Trivia: Possessing one of the most distinctive voices in pop music and one of the most distressing résumés on the big screen, Madonna has proven that whatever the role -- screwball seductress, martyred Argentinian first lady, embittered single mom-cum-yoga instructrix -- her abilities as a performer will manage to undermine any production whose credits bear her name. Like Elvis before her, Madonna has proven that no matter how sterling a pop reputation an artist may have, success on the Billboard Top 100 does not translate into similar plaudits at the box office.Born Madonna Ciccone in Bay City, MI, in 1958, Madonna was raised in a strict Roman Catholic household. She attended the University of Michigan as a dance student for a brief period before dropping out to move to New York City in 1977. There, she quickly became a habitué of various downtown gay discos; spurred on by her dance teacher and her deejay pals, she embarked on a singing career. Before releasing her debut album, however, she made a debut of another kind in an all-but-forgotten, micro-budgeted date-rape melodrama entitled A Certain Sacrifice (1979). In an omen of things to come, Madonna later tried to halt the theatrical release of the film after her musical career took off.The artist's proper screen debut came courtesy of Susan Seidelman's Desperately Seeking Susan. The 1985 release featured Madonna in a supporting role as a funky girl/object of desire around which the film's screwball plot revolved. Her rising star helped to make Susan a minor hit; aided by Seidelman, she was able to capitalize on her effervescent comic charm and her kooky, uber-Soho, Material Girl persona.Unfortunately, Madonna's relationship with volatile young actor Sean Penn led her to accept a role opposite him, both in real life as well as onscreen in Shanghai Surprise (1986). The retro-styled, George Harrison-produced debacle endured a brief and mercilessly lambasted life at the box office; Madonna's marriage to Penn didn't last much longer. Next up for the indefatigable entertainer was Who's That Girl? (1987), a stillborn, flimsy imitation of the Melanie Griffith/Jeff Daniels vehicle Something Wild, released just one year prior. Notable only for its hit title track, the ostensible homage to Howard Hawks starred a pained Griffin Dunne opposite a bubbly, impetuous Madonna, apparently performing in the style of her semi-controversial "Open Your Heart" video. Needless to say, their chemistry did little to ignite box-office fireworks.Madonna's next vehicle was undoubtedly her most high profile to date; cast opposite Warren Beatty in Dick Tracy (1990), she received lavish amounts of pre-film hype, particularly as she was involved at the time with long-in-the-tooth, alpha-stud Beatty. However, the much-anticipated feature failed to make good on the promise that surrounded its production, and Madonna herself came away with only a few choice Steven Sondheim production numbers to her credit. However, the "inspired by the motion picture" soundtrack album did help spark one of the singer's most enduring cause celebres -- "voguing."It took director Alex Keshishian to (literally) strip some of the veneer from the Madonna mystique with his tell-all documentary Truth or Dare the following year. The feature's risqué subject matter -- including the songstress' unabashed fellating of an Evian bottle -- created a ratings stink with the MPAA and revealed some previously unexposed dimensions of Madonna's relationship with Beatty, such as his incessant ridicule of her.Madonna next courted the best reviews of her film career to date playing a feisty baseball player in the 1992 A League of Their Own, in which she starred amongst a talented ensemble cast that included Tom Hanks, Geena Davis, and offscreen gal-pal Rosie O'Donnell. Those favorable reviews were soon overshadowed, however, by the maelstrom of negative publicity just a few months later, when she formed a troika of artistic shame with her starring role in the pseudo-S&M thriller Body of Evidence (1993), her show-and-tell photo book Sex, and her subpar dance album Erotica.Madonna kept a relatively low profile during the next three years, popping up occasionally for cameos in Blue in the Face and Four Rooms as well as a leading part in Abel Ferrera's barely-released Dangerous Game, co-starring Harvey Keitel. Instead, she spent much of her free time hounding director Alan Parker to cast her in the title role of the long-gestating film version of Andrew Lloyd Weber's Evita. Madonna's efforts eventually paid off when she won the part in the Christmas 1996 release; although critics responded with mixed opinions, the singer/actress managed to garner a Golden Globe for her performance.Just when it seemed the actress had written off Hollywood for good, fate came calling in the form of boy-toy gal pal Rupert Everett and his script idea titled The Next Best Thing. Billed as a romantic comedy, the John Schlesinger-helmed vehicle was in actuality an uneasy melange of The Object of My Affection, My Best Friend's Wedding, and, improbably, Kramer vs. Kramer. Critics responded to the film with primal screams of derision, many of which were aimed at Madonna's balsa wood-inspired and deeply schizophrenic performance. Around this time, insult was indeed added to injury when, in early 2000, the erstwhile thespian was dubbed the Worst Actress of the Century at the Razzie Awards, beating out such notables as Bo Derek, Pia Zadora, and Elizabeth Berkley.The stage was set for another of the actress' many career reinventions, and it seemed as though she might do just that with her marriage to film director Guy Ritchie, the father of her second child, Rocco. Though she had not yet appeared in one of the Brit's testosterone-laden heist films (including 1998's Lock, Stock, and Two Smoking Barrels and 2000's Snatch) she did play a starring role in their lavish Scottish Highlands' nuptials in December of 2000.It wouldn't be long before Madonna collaborated artistically with her new beau. Subscribing to the age-old Hollywood dictum that a couple can't truly be in love without an accompanying vanity project, the Material Girl and Ritchie dusted off Italian director Lina Wertmuller's 1974 post-feminist chestnut Swept Away... By an Unusual Destiny in the Blue Sea of August for a lavish remake, albeit one without the original film's rape scene and communist subtext. Though many reviewers pointed out Madonna's natural adeptness at portraying a spoiled, shrewish heiress who engages in dominant/submissive sex games with a lusty Italian seaman, they were less convinced of the positive emotional "transformation" her character underwent over the course of the film. True to form, audiences avoided Swept Away like the plague, as it struggled to crack seven digits at the box office, making it one of the least-profitable films of 2002. In March of 2003, the Razzie Awards responded in kind, showering Swept Away and its star with 5 wins including Worst Picture of the year. Unfortunately, Madonna had to share her award for Worst Actress with her acolyte, another pop star trying to segue into film, Britney Spears.Madonna would continue to work in film, making her directorial debut 2008 with the indie film Filth and Wisdom and following this up with the period biopic W.E. in 2012.

Trivia: Actress Rosanna Arquette, the granddaughter of actor Cliff Arquette (aka "Charley Weaver"), was born into a theatrical family; her father was a founding member of the Committee, an improvisational theater troupe. As a youth she moved often with her family. At age 17 she appeared on the Los Angeles stage in Metamorphosis. Her family settled in Virginia, where she worked in local theater where she was spotted by a casting director. She soon had much work in TV movies in the late '70s. She debuted onscreen in More American Graffitti (1979). Her breakthrough came with her portrayal of condemned murderer Gary Gilmore's girlfriend in the TV movie The Executioner's Song (1982), which earned her much praise. That success led to a lead role in John Sayles's Baby, It's You (1983). She gained her greatest fame in the hit film Desperately Seeking Susan (1985), co-starring Madonna. From there she has maintained a steady screen career, usually playing kooky, off-beat, spacey, slightly eccentric women. She is the sister of actress Patricia Arquette.

Trivia: Born in Chicago to Irish parents, Quinn spent much of his youth in Ireland, where he first became interested in acting. At age 19 he returned to Chicago and became involved in several local theater groups. His onstage debut came in a production of The Man in 60, after which he appeared in many plays, including Hamlet in Chicago's Wisdom Bridge Theater. Quinn then moved to New York, where he first appeared off-Broadway in Sam Shepard's Fool For Love. Following several other acclaimed performances, he landed his first big-screen role, as a low-class biker in Reckless (1984), which costarred Daryl Hannah. His second film, the highly-successful comedy Desperately Seeking Susan (1985), made him familiar to an international audience; he gained further exposure in the role of an AIDS victim in the TV movie An Early Frost (1985), for which he received an Emmy. Since then, he has appeared steadily in high-quality feature films, usually in challenging supporting roles.

Trivia: A supporting actor, Blum has appeared onscreen from the '80s.

Trivia: Canadian actor Robert Joy has been appearing in films on both sides of the Canada/U.S. border since the 1970s. He has always been a welcome presence, even when the scripts took pains not to make him feel welcome. As Susan Sarandon's husband in Atlantic City (1981), Joy stuck around just long enough to be bumped off by drug dealers. And as demented socialite Harry K. Thaw in Ragtime (1981), Joy existed principally to shoot Stanford White (Norman Mailer) full of holes and then get thrown in the looney bin. One of Robert Joy's largest, and most unorthodox, film assignments was as the would-be political demagogue (and one-time flamenco dancer) in the Newfoundland-based The Adventures of Faustus Bidgood (1986). Over the next several years, Joy would continue to remain an ongoing force on screen, appearing in films like Joe Somebody, Pretty Persuasion, Land of the Dead, and Superhero Movie. He would find success with a starring role on the long running crime proceedural CSI: NY.

Trivia: Matriculating from Illinois State University, actress Laurie Metcalf was one of the charter members of Chicago's groundbreaking Steppenwolf Theatre troupe. She moved on to New York in the early '80s, winning a 1984 Theatre World Award and an Obie for her performance in Balm in Gilead. In films since 1985, the flexible Metcalf has been seen in director Susan Seidelman's Desperately Seeking Susan (1985) and Making Mr. Right (1987), and also in several other highly regarded productions, notably Uncle Buck (1989), JFK (1991), and Mistress (1992). Metcalf is best known to the TV-watching public for her Emmy-winning portrayal of Roseanne Conner's police-officer sister, Jackie Harris, on the long-running sitcom Roseanne. In 1997, following the demise of her television series, Metcalf turned in a deliciously over-the-top performance as the tightly wound aspiring reporter Debbie Salt in Scream 2. In the decades to come, Metcalfe would find success on shows like Norm and The Big Bang Theory, as well as movies like Stop-Loss Georgia Rule. Despite her hectic schedule, Laurie Metcalf still finds time for an occasional return-to-the-womb appearance at the Steppenwolf Theatre, usually in the company of fellow Steppenwolfians John Malkovich, Gary Sinise, and/or Glenne Headly.

Trivia: Small, sad eyed actor, onscreen from the '70s.

Trivia: A standup comedian who delivers deadpan. surreal jokes, he has occasionally appeared onscreen in supporting roles from 1985.

Trivia: One of the top character actors of his era, John Turturro is a fixture of the contemporary American independent filmmaking landscape. Born February 28, 1957, in Brooklyn, NY, Turturro became fascinated by movies during childhood, and after graduating from college he won a scholarship to study at the prestigious Yale School of Drama. He first gained notice in regional theater and off-Broadway, earning an Obie Award for his starring role in Danny and the Deep Blue Sea. He made his film debut in Martin Scorsese's 1980 masterpiece Raging Bull but did not reappear onscreen prior to 1984's The Exterminator 2. That same year, he debuted on Broadway in Death of a Salesman.Small roles in diverse fare including Susan Seidelman's 1985 comedy Desperately Seeking Susan, Scorsese's 1986 drama The Color of Money, and Woody Allen's masterful Hannah and Her Sisters kept Turturro busy throughout much of the decade, but his breakthrough performance did not arrive until Spike Lee cast him as a bigoted pizzeria worker in 1989's Do the Right Thing. A scene-stealing turn in the Coen brothers' 1990 gangland drama Miller's Crossing followed, and in 1991 the Coens cast him as the titular Barton Fink, a performance which garnered Best Actor honors at the Cannes Film Festival. Subsequent lead roles were infrequent, although in 1992 he wrote, directed, and starred in Mac, a little-seen indie feature that won him a Golden Camera award for Best First Feature at the 1992 Cannes Festival. Supporting turns in acclaimed offerings including Quiz Show, Clockers, and Grace of My Heart (in which he expertly portrayed a Phil Spector-like music producer) followed before Turturro's next starring role, in Tom DiCillo's whimsical 1996 comedy Box of Moonlight. In 1998, the actor again collaborated with both Lee and the Coen brothers, working with the former on He Got Game and the latter on The Big Lebowski. Also in 1998, Turturro wrote, directed, produced, and starred in Illuminata, a comedy set against the backdrop of a struggling, turn-of-the-century New York theater company. The following year, he again took on the New York theater, appearing in Tim Robbins' Cradle Will Rock, an exploration of the relationship between art and politics set in 1930s New York.He remained an in-demand character actor, as well as an occasional director into the next century, starting the 2000s with a leading role in the chess drama The Luzhin Defence, reteaming with the Coen brothers for O Brother, Where Art Thou?, and working with Adam Sandler on Mr. Deeds. In 2004 he worked for Spike Lee yet again in She Hate Me. In 2005 he wrote, directed, and acted in the blue-collar musical Romance & Cigarettes. He appeared in The Good Shepherd in 2006, and the next year he appeared in the sci-fi blockbuster Transformers. In 2008 he joined up with Lee yet again to play a soldier in his World War II film Miracle At. St. Anna, and teamed with Sandler again for You Don't Mess With the Zohan. The next year he appeared in the remake of The Taking of Pelham 1 2 3, and the Transformers sequel. He would return to that franchise for the third film in 2011, and that same year he would join the Pixar family voicing Lightnin' McQueen's rival in Cars 2.

Trivia: Versatile American actor Giancarlo Esposito was born in Copenhagen, Denmark, but grew up in Manhattan from the age of six. His mother was an African-American nightclub singer (who once shared a bill with Josephine Baker) and his father was an Italian stagehand. In show business most of his life, Esposito made his Broadway debut in a 1966 production of Maggie Flynn. His other stage credits include Sacrilege, Miss Moffatt, and Balm in Gilead. He won a 1981 Theatre World Award for his performance in Zooman and the Sign.On the big screen, Esposito started appearing in Spike Lee films during the late '80s in a wide range of roles with great character names. He was the frat leader Julian "Big Brother Almighty" in School Daze, the outspoken reactionary Buggin' Out in Do the Right Thing, the dandy pianist Left Hand Lacey in Mo' Better Blues, and the criminal Thomas Hayer in Malcolm X. Esposito's other film roles include an investigative journalist in Bob Roberts, an activist in Amos & Andrew, and a game show host in Reckless. In 1995, he earned an Independent Spirit award nomination for his supporting role of doting drug dealer Esteban in Boaz Yakin's debut drama Fresh. Esposito also appeared in Wayne Wang and Paul Auster's Smoke, along with the sequel Blue in the Face. The next year, he turned briefly to producing with the independent prison film The Keeper, which premiered at the Sundance Film Festival.On television, Esposito appeared on NYPD Blue, Law & Order, and the short-lived Fox comedy Bakersfield, P.D. In 1999, he earned an Image award nomination for his role as FBI Agent Michael Giardello on Homicide: Life on the Street. He also has contributed to the Fox television dramas The $treet and girls club. While teaching at the Atlantic Theatre Company, Esposito found time to portray real-life figures in the biopics Ali (as Cassius Clay Sr.) and Piñero (as Miguel Algarin). Projects for 2004 included James Hunter's feature Back in the Day and the television movie NYPD 2069. He played a detective in the thriller Derailed, and appeared in the indie drama SherryBaby. In 2008 he directed, starred in, and helped write the drama Gospel Hill. In 2010 he joined the cast of the highly-respected AMC drama series Breaking Bad, and appeared in the 2012 big-screen thriller Alex Cross.

Trivia: Born to a teenage heroin addict and a mobster, Michael Morra was addicted to heroin since birth. After his mother died, he became "Rockets Redglare." Growing up in Brooklyn and Long Island surrounded by severe drug addiction and illegal activity, Rockets turned to performing as an outlet and began a life as an actor, comedian, and general tough guy. Hanging out around the East Village during the late '70s, Rockets became a permanent fixture in the punk and porno film scenes. He worked as a bodyguard for the Sex Pistols and was the personal drug dealer for Sid Vicious. In the early '80s, he joined up with Steve Buscemi for standup comedy performances and short plays called "The Rockets Redglare Taxi Cabaret." With a small role in Jim Jarmusch's independent opus Stranger Than Paradise, he began a 15-year-long acting career. Playing characters not unlike his real-life persona, Rockets has also appeared in such independent classics as Desperately Seeking Susan, Mystery Train, and Trees Lounge. He played himself in the biographical drama Basquiat, as a bodyguard to the artist Jean-Michel Basquiat. Due to complications with liver failure and hepatitis C, Rockets died on May 28, 2001, at the age of 52. In 2002, Luis Fernandez de la Reguera released a documentary about his career and use of comedy performance to triumph over personal battles.

Trivia: Despite her relative obscurity, redheaded performance artist Ann Magnuson has a bright star persona, a multitude of talents, and a definitive sense of style and glamour. Born in the South and schooled in the Midwest, she escaped to New York and worked on a number of projects as a theatrical collaborator with the likes of Eric Bogosian and Joey Arias. In 1985, she helped form the performance art group/rock band Bongwater along with her creative partner and guitarist Kramer. While singing and writing songs for the band, she was also building her acting career. Co-starring Bogosian and Meatloaf, her comedic social commentary special Vandemonium Plus was released on HBO Home Video along with her sly parody sketches "Made For Television." Her first few films were made by rising young directors Beth B., Sara Driver, and Susan Seidelman. She also made an appearance in the documentary Mondo New York, along with contemporaries Lydia Lunch and Karen Finley. In 1987, she made her breakthrough film performance in the romantic comedy Making Mr. Right, ideally cast as the high-fashion publicist Frankie Stone opposite the literally robotic John Malkovich. She got another juicy role the following year as older woman Joyce Fickett in A Night in the Life of Jimmy Reardon opposite earthy teen heartthrob River Phoenix. The next year she joined the cast of the ABC sitcom Anything but Love as fashionable magazine editor Catherine Hughes. Meanwhile, Bongwater released several albums on Shimmy Disc before breaking up in 1992 after a legal dispute. Magnuson continued to make brief yet memorable appearances in feature films (Cabin Boy, Clear and Present Danger, Tank Girl) before releasing her solo album The Luv Show on Geffen Records. Staying with her acting career, she went on to appear in various supporting roles in independent films, mainstream blockbusters, and TV specials. After 2000, she turned away from comedies toward darker material in The Caveman's Valentine, Panic Room, and Night at the Golden Eagle. In 2003, she joined the cast of the FOX sitcom Wanda at Large as liberal political commentator Rita and went on tour with her one-woman show "Pretty Songs and Ugly Stories."

Trivia: Actor/composer John Lurie began his career studying the alto saxophone, then moved to New York with his brother, pianist Evan Lurie; they formed the Lounge Lizards, a freeform jazz combo that went on to gain some distinction. Beginning in 1977 he directed and appeared in his own Super-8 films, and also acted in many New York-made Super-8 films by other filmmakers. In 1980 he began scoring numerous films, most importantly Jim Jarmusch's first feature-length film, Permanent Vacation (1982), in which he also appeared. This began a significant association with Jarmusch; Lurie co-starred in Jarmusch's breakthrough film Stranger Than Paradise (1984), provided the music, and has acted in and/or scored other of Jarmusch's films as well. His work with Jarmusch brought him to the attention of other directors, and he has appeared in a handful of movies while maintaining his work as a screen composer.

Trivia: American actor Victor Argo was principally a stage performer, both in New York and in regional repertory, when he tentatively began his film work in the 1970s. Early Argo movie credits include 1972's Boxcar Bertha and the 1975 Martin Scorsese production Mean Streets. In the late 1980s, Argo enjoyed a burst of movie activity, though thanks to location shooting he didn't have to leave Manhattan too often. The actor was seen as Roy Bishop in King of New York (1987), Avram in Her Alibi (1989), a cop in New York Stories (1989). Woody Allen utilized Argo in two films, Crimes and Misdemeanors (1988) (as a detective) and Shadows and Fog (1990). Rare non-New York film productions featuring Victor Argo have included McBain (1988), in which he played "El Presidente," and the controversial Last Temptation of Christ (1988) in which Argo portrayed Peter Apostle. And in early 1989, Victor Argo had weekly work as Anthony Coltrera on the New Jersey-based TV series Dream Street. His 1990s film credits included a major role in Smoke (1995) and its sequel Blue in the Face (1996) and Next Stop Wonderland (1998).

Trivia: Hefty Brooklyn-born actress Shirley Stoler couldn't have escaped being a Cult Figure if she wanted to. Stoler's most colorful screen roles included the sadistic, sexually supercharged prison-camp commandant in Wertmullers Seven Beauties (1976), as Spike the Bartender in Frankenhooker (1990), and as pawnshop owner Edie Wulgemuth in Miami Blues (1990) (in the latter film, she expresses her displeasure with sleazy con man Alec Baldwin by cutting off his fingers with a machete!). It was par for the course for Stoler, who'd first made her mark on the cinematic world with a chilling and compeling performance as homicidal 200-pounder Martha Beck in the 1970 sleeper The Honeymoon Killers. Prior to that, Stoler was a veteran of the ground-breaking La Mama and Living Theatre performance companies; her resume also included several Broadway productions and a number of TV guest shots. A comparatively laid-back Shirley Stoler can be seen in a few scattered pictures like The Deer Hunter (1978, as John Savage's mother) and Malcolm X (1992); she also evinced signs of normality as Dottie Jessup on the 1980 TV series Skag. Stoler died of heart failure in 1999.

Trivia: Yale grad John Hoyt had been a history instructor, acting teacher and nightclub comedian before linking up with Orson Welles' Mercury Theatre in 1937. He remained with Welles until he joined the Army in 1945. After the war, the grey-haired, deadly-eyed Hoyt built up a screen reputation as one of most hissable "heavies" around, notably as the notorious political weathervane Talleyrand in Desiree (1954). He was a bit kinder onscreen as the Prophet Elijah in Sins of Jezebel. Nearly always associated with mainstream films, Hoyt surprised many of his professional friends when he agreed to co-star in the softcore porn spoof Flesh Gordon; those closest to him, however, knew that Hoyt had been a bit of a Bohemian all his life, especially during his frequent nudist colony vacations. TV fans of the '80s generation will remember John Hoyt as Grandpa Stanley Kanisky on the TV sitcom Gimme a Break; those with longer memories might recall that Hoyt played the doctor who told Ben Gazzara that he had only two years to live on the pilot for the 1960s TV series Run For Your Life. Hoyt also holds a footnote in Star Trek history playing the doctor in the first pilot episode, "The Cage."

Trivia: From his earliest days, Michael Badalucco could feel the beacon of show business drawing him ever closer to a career as an actor. There was just something about him that drew people's attention, and his love for film, combined with his natural knack for entertaining friends and family, helped the painfully shy youngster overcome his aversion to the spotlight and develop his talent with the full blessing of his mother and father. Badalucco is a Flatbush native whose Sicilian father worked as a movie set carpenter when he was growing up; his parents instilled in him a strong devotion to family and religion that would serve as a guiding light through his life and career. Badalucco was in the third grade when his father was working on the Sidney Lumet thriller Fail-Safe, and when the script called for a young boy, the elder Badalucco offered the services of his son without hesitation. Though his screen debut as an ill-fated Russian general's son was a non-speaking role that required little more than standing still for a few photographs, the aspiring young actor was already on the path to a successful acting career. In the following years, Badalucco earned his bachelor's degree in theater arts from the State University of New York at New Paltz, and it was there that he cut his teeth on-stage and made the acquaintance of another up-and-coming talent named John Turturro. During his years at S.U.N.Y. New Paltz, Badalucco essayed roles in over 20 plays. When their appearances in the off-Broadway production of Sam Shepard's Tooth of Crime caught the attention of actor Robert De Niro, both Badalucco and Turturro were called into director Martin Scorsese's office to audition for supporting roles in Raging Bull. Not only did the experience provide young Badalucco with the chance to appear onscreen with one of his cinematic idols, but it also set into motion a career that would find him turning up in such acclaimed films as Miller's Crossing (1990), Jungle Fever (1991), and The Professional (1994). Throughout the 1990s, Badalucco rose steadily through the ranks with a series of memorable supporting roles. His performance in the romantic comedy One Fine Day (1996) prompted star Michelle Pfeiffer to recommend Badalucco to husband David E. Kelley for a role in Kelley's weekly law drama The Practice. Not only did Badalucco get the part, but his performance as Jimmy Berluti would ultimately serve as his breakout role. After re-teaming with Jungle Fever director Spike Lee to essay the role of disturbed serial killer David Berkowitz in 1999's Summer of Sam, Badalucco stepped into the shoes of notorious gangster George "Baby Face" Nelson for the throwback Coen brothers comedy O Brother, Where Art Thou? the following year. His role in the Coens' subsequent film, The Man Who Wasn't There, found Badalucco threatening to become a Coen regular, and after appearing opposite Steve Buscemi in 13 Moons, the Practice star joined old friend Turturro in the comedy drama 2 B Perfectly Honest.

Trivia: An Emmy award-winning comedy writer who worked for some of the best in the business, Stan Burns' material graced the lips of such luminaries as Carol Burnett, Milton Berle, and the Smothers Brothers. The first writer for The Tonight Show, the New York-born funnyman would stick by that show's original host, Steve Allen, for Allen's entire career. On November 5, 2002, Stan Burns died of heart failure in Woodland Hills, CA. He was 79.

Trivia: Supporting actor Richard Edson first appeared onscreen in Stranger Than Paradise (1984).

Trivia: Comedian Carol Leifer began making the rounds as a stand-up comic in the 1970s, making a name for herself in the male-dominated scene with sly observations and witty commentary. After being discovered by David Letterman in the '80s, her career took off, and Leifer expanded to become a writer and producer, as well, joining the writing staff of the sitcom Seinfeld, and producing TV series like The Ellen Show and Rules of Engagement. She competed on season 9 of the popular Donald Trump reality show The Apprentice. In 2009 she published a memoir, When You Lie About Your Age, the Terrorists Win: Reflection on Looking in the Mirror, which contained stories about her comedy career as well as her love life.

Trivia: Character actor Richard Portnow has worked steadily in theater, feature films, and on television for many years. On stage, he has appeared both on and off Broadway, as well as in many regional productions, and at London's Royal Court Theatre. Portnow made his feature film debut with a bit part in Susan Seidleman's Desperately Seeking Susan (1985). On television, Portnow has guest starred on many series, including Seinfeld, NYPD Blue, and The Nanny.

Trivia: Actor Will Patton successfully divides his time between mainstream and independent features, television films, and a stage career on and off-Broadway. Born and raised in North Carolina, the son of a Lutheran minister, Patton learned his craft at the North Carolina School of the Arts and at New York's Actor's Studio where he studied under Lee Strasberg. In addition, Patton studied at the Open Theater under Joseph Chaikin before making it to the New York stage. Patton has won two Obie Awards for Tourists and Refugees No. 2 and for Sam Shepard's Fool for Love. Patton also has had experience working at London's Royal Court Theatre. Upon his return to New York, Patton joined the experimental Winter Project troupe. During the 1970s, Patton performed in two soap operas, Search for Tomorrow and Ryan's Hope. Patton first appeared on film in the short underground film Minus Zero(1979). During the early '80s, Patton appeared in such New York-based independent films as Michael Oblowitz's King Blank and Variety (both 1983). After playing a small but important villainous role in Susan Seidelman's Desperately Seeking Susan (1985), Patton was cast in his first big-budget film, Martin Scorsese's After Hours (1985), where he played a brutish boyfriend with a thing for leather and chains. His best portrayal of a villain can be found in the Gene Hackman-starring thriller No Way Out (1987). In the '90s he could be seen in The Rapture, In the Soup, Romeo Is Bleeding, Copycat, the infamous Kevin Costner project The Postman, and the Michael Bay blockbuster Armageddon. At the beginning of the 21st century Patton continued to remain busy with major roles in Remember the Titans, Gone in 60 Seconds, The Mothman Prophecies, and The Punisher, as well as smaller roles in diverse films like Into the West, Wendy and Lucy, Meek's Cutoff, and Brooklyn's Finest.