Trivia: Before he started acting, Mark Wahlberg was best known as Marky Mark, the pants-dropping rapper who attained fame and notoriety with his group the Funky Bunch. In the tradition of Will Smith and Ice Cube, Wahlberg has made a successful transition from music to film, garnering particular early praise for his role in Boogie Nights.Born June 5, 1971, in Dorchester, MA, Wahlberg had a troubled early life. One of nine children, he dropped out of school at 16 (he would later earn his GED) and committed a number of minor felonies. After working various odd jobs, Wahlberg briefly joined brother Donnie and his group New Kids on the Block before forming his own, Marky Mark & the Funky Bunch. The group had widespread popularity for a time, most notably with its 1992 hit single "Good Vibrations." However, it was Wahlberg himself who received the lion's share of attention, whether it was for the homophobia controversy that surrounded him for a time, or for the 1992 Calvin Klein ad campaign featuring him wearing nothing more than his underwear, Kate Moss, and an attitude. In 1993, Wahlberg turned his attentions to acting with a role in The Substitute. The film, co-starring a then-unknown Natasha Gregson Wagner, was a critical and commercial failure, but Wahlberg's next project, 1994's Renaissance Man, with Danny De Vito, gave him the positive notices that would increase with the release of his next film, The Basketball Diaries (1995). Although the film received mixed reviews, many critics praised Wahlberg's performance as Mickey, Leonardo Di Caprio's friend and fellow junkie. Following Diaries, Wahlberg appeared in Fear (1996) in the role of Reese Witherspoon's psychotic boyfriend.It was with the release of Paul Thomas Anderson's Boogie Nights in 1997 that Wahlberg finally received across-the-board respect for his commanding yet unassuming performance as busboy-turned-porn-star Eddie Adams/Dirk Diggler. The film was nominated for three Oscars and a slew of other awards by associations ranging from the British Academy to the New York Film Critics Circle to MTV. The positive attention landed Wahlberg on a wide range of magazine covers and gave him greater Hollywood pulling power. He had, as they say, arrived. Wahlberg's follow-up to Boogie Nights was 1998's The Big Hit, an action comedy that, particularly in the wake of Boogie Night's acclaim, proved to be a disappointment. This disappointment was hardly lessened by the relative critical and commercial shortcomings of Wahlberg's next film, The Corruptor (1999). An action flick that co-starred Chow Yun-Fat, The Corruptor showcased Wahlberg's familiar macho side and indicated that success in Hollywood is a strange and unpredictable thing. Though he gained positive notice for his role in David O. Russell' s unconventional war film Three Kings the same year, the film was only a moderate success, paving the way for an even more dramatic turn in the downbeat true story of the ill-fated Andrea Gail, The Perfect Storm, in 2000.The following year found Wahlberg filling some big shoes -- and receiving some hefty criticism as a result -- with his lead role in Tim Burton's much-anticipated remake of Planet of the Apes. Taking over the role that Charlton Heston made famous, Wahlberg found himself pursued onscreen by sinister simians, as well as offscreen by critics who decried the lack of depth that the actor brought to the role. Late that summer, Wahlberg came back down to Earth -- specifically to the everyday-Joe-rises-to-fame territory of Boogie Nights -- with Rock Star, the story of a tribute-band singer who gets a chance to sing for the band he idolizes. Though his noble attempt to fill the considerable shoes of Hollywood legend Cary Grant in the 2002 Charade remake The Truth About Charlie would be only slightly exceeded by his assumption of the role originally played by Michael Caine in the following year's remake of The Italian Job, Wahlberg would subsequently prove that there's nothing like the fresh breeze of an original script in director David O. Russell's existential 2004 comedy I Heart Huckabees. Of course, Wahlberg was never one to let a crowd down, and after riling audiences alongside Tyrese Gibson and André Benjamin in the Detroit-based revenge flick Four Brothers, the athletic actor would take to the gridiron to tell the inspirational story of one football fan whose dreams of playing in the NFL actually came true in the 2006 sports drama Invincible. Also released in the fall of 2006, The Departed allowed Wahlberg to act opposite such heavy hitters as Jack Nicholson, Matt Damon, Alec Baldwin, and his old Basketball Diaries co-star Leonardo Di Caprio under the direction of Martin Scorsese. Not only did Wahlberg hold his own against the cast of critics' darlings, he landed the film's only acting Academy Award nod. In 2007, Wahlberg starred in the suspense actioner The Shooter, as well as in director Peter Jackson's adaptation of The Lovely Bones. Wahlberg starred as the leader of a ragtag group trying to survive amidst murderous plant life in M. Night Shyamalan's so-bad-it's-good The Happening (2008), and played the titular role of Max Payne, which was adapted from a video game of the same name. In 2010 the actor starred in the inspirational docudrama chronicling the life of brothers Micky and Dicky Ecklund as they take on the world of boxing. Wahlberg earned an Academy Award nomination for producing the film; that same year, he began producing a new show for HBO, Boardwalk Empire. Wahlberg had a huge hit in 2012 with Seth MacFarlane's Ted, and joined the Transformer franchise in Transformers: Age of Extinction in 2014. Wahlberg continued his steady work, starring and producing both Deepwater Horizon (which was nominated for two Oscars) and Patriots Day (about the Boston Marathon bombing) in 2016.

Trivia: An L.A. native whose self-titled debut album quickly propelled him to the top of the charts, smooth-voiced R&B crooner Tyrese (born Tyrese Gibson on December 30th, 1978) immediately stood out from the pack, thanks to the remarkable honesty of his songwriting, his alluring passion, and his self-assured style behind the microphone. It was at the age of 14 that a series of wins on the local talent circuit gave the up-and-coming singer his first enticing taste of success, with a Coca Cola commercial providing the breakthrough that would soon propel him to release his eponymous debut album in 1998. Of course, anyone who happened to catch Tyrese's Coca Cola commercial couldn't help but notice the singing sensation's undeniable screen presence. After making his acting debut with a small role in acclaimed filmmaker Julie Dash's made-for-television drama Love Song, the singer-turned-actor jumped headlong into features, as the protagonist of John Singleton's Boyz 'N the Hood follow-up, Baby Boy. Cast as an urban mama's boy whose staunch refusal to leave the nest eventually stifles his transition into adulthood, Tyrese offered just the right mixture of naïveté and street-tough bravado to draw audiences in, while showing notable promise for the future. With two films, a hit album, and a series of television appearances in such series as Martin and Moesha under his belt, Tyrese returned to the music scene for his sophomore effort, 2000 Watts, before jumping into the driver's seat for the 2003 film 2 Fast 2 Furious. The following year Tyrese kept the action moving at a clip with a supporting role in Flight of the Phoenix before opting for more dramatic roles in director Justin Lin's Annapolis and former collaborator John Singleton's family-themed revenge drama Four Brothers. A supporting role in Better Luck Tomorrow director Justin Lin's Navy boxing misfire Annapolis was quickly followed by another headline performance as an ex-convict struggling to get his son back after his vehicle is carjacked with the boy still inside in the 2006 action thriller Waist Deep.

Trivia: Midwestern-born actor Garrett Hedlund debuted in the mid-2000s with a series of plum roles in A-list features. In the beginning, he seemed typecast as a well-rounded, average American young man, and made particularly strong impressions in that vein with his portrayal of high-school football hero Don Billingsley in Friday Night Lights, opposite Billy Bob Thornton. Yet Hedlund surprised and delighted his followers with a strong show of versatility thereafter, with effective portrayals as struggling musician Jack Mercer, who joins forces with his siblings to determine the reasons behind his mother's death, in John Singleton's urban drama Four Brothers (2005), and as Murtagh in the otherworldly fantasy Eragon (2006). In 2007, Hedlund essayed two very different roles: he joined Jane Fonda and Lindsay Lohan in the gentle rural drama Georgia Rule, then co-starred alongside Kevin Bacon in the one-man vigilante drama Death Sentence, about a father who attempts to wreak vengeance on those who rubbed out his family. Over the next several years, Hedlund would enjoy increasing success on screen, starring in TRON: Legacy, showing off his singing chops in Country Strong, and appearing in the highly anticipated Kerouac adaptation On The Road.Hedlund had an impressive string of films, working with big-name directors, in the following years: Inside Llewyn Davis with the Coen brothers, Lullaby with noted Renaissance man Andrew Levitas, Unbroken with Angelina Jolie and the live-action Peter Pan film Pan, playing a young James Hook, with Joe Wright.

Trivia: Though Terrence Howard's great grandmother Minnie Gentry was a successful New York stage actress, Howard didn't venture onto the screen himself until the age of twenty. Raised in a multiracial Jehovah's Witness household, the young man studied chemical engineering at Pratt Institute before being discovered on the street in New York. This quickly led to appearances on such television shows as Coach, Street Legal, Living Single, and Picket Fences. His breakout role in 1995's Mr. Holland's Opus helped pave the way for Howard's film career, as did his critically acclaimed performance as Cowboy in the Hughes brothers film Dead Presidents. By the time he took the role of Quentin in 1999's The Best Man, Howard had established a reputation as an actor of both skill and integrity. The new millennium finally brought Howard work that showcased his talent and made him a well-known name, like his role in the Paul Haggis film Crash, as well as his work in the John Singleton's Four Brothers. He also attracted the spotlight on the small screen with parts in the acclaimed TV films Their Eyes Were Watching God with Halle Berry, and Lackawanna Blues with S. Epatha Merkerson. This set the stage for his career-making performance as a pimp desperate to create a new life for himself as a musician in Hustle & Flow, for which he earned an Oscar nomination. Over the coming years, Howard would remain a vital force on screen, appearing in several films, likeGet Rich or Die Tryin', Idlewild, Iron Man, and On the Road. In 2013, he played a supporting role in Lee Daniel's The Butler and reprised his role in The Best Man Holiday. Howard returned to television in Fox's smash-hit Empire, playing music mogul Lucious Lyon.

Trivia: Endowed with the kind of dark, puppy-eyed, lanky looks that have often gotten him cast as sensitive, shy young men, actor Josh Charles first became known to audiences as sensitive, shy prep school boy Knox Overstreet in Dead Poets Society (1989). A native of Baltimore, where he was born September 15, 1971, Charles made his entrance into acting through stand-up comedy, which he began performing at the age of eight. He made his film debut in fellow-native son John Waters' Hairspray (1988), and following the success of Dead Poets Society the next year, earned a reputation as a member of the '90s version of the Brat Pack.Charles' subsequent film appearances were sporadic and in projects of wildly varying quality; ranking among his better-known work are Don't Tell Mom the Babysitter's Dead (1991), Threesome (1994), and the made-for-television Norma Jean and Marilyn (1996). In 1998, Charles was cast as one of the leads in the highly acclaimed TV show Sports Night, a sitcom revolving around the goings-on of a late night cable sports news program. Though Sports Night did indeed gain positive critical notice and a loyal fanbase for its smart writing and multi-dimensional characters, it was unfortunately cancelled before it really had a chance to fully develope. Hollywood did however take notice of Charles' talents as an actor, and the quality and substance of the roles he was being offered slowly began to rise. Following a pair of low-key roles in such indie dramas as Meeting Daddy (2000) and Our America (2002), Charles was cast in the high-profile action thriller S.W.A.T. Over the next several years, Charles would remain active on screen, appearing on TV series like In Treatment and The Good Wife and films like The Ex and Weakness.

Trivia: Educated in Switzerland and England, Irish actress Fionnula Flanagan studied for her trade at Dublin's Abbey Theatre. With her portrayal of Gerty McDowell in the 1967 film version of Ulysses, Flanagan established herself as one of the foremost interpreters of James Joyce. She made her 1968 Broadway bow in Brian Friel's Lovers then appeared in such Joycean theatrical projects as Ulysses in Nighttown and James Joyce's Women (1977). The last-named project earned her "Critic's Circle" awards in Los Angeles and San Francisco; it was subsequently committed to film in 1988, with Flanagan repeating her portrayal of Harriet Shaw Weaver. A familiar presence in American television, Flanagan has appeared in several made-for-TV movies, among them The Legend of Lizzie Borden (1975), Mary White (1977), The Ewok Adventure (1984) and A Winner Never Quits (1986). She won an Emmy for her work as Clothilde in the 1976 network miniseries Rich Man, Poor Man. Fionnula Flanagan's weekly-series stints have included Aunt Molly Culhane in How the West Was Won (1977), which earned her a second Emmy nomination; Lt. Guyla Cook in Hard Copy (1987) and Kathleen Meacham, wife of police chief John Mahoney (another transplant from the British Isles) in Help (1990).

Trivia: Some say that the eyes are a window into one's soul, and few actors are gifted enough to make an audience truly believe the plight of the characters they portray; despite their best efforts, their eyes often betray their abilities and we still recognize the actor playing the character. With his honest eyes, sincere smile, and unmistakable onscreen presence, actor Chiwetel Ejiofor possesses the rare ability to internalize his characters to an unusually realistic degree -- an ability that has gained him increasing recognition in the arena of world cinema. Ejiofor was born to Nigerian parents in Forest Gate, East London; his father was a doctor and his mother a pharmacist. Though his calling may not have been readily apparent in his early childhood, by the time Ejiofor was 13, the aspiring young actor was taking to the stage in numerous school and National Youth Theater productions. His love of the stage growing with each passing year, by the time Ejiofor got to Dulwich College, his calling was clear. Soon attending the London Academy of Music and Dramatic Arts, he gained a reputation as a formidable stage talent, and following appearances in high-profile productions at the Almeida Theater Company and the Royal National Theater, Ejiofor's talents found him drawn to the medium of television, where he would make his debut in the 1996 made-for-TV thriller Deadly Voyage. It wasn't long before Ejiofor's talent caught the eye of legendary film director Steven Spielberg, and the following year, the up-and-coming actor was back on the high seas for Spielberg's historical drama Amistad. Of course, a role in such a high-profile release was bound to attract the attention of other filmmakers as well, and though Ejiofor would remain true to his theater roots, he would balance his stage work with roles in such films as Greenwich Mean Time (1999), It Was an Accident, and Mind Games (both 2000). Cast opposite Amélie star Audrey Tautou in Stephen Frears' 2001 drama thriller Dirty Pretty Things, Ejiofor essayed the role of a Nigerian immigrant living in London who makes a horrible discovery that puts his life in grave danger. It was glaringly obvious to any who had seen his performances that Ejiofor was one to look out for, and his winning performance as a hedonistic lawyer in the 2003 British miniseries Trust only served to cement the fact that his career was on the fast track. Remaining on the small screen for Twelfth Night, or What you Will and The Canterbury Tales (both 2003), Ejiofor would subsequently return to the big screen for Love Actually (2003) and Slow Burn (2004), a pair of films that virtually ensured him a high recognition factor and a bright future on stage and screen. He continued to work steadily in a variety of character roles. He anchored the dramatic sections of Woody Allen's Melinda and Melinda in 2004. He showed of his remarkable versatility in 2005 with roles in the urban thriller Four Brothers, the science fiction film Serenity, and starring as a flamboyant cross-dresser in the comedy Kinky Boots. In 2006 he worked with a pair of high-powered directors. He played the partner to Denzel Washington's hostage negotiator in the hit thriller Inside Man, and played a large part in Alfonso Cuaron's Children of Men.In 2007 he played opposite Don Cheadle in the biopic Talk to Me, and he was the lead in David Mamet's 2008 drama Redbelt playing a martial-arts expert. The next year he appeared in the disaster epic 2012, and he was in the Angelina Jolie action film Salt in 2010. In 2013, Ejiofor had a huge breakthrough playing enslaved Solomon Northup in 12 Years a Slave, earning him his first Oscar nomination.

Trivia: Washington, D.C., native Taraji P. Henson didn't always know that her smoldering charisma and beautiful face would make her a professional actress. On the contrary, she originally studied electrical engineering when she enrolled at North Carolina Agric & Tech. She later transferred to Howard University, where she attended classes while working as a secretary at the Pentagon, and as a singer and dancer aboard a cruise ship. She eventually changed her academic focus to theater and graduated in 1995. Henson's career began with appearances on Homicide: Life on the Street and ER, but it really took off when she was cast in a major supporting role in 2001's Baby Boy and 2004's Hustle & Flow, in which she also showcased her vocal talents, singing on the track "It's Hard Out Here for a Pimp" for the movie's soundtrack, which took home the Best Song Oscar that year. Henson later moved on to take major roles in Smokin' Aces and Talk to Me. Henson made the most of her work as the mother of the backward-aging man in David Fincher's The Curious Case of Benjamin Button, and her performance garnered Best Supporting Actress nominations from both the Screen Actors Guild, and the Academy. She became an in-demand character actress after that success and appeared in a series of films including Tyler Perry's The Family That Preys, the remake of The Karate Kid, Date Night, and Larry Crowne. In 2012, she was part of the ensemble in the hit comedy Think Like a Man, and later reprised her role in the sequel, Think Like a Man Too. Henson returned to television on the CBS crime drama Person of Interest, playing an NYPD detective. Her character was dramatically killed off in the third season, with Henson claiming she wanted to focus on her film career. However, she quickly took a role on the FOX musical drama Empire, playing breakout character Cookie Lyon.

Trivia: Becoming, at the age of 24, the youngest individual and the first African American ever to be nominated for a Best Director Academy Award, John Singleton made movie history with Boyz 'N the Hood, his astonishing 1991 directorial debut. An intensely personal portrait of life and death in South Central L.A. that was inspired by the director's own experiences, the film earned Singleton comparisons to past wunderkind Orson Welles and heralded him as one of Hollywood's most important new directors.Born January 6, 1968, in the South Central L.A. neighborhood he would later immortalize on celluloid, Singleton was the son of a mortgage broker father and a company sales executive mother. Raised jointly by his divorced parents, he went on to attend the University of Southern California, where he majored in film writing. While a student at U.S.C., Singleton won a number of writing awards that led to a deal with the Creative Artists Agency during his sophomore year. At the age of 23, he wrote and directed Boyz 'N the Hood, a coming-of-age drama that centered on an intelligent 17-year-old's (Cuba Gooding Jr.) efforts to make it out of his neighborhood alive. Featuring a strong cast that included Gooding Jr., Ice Cube, Morris Chestnut, and Laurence Fishburne, and deft direction that humanized the violence of South Central L.A. rather than sensationalized it, the film was a major critical and commercial triumph. One of the highest-grossing films in history to have been directed by an African American, Boyz 'n the Hood also made history with its twin Best Screenplay and Best Director Oscar nominations for its young writer/director. In addition to those nominations, Singleton was also honored with the New York Film Critics Circle Award for Best First-Time Director.Singleton followed Boyz 'N the Hood with Poetic Justice in 1993. Starring Janet Jackson as its heroine, a South Central L.A. hairdresser coping with the shooting death of her boyfriend, the film boasted magnetic performances from its entire cast, which also included rapper Tupac Shakur as Jackson's love interest. Although it was profitable, Poetic Justice failed to find favor with most critics, some of whom noted that it lacked the power and urgency of Singleton's previous effort. The director's subsequent project, Higher Learning (1995), also fared rather poorly among critics. A drama about racial, gender, and political conflict on a college campus, it benefited from the performances of its ensemble cast, which included Omar Epps, Laurence Fishburne, Ice Cube, and Kristy Swanson, but was weighed down by the presence of one too many one-dimensional characters that existed to highlight the issues Singleton was attempting to explore. Ironically, it was Singleton's most critically appreciated effort since Boyz 'N the Hood that was virtually ignored by audiences. Rosewood, a powerful drama based on the real-life 1923 massacre and destruction of an African-American town in Florida by whites from a neighboring community, was widely considered Singleton's strongest film since his directorial debut. A dense and ultimately depressing multi-character epic fueled by the presence of such talented actors as Ving Rhames, John Voight, and Don Cheadle, the film did not attempt to make a happy ending out of its stark material, which may have accounted for its inability to win a large audience.In 2000, Singleton returned with his biggest project to date, a glossy, expensive remake of Shaft. Starring Samuel L. Jackson as its titular, Armani-clad hero, the nephew of original Shaft Richard Roundtree (who had a cameo in the new film), the film was an exercise in flamboyant, unapologetic political incorrectness, featuring easily distinguishable bad guys and good guys and meaty helpings of bad-ass attitude. Shaft earned decidedly mixed reviews but was a summer audience pleaser, putting its director back on the map. Finding his way back into familiar territory, Singleton's next film, Baby Boy (2001), was constructed as a loose follow up to Boyz 'N the Hood. Starring vocalist/model Tyrese Gibson and Omar Gooding, the film marked a notable return to the sensative issues that Singleton had touched upon in the past after the flashily entertaining but ultimately inconsequencial departure of Shaft. Singleton made a rare appearance in front of the camera for BAADASSSSS! before helming the hit sequel 2 Fast 2 Furious. He produced {Craig Brewer's Oscar winning Hustle & Flow, a film that ended up overshadowing his directorial effort form that same year, Four Brothers. He maintained his working relationship with Brewer by producing his Hustle & Flow follow-up Black Snake Moan. In 2010 he made a documentary about shamed Olympian Marion Jones, and the next year he helmed the Taylor Lautner action vehicle Abduction

Trivia: A picture of bronze beauty whose radiant personality and unwavering devotion to family endeared her to Univision viewers when she debuted as host the popular 1995 travel series Fuera de Serie, model/actress Sofía Vergara's crossover appeal was cemented when a memorable performance on the FOX Network's 1995 American Comedy Awards launched her almost instantaneously into Hollywood stardom. Born on July 10th, 1972 in Barranquilla, Colombia, Vergara joined an extended, musically-inclined family that included five brothers and sisters in addition to many cousins, quiet and studious Vergara attended the private bilingual school Marymount while dreaming of a future career in dentistry. At the age of 18, Vergara married the man who had been her childhood sweetheart since age eleven, and soon thereafter the young couple gave birth to a baby boy. Thanks to years of hard work and intense studies it appeared as if young Vergara was at last close to realizing her childhood dream of becoming a dentist, though an innocent walk on the beach proved that fate had other things in store for the career-minded beauty. Glimpsed by a well-known photographer as she strolled the shore in her native Colombia, Vergara was soon stepping in front of the cameras to appear in a Pepsi commercial that soon made her a recognizable face across the country. A move to Bogotá two years later found Vergara making a name for herself on the runway as well as the small screen, and soon the rising starlet's popularity would spread stateside when she accepted an offer to host the globetrotting Univision series Fuera de serie. Her undeniable charm even more infectious on screen than it was in the glossy pages of high fashion magazines, Vergara was an instant hit and soon branched out as host of the weekly prime-time variety-show A Que No Te Atreves. When a brief but memorable performance at the 1995 American Comedy Awards found her appeal reaching even further beyond Spanish-speaking audiences and into the American mainstream, it didn't take long for Hollywood to come calling. In 2002, many American filmgoers got their first look at the up-and-coming actress when Vergara appeared in a supporting role in director Barry Sonnenfeld's ill-fated comedy Big Trouble. Pushed back from its original release date of 2001 due in large to sensitivities resulting from a plot involving a bomb and an airplane, Big Trouble died quickly at the box office before hastily being relegated to life on the home-video market. Though her following two films, Chasing Papi and The 24th Day, didn't fare much better at the box office, Vergara's winning performance in the high-flying 2004 comedy Soul Plane did well in showcasing both her remarkable beauty and impeccable comic timing. Her subsequent role in the animated IMAX film Robots found her stepping behind the cameras for her first voice-over role, though audiences could rest assured that in 2005 Vergara would be back in front of the lens not only in director Catherine Hardwicke's eagerly anticipated Dogtown and Z-Boys companion piece The Lords of Dogtown but the comedies Pledge This! and Grilled as well. However, Vergara is most recognizable for her starring role as Gloria Delgado-Pritchett on the award winning television drama Modern Family, and would remain active over the following years with appearances in New Year's Eve (2011), The Three Stooges (2012), Machete Kills (2013) and Chef (2014). She landed her first true starring role in 2015, opposite Reese Witherspoon in Hot Pursuit.

Trivia: Exploding out of Atlanta in 1994 to become one of the most original and invigorating voices in modern hip-hop, versatile musician-turned-actor Andre Benjamin (aka Andre 3000) took the music world by storm by bridging the gap between hip-hop and pop with his band OutKast before making the leap to the big screen with a bit role in the 2003 action comedy Hollywood Homicide. Though the role was a minor one, audiences and filmmakers were quick to take note of the stylish screen newcomer's notable onscreen charisma, and in the years that followed, Benjamin would become an increasingly familiar face to filmgoers thanks to roles in such features as the Get Shorty sequel, Be Cool. It was while growing up in Atlanta and attending high school in East Point that Benjamin first made the acquaintance of future OutKast collaborator Antwan Patton (aka Big Boi). After OutKast scored a hit on the LaFace label with the red-hot single "Players Ball," their success continued with such releases as Southernplayalisticadillacmuzik, ATLiens, Aquemini, and Stankonia. In 2001, Benjamin technically made his first foray into film by joining an impressive cast of hip-hoppers such as Snoop Dogg and Method Man in taking on vocal duties for MTV's English-language dub of the international cult hit Volcano High (with the aforementioned appearance in Hollywood Homicide serving as the aspiring screen star's formal introduction into the realm of cinema). Though Benjamin's next screen appearance -- as a quirky rapper in the 2005 comedy misfire Be Cool -- may have done little to advance Benjamin's career onscreen, it did find him taking acting tips from such notables as John Travolta, Uma Thurman, and Vince Vaughn. When it was announced that OutKast would be teaming up for a throwback gangster musical drama entitled My Life in Idlewild, fans couldn't wait to see what the successful musical duo would offer when given the chance to shine on the big screen. Benjamin continued his momentum onscreen by recording vocal work for Charlotte's Web before appearing opposite Mark Wahlberg, Tyrese Gibson, and Garrett Hedlund in John Singleton's revenge drama Four Brothers.

Trivia: Began her acting career when she was 3.First professional acting role was Amelia Mercer in the 2005 action drama, Four Brothers.First starring role was Charlotte, Henry's best friend in the hit Nickelodeon series, Henry Danger.

Trivia: After graduating with high honors from New York's Seneca College with a degree in computer graphics under his arm, Lyriq Bent accepted a friend's challenge to try acting and discovered his great passion in life. In a remarkably short time, Bent secured Hollywood representation and began receiving offers to appear in theatrical features. This African-American supporting actor was particularly memorable as Rigg in the second, third, and fourth installments of the Saw series of slasher movies, and convincingly played a barber in director Bille Woodruff's 2003 dance saga Honey, opposite Jessica Alba and Mekhi Phifer. In 2007, Bent continued his predilection for the horror genre with his portrayal of Doak Soloman in the James Isaac-directed werewolf saga Skinwalkers. Bent's resumé also includes guest appearances on the television series Kevin Hill and Blue Murder; recurring roles on Playmakers and Street Time; and a regular role as Leo Jetson on the crime series Angela's Eyes.

Trivia: Born to South African parents. Kicked off career when Maya Angelou cast him in the 1998 film Down in the Delta. Starred in two installments of the Saw film series. In 2009, scored a Gemini Award for the Canadian miniseries Soul and a Gemini nomination for a guest role in the TV series Flashpoint.

Trivia: He began acting in plays in his early teens, and was already a veteran by the time he joined Orson Welles's Mercury Theater in 1938; among his Mercury credits was a role in the infamous War of the Worlds radio broadcast. Like many Mercury performers, he followed Welles to Hollywood and debuted onscreen in Citizen Kane (1941). In a sporadically busy film career, he went on to play many character roles over the next four decades; he was often cast as insensitive, no-nonsense types, and sometimes played gangsters. He began a second career in the mid '50s as a TV director.