Trivia: Mother died of pancreatic cancer when he was 16 years old. Formed the folk band Sons of Jim and the record label Doorstep Records with his college friend David Alexander. Dropped out of college to pursue a modeling career.

Trivia: Started acting at age 10. An accomplished dancer, she trained at the National Ballet School of Canada. Named an Ontario Scholar upon graduation of high school. Has appeared on the Canadian television series Murdoch Mysteries, The Border and Being Erica.

Trivia: Many know actor Aaron Paul for his role as Jesse Pinkman on the series Breaking Bad. The Idaho native began his career in the early 2000s, with a long list of appearances on shows like Suddenly Susan, The X-Files, CSI: Miami, Judging Amy, Criminal Minds, and Veronica Mars. In 2008, he took on a steady gig, joining the cast of Breaking Bad as a small-time drug dealer who joins up with Bryan Cranston to form the world's most unlikely meth manufacturing team. The following year he also began making recurring appearances on the HBO series Big Love, as well as taking on feature film work with roles in Last House on the Left and Wreckage. In 2009, he was nominated for an Emmy for his work on Breaking Bad in the acclaimed drama's second season, and the next year he would the Emmy for Best Supporting Actor in a drama series.

Trivia: A hulking character actor who brings new meaning to the concept of versatility, Oliver Platt has appeared in a dizzying array of films that make him instantly recognizable but not instantly placeable to the average filmgoer. Since making his screen debut as an oily Wall Street drone in Mike Nichols' Working Girl (1988), Platt has lent his talents to almost every conceivable genre, including period dramas, political comedies, children's films, and campy horror movies.The son of a U.S. Ambassador, Platt was born in Windsor on January 12, 1960, Platt and his family soon moved to Washington, D.C. Thanks to his father's job, he had an exceptionally itinerant childhood. By the time he was 18, he had attended 12 different schools in places as diverse as Tokyo, the Middle East, and Colorado. Long interested in acting, Platt received a BA in drama from Boston's Tufts University; following graduation, he remained in Boston for three years to pursue his stage career. In 1986 he moved to New York, where he performed in a number of off-Broadway productions and had the lead in the 1989 Lincoln Center production of Ubu. Following his screen debut in Working Girl, Platt began finding steady work in such films as Married to the Mob (1988), Postcards from the Edge (1990), Beethoven (1992) -- which featured him and future collaborator Stanley Tucci as puppy thieves -- and Benny and Joon (1993). He also proved himself adept at cheesy period drama in The Three Musketeers (1993), which cast him as Porthos, and at all-out comedy, as demonstrated by his turn as a struggling comic in Funny Bones (1995). Rarely cast as a leading man, Platt has always been visible in substantial supporting roles, equally comfortable at portraying nice guys, bad guys, and just flat out weird guys alike. As Ashley Judd's suitor in Simon Birch (1998), he was the straight man, while in The Impostors (1998), his second collaboration with Tucci (two years earlier he served as associate producer for the latter's Big Night), he again displayed his capacity for broad physical comedy as a struggling actor who finds himself a stowaway on an ocean liner. In Dangerous Beauty (1998), Platt was able to exercise his nasty side as a bitter nobleman-turned-religious zealot in 16th-century Venice; that same year, his capacity for exasperated quirkiness was displayed in Bulworth, which cast him as Warren Beatty's put-upon, coke-snorting campaign manager.1999 proved to be a somewhat disappointing year for Platt, as two of his films, Three to Tango (which featured him as a gay architect) and the schlock-horror Lake Placid, which cast him as an idiosyncratic mythology expert, were both critical and commercial flops. A third film that year, Bicentennial Man -- in which Platt played the scientist who turns the titular robot (Robin Williams) into a man -- fared somewhat better. The following year, Platt's comic abilities were again on display in Gun Shy, in which he hammed it up as a bottom-rung mafioso with an overblown ego.Fortunately for the workhorse actor, the 2000s seemed to prove the boost -- and exposure -- his sagging career needed. Earning back to back Emmy nominations in 2006 and 2007 for his performance opposite former Tufts University classmate Hank Azaria in the weekly dramedy Huff, Platt was also nominated for a Screen Actor's Guild Award for his turn as New York Yankees owner George Steinbrenner in the TV mini-series The Bronk is Burning (2007). With 2008 came yet another Ammy nomination -- this time for his guest role on the hit FX series Nip/Tuck -- and in 2009 he appeared as Nathan Detroit in the Broadway revival of Guys and Dolls. Other notable television appearances from this phase of Platt's career included a recurring character on the seriocomic HBO series Bored to Death and a prominent role as the husband of a suburban housewife diagnosed with cancer in the Showtime comedy drama series The Big C.

Trivia: Canadian actress Molly Parker has developed a reputation as a gifted and versatile performer, thanks in part to her willingness to take on challenging, offbeat, and sometimes controversial roles. Born in 1972 in Maple Ridge, British Columbia (a town just outside Vancouver), Parker studied dance before developing an interest in acting. She was in her late teens when she began her screen career, appearing in small roles in television projects and low-budget theatrical films being shown in Vancouver, including three episodes of the TV series Neon Rider, the made-for-TV movie My Son, Johnny, and the lowbrow teen comedy Just One of the Girls. While Parker soon began winning bigger and better roles (most notably playing Glenn Close's daughter in the acclaimed TV movie Serving in Silence: The Margarethe Cammermeyer Story), her breakthrough came in 1996, with the independent feature Kissed, in which she plays a young woman fascinated with death whose job at a funeral home leads her to explore her emotional and erotic attraction to the dead. While the film's controversial theme prevented it from gaining a wide release in the United States, it received enthusiastic reviews around the world, and in Canada, Parker's performance earned her a 1997 Genie Award (the Canadian Academy Award) as Best Actress. The acclaim for Kissed certainly improved Parker's standing in the world of independent film, and while she still appeared in the occasional television project (including the TV movie Titanic and the miniseries Intensity), she won showy roles in Bliss and Under Heaven. In 1999, Parker appeared in three highly acclaimed features: She played a pregnant housewife in the British kitchen-sink drama Wonderland, a despondent mother in The Five Senses, and the Catholic wife of a Hungarian Jew in Sunshine. 2000's Suspicious River reunited Parker with Kissed director Lynne Stopkewich, and in 2001, she once again found herself courting controversy with her role as an exotic dancer spending a weekend in Las Vegas with a computer millionaire (and being very well paid for it) in Wayne Wang's The Center of the World. That same year, Parker won a recurring role as a rabbi on the acclaimed HBO comedy drama series Six Feet Under, and also appeared in a Canadian comedy about that very Northern sport, curling, entitled Men With Brooms. In 2002, she was cast opposite John Cusack and Leelee Sobieski in Max, a bit of historical speculation about the relationship between an art teacher and one of his students -- Adolf Hitler. 2004 saw Parker returning to HBO for a couple of period productions. First, she co-stared with Anjelica Huston, Hilary Swank, Julia Ormond, and Frances O'Connor in the historical drama Iron Jawed Angels about the women's suffrage movement in America. Shortly thereafter, Parker appeared as a rich prospector's wife in in the HBO Western series Deadwood. Later that year, she starred opposite Christian Slater and Stephen Rea in the ecclesiastical thriller The Good Shepard. She appeared in the 2006 drama Hollywoodland as well as the remake of The Wicker Man. She starred in the short-lived TV series Swingtown, and went on to appear in a variety of projects including The Road, Oliver Sherman, Gone, and the made-for-cable movie Hemmingway & Gellhorn.

Trivia: While a prolific screen presence from the late-'60s onward, Barbara Hershey did not truly attain star status until two decades later, finally blossoming to become one of the most acclaimed American actresses of her generation. Born Barbara Herzstein on February 5, 1948, in Hollywood, CA, she studied drama during high school and in 1965 made her professional debut in the teen television romp Gidget. From 1966 to 1967, she was a regular on the series The Monroes and subsequently guest starred in a number of other programs. Hershey made her film bow in 1968's With Six You Get Eggroll, followed by the Western Heaven With a Gun and Last Summer. After a number of other lesser projects, she starred as the title heroine in 1972's Boxcar Bertha, the first major theatrical release from a then-unknown Martin Scorsese. David Carradine, Hershey's onscreen partner in crime, became her offscreen companion as well. Carradine directed them both in Americana (filmed in 1973 but not shown until eight years later), and together they had a child, Free.In another nod to the counterculture, Hershey rechristened herself "Barbara Seagull" and traveled to the Netherlands to film the 1973 drama Angela, winning Best Actress honors for her work at the Berlin Film Festival. Still, box-office success continued to elude her, and her resumé remained littered with undistinguished projects including the 1974 heist drama Diamonds, the 1976 comedy A Choice of Weapons, and the Western The Last Hard Men. By 1977, Hershey -- having dropped the "Seagull" surname -- turned to television, where she appeared in the Irwin Allen disaster production Flood! as well as the miniseries A Man Called Intrepid and the 1979-1980 weekly program From Here to Eternity. The 1980 comedy The Stunt Man, actually shot two years earlier, marked Hershey's return to feature films, and was followed by 1981's Take This Job and Shove It and the 1982 horror picture The Entity. By this point, Hershey -- once viewed as a rising star -- had been largely written off by the Hollywood powers-that-be. However, in 1983, she accepted a small role in Philip Kaufman's acclaimed The Right Stuff which garnered her considerable notice. She followed it with another small but pivotal role in Barry Levinson's 1984 baseball fable The Natural, and after a pair of well-regarded television projects -- the 1985 Errol Flynn bio My Wicked, Wicked Ways and 1986's Passion Flower -- Hershey's name was back on the map. After years of low-budget and low-brow projects, suddenly she was a fixture of high-profile features including Woody Allen's masterful 1986 effort Hannah and Her Sisters, David Anspaugh's Hoosiers, and Levinson's 1987 comedy Tin Men. Also in 1987, Hershey's turn in Andrei Konchalovsky's Shy People won Best Actress honors at the Cannes Film Festival, an award she again took home the following year for her performance in Chris Menges' A World Apart.Hershey also excelled in more mainstream affairs, appearing opposite Bette Midler in the weeper Beaches. In 1988, she and Scorsese reunited for the first time since Boxcar Bertha in The Last Temptation of Christ, in which she appeared as Mary Magdalene, winning a Golden Globe nomination for her performance. In 1990, Hershey returned to television to star in the movie A Killing in a Small Town, for which she won an Emmy. Back in the movies, she remained noted for her performances in offbeat fare like 1990's Tune in Tomorrow, 1993's Falling Down, and 1996's The Pallbearer. For her supporting performance in Jane Campion's 1996 adaptation of The Portrait of a Lady, Hershey also earned an Academy Award nomination. In 1998, the actress won further praise for her role as Kris Kristofferson's bohemian wife in A Soldier's Daughter Never Cries. The same year, she appeared as a struggling actress in Amos Poe's Frogs for Snakes, and then went on to play Bruce Willis' wife in the highly anticipated 1999 adaptation of Kurt Vonnegut's Breakfast of Champions. She appeared in the drama Lantana in 2001, and had major parts in 11:14 and Paradise. She spent a few years away from the spotlight, but in 2007 she returned in Love Comes Lately and The Bird Can't Fly. She appeared as the title character in 2008's Anne of Green Gables: A New Beginning, and played the mother to Natalie Portman in Black Swan.

Trivia: Julian Wadham understands what it was like for boy actors to play female roles in the Shakespeare era. When he was attending Ampleforth College Junior School -- a Catholic academy in Yorkshire for boys eight to 13 -- he portrayed Queen Elizabeth I in a school play. The experience not only taught him a lesson in stage history, but it also trained him in the rudiments of acting and whet his appetite for theater. Today, critics recognize him as one of Britain's better actors. His roles in Our Country's Good, Serious Money, and Another Country helped those dramas win Best Play Laurence Olivier Awards in the 1980s. He also won Royal Television Society Awards for Goodbye Cruel World in 1992 and Blind Justice in 1989. If one may gauge an actor -- in part, at least -- by the reputation of his co-stars, then Wadham measures up. Among the actors with whom he has exchanged dialogue are Bob Hoskins, John Hurt, Gérard Depardieu, Ralph Fiennes, Juliette Binoche, Ian Holm, Ben Kingsley, and Wendy Hiller.Wadham was born in England on August 7, 1958. After graduating from London's Central School of Speech and Drama in 1980, he performed in various television and stage productions over the next decade, earning a 1983 nomination as Most Promising Newcomer from the London Theatre Critics for his role in Falkland South. In the 1990s, he achieved worldwide recognition for roles as Sir James Chettam in the acclaimed TV miniseries Middlemarch and Madox in the Oscar-winning film The English Patient. His role as Queen Elizabeth in his youth foreshadowed later parts as government leaders, including portrayals of William Pitt in The Madness of King George, the prime minister in The Commissioner, King Polixines in The Winter's Tale, and the assistant commissioner in The Secret Agent. His good looks and aristocratic bearing make him a popular choice among casting directors seeking a proper gentleman at home with beautiful women and high society. Wadham performs frequently for Britain's National Theatre in productions of such esteemed directors and producers as Richard Eyre, Harold Pinter, Peter Gill, Stuart Burge, and Max Stafford-Clark.

Trivia: Chinese-Canadian actor Terry Chen first achieved international recognition at the dawn of the millennium, when he appeared in two very different A-listers: Romeo Must Die, an avant-garde, martial-arts-saturated take on Romeo and Juliet (starring ill-fated pop diva Aaliyah and DMX); and Almost Famous, Cameron Crowe's nostalgic coming-of-ager about the early experience of a rock journalist-cum-roadie. Despite occasional dips into more conventional material -- a Dean Koontz telemovie, the glamorized spy film Ballistic (2002) -- Chen remained generally selective about Hollywood parts. He was memorable as a Merc Pilot in The Chronicles of Riddick, as Chin in the futuristic Will Smith sci-fi film I, Robot (2004), and as Tom Lone in War (2007), an action-filled tale about an FBI agent enmeshed in a battle between rival Asian gangs. Over the coming years, Chen would remain active on screen, appearing in movies like The A-Team and on series like Combat Hospital.

Trivia: Grew up in Bangalore, India, then moved to London, England, to study, and 15 years later moved to Vancouver, Canada.A trained dancer in Bharatanatyam and Contemporary.Performed with the Royal Shakespeare company.Studied her M.A. degree in England on a Charles Wallace Scholarship.Performed with the Shobana Jaysingh Dance Company.