Trivia: The daughter of director Stephen Gyllenhaal (Waterland [1992]) and screenwriter Naomi Foner (Running on Empty [1988]), and the sister of hot young Hollywood heartthrob Jake Gyllenhaal (Donnie Darko [2001], The Good Girl [2002], Moonlight Mile [2002]), Maggie Gyllenhaal seems to have all the makings of a successful young starlet with her Tinseltown background and curiously unique beauty. Born in November 16th, 1977, Gyllenhaal got some early screen breaks thanks to roles in such Stephen Gyllenhaal films as Waterland (1992) and Homegrown (1998). Soon graduating from Columbia University with an English degree, pretty Gyllenhaal continued to refine her acting skills on the stages of New York and London theaters in such productions as The Tempest and The Butterfly Project. Her ascent into the collective film conscience continued with a humorous turn in director John Waters' anarchic Cecil B. Demented and alongside younger brother Jake in the surreal teen fantasy Donnie Darko (2001). Soon gaining more prominent roles alongside such hot Hollywood actors as Drew Barrymore (Riding in Cars With Boys [2001]) and Josh Hartnett (40 Days and 40 Nights [2002]), Gyllenhaal would turn up later in 2002 in eccentric director Spike Jonze's sophomore effort, Adaptation. Her supporting roles offering but a glimpse into her engagingly offbeat talent, Gyllenhaal truly came into her own with her breakthrough performance as a mentally unstable secretary in director Steven Shainberg's 2002 dark comedy Secretary. Cast opposite former '80s wonder boy James Spader, Gyllenhaal displayed a careful balance of unshielded vulnerability and mild sadomasochism as the film's troubled lead. Nominated for numerous awards including a Golden Globe and Independent Spirit for Best Actress, Secretary found the disarming actress branded the "it" girl to watch for in the coming years. While subsequent supporting performances in such films as Confessions of a Dangerous Mind, Casa de Los Babys, and Mona Lisa Smile may not have offered fans the large dose of Gyllenhall that they sought after Secretary, audiences could see her in a starring role opposite John C. Reilly in the 2004 George Clooney/Steven Soderbergh-produced remake Criminal. Gyllenhaal kept up her status as an independent film icon in 2005 with major parts in The Great New Wonderful and earning praise for her work in Don Roos' Happy Endings where she got to show off her vocal talents performing a selection of Billy Joel songs. 2006 would be a very busy year for the actress. She co-starred in Oliver Stone's 9/11 film World Trade Center, gave an award winning performance as a drug addict in SherryBaby, played opposite Will Ferrell in the comedy Stranger Than Fiction, and lent her voice to the Steven Spielberg produced animated film Monster House. That same year she announced that she was expecting her first child with her longtime boyfriend actor Peter Sarsgaard. In 2008, Gyllenhaal appeared in the record-breaking box-office smash sequel The Dark Knight, taking over the role played by Katie Holmes in Batman Begins. She followed that up in 2009 with a hilarious supporting turn in Away We Go as an overly-involved mother. But it was her appearance that same year in the low-key drama Crazy Heart opposite Jeff Bridges that earned her some of the best reviews of her career as well as a Best Supporting Actress nominations from the Academy.

Trivia: A graduate of the Juilliard School, Viola Davis built an exceptional background in theater productions and has continued to perform on-stage throughout her television and film career. Making her feature-film debut in 1996 as a nurse in The Substance of Fire, she followed that up with several TV movies and guest-star appearances on dramatic series like Law & Order and NYPD Blue. She went on to play another nurse in City of Angels, a hospital drama with a predominately African-American cast that didn't last long on CBS. She began collaborating with Steven Soderbergh for Out of Sight, and went on to star in two of the director's next few films, Traffic and Solaris. In 2001, she appeared in Kate and Leopold and in Oprah Winfrey's television presentation of Amy & Isabelle. The next year she played parts in both Far From Heaven and Denzel Washington's directorial debut, Antwone Fisher.Davis continued to work steadily in a variety of notable projects including Steven Soderbergh's Solaris, Syriana, and played a notable part in the television movie biopic of American Idol winner Fantasia Barrino. However, in 2008 she landed the small but crucial role of the mother in John Patrick Shanley's adaptation of his award-winning play Doubt. Although her screen time is minimal, her indelible performance garnered her Best Supporting Actress nominations from the Hollywood Foreign Press, the Screen Actors Guild, and the Academy. Davis became a well known entity almost instantly, and was soon filling her docket with projects like 2009's State of Play, 2010's Knight and Day and Eat Pray Love, and an arc on the series United States of Tara.Davis next appeared in the box office hit 2011 big screen adaptation of Kathryn Sockett 's period novel The Help, garnering still more praise as well as Best Actress nominations from the Academy, BAFTA, the Broadcast Film Critics Association, the Golden Globes, and the Screen Actors Guild. Her performance was still making waves when the critics began lauding her agian, this time for her role in Extremely Loud and Incredibly Close that same year.

Trivia: One of the most versatile and charismatic actresses that Hollywood has to offer, Holly Hunter has made a name for herself with smart, strong portrayals of dependably eccentric women. Born March 20, 1958, in Conyers, GA, Hunter was raised on a farm as the youngest of seven children. With the encouragement of her parents, she began acting at a young age, landing her first starring role as Helen Keller in a fifth grade play. Hunter went on to receive theatrical training at Pittsburgh's Carnegie Mellon University, after which she moved to New York to pursue her acting career. Following her off-Broadway debut in 1981, the fledgling actress enjoyed a serendipitous twist of fate in the form of being stuck in a stalled elevator with playwright Beth Henley. The chance meeting led to a collaboration between the two women, first with the stage production of The Miss Firecracker Contest and then with Hunter's 1982 Broadway debut, Crimes of the Heart. Meanwhile, Hunter had made her onscreen debut in the 1981 horror flick The Burning, a film remarkable both for its high schlock quotient and its casting of a similarly obscure young actor named Jason Alexander. After moving to Los Angeles in 1982, Hunter appeared in some made-for-TV movies before being cast in a supporting role in 1984's Swing Shift. The same year, she had her first collaboration with Ethan Coen and Joel Coen in Blood Simple, making something of a limited appearance as a voice on an answering machine recording. More obscure film and television work followed until 1987, when thanks to a starring role in the Coens' Raising Arizona and her Academy Award-nominated turn in Broadcast News, Hunter finally got her share of the limelight. The praise she received led to more acclaimed work in 1989; the actress won raves for her parts in three different films: the screen adaptation of Henley's Miss Firecracker; Steven Spielberg's Always, a romantic drama with Richard Dreyfuss; and the made-for-TV docudrama Roe vs. Wade. Following her second collaboration with Dreyfuss in Once Around (1991), Hunter once again garnered a wealth of critical appreciation for her work in three 1993 films, two of which resulted in her being nominated for Academy Awards as both Best Supporting Actress and Best Actress in that same year. Hunter's performance in The Firm won her a nomination for the former and her portrayal of a mute Scottish woman entangled in a treacherous affair with Harvey Keitel in Jane Campion's The Piano won her the latter. Unfortunately, over the next couple of years, Hunter found herself starring in vehicles that ranged from underrated to dreadful, with Home for the Holidays (1995) at one end of the spectrum and the thriller Copycat (also 1995) at the other. Her work in David Cronenberg's Crash (1996) did win her strong notices, but it was swallowed by the controversies surrounding the film, and her appearance as a sardonic angel in A Life Less Ordinary suffered a similar fate. However, the actress rebounded the following year with her portrayal of a recently divorced New Yorker in Richard LaGravenese's Living Out Loud. Starring alongside Danny DeVito, Queen Latifah, and Martin Donovan, Hunter won overwhelmingly positive reviews for her performance, convincing critics and audiences alike that she was back in the saddle again. Hunter rounded out the 1990s with a minor role in the indie drama Jesus' Son and as a housekeeper torn between a grieving widower and Kiefer Sutherland's little-seen character-driven drama Woman Wanted (1999).Hailing in the new millennium with a memorable performance in the Coen Brothers O Brother, Where Art Thou? (2000), the talented actress took top billing in the same year's television production Harlan County War, a powerful account of labor struggles among Kentucky coal-mine workers. Hunter would continue her small screen streak with a role in When Billy Beat Bobby and as narrator of Eco Challenge New Zealand before returning to film work with a minor role in the 2002 drama Moonlight Mile. The following year found Hunter drawing favorable reviews for her role in the otherwisecritically maligned redemption drama Levity. In 2004 she voiced the mom of the superhero family The Incredibles. She had a well-respected run on the small-screen as the star of Saving Grace, a drama about an ethically challenged cop who has a very unconventional guardian angel watching over her. In 2012 she returned to the silver screen with a crucial role in Diablo Cody's directorial debut Lamb of God.

Trivia: After his portrayal of Joseph, the father of Jesus, in New Line Cinema's holiday release The Nativity Story (2006), Guatemalan actor Oscar Isaac also appeared in Scott Z. Burns' made-for-HBO crime thriller The Half Life of Timofey Berezin (2007). His career would kick into high gear after taking a small role as an interpreter in Guerilla (2008), a biopic of Che Guevara. In 2009, Isaac's role as José Ramos-Horta in the drama Balibo earned in an award for Best Supporting Actor from the Australian Film Institute. He co-starred with Rachel Weisz in award-winning director Alejandro Amenábar's Agora (2009), a historical drama in which the actor played the student of a female mathematician in the late 4th century. Isaac portrayed King John in director Ridley Scott's 2010 retelling of Robin Hood, and went on to co-star with Albert Brooks and Ryan Gosling in the thriller Drive (2011).

Trivia: Brooklyn-born actress/choreographer Rosie Perez attended Los Angeles City College before making the cattle-call rounds for dancing jobs. She worked a few seasons with the TV variety series Soul Train, then went on to perform at the LA club Funky Reggae. Here she was spotted by director Spike Lee, who cast her in a choice role in his 1989 film Do The Right Thing. She can also be seen dancing to the title tune under the opening credits. As a choreographer, Perez has staged shows for Diana Ross and Bobby Brown, and was Emmy-nominated for her work on the Fox comedy/variety series In Living Color (1990-94). She has been shown to best advantage on screen in explosive supporting roles, such as the Jeopardy-obsessed girlfriend of Woody Harrelson in White Men Can't Jump (1992) and the hilariously covetous wife of lottery winner Nicholas Cage in It Could Happen to You (1994). On a more sombre note, Perez was excellent as the troubled plane-crash survivor in Fearless (1993) and received an Oscar nomination for Best Supporting Actress. In 1997, Perez travelled to Spain to play the title role in Alex de Iglesia's wild Perdita Durango -- a semi-sequel to David Lynch's Wild at Heart that co-starred Oscar-winner Javier Bardim as a sexually adventurous practitioner of Santeria. Roles in The 24 Hour Woman and Lackawanna Blues followed, and in 2008 Perez turned up as a crooked cop in director David Gordon Green's stoner action comedy Pineapple Express. Additionally, Perez has lent her distinctice voice to such animated television shows as Go, Diego! Go! and Seth MacFarlane's The Cleveland Show.

Trivia: Started acting at the age of 6.Her parents and sisters all work in the entertainment industry.In November 2019, released her first song, "Castles."Writes her own music.Supports the Make-A-Wish Foundation since working on the film November Christmas (2010), where she played a young girl battling cancer.

Trivia: A burly, bald black actor of stage, screen, and television, Ving Rhames specializes in playing villains and, indeed, having grown up on Harlem's meanest streets, is no stranger to violence. His onscreen persona, however, is no match for his real-life reputation as a deeply compassionate man, seriously dedicated to his profession. The actor ably demonstrated his capacity for abundant generosity during the 1998 Golden Globes ceremony when he handed over the award he had just won for portraying the title character of the cable film Don King: Only in America to fellow nominee Jack Lemmon, simply because he felt Lemmon's contributions to film exceeded his own.Though his upbringing in Harlem was rife with many temptations to engage in easy money criminal ventures, the deeply religious Rhames separated himself from street riffraff at a young age and focused his energies on school. It was his ninth grade English teacher who steered the sensitive young man toward acting, in large part because Rhames was unusually well spoken, frequently earning praise for his clear elocution. Inspired by a poetry reading he had attended with schoolmates, Rhames successfully auditioned for entrance into New York's prestigious High School for the Performing Arts. Once enrolled, he immersed himself in his studies and fell in love with acting. Following graduation in 1978, he attended the Juilliard School of Drama on a scholarship and focused his studies there on classical theater. After graduating from Juilliard in 1983, he went on to perform in Shakespeare in the Park productions. In 1984, Rhames made his television debut in Go Tell It on the Mountain and, the following year, landed his first Broadway role starring opposite Matt Dillon in The Winter Boys. Thus began a steady, fruitful theater career augmented by recurring roles on such daily soap operas as Another World and Guiding Light, and guest-starring parts on such primetime series as Miami Vice. He entered films in Native Son (1986), following that up with appearances in a series of modest films and television movies. Rather than getting a single big break into stardom, he made a gradual ascent that began with his appearance in Brian De Palma's grim Vietnam War saga Casualties of War (1989). Rhames again worked with Matt Dillon in 1993 on The Saint of Fort Washington. While filming on location in New York, Dillon introduced him to a man who had approached him, asking about the actor's involvement with Rhames on Broadway. It turned out that the stranger was Rhames' long-estranged older brother, Junior, who had lost contact with the family while serving in Vietnam. Troubled and unable to reintegrate into mainstream society, he had been living in a nearby homeless shelter. The compassionate Rhames was thrilled to see his big brother and promptly moved him into his apartment, helped him get a job, and later bought a home for his brother and parents to share. In 1994, Rhames gained considerable acclaim for his disturbingly convincing portrayal of the sadistic Marsellus Wallace in Quentin Tarantino's Pulp Fiction. His performance paved the way for supporting roles opposite some of Hollywood's most popular stars in such big budget features as Mission Impossible (1996) (as well as John Woo's 2000 sequel to the film), Con Air (1997), Out of Sight (1998), and Entrapment (1999). In addition to his film credits, Rhames has also continued to appear frequently on such television shows as E.R. Rhames' performance as a former gangster turned honest, hardworking man proved a highlight of Boyz N the Hood director John Singleton's 2001 drama Baby Boy, and after lending his distinctive voice to the computer animated box-office disaster Final Fantasy: The Spirits Within the actor returned to the small screen for a pair of made-for-television features. If subsequent efforts such as Undisputed failed to make a sizable dent at the box office, Rhames continued to impress with contributions to such features as Lilo and Stitch (again providing vocals for the animated film) and as a conscientious cop in the 2002 police drama Dark Blue. A role opposite Gary Oldman in the 2003 crime drama Sin flew under the radar of most mainstream film audiences, and in early 2004 Rhames took up arms against the hungry legions of the undead in the eagerly anticipated remake Dawn of the Dead. Subsequently reprising his role as Luther Stickell in Mission Impossible III, the imposing Rhames flexed his comedy muscles with a role in 2007's I Now Pronounce you Chuck and Larry before hitting what could be considered a career low-point in Steve Miner's embarassing Day of the Dead remake. An outrageous performance in 2009's The Goods: Live Hard, Sell Hard garnered some big laughs, and the following year Rhames did over-the-top horror the right way in Alexandre Aja's outrageous remake Piranha. In the next few years, however, Rhames' film output seemed to grow increasingly erratic, with roles in such Z-grade fare as Death Race 2 and Zombie Apocalypse earning the Emmy-winning veteran steady paychecks but precious little artistic integrity.

Trivia: Maryland-born Lance Reddick began his acting career in the late '90s with small appearances in projects like Great Expectations and What the Deaf Man Heard. Eventually, Reddick was cast in the role of John Basil on the hard-hitting prison drama Oz in 2000, making him a recognizable face to thousands of fans. He would soon follow this role with another starring TV appearance, playing Lt. Cedric Daniels, on the critically acclaimed hit The Wire. This would lead to still more success for Reddick, who would go on to play Matthew Abaddon on the sci-fi series Lost and Special Agent Philip Broyles on the cult hit Fringe.

Trivia: Pittsburgh native Bill Nunn's prolific career earned him such a long list of roles, it's hard to believe the actor didn't set foot onscreen until he was 35 years old. The Morehouse College graduate had a degree in English and his career sights had always been set on writing. It wasn't until a fellow Morehouse graduate, Spike Lee, offered him a role in his 1988 film School Daze that Nunn decided to try his hand at professional acting. His power onscreen was undeniable, and so was his natural acting ability. He appeared in Lee's next film, the groundbreaking Do the Right Thing, and his iconic role as Radio Raheem cemented him as a career actor. Memorable parts soon followed in 1990's Cadillac Man and 1991's controversial Mario Van Peebles film New Jack City. Critics and audiences were amazed that Nunn hadn't been learning the craft all his life, as he proved to be a bankable actor with the capacity to be both moving and funny. Nunn loved his work, too; he would continue to participate in multiple projects a year, amassing a resumé 50 roles long over the course of 20 years. Nunn's kind but steady gaze earned him a reputation for playing police officers, but from the political satire Canadian Bacon to the comic-book hero Spider-man movies, He appeared in the TV movie version of Raisin in the Sun in 2008 and made his last on-screen appearance as a series regular in the USA series Sirens. Nunn died in 2016, at age 63.

Trivia: British actress Marianne Jean-Baptiste first became known to an international audience through her breakthrough performance in Mike Leigh's Secrets & Lies (1996). Jean-Baptiste has received Best Supporting Actress Oscar, BAFTA, and Golden Globe nominations for her measured, insightful portrayal of a young woman who is reunited with her biological mother who gave her up for adoption at birth. Jean-Baptiste subsequently began doing steady work in both film and television, appearing in a disparate number of films, including Noah Baumbach's Mr. Jealousy (1997), the psychological thriller A Murder of Crows (1998), the independent comedy How to Make the Cruelest Month (1998), and Nancy Savoca's The 24-Hour Woman (1999). The beginning of the next decade founding Jean-Baptiste scoring roles in the thriller The Cell, the comedy drama 28 Days, and the thriller Spy Game. From 2002 to 2009 Jean-Baptiste could be seen in the Jerry Bruckheimer produced CBS television series Without a Trace as FBI agent Vivian Johnson who works in the missing persons division. She appeared in the 2006 drama Jam, and joined the cast of City of Ember (2008), a science-fiction fantasy drama following a society living in an underground city following a nuclear war. In 2010 the actress joined the cast of Takers, a crime thriller, and starred in Secrets in the Walls, a made-for-television horror film from Lifetime the same year. In addition to acting, Jean-Baptiste is also a composer. She supplied the music for Leigh's Career Girls in 1997.