Trivia: Educated at Yale and the Sorbonne, Sam Waterston, born November 15th, 1940, is far more than the "general purpose actor" he was pegged to be by one well-known film historian. A respected player on the stage, screen, and television, Waterston has cultivated a loyal following with his quietly charismatic, unfailingly solid performances. After beginning his career on the New York stage -- where he has continued to perform throughout his long career -- Waterston made his film debut in The Plastic Dome of Norma Jean in 1966. For a long time, his film career was not nearly as remarkable as his work on the stage and television, although non-New York audiences were made acutely aware of the depth and breadth of Waterston's talents when, in 1973, he starred in the television adaptation The Glass Menagerie (appearing alongside Katherine Hepburn) and -- also on TV -- in Tony Richardson's A Delicate Balance. The following year, the actor further impressed television audiences when he starred as Benedick in the CBS TV adaptation of Joseph Papp's staging of Much Ado About Nothing. Also in 1974, Waterston proved to be the best of the screen's Nick Carraways when he was cast in that expository role in the The Great Gatsby; subsequent films ranged from the midnight-movie favorite Rancho Deluxe (1975) to the unmitigated disaster Heaven's Gate (1981). In the late '70s, Waterston was "adopted" by Woody Allen, joining the director's ever-increasing unofficial stock company for such films as Interiors (1978), Hannah and Her Sisters (1986), September (1987), and Crimes and Misdemeanors. Waterston was nominated for an Academy award for his powerful portrayal of a conscience-stricken American journalist in The Killing Fields (1984); three years later he appeared in Swimming to Cambodia, Spalding Gray's acclaimed documentary about the making of the film. Subsequent film appearances included a turn as Kathleen Turner's hilariously timid husband in Serial Mom (1994) and a role in Ismail Merchant's The Proprietor in 1996.However, Waterston has continued to make his greatest mark on television, starring in the acclaimed The Nightmare Years in 1989 and in the similarly lauded series I'll Fly Away and Law & Order. In addition, he has gained a certain amount of fame playing Abraham Lincoln multiple times: In 1988, he starred in Gore Vidal's Lincoln on television, while he won a Tony nod playing him in the Lincoln Center production of Abe Lincoln in Illinois and supplied the president's voice for Ken Burns' documentary The Civil War.Though Waterson is most recognizable for his work in Law & Order, he took on a variety of other television roles throughout the 1990s and 2000s, among them including a turn as the District Attorney Forrest Bedford in I'll Fly Away (the role would win him an Golden Globe). In 2012, Waterson joined the cast of HBO's The Newsroom.

Trivia: S. Epatha Merkerson is a Tony-nominated and Obie-winning, African-American stage actress, but is best known for her portrayal of detective squad chief Lt. Anita Van Buren in the series Law and Order. Born and raised in Detroit as the youngest of five children, she was a fine arts graduate of Wayne State University and began her New York theater career in the late 1970s. Merkerson was nominated for a Tony award for Best Actress for her performance as Berniece in The Piano Lesson and won an Obie award in 1992 for her work in I'm Not Stupid. Her screen credits include Jacob's Ladder and Loose Cannons and, perhaps most visibly, her role as Joe Morton's terrified wife in James Cameron's Terminator 2: Judgment Day. Merkerson made her television debut as Reba, the Mail Lady on Pee Wee's Playhouse, and has appeared on The Cosby Show, among other series, but her most important single television appearance may have been in the first season Law and Order show "Mushrooms," in which she portrayed the grief-stricken mother of an 11-month-old boy who is shot accidentally. Her work was not only memorable to the audience during that key first season, but also to the producers, who later picked Merkerson for the role of the new detective squad chief in the series' fourth season--a role she continued to play for over ten years. Merkerson's talent on the small screen led to roles in numerous TV movies such as Breaking Through and A Mother's Prayer, as well as roles in such films as Radio and The Rising Place. Still, her monumental gifts in both presence and interpretation may not have truly been utilized until she took the part of a strong matriarch who runs a 1960's boarding house in HBO's mini series Lackawanna Blues. Her first leading role in almost twenty years on screen, her performance earned her an Emmy Award as well as a Golden Globe. After her triumphant turn in Lackawanna Blues she returned to the big-screen in Craig Brewer's follow-up to Hustle & Flow, Black Snake Moan co-starring Christina Ricci and Samuel L. Jackson.Over the coming years, Merkerson would appear in a number of films, like The Six Wives of Henry Lefay and Mother and Child.

Trivia: With film roles ranging from his portrayal of a psychotic satanic killer (Hideaway [1995]) to Jesus (1999), one would not be hard-pressed to give actor Jeremy Sisto the credit of having a fairly impressive range of dramatic abilities. Born in Northern California, Sisto spent his early years living in the rock-built home his parents had made in the lower Sierra Nevada Mountains. Sisto would gain his earliest experiences as an actor after moving to Chicago with his mother and sister (Reedy Gibbs and Meadow Sisto, also actors) at the age of six. Jeremy and Meadow's turn as specters in the Goodman Theater's adaptation of Tennessee William's House Not Meant to Stand earned the young thespians positive notice, and led to theater work with such other Windy City institutions as the Absolute Theater Company and the Cherry Street Theater. After constant auditioning and small roles in commercials and industrial films, Sisto's breakthrough came with his being cast in Lawrence Kasdan's Grand Canyon (1991) after a deceptively discouraging audition. Returning to Chicago to finish school after wrapping up Grand Canyon in Los Angeles, Sisto constantly auditioned and played small roles in theater and independent films before moving to L.A. and finding roles in Clueless (1995) and White Squall (1996). A busy actor in the later '90s, Sisto appeared in the infamous Don's Plum (1998) before his role in the television mini-series The 60s and Jesus (both 1999). The next year Sisto would follow-up as a troubled young filmmaker coming to grips with the death of his wife in This Space Between Us, and with Angel Eyes, a mysterious tale of fate and urban isolation starring Jennifer Lopez.Subsequent roles in Lucky McKee's well-received feature debut May, the popular backwoods slasher flick Wrong Turn, and the 2004 horror-comedy Dead and Breakfast served well to increase Sisto's street credibility among genre buffs, but when he wasn't running from inbred killers in the forest or falling under the spell of mentally disturbed waifs, Sisto was gaining positive notice for his role as a delusional man who believes his life is the subject of a film in Movie Hero, and returning to the small screen in shows like the hit crime drama Law & Order or the ABC comedy Suburgatory.

Trivia: Started modeling at age 13. Studied acting at JoAnna Beckson Studios in Manhattan. Breakthrough role was as Rosa Santos on All My Children. Appeared in the Brooks and Dunn music video "Ain't Nothing 'Bout You." Played series regular Connie Rubirosa on two editions of the Law & Order franchise.

Trivia: Possessing a wistful handsomness and vulnerable charisma, British actor Linus Roache first gained recognition -- and controversy -- as a gay Catholic priest in Antonia Bird's 1994 Priest. A native of Manchester, where he was born in 1964, Roache is the son of actor William Roache, best known for his long-running role on the popular TV series Coronation Street. It was on that show that the younger Roache made his debut at the age of nine, playing his father's son. Following his debut, he spent much of the next decade on stage, performing with the likes of the Royal Shakespeare Company.Following the success of Priest, as well as a role in the popular BBC TV series Seaforth that same year, Roache took some time off to recuperate from the grueling experience of making Priest. When he returned to the screen, it was in Iain Softley's adaptation of Henry James' The Wings of the Dove (1997). Roache won acclaim for his complex portrayal of Merton Densher, an impoverished journalist who becomes caught up in a disastrous scheme involving his girlfriend (Helena Bonham Carter) and a dying heiress (Alison Elliott). The film itself was roundly praised and helped put Roache back in the spotlight that he had rejected just two years earlier.The actor could subsequently be seen doing work in a number of diverse films, including Shot Through the Heart (1998), which cast him as a Yugoslavian marksman caught up in the horrors of war; and The Venice Project (1999), a drama in which he played both a 17th-century Italian count and a member of the 20th-century California art world.

Trivia: While Anthony Anderson got his start in stand-up, his wide range of genre-spanning credits as a producer and actor in light comedy, pointed satires, food-based reality shows and gritty episodic dramas display his versatility and cross-audience appeal. But even though it's not immediately apparent how the points on his resume connect in one straight line, all of his work harkens back to core values of family, togetherness, responsibility, fairness, justice, and doing right in a sometimes complicated world.Born August 15, 1970, Anderson was one of four kids raised by his mother and stepfather (the man he considered his "only father I knew or cared about") in Compton, Los Angeles, California. While their neighborhood could be rough, his no-nonsense stepfather, who owned three clothing stores, instilled a respect for paternal responsibility and entrepreneurship in Anderson. While Anderson remembers seeing a teenage Dr. Dre perform at Compton's most important hip-hop venue Skateland, U.S.A., his most formative memory of a performer was watching his mother rehearse for an amateur production of A Raisin in the Sun at Compton Community College. Even though both he and his mother agree that she was a terrible actress, the impression of her becoming someone else on stage solidified his ambitions.His ambitions stoked, young Anderson seized every opportunity to perform, whether it was singing at church, competing in spelling bees, or appearing in a commercial at the age of five. After successfully auditioning for Los Angeles County High School for the Arts, he won the top prize in the NAACP's Act-So awards and gained entrance to Howard University's drama program with an audition tape that included monologues from Shakespeare and "The Great White Hope". (Anderson's stepfather, always the pragmatist, took extraordinary measures to push Anderson out of the nest after college by not only insisting he pay rent if he wanted to live at home, but also by padlocking the TV cabinet and freezer, installing a pay phone in the house, and razzing Anderson with Lassie reruns: "That dog's an actor. Where are you acting?")Too-strange-to-be-fiction family lore like that formed the basis of Anderson's stand-up comedy routines that he performed briefly under the name "Tasty Tony" while picking up small roles in TV and movies until 1999, when he landed roles both in the Martin Lawrence and Eddie Murphy comedy Life, and Barry Levinson's cinematic memoir Liberty Heights. A slew of roles in a wide range of genres followed for the next few years, culminating in recurring roles on Treme as actor-waiter Derek Watson, on The Shield as Antwon Mitchell, the drug boss turned community leader who still keeps one foot in the thug life, and on Law & Order as conservative lawman Detective Kevin Bernard, a role for which he earned four consecutive NAACP Image Award nominations for Outstanding Actor in a Drama Series. Anderson's other great passion, for food and cooking, has led to many hosting gigs on shows like Carnival Cravings with Anthony Anderson, Eating America with Anthony Anderson, the web series Anthony Eats America, and his recurring seat at the judge's table on Iron Chef America. While his everyday diet is "vegan-ish" as a way of regulating his type 2 diabetes, he's so devoted to the kitchen arts that he takes weekend classes at famed culinary academy Le Cordon Bleu's Los Angeles outpost. While his first forays into producing the sitcoms All About the Andersons and Matumbo Goldberg (both about domestic life from an African-American perspective) ended after one season, conversations with his screenwriter friend Kenya Barris about their experiences raising their children in affluent, majority-white communities that are so unlike the neighborhoods they grew up in inspired the duo to create and produce black-ish. Taking a page from unflinching sitcoms of the '70s like All In The Family and Good Times that mixed light humor with frank confrontation of social ills, Barris and Anderson folded incidents from their own lives into the show's scripts - such as the time Anderson's teenage son wanted a bar mitzvah party like all his Jewish friends, prompting Anderson to instead offer his son a hip-hop themed "bro mitzvah." Anderson received an Emmy nomination for his role as beleaguered patriarch Andre Johnson in 2015.

Trivia: As the correspondent of the popular Comedy Central tongue-in-cheek reportage series The Daily Show with Jon Stewart, acid-mouthed comic Rob Corddry developed a schtick that involved interviewing newsmakers and gleefully poking fun of them on live camera -- recalling the early days of series host Craig Kilborn (in Daily's pre-1999 incarnation). Corddry also took over Stephen Colbert's "This Week in God" segment and would frequently slip into character as a "take no prisoners" interviewer called Dino Ironbody when interrogating his subjects.Corddry hails from the Boston area. He was born in Weymouth, MA, in 1971 and attended the University of Massachusetts Amherst. After graduation, he joined the comic ensemble Third Rail Comedy for a few years, then formed (with three others) the four-man comedic ensemble Naked Babies. In time, Corddry's antics secured a spot for him on Comedy Central -- initially on The Upright Citizens Brigade. As a comedic actor in feature films, Corddry debuted with a portrayal of Warren in the Will Ferrell-Luke Wilson frat-boy comedy Old School (2003), and his performance as a cracked gun salesman was one of the only saving graces of the awful Matthew McConaughey movie Failure to Launch (2006). The comic-turned-actor re-teamed with Ferrell and Wilson for the 2007 skating farce Blades of Glory, then signed for roles in such films as the Farrelly Brothers remake of The Heartbreak Kid (2007) and the 2008 sequel Harold and Kumar 2.Corrdry went on to play a supporting role in Operation: Endgame, a 2010 action comedy following the rivalry between two groups of government assassins, and won laughs, if not critical success, for his turn in Hot Tub Time Machine (2010). Corrdry reunited with fellow Daily Show alumni Ed Helms to play a small supporting role in Cedar Rapids (2011). The comedian solidified his cult following with Children's Hospital, a satirical medical comedy that relishes in the clichés of more traditional medical dramas. In addition to a starring role, Corrdry also came up with the show's concept. In 2012, Corrdry joined Steve Carrell (yet another former Daily Show co-star) for a supporting role in Seeking a Friend for the End of the World, a comedy drama following a couple on their final road trip before an asteroid destroys mankind.

Trivia: Actor Ben Shenkman received a Masters of Fine Arts degree from New York University in 1992, and soon launched an acting career, dividing his time between regional theater, film, and television work. He made his TV debut in 1993 in an episode of the courtroom drama series Law & Order, and, in 1994, appeared on the big screen for the first time with a small role in Robert Redford's film Quiz Show. Shenkman's career began to heat up later in the decade, when he won strong supporting roles in two breakout independent feature films, Pi and Jesus' Son, as well as the lead in 30 Days; he also landed a recurring role as Nick Margolis on Law & Order (not the character he played in his 1993 debut on the show). The actor remained in demand for his stage performances, as well, starring opposite Mary-Louise Parker in the Manhattan Theatre Club's successful 2000 production of David Auburn's Proof. In 2002, Shenkman was seen in the acclaimed film Personal Velocity: Three Portraits, and was cast in a recurring role on the hit comedy series Ed. He appeared as Louis Ironson in the award-winning adaptation of Angels in America, and went on to appear in Must Love Dogs, Just Like Heaven, Then She Found Me, Brief Interviews With Hideous Men, and the intense marriage drama Blue Valentine.

Trivia: Actor Ernie Hudson received his training at Wayne State, Yale School of Drama and the University of Minnesota. Following a hitch with the Marines, Hudson appeared in such stage productions as The Great White Hope, The Cage and Daddy Goodness. He made his earlier film appearance in 1976's Leadbelly. Most of us know Hudson best as Winston Zeddmore in the two Ghostbusters films, a role he repeated in Ray Parker Jr.'s "Ghostbusters" music video. His best--and most controversial--screen assignment was the The Hand That Rocks the Cradle (1992); Hudson played retarded handyman Solomon, virtually the only character in the film who doesn't buy into the "perfect" facade of homicidal baby-sitter Rebecca DeMornay. On TV, Ernie Hudson has been seen as Smythe in Highcliffe Manor (1977), undercover officer "Night Train" Lane in The Last Precinct (1986), and kleptomaniac cop Toby Baker in Broken Badges (1990). He had a memorable supporting part in the 1992 thriller The Hand That Rocks the Cradle, and appeared in Heart and Souls as well as the comedy Airheads. In 1994 he was cast in a prominent role in the action film The Crow, and followed that up in 1995 with part in Congo. In 1997 he started work on the HBO drama Oz, playing the warden of the meanest, cruelest inmates imaginable for six seasons. He co-starred with Sandra Bullock in the 2000 comedy Miss Congeniality. He continued to work steadily in projects as diverse as Snoop Dogg's Hood of Horror, The Ron Clark Story, and 2010's Smokin' Aces 2: Assassin's Ball.

Trivia: Jerry Orbach often commented, without false modesty, that he was fortunate indeed to have been a steadily working actor since the age of 20. Such was an understatement: graced with not only formidable dramatic instinct but one of American theater's top singing voices, Orbach resisted others' attempts to peg him as a character actor time and again and established himself as one of the most unique talents in entertainment per se. Television producer Dick Wolf perhaps put it best when he described Orbach as "a legendary figure of 20th century show business" and "one of the most honored performers of his generation."A native of the Bronx, Orbach was born to an ex-vaudevillian father who worked full time as a restaurant manager and a mother who sang professionally on the radio. The Orbachs moved around constantly during Jerry's youth, relocating from Gotham to Scranton to Wilkes-Barre to Springfield, Massachusetts and eventually settling in Chicago - a mobility that gave the young Orbach an unusual ability to adapt to any circumstance or situation, and thus presaged his involvement in drama. Orbach later attended Northwestern University, trained with Herbert Berghof and Lee Strasberg, and took his Gotham theatrical bow in 1955, as an understudy in the popular 1955 revival of Bertolt Brecht and Kurt Weill's The Threepenny Opera, eventually playing the lead role of serial killer Macheath. During the Threepenny run, Orbach made his first film appearance in the Manhattan-filmed low budgeter Cop Killer (1958). In 1960, Orbach created the role of flamboyant interlocutor El Gallo in the off-Broadway smash The Fantasticks, and later starred in such Broadway productions as Carnival (1961), Promises Promises (1966), Chicago (1975) and 42nd Street (1983). By day, Orbach made early-1960s appearances in several New York-based TV series, notably The Shari Lewis Show. In the early years, Orbach's film assignments were infrequent, but starting around 1981, with his pivotal role as officer Gus Levy in Sidney Lumet's masterful urban epic Prince of the City, the actor generally turned up in around one movie per year. His more fondly remembered screen assignments include the part of Jennifer Grey's father in Dirty Dancing (1987), Martin Landau's shady underworld brother in Woody Allen's Crimes and Misdemeanors (1989) the voice of the Chevalieresque candellabra in the Disney cartoon feature Beauty and the Beast (1990), and Billy Crystal's easily amused agent in Mr. Saturday Night (1992). Orbach perhaps made his most memorable contribution to television, however. After headlining a brief, short-lived detective series entitled The Law and Harry McGraw from September 1987 to February 1988 (a spinoff of Murder, She Wrote), Orbach landed a role that seemed to draw heavily from his Prince of the City portrayal: Detective Lennie Briscoe, a sardonic, mordant police investigator on Wolf's blockbuster cop drama Law & Order.Orbach carried the assignment for twelve seasons, and many attributed a large degree of the program's success to him.Jerry Orbach died of prostate cancer at the age of 69 on December 28, 2004. Three years later, Orbach turned up, posthumously, on subway print advertisements for the New York Eye Bank. As a performer with nearly perfect vision, he had opted to donate his eyes to two women after his death - a reflection on the remarkable humanitarian ideals that characterized his off-camera self.

Trivia: Jesse L. Martin is proof that talent and popularity are not mutually exclusive. When the award-winning stage actor joined the cast of NBC's Law and Order in its tenth season, the program's already high ratings increased by 40 percent. Martin's debut episode drew the largest audience in Law and Order's history and positive press attracted more viewers throughout the season. The once starving artist is now both a critic's darling and one of T.V. Guide's "Sexiest People on Television," confirming that he is an actor with genuinely wide appeal. Martin was born Jesse Lamont Watkins on January 18, 1969, in Rocky Mountain, VA. He is the youngest of five sons. Martin's parents, truck driver Jesse Reed Watkins and college counselor Virginia Price, divorced when he was a child. Ms. Price eventually remarried and the boys adopted their stepfather's surname. When Martin was in grade school, the family relocated to Buffalo, NY, and the move was not an immediate success: Martin hated to speak because of his thick Southern accent and was often overcome with shyness. A concerned teacher influenced him to join an after-school drama program and cast him as the pastor in The Golden Goose. Being from Virginia, the young Martin played the character the only way he knew how: as an inspired Southern Baptist preacher. The act was a hit, and Martin emerged from his shell. The actor attended high school at Buffalo School for the Performing Arts, where he was voted "Most Talented" in his senior class. He later enrolled in New York University's prestigious Tisch School of the Arts Theater Program. After graduation, Martin toured the states with John Houseman's Acting Company. He appeared in Shakespeare's Rock-in-Roles at the Actors Theater of Louisville and The Butcher's Daughter at the Cleveland Playhouse, and returned to Manhattan to perform in local theater, soap operas, and commercials. Finding that auditions, regional theater, and bit parts were no way to support oneself, Martin waited tables at several restaurants around the city. He was literally serving a pizza when his appearance on CBS's Guiding Light aired in the same eatery. Martin made his Broadway debut in Timon of Athens, and then performed in The Government Inspector with Lainie Kazan. While employed at the Moondance Diner, he met the late playwright Jonathan Larson, who also worked on the restaurant's staff. In 1996, Larson's musical Rent took the theater world by storm -- with Martin in the part of gay computer geek Tom Collins. The '90s update of Puccini's La Bohème earned six Drama Desk Awards, five Obie Awards, four Tony Awards, and the Pulitzer Prize. Martin soon landed roles on Fox's short-lived 413 Hope Street and Eric Bross' independent film Restaurant (1998). Ally McBeal's creator, David E. Kelly, attended Rent's Broadway premiere and remembered Martin when the show needed a new boyfriend for Calista Flockhart's Ally. The actor's performance as Dr. Greg Butters on Ally McBeal caught David Duchovny's eye, who then cast Martin as a baseball-playing alien in a 1999 episode of The X-Files that he wrote and directed. While still shooting Ally McBeal, Martin heard rumors that actor Benjamin Bratt planned to leave the cast of Law and Order. Martin tried out for the show years before and won the minor role of a car-radio thief named Earl the Hamster, but decided to wait for a bigger part. With the opportunity presenting itself, Martin begged Law and Order producer Dick Wolf for Bratt's role. Wolf hoped to cast him, and upon hearing that CBS and Fox both offered Martin development deals, he gave the actor the part without an audition. During his first year on Law and Order, Martin co-produced the one-man show Fully Committed, about the amusing experiences of a waiter at an upscale restaurant. A skilled vocalist -- he sang in Rent, on Ally McBeal, and The X-Files -- Martin later appeared in the Rocky Horror Picture Show anniversary special and hopes to star in a big-screen biography of his mother's favorite singer, Marvin Gaye. Over the coming decade, Martin would appear in several more pictures, like The Cake Eaters, the big screen adaptation of Rent, and the TV series The Philanthropist.