perfect Tribute, a fictionalized retelling of the events leading up to Lincoln's Gettysburg Address. Many of Tripplehorn's film characterizations have ranged from mildly eccentric to deeply disturbed, thanks in great part to her breakthrough appearance as Michael Douglas' "rough sex" partner in the erotic chiller Basic Instinct (1992). She got a chance to play normal -- albeit frazzled -- as Hugh Grant's fiancée in the romantic comedy Mickey Blue Eyes (1999); in 2000, she returned to rougher territory as a lesbian gangster in Mike Figgis' experimental ensemble film Timecode. In 2006 Tripplehorn found success on the small screen for her role as Barb Henrickson, a devout Mormon who often struggles with her polygamous lifestyle, in the HBO drama series Big Love.

Trivia: A remarkably prolific and versatile talent, Gene Hackman was a successful character actor whose uncommon abilities and smart career choices ultimately made him a most unlikely leading man. In the tradition of Spencer Tracy, he excelled as an Everyman, consistently delivering intelligent, natural performances which established him among the most respected and well-liked stars of his era. Born January 30th, 1930 in San Bernardino, CA, Hackman joined the Marines at the age of 16 and later served in Korea. After studying journalism at the University of Illinois, he pursued a career in television production but later decided to try his hand at acting, attending a Pasadena drama school with fellow student Dustin Hoffman; ironically, they were both voted "least likely to succeed." After briefly appearing in the 1961 film Mad Dog Coll, Hackman made his debut off-Broadway in 1963's Children at Their Games, earning a Clarence Derwent Award for his supporting performance. Poor Richard followed, before he starred in 1964's production of Any Wednesday. Returning to films in 1964, Hackman earned strong notices for his work in Warren Beatty's Lilith and 1966's Hawaii, but the 1967 World War II tale First to Flight proved disastrous for all involved. At Beatty's request, Hackman co-starred in Bonnie and Clyde, winning a Best Supporting Actor Oscar nomination and establishing himself as a leading character player. After making a pair of films with Jim Brown, (1968's The Split and 1969's Riot), Hackman supported Robert Redford in The Downhill Racer, Burt Lancaster in The Gypsy Moths, and Gregory Peck in Marooned. For 1970's I Never Sang for My Father, he garnered another Academy Award nomination. The following year Hackman became a star; as New York narcotics agent Popeye Doyle, a character rejected by at least seven other actors, he headlined William Friedkin's thriller The French Connection, winning a Best Actor Oscar and spurring the film to Best Picture honors. Upon successfully making the leap from supporting player to lead, he next appeared in the disaster epic The Poseidon Adventure, one of the biggest money-makers of 1972. After co-starring with Al Pacino in 1973's Scarecrow, Hackman delivered his strongest performance to date as a haunted surveillance expert in Francis Ford Coppola's 1974 classic The Conversation and went on to tap his under-utilized comedic skills in Mel Brooks' Young Frankenstein. Arthur Penn's grim 1975 thriller Night Moves and the Western Bite the Bullet followed before the actor agreed to The French Connection 2. While remaining the subject of great critical acclaim, Hackman's box-office prowess was beginning to slip: 1975's Lucky Lady, 1977's The Domino, and March or Die were all costly flops, and although 1978's Superman -- in which he appeared as the villainous Lex Luthor -- was a smash, his career continued to suffer greatly. Apart from the inevitable Superman 2, Hackman was absent from the screen for several years, and with the exception of a fleeting appearance in Beatty's 1981 epic Reds, most of his early-'80s work -- specifically, the features All Night Long and Eureka -- passed through theaters virtually unnoticed.Finally, a thankless role as an ill-fated war correspondent in Roger Spottiswoode's acclaimed 1983 drama Under Fire brought Hackman's career back to life. The follow-up, the action film Uncommon Valor, was also a hit, and while 1984's Misunderstood stalled, the next year's Twice in a Lifetime was a critical success. By the middle of the decade, Hackman was again as prolific as ever, headlining a pair of 1986 pictures -- the little-seen Power and the sleeper hit Hoosiers -- before returning to the Man of Steel franchise for 1987's Superman 4: The Quest for Peace. No Way Out, in which he co-starred with Kevin Costner, was also a hit. In 1988, Hackman starred in no less than five major releases: Woody Allen's Another Woman, the war drama Bat 21, the comedy Full Moon in Blue Water, the sports tale Split Decisions, and Alan Parker's Mississippi Burning. The last of these, a Civil Rights drama set in 1964, cast him as an FBI agent investigating the disappearance of a group of political activists. Though the film itself was the subject of considerable controversy, Hackman won another Oscar nomination. During the 1990s, Hackman settled comfortably into a rhythm alternating between lead roles (1990's Narrow Margin, 1991's Class Action) and high-profile supporting performances (1990's Postcards From the Edge, 1993's The Firm). In 1992, he joined director and star Clint Eastwood in the cast of the revisionist Western Unforgiven, appearing as a small-town sheriff corrupted by his own desires for justice. The role won Hackman a Best Supporting Actor Academy Award. The performance helped land him in another pair of idiosyncratic Western tales, Wyatt Earp and The Quick and the Dead. In 1995, he also co-starred in two of the year's biggest hits, the submarine adventure Crimson Tide and the Hollywood satire Get Shorty. Three more big-budget productions, The Birdcage, The Chamber, and Extreme Measures, followed in 1996, and a year later Hackman portrayed the President of the United States in Eastwood's Absolute Power. In 1998, Hackman lent his talents to three very different films, the conspiracy thriller Enemy of the State, the animated Antz, and Twilight, a noirish mystery co-starring Paul Newman and Susan Sarandon. Moving into the new millennium with his stature as a solid performer and well-respected veteran well in place, Hackman turned up in The Replacements in 2000, and Heist the following year. 2001 also found Hackman in top form with his role as the dysfunctional patriarch in director Wes Anderson's follow-up to Rushmore, The Royal Tenenbaums. Hackman's lively performance brought the actor his third Golden Globe, this time for Best Actor in a Musical or Comedy.

Trivia: American actor Hal Holbrook broke into performing as a monologist at various esoteric nightspots in San Francisco and Greenwich Village. Holbrook worked on stage in the early 1950s and appeared on the CBS TV soap opera The Brighter Day. He might have spent the rest of his career as a talented but unremarkable performer had Holbrook not decided to bank upon his lifelong fascination with humorist Mark Twain. Donning elaborate Twain makeup and costume and memorizing several hours' worth of the writer's material, Holbrook put together a one man show, Mark Twain Tonight. After touring in small towns, Holbrook brought Mark Twain to an off-Broadway theater, scoring an immediate hit which led to some 2000 subsequent appearances as Twain (one of these in a 1967 CBS one-hour special) and a top-selling record album. The fame attending Mark Twain Tonight enabled Holbrook to flourish as a starring actor in numerous non-Twain projects. Among Holbrook's films are The Group (1966), Wild in the Streets (1968), Magnum Force (1973), The Star Chamber (1987), Wall Street (1987) and The Firm (1993); in 1976 the actor portrayed the shadowy amalgam character "Deep Throat" in All the President's Men. Holbrook has also stayed busy in TV, starring on the weekly series The Senator (1970) and appearing several times as Abraham Lincoln in various network specials. A multi-Emmy winner, Hal Holbrook spent much of the late 1980s and early 1990s appearing as a regular cast member on the CBS sitcoms Designing Women (from 1986 to 1989, alongside real-life wife Dixie Carter) and Evening Shade (1990-94) in the role of Burt Reynolds' father, Evan Evans. Holbrook's big-screen activity also crescendoed during the 1990s and early 2000s; among many other assignments, he resumed his frequent typecast as a shady businessman with a deceptively paternal exterior in Sydney Pollack's blockbuster Grisham thriller The Firm (1993), provided an animated voice for the children's fantasy Cats Don't Dance (1997), and nastily evoked the prejudices of a bigoted commanding naval officer named Mr. Pappy in the military drama Men of Honor (2000). Holbrook also drew on his vast knowledge of Mark Twain as one of the participants in the epic-length documentary Ken Burns' Mark Twain (2001). The distinguished thespian received a Best Supporting Actor Oscar nomination for his work in Sean Penn's critically-acclaimed drama Into the Wild (2007). He starred in the 2009 drama That Evening Sun, and had a major part in the 2011 adaptation of the novel Water for Elephants. In 2012 Steven Spielberg cast him in his long-gestating biopic Lincoln.

Trivia: Some actors have such defining traits that they seem to have "leading man" written all over them, while others, like Terry Kinney, succeed with an uncanny ability to drastically alter their appearance at the drop of a hat. Though his chameleon-like skills have helped the actor land numerous roles on the stage and screen, it's his talent that ultimately formed the backbone of his enduring career. After graduating from high school, the Lincoln, IL, native attended Illinois State University. It was there that he befriended aspiring actor Jeff Perry, who invited Kinney to Chicago to watch his best friend perform in a stage production of Grease. Perry's friend was an ambitious young actor named Gary Sinise, and the three soon began planning to open their own regional theater. Though it was founded in 1974, the Steppenwolf Theater wouldn't quite get off the ground until two years later -- when Kinney and Perry graduated from I.S.U. The venture was largely unprofitable at first, so its founders supported themselves and their dream through a series of odd jobs before the theater moved from a Highland Park church basement to the old St. Nicholas Theater building in the early '80s. The change of scenery proved to be just what the theater needed to flourish, and it was soon drawing good crowds. In the years that followed, the company moved once again -- this time to a permanent location in Chicago -- and Kinney served as Steppenwolf's artistic co-director alongside Sinise. During this profitable period, Kinney and his co-founders were nominated for numerous theatrical awards, while their productions made headway on Broadway. Kinney, of course, had aspirations beyond regional theater, and, in 1986, made his film debut with a small part in the romantic comedy Seven Minutes in Heaven. The remainder of the '80s found the actor landing bit parts in No Mercy (1986) and Sinise's Miles From Home (1988), in addition to a brief stint on television with thirtysomething. It wasn't until the following decade, however, that his film career truly began to blossom. Following an appearance in The Last of the Mohicans (1992), Kinney drew favorable reviews for his top-billed turn in Abel Ferrara's Body Snatchers, and his billing remained high with The Firm (1993), Fly Away Home (1996), and Sleepers (1998). In 1997, Kinney landed an extended gig on the acclaimed HBO prison drama Oz. Cast as Cell Block Five Unit Manager Tim McManus, Kinney's hardened performance lent the show both dimension and a certain foundation. Kinney frequently balanced his role on this series with a number of feature performances, including such films as The Young Girl and the Monsoon (1999, his second lead), Luminous Motion (1998), and The House of Mirth (2000). Although the bulk of his work in Save the Last Dance (2001) ended up on the cutting room floor, audiences could still get a good look at Kinney in such features as The Laramie Project (2001) and the 2004 soccer drama The Game of Their Lives.

Trivia: With varied rugged experiences ranging from blacksmith to horse trainer, portly, handlebar-mustached Wilford Brimley entered films in the 1960s as a cowboy stunt man. Save for a few billed appearances on TV cowboy series like Gunsmoke, Brimley worked primarily in supporting roles until finally achieving star status in the 1980s via his gruff, fatherly roles in such films as The Thing (1981), Hotel New Hampshire (1984), The Natural (1984) and Cocoon (1986). On television, Wilford Brimley starred in the 1980s family dramedy Our House. In addition to his film and television work, Brimley worked for a time as the commercial spokesperson for the Quaker Oats company.

Trivia: Bearing sharp, blue-eyed features and the outward demeanor of an everyday Joe, Ed Harris possesses a quiet, charismatic strength and intensity capable of electrifying the screen. During the course of his lengthy career, he has proven his talent repeatedly in roles both big and small, portraying characters both villainous and sympathetic.Born Edward Allen Harris in Tenafly, NJ, on November 28, 1950, Harris was an athlete in high school and went on to spend two years playing football at Columbia University. His interest in acting developed after he transferred to the University of Oklahoma, where he studied acting and gained experience in summer stock. Harris next attended the California Institute of the Arts, graduating with a Fine Arts degree. He went on to find steady work in the West Coast theatrical world before moving to New York. In 1983, he debuted off-Broadway in Sam Shepard's Fool for Love in a part especially written for him. His performance won him an Obie for Best Actor. Three years later, he made his Broadway debut in George Firth's Precious Sons and was nominated for a Tony. During the course of his career, Harris has gone on to garner numerous stage awards from associations on both coasts. Harris made his screen debut in 1977's made-for-television movie The Amazing Howard Hughes. The following year, he made his feature-film debut with a small role in Coma (1978), but his career didn't take off until director George Romero starred Harris in Knightriders (1981). The director also cast him in his next film, Creepshow (1982). Harris' big break as a movie star came in 1983 when he was cast as straight-arrow astronaut John Glenn in the film version of Tom Wolfe's The Right Stuff. Twelve years later, Harris would again enter the world of NASA, this time playing unsung hero Gene Krantz (and earning an Oscar nomination) in Ron Howard's Apollo 13.The same year he starred in The Right Stuff, Harris further exhibited his range in his role as a psychopathic mercenary in Under Fire. The following year, he appeared in three major features, including the highly touted Places in the Heart. In addition to earning him positive notices, the film introduced him to his future wife, Amy Madigan, who also co-starred with him in Alamo Bay (1985). In 1989, Harris played one of his best-known roles in The Abyss (1989), bringing great humanity to the heroic protagonist, a rig foreman working on a submarine. He did further notable work in David Mamet's Glengarry Glen Ross, and turned in a suitably creepy performance as Christof, the manipulative creator of Truman Burbank's world in Peter Weir's The Truman Show (1998). Harris earned a Best Supporting Actor Oscar nomination for his work. The following year, he could be seen in The Third Miracle, starring as a Catholic priest who finds his faith sorely tested.The new millennium found Harris' labor of love, the artist biopic Pollock, seeing the light of day after nearly a decade of development. Spending years painting and researching the modernist painter, Harris carefully and lovingly oversaw all aspects of the film, including directing, producing, and starring in the title role. The project served as a turning point in Harris' remarkable career, showing audiences and critics alike that there was more to the man of tranquil intensity than many may have anticipated; Harris was nominated for a Best Actor Academy Award for his work. 2001 saw Harris as a German sniper with his targets set on Jude Law in the wartime suspense-drama Enemy at the Gates, and later as a bumbling Army captain in the irreverent Joaquin Phoenix vehicle Buffalo Soldiers. With his portrayal of a well known author succumbing to the ravages of AIDS in 2002's The Hours, Harris would recieve his fourth Oscar nominattion. 2004 found the actor working with Zooey Deschanel for Winter Passing, a psychological drama in which he played a one-time popular novelist who claims he is working on one last book. Harris was praised for his work in Empire Falls (2005), a two-part miniseries from HBO chronicling a middle-aged man who is concerned he has wasted his life, though his work as a scarred stranger with a score to settle in David Cronenberg's award-winning psychological thriller A History of Violence was his biggest success in 2005. In 2007, Harris played a Boston police detective in Ben Affleck's adaptation of author Dennis Lehane's Gone, Baby, Gone. A year later, Harris wrote, starred, directed, and produced Appaloosa, a western following a small town held under the thumb of a ruthless rancher and his crew, and continued to work throughout 2009 and 2010 in films including Once Fallen, Virginia, and The Way Back. Praise came his way once more in 2011's What I Am, a gentle coming-of-age comedy in which Harris plays a teacher who is a catalyst for the friendship of two young boys. In 2012, he earned Emmy and SAG nominations and a Golden Globe award for playing John McCain in the HBO movie Game Change. The next year had him appearing in six films, including playing a detective in Pain & Gain and voicing mission control in Gravity, a throwback to his earlier work in Apollo 13.

Trivia: One of the most versatile and charismatic actresses that Hollywood has to offer, Holly Hunter has made a name for herself with smart, strong portrayals of dependably eccentric women. Born March 20, 1958, in Conyers, GA, Hunter was raised on a farm as the youngest of seven children. With the encouragement of her parents, she began acting at a young age, landing her first starring role as Helen Keller in a fifth grade play. Hunter went on to receive theatrical training at Pittsburgh's Carnegie Mellon University, after which she moved to New York to pursue her acting career. Following her off-Broadway debut in 1981, the fledgling actress enjoyed a serendipitous twist of fate in the form of being stuck in a stalled elevator with playwright Beth Henley. The chance meeting led to a collaboration between the two women, first with the stage production of The Miss Firecracker Contest and then with Hunter's 1982 Broadway debut, Crimes of the Heart. Meanwhile, Hunter had made her onscreen debut in the 1981 horror flick The Burning, a film remarkable both for its high schlock quotient and its casting of a similarly obscure young actor named Jason Alexander. After moving to Los Angeles in 1982, Hunter appeared in some made-for-TV movies before being cast in a supporting role in 1984's Swing Shift. The same year, she had her first collaboration with Ethan Coen and Joel Coen in Blood Simple, making something of a limited appearance as a voice on an answering machine recording. More obscure film and television work followed until 1987, when thanks to a starring role in the Coens' Raising Arizona and her Academy Award-nominated turn in Broadcast News, Hunter finally got her share of the limelight. The praise she received led to more acclaimed work in 1989; the actress won raves for her parts in three different films: the screen adaptation of Henley's Miss Firecracker; Steven Spielberg's Always, a romantic drama with Richard Dreyfuss; and the made-for-TV docudrama Roe vs. Wade. Following her second collaboration with Dreyfuss in Once Around (1991), Hunter once again garnered a wealth of critical appreciation for her work in three 1993 films, two of which resulted in her being nominated for Academy Awards as both Best Supporting Actress and Best Actress in that same year. Hunter's performance in The Firm won her a nomination for the former and her portrayal of a mute Scottish woman entangled in a treacherous affair with Harvey Keitel in Jane Campion's The Piano won her the latter. Unfortunately, over the next couple of years, Hunter found herself starring in vehicles that ranged from underrated to dreadful, with Home for the Holidays (1995) at one end of the spectrum and the thriller Copycat (also 1995) at the other. Her work in David Cronenberg's Crash (1996) did win her strong notices, but it was swallowed by the controversies surrounding the film, and her appearance as a sardonic angel in A Life Less Ordinary suffered a similar fate. However, the actress rebounded the following year with her portrayal of a recently divorced New Yorker in Richard LaGravenese's Living Out Loud. Starring alongside Danny DeVito, Queen Latifah, and Martin Donovan, Hunter won overwhelmingly positive reviews for her performance, convincing critics and audiences alike that she was back in the saddle again. Hunter rounded out the 1990s with a minor role in the indie drama Jesus' Son and as a housekeeper torn between a grieving widower and Kiefer Sutherland's little-seen character-driven drama Woman Wanted (1999).Hailing in the new millennium with a memorable performance in the Coen Brothers O Brother, Where Art Thou? (2000), the talented actress took top billing in the same year's television production Harlan County War, a powerful account of labor struggles among Kentucky coal-mine workers. Hunter would continue her small screen streak with a role in When Billy Beat Bobby and as narrator of Eco Challenge New Zealand before returning to film work with a minor role in the 2002 drama Moonlight Mile. The following year found Hunter drawing favorable reviews for her role in the otherwisecritically maligned redemption drama Levity. In 2004 she voiced the mom of the superhero family The Incredibles. She had a well-respected run on the small-screen as the star of Saving Grace, a drama about an ethically challenged cop who has a very unconventional guardian angel watching over her. In 2012 she returned to the silver screen with a crucial role in Diablo Cody's directorial debut Lamb of God.

Trivia: One of the more underrated actors in Hollywood, tall, soft-spoken David Straithairn has earned almost consistent critical appreciation for his work in a number of films, most notably his many collaborations with director John Sayles. Born in San Francisco on January 26, 1949, Straithairn gained an entrance into acting via his days at Williams College. It was there that he met fellow student Sayles, and the two had their first collaboration with Return of the Seacaucus Seven. The 1980 film, which told the story of a group of friends reuniting after college, inspired a number of similar efforts, including The Big Chill. Following his debut, the actor -- whose additional performing experience came from his training at the Ringling Brothers Clown College -- appeared in supporting roles in a number of films, including Silkwood (1983) and Dominick and Eugene (1988). He continued to collaborate with Sayles, acting in The Brother From Another Planet (1984), Matewan, (1987), and Eight Men Out (1988). Straithairn was also introduced to television audiences with his role as bookstore owner Moss Goodman on the popular dramedy series Days and Nights of Molly Dodd.In the 1990s, Straithairn had prominent roles in a number of critically acclaimed films and television miniseries. In addition to his continuing work with Sayles, in 1991's City of Hope and Passion Fish (1992), the actor lent his talents to such films as Bob Roberts (1992), Sneakers (also 1992), The River Wild (a 1994 film which reunited him with Silkwood co-star Meryl Streep), and Losing Isaiah (1995). He also appeared in miniseries such as the 1991 O Pioneers! and In the Gloaming (1997), in which he played the father of an AIDS-stricken Robert Sean Leonard. In 1997, Straithairn had a memorable turn as a high-class pimp with a dodgy mustache in the wildly lauded L.A. Confidential and after a supporting role in Simon Birch (1998), once again collaborated with Sayles, this time playing a fisherman with a past in the 1999 Limbo. He remained one of the most respected character actors of his generation appearing as the father in the remake of The Miracle Worker, and starring in the drama Blue Car as a manipulative teacher. In 2005 he garnered an Oscar nomination and the biggest high-profile success of his career playing Edward R. Murrow in George Clooney's Good Night, and Good Luck. He followed up that success with appearances in such films as We Are Marshall, The Bourne Ultimatum, Howl, and Temple Grandin. In 2012 he was cast in Steven Spielberg's long-planned biopic Lincoln as William Seward.

Trivia: Although American leading man Gary Busey has made distinguished appearances in many films, he has yet to attain the consistent popularity that would make him a major star. Born in Texas, Busey first few years were spent on an Oklahoma ranch where he learned to be a bull rider. He attended three different colleges before finally graduating in 1963, the year he became a professional drummer with the rock group The Rubber Band. Later, he billed himself as Teddy Jack Eddy and played percussion for Leon Russell, Kris Kristofferson, and Willie Nelson. In 1970, Busey made his acting debut in an episode of the TV western High Chaparel. This led to his feature film debut as a biker in Angels Hard as They Come the following year. After that Busey went on to play supporting roles (typically cast as renegades, daredevils, or good ol' boys with dubious morals) until 1978 when he made a major splash playing the lanky lead in The Buddy Holly Story, for which he did all the guitar and vocal work. His impersonation of Holly was remarkable and won him considerable acclaim and an Oscar nomination for Best Actor. Busey then went on to play leads in many films of varying quality during the early to mid-1980s. In the late '80s he returned to supporting roles and co-leads. In 1988, Busey almost died in a motorcycle accident and his near death resulted in enactment of tougher helmet laws in California.

Trivia: After a four-year hitch with the Naval Reserve, actor Steven Hill made his first New York stage appearance in Ben Hecht's A Flag is Born (1946), which also featured a young Marlon Brando. Hill made his film debut in 1950, then returned to the Navy for two more years before settling down to acting on a permanent basis. He was particularly busy in the so-called Golden Age of live TV drama, appearing in such prestigious video offerings as The Trial of Sacco and Vanzetti (1959). In 1966, he was cast as Daniel Briggs--as in "Good morning, Mr. Briggs"--on the hit TV adventure series Mission: Impossible. He left this lucrative assignment in 1967, reportedly because his Orthodox Jewish faith prevented him from filming on weekends; his replacement was Peter Graves as "Mr. Phelps" (in 1989, Hill guest-starred on the short-lived Mission: Impossible revival). Hill remained very much in demand throughout the 1980s and 1990s playing parental and authority-figure roles in such films as Yentl (1983) Heartburn (1986) and Billy Bathgate (1991). Contemporary TV viewers are most familiar with Steven Hill for his work as Michael Steadman's father on thirtysomething (1987-91) and DA Adam Schiff on the weekly TVer Law and Order, a role he stayed with from 1990 to 2000. Hill died in 2016, at age 94.

Trivia: Though he can be spotted in a variety of made-for-TV movies, sitcoms, and prime-time dramas (Seinfeld, NYPD Blue, The X-Files, and The Sopranos are among his many television credits), New York native Tobin Bell is known best for his role as Jigsaw, a serial killer with a penchant for torturing his victims -- physically and psychologically -- in the gruesome Saw film series. The performance was good enough to secure a nomination for "Best Villain" two years in a row at the MTV Movie Awards, and won Bell the coveted "Best Butcher" award at the Fuse/Fangoria Chainsaw Awards. In addition to his roles as fictional villains, the actor played the real-life bad guy, Unabomber John Kaczynski, in the made-for-TV movie Unabomber: The True Story (1996).

Trivia: Supporting actor, onscreen from the '70s. He is the father of actress Melora Hardin.

Trivia: Actor John Beal was playing boyish, sensitive Jimmy Stewart types long before there was a Jimmy Stewart (in Hollywood, at least). After stage work, Beal was brought to Hollywood to appear in the screen version of Rose Franken's stage play Another Language (1933). The best of his early film assignments was in the title role of The Little Minister (1934), in which his easily outraged Scottish piety didn't stand a chance opposite hoydenish Katharine Hepburn. Beal continued appearing in films during the war years while serving in Special Services as actor and director of Army Air Force camp shows and training films. After the war, Beal concentrated on theatrical work, though he kept showing up in films as late as 1983's Amityville 3-D. John Beal was also a regular on the TV soap operas The Nurses (1962-67) and Another World (1964). Beal passed away at age 87 in his Santa Cruz, California two years after suffering a debilatating stroke.

Trivia: It took 18 years of voice lessons for Paul Sorvino to console himself to the fact that an operatic career was beyond his reach. Having done some acting while attending the American Music and Dramatic Academy, Sorvino decided to pursue the theatre full-time, continuing his studies at New York's American Academy of Dramatic Arts. He made his Broadway debut as a constable in the 1964 musical Bajour, and six years later appeared in his first film, Where's Poppa. His stardom was secured when he received an avalanche of critical praise for his performance as Phil Romano in the 1972 Broadway play That Championship Season, a role he repeated in the 1981 film version. A convincing heavy in such films as Goodfellas and Dick Tracy, Sorvino has been even more effective in comedy, notably as the Reverend Willie Williams, a flamboyant Jimmy Swaggart takeoff in Carl Reiner's Oh, God (1978). And in the 1976 Elliott Gould-Diane Keaton vehicle I Will, I Will...For Now, Sorvino served up a near-autobiographical vignette in which he tearfully mimed to a recording of I Pagliacci. Squeezing as many TV appearances into his schedule as possible, Sorvino has starred in the weekly series We'll Get By (1975, as George Platt), Bert D'Angelo/Superstar (1976, in the title role) and The Oldest Rookie (1987, as Detective Ike Porter). In 1991, he took over from George Dzundza on the popular series Law and Order, and in 1993 he subbed for the late Raymond Burr in a Perry Mason TV movie. Additional scattered TV credits have included sporadic appearances as Bruce Willis' dad in Moonlighting, and the "Lamont" counterpart in the never-aired original pilot for Sanford and Son. Possessed of seemingly inexhaustible versatility, Sorvino played Henry Kissinger in Oliver Stone's Nixon (1995). Despite his many on-camera commitments, Sorvino has remained active in the theatre as both an actor and director. Paul Sorvino is the father of Oscar-winning actress Mira Sorvino. In the years to come, Sorvino would remain active on screen, appearing in films like The Cooler and Mr. 3000. In 2014, he guest-starred on the comedy The Goldbergs, playing Jeff Garlin's semi-estranged father.

Trivia: Appeared in the music video for Michael Jackson's "Bad" in 1987. Was a founding member of LAByrinth Theater Company in 1992. Co-starred with Robert DeNiro in Broadway's Cuba & His Teddy Bear in 1986. Won an Obie award for his work in Blade to the Heart in 1995. Was a jury member for the 2013 Chelsea Film Festival. Teaches writing and acting at New York University and the Lee Strasburg Institute.

Trivia: One of the first independent producers to be honored with a star on the Hollywood Walk of Fame, Jerry Weintraub, the son of a gem salesman, began his career as a talent agent for MCA in the 1950s. He was to represent such clients as Jack Paar and singer Jane Morgan who became his second wife. He formed Management III in 1965, and from a quite modest beginning (two partners, three clients, a small backing), became a leading concert promoter. With the founding of Concerts West, he was to handle such clients as Elvis Presley, Frank Sinatra, Bob Dylan, Led Zeppelin, and the Beach Boys.Robert Altman's groundbreaking Nashville (1975) was Weintraub's first production venture. This was soon followed with the successful comedy Oh, God! starring the legendary George Burns and 9/30/55 (aka 24 Hours of the Rebel [1977]), the controversial Cruising (1980), and All Night Long (1981). In 1982, he produced Barry Levinson's Diner, which premiered a new generation of actors including Kevin Bacon, Paul Reiser, Mickey Rourke, Tim Daly, Ellen Barkin, and Steve Guttenberg. In 1984, he became involved with the first film in the Karate Kid series (1984, 1986, 1989, 1994, 2010).In 1984, Weintraub helped deliver the Olympic Gala and the ABC telecast preceding the opening of the Los Angeles Olympic Games. There are over 100 television specials, such as Sinatra: The Main Event and An Evening With John Denver, with which Weintraub has been involved. In 1986, Weintraub was named Producer of the Year by the National Association of Theater Owners, and in March 1991, President George Bush appointed Weintraub to the Board of the John F. Kennedy Center for the Performing Arts. In 1987, Weintraub produced Happy New Year and in 1992 Pure Country. He made his first acting foray as the character Sonny Capps in Sydney Pollack's The Firm released in 1993. 1994 saw the creation of The Specialist, a thriller vehicle for Sylvester Stallone and Sharon Stone, released in Spanish as El Especialista. Weintraub again appeared in a bit part as Jilly in National Lampoon's Vegas Vacation (1997) which he also produced. After establishing Jerry Weintraub Productions, he generated a film remake of the modish British TV series The Avengers (1998), a sci-fi-thriller with Kurt Russell entitled Soldier (1998), The Independent (2000), Ocean's Eleven (2001), in which Weintraub acted the part of High Roller, and Dino (2002). Weintraub has also appeared as the character of Jerry for Full Frontal (2002), and as Larry Goldberg in Confessions of a Dangerous Mind (2002). He later returned as a producer on Ocean sequels Twelve (2004) and Thirteen (2007). In 2015, his new series The Brink premiered on HBO; three weeks later, Weintraub died of cardiac arrest, at age 77.Weintraub's many philanthropic activities included the Los Angeles County Museum of Art, the Museum of Contemporary Art, the Music Center, and the Children's Museum. In 1988, the esteemed Scopus Award from the American Friends of the Hebrew University was given to Weintraub and his wife in gratitude for their continuous support.

Trivia: While some may not recognize Margo Martindale's name, many recognize her face. An actress onscreen from the early '90s, Martindale's list of memorable roles is long, and the character actress found a strong niche playing mothers (Million Dollar Baby) grandmothers (Hannah Montana: The Movie), and generally maternal figures (Practical Magic). Martindale even parodied her own typecasting, playing the mother of the title character in the biopic spoof Walk Hard: The Dewey Cox Story. Martindale would continue to act at a furious pace for years to come, appearing in movies like Secretariat, and on shows like Justified and A Gifted Man.

Trivia: Began acting in plays as a child and did theatre at university. Visited New York City while at university to interview for jobs on Wall Street, but also used the time to go on auditions. Attended the Royal Academy of Dramatic Art in London. Often portrays some type of authority figure. Was cast as a cop in Lethal Weapon 2, a commanding officer in Starship Troopers, and a state trooper in Little Miss Sunshine, amongst others. Has created several videos parodying his cop persona, including a fictional show called Cop Talk and one that pokes fun at his character in the series Breaking Bad.

Trivia: Screenwriter David Rayfiel is perhaps best known as the longtime collaborator of filmmaker Sydney Pollack. Born in Brooklyn, New York, Rayfiel began his career as a screenwriter writing episodes of TV shows like Norby and Assigment Foreign Legion in the 1950's. By the 70s, he was penning scripts for motion pictures like Castle Keep, Three Days of the Condor, and Round Midnight, as well as adding additional, sometimes uncredited assistance to screenplays like The Way We Were and The Electric Horseman. Rayfiel continued to write into the '90s, with projects like The Firm and the 1995 remake of Sabrina. Rayfiel died in Manhattan in 2011 at the age of 87.

Trivia: Robert Towne would prefer his appearance as the stick-like leading actor Edward Wain in the prententious Roger Corman post-apocalyptic effort The Last Woman on Earth (1960) be forgotten -- in addition to the film's screenplay, which was Towne's first. Despite this inauspicious beginning (and his follow-up starring appearance in Creature From the Haunted Sea [1961]), Towne appreciated the early opportunity afforded him by Corman, and remained with the producer/director to pen the screenplay for Tomb of Ligeia (1965) (two more scripts for Corman, A Time for Killing and Captain Nemo and the Underwater City, were heavily revised by others). From there, Towne could only go up, and this he did as script consultant for Warren Beatty's Bonnie and Clyde (1967) and as full screenwriter for Villa Rides (1967). After one more acting turn in Drive, He Said (1971), Towne made a good living as a screenwriter and troubleshooting script doctor. Towne's output ranged from the salty profanities of The Last Detail (1967) to the insightful glances at Nixon-era mores in Shampoo (1968) to the misty mysticism of The Natural (1984) to the dewy-eyed romanticism of Warren Beatty's 1994 remake of Love Affair. In 1974, Towne won a Best Screenplay Academy Award for director Roman Polanski's Chinatown. This film contained one of the few totally unhappy endings in the Towne canon -- for the most part, he prefers upbeat denouements, to the extent of overhauling the endings for the screen versions of Bernard Malamud's The Natural and John Grisham's The Firm. In 1981, Robert Towne made his directorial debut with Personal Best; more successful was the second Towne-directed effort, 1988's Tequila Sunrise.

Trivia: Character actor Afemo Omilami built a career out of portraying gritty, urban types in Hollywood features, often with an aggressive edge, such as taxi drivers, longshoremen, barkeeps, drill sergeants, and angry spouses. Omilami debuted onscreen in the late '70s and evolved into an increasingly common screen presence as the years passed. The dozens of projects in which he appeared include the Tom Hanks-Shelley Long disaster comedy The Money Pit (1986), the Sydney Pollack-directed legal thriller The Firm (1993), Best Picture winner Forrest Gump (1994) (as a screaming drill sergeant), and the Ray Charles biopic Ray (2004). In 2007, Omilami joined the cast of director Deborah Kampmeier's rape-themed period drama Hounddog.