Trivia: Although he made his film debut in the acclaimed independent film Bottle Rocket, actor Luke Wilson, born on September 21st, 1971, initially got more recognition for his real-life role as Drew Barrymore's boyfriend than for his acting. Fortunately for Wilson, his onscreen talents outlasted his relationship with Barrymore, and he has enjoyed steady employment and increasing visibility through substantial roles in a number of films.A native Texan, Wilson was born in Dallas in 1971. The son of an advertising executive and a photographer, he was raised with two brothers, Owen and Andrew. The three would all go on to make their careers in film, with Wilson discovering his love of acting while a student at Occidental College. In 1993, the brothers Wilson collaborated with Wes Anderson to make Bottle Rocket, which was initially a 15-minute short. The gleefully optimistic story of three Texans who aspire to become successful thieves, Bottle Rocket premiered at the 1993 Sundance Festival, where it attracted the attention of director James L. Brooks. With Brooks' help, the short became a full-length feature film released in 1996. That same year, Wilson also appeared in the coming-of-age drama Telling Lies in America.After large roles in three 1998 comedies, Bongwater, Home Fries, and Best Men (the latter two co-starring Barrymore), Wilson went on to star in another three comedies the following year. The first, Dog Park, was a Canadian film directed by Kids in the Hall alum Bruce McCulloch and featured Wilson as one of a group of twenty-somethings undergoing the trials and tribulations of love. Blue Streak starred the actor as the sidekick of robber-turned-policeman Martin Lawrence, while Kill the Man (which premiered at the 1999 Sundance Festival) cast him as the owner of a small copy center competing with a large chain store across the street.Though he would stick closely to comedy through 2001 with roles in Charlie's Angels (2000) and Legally Blonde (2001), Wilson took a turn for the sinister in the thrillers Preston Tylk and Soul Survivors (both 2001), before reteaming with his brother Owen and Wes Anderson to give one of his most memorable performances as Richie, the suicidal tennis pro in The Royal Tenenbaums.In 2003, Wilson reprised two past roles, appearing in both Charlies Angels: Full Throttle and Legally Blonde 2: Red, White and Blonde. That same year, he also scored a hit as one of the stars of Todd Phillips' Old School. 2004 saw Wilson embark on The Wendell Baker Story, a film he stars in, co-directs with brother Andrew Wilson, and co-writes with brother Owen Wilson. Laced with supporting roles and cameos from such iconic friends as Harry Dean Stanton, Kris Kristofferson, and Eddie Griffin, this quirky low-budgeter made the festival rounds in 2005-6 and the responses were encouragingly supportive; Variety's Joe Leydon observed, "The co-directing Wilson siblings smartly refrain from pushing anything too hard or too often, making the unpredictable eruptions of straight-faced absurdity all the more effective. Luke Wilson is extremely engaging in lead role." Many praised the Wilson brothers' directorial and scriptwriting intuition and their willingness to take risky-yet-triumphant gambles onscreen.Wilson joined the cast of early 2006's box-office sleeper hit The Family Stone, a family drama with an ensemble that includes Diane Keaton, Craig T. Nelson and Sarah Jessica Parker; the remainder of the year sees Wilson appearing in a string of supporting roles in light and dark comedies. In a minor performance in May 2006's Hoot, Wilson plays Officer David Delinsky, who attempts to sabotage a plot by local children to blow up a pancake house. His appearance in July 2006's My Super Ex-Girlfriend marks director Ivan Reitman's return to the big screen since 2001's box-office disappointment Evolution; it stars Uma Thurman as a superhero who gets even with her ex-beau (Wilson) after he casts her aside. He also highlights summer 2006's Mini's First Time, a black comedy about an incestuous daughter and stepfather who have the mother committed to a mental hosiptal; co-stars include Jeff Goldblum and Carrie-Anne Moss. Idiocracy, directed by cult fave (and Beavis and Butthead creator) Mike Judge, has Wilson as a moron hurled a thousand years into the future by the U.S. Government, only to discover he is the most intelligent person on the planet.In the tradition of 8mm, 2007's jet-black paranoid thriller Vacancy will co-star Wilson and Sex and the City's Sarah Jessica Parker as husband-and-wife who check into a hotel and unwittingly become the targets of a snuff film, while, in that same year's semi-spoof Dallas (2007) (adapted from the early-eighties TV sensation and directed by Gurinder Chadha) Wilson will tentatively co-star as Bobby Ewing, alongside Jennifer Lopez as Sue Ellen, Shirley MacLaine as Miss Ellie, and John Travolta as the infamous J.R.. Wilson's additional film roles throughout 2007 include Barry Munday (an indie pic helmed by Chris d'Arienzo and adapted from Frank Hollon's novel Life is A Strange Place, about a chauvinist who wakes up and discovers his own emasculation); and Last Seduction helmer John Dahl's mafioso comedy You Kill Me. In 2010, Wilson appeared in the films Death at a Funeral and Middle Men.

Trivia: The daughter of Goldie Hawn, Kate Hudson bears more than a passing resemblance to her famous mother in both looks and onscreen vivacity. Born in Los Angeles on April 19, 1979, Hudson made her screen debut in 1998. She first earned notice for her work in 200 Cigarettes (1999), an ensemble film that cast her as naive Cindy out on a date with caddish Jack (Jay Mohr). Although the film proved to be a substantial critical and commercial disappointment, Hudson's performance was singled out for some of the scant praise the film did receive. The following year, she could be seen starring opposite fellow up-and-comer Joshua Jackson in Gossip, a drama centered on the disastrous side effects of rumor-mongering on a college campus.If critical recognition had eluded her in the past, it certainly caught-up with her at the 2000 Golden Globe Awards, where she took home the Best Supporting Actress award for her performance in Cameron Crowe's Almost Famous. Engulfed in the Hollywood hype machine following her winning role in Almost Famous, it seemed as if Hudson was set to follow her mother in taking the film industry by storm. After soaking in her nowfound fame in the early years of the new millennium, Hudson emerged from a whirlwind schedule of fashion shoots and awards shows to appear in the romantic war drama The Four Feathers in 2002. Though The Four Feathers was quickly and unceremoniously relegated to box-office obscurity, Hudson fired back with an almost surefire hit when she starred opposite quirky heartthrob Matthew McConaughey in the romantic comedy How to Lose a Guy in 10 Days (2003). While subsequent roles in Alex and Emma, Le Divorce, and Raising Helen did little to elevate Hudson's already-comfortable star status, a venture into the unknown in the curiously original but largely underseen Skeleton Key at least showed the actress' willingness to explore new territory onscreen. Back in the realm of comedy, Hudson would do her best to tolerate onscreen husband Matt Dillon's eccentric best-friend when the down-on-his-luck Dupree (Owen Wilson) arrives on their doorstep looking for a place to stay in the farcical summer comedy You, Me and Dupree (2006). Hudson joined with Mathew McConaughey for a second time for the romantic comedy Fool's Gold (2008), and starred in another rom-com, My Best Friend's Girl, the same year. Hudson gained recognition for her previously unknown dance skills thanks to her performance in filmmaker Rob Marshall's musical film Nine, which also featured Daniel Day-Lewis, Marion Cotillard, Penelope Cruz, and Nicole Kidman. In 2010, the actress starred in the film adaptation of Jim Thompson's The Killer Inside Me.Hudson conitnued to rotate between lighter romantic comedies and heavier dramas, appearing in Something Borrowed in 2011, followed by political thriller The Reluctant Fundamentalist (2012), Larry David's TV movie Clear History (2013) and the drama Good People (2014). She also took a recurring gig on Glee, playing a dance instructor, allowing Hudson to showcase her singing skills and dancing chops.

Trivia: Rising to teenage idol status as the star of the hit romantic comedy La Boum (1980) and its sequel La Boum 2 (1982), Sophie Marceau has since managed to become more than "just another pretty face." She developed her dramatic skills in the romantic epic Fort Saganne (1984) and, most notably, in three films directed by her long-time companion, Polish/French director Andrzej Zulawski. As her career progressed during the early '90s, Marceau preferred to appear in such lighter fare as the romantic comedy Fanfan (1993), a huge hit in France, or the swashbuckler La Fille de D'Artagnan (1994). Meanwhile, her stage debut in Jean Anouilh's Euridyce in 1991 brought Marceau a Moliere award for Most Promising Newcomer. She also starred as Eliza Dolittle in Pygmalion at the Theatre des Arts Hebertot. In 1995, Marceau rose to international film stardom playing Princess Isabelle in Mel Gibson's epic Braveheart; that same year, she made her directorial debut with a nine-minute film, L'Aube à l'envers, which opened "Un Certain Regard" at the Cannes Film Festival. Marceau's international profile continued to grow throughout the decade thanks to her increasing appearances in both British and American productions, particularly A Midsummer Night's Dream and the 19th James Bond outing, The World Is Not Enough (both 1999). She stepped in front of the camera for Zulawski again the following year as the star of his La Fidélité.

Trivia: A former theatre and psychology major at the University of Michigan, actor David Paymer's first Broadway success was in the long-running musical Grease. He tentatively launched his film career in the tiny but telling role of a cabbie in 1979's The In-Laws, then returned to working "live" as a performer and writer for The Comedy Store. A character actor even in his early twenties, Paymer displayed his versatility in a wealth of TV supporting roles on such weeklies as Cagney and Lacey, Diff'rent Strokes, The Commish and Downtown. Billy Crystal was so impressed with Paymer's work as ice-cream entrepreneur Ira Shalowitz in City Slickers (1991) that Crystal assigned him the plum role of Stan Yankelman, long-suffering brother and business manager of Berle-like comedian Buddy Young Jr., in Mister Saturday Night (1992). Convincingly playing an age range from 20 to 75, Paymer was honored with an Oscar nomination. Dividing his time between working in films and teaching classes at the Film Actor's Workshop, David Paymer has recently been seen as the angelic Hal in Heart and Souls (1993) and real-life TV producer Dan Enright in Robert Redford's Quiz Show (1994). In the decades to come, Paymer would remain an ever-present force on screen, appearing in films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wife.

Trivia: As the son of multi-talented comedic genius Carl Reiner (Your Show of Shows), Rob Reiner instantly outgrew his father's legacy to establish himself as an independent force in multiple facets of the entertainment industry. Born in the Bronx in 1945, Reiner moved to Los Angeles with his folks at the age of 12 (not coincidentally, the very same year that the NYC-based Caesar's Hour, with Carl Reiner as a regular contributor, wrapped) and soon began acting in regional theater and improv ensembles. After appearing on various episodes of Alfred Hitchcock Presents from the age of 16 and studying drama at UCLA, Reiner co-founded the improvisational comedy troupe The Session, then made his onscreen cinematic debut in his father's Enter Laughing (1967) and contributed scripts (in his dad's vein) to CBS's controversial The Smothers Brothers Comedy Hour. His first massive break arrived when he landed the role of Mike "Meathead" Stivic, the liberal, Polish son-in-law to Carroll O'Connor's racist working stiff Archie Bunker, on Norman Lear's groundbreaking network hit All in the Family. In 1971, Reiner wed Penny Marshall (the sister of another comic demagogue, Garry Marshall); the marrieds frequently appeared together on ABC's The Odd Couple. Reiner earned two Emmys for All in the Family, but ended his role in 1978 (after seven seasons) as the series transitioned into Archie Bunker's Place. A now-forgotten telemovie followed -- the romantic comedy More Than Friends, written by and starring Reiner and Marshall (and directed by future Cheers progenitor James Burrows) -- but by that point, the Reiners' marriage was in disarray; a divorce ensued in 1979, followed by several years of inactivity on Reiner's end.Reiner bounced back as a director, however (and then some) in 1984, with the hysterical mockumentary This Is Spinal Tap, ostensibly a spoof of The Song Remains the Same, The Kids Are Alright, The Last Waltz, and other mid-'70s concert films, about a gleefully moronic glam rock band (Christopher Guest, Michael McKean, and Harry Shearer) whose hits include "Sex Farm," "Smell the Glove," and "Hellhole." The picture became a sensation (a massive cult hit), led to several Reiner-less follow-ups with the principal cast (Waiting for Guffman, Best in Show, A Mighty Wind), and -- most importantly -- launched Reiner as a directorial force. He helmed a cute and charming sophomore effort, the teen comedy The Sure Thing (1985), which boasts two superb lead performances by John Cusack and Daphne Zuniga, and demonstrates great taste and sensitivity, but failed to make a splash despite solid reviews (Roger Ebert declared it "a small miracle" and Variety assessed it as "sweetly old fashioned" and "appealing.") The following year, the director struck box-office gold with his third effort, Stand by Me (1986). In this coming-of-age saga, adapted from a Stephen King short story by Ray Gideon and Bruce A. Evans, Reiner successfully blends comedy, drama, and sentiment, and elicits exemplary performances from an ensemble of teenage performers including River Phoenix and Wil Wheaton, in his story of a bunch of adolescent boys who venture out to find a local boy's corpse. For his fourth effort, Reiner helmed the legendary William Goldman's adaptation of his own 1973 fantasy novel, The Princess Bride (which had purportedly floated around Hollywood for 13 years), and scored in the process -- especially with young viewers, who immediately warmed to Cary Elwes' dashing adventurer and Robin Wright's heroine. (The picture's neat comic turns by Billy Crystal, Wallace Shawn, and Andre the Giant stretched its appeal to older viewers, as well.) Reiner followed this up with another four-star blockbuster, and one of the most lucrative (and affable) pictures of 1989, the romantic comedy When Harry Met Sally, written by Nora Ephron. It sports exceptional lead performances by Crystal and Meg Ryan, and -- in one of the most infamous movie bits of the past few decades, a cameo by Reiner's own mother, Estelle, who provides the film's funniest line.Reiner began the 1990s with another Stephen King outing: Misery, a claustrophobic horror picture adapted from a 1987 King novel. In directing the picture, Reiner elicited exceptional performances from James Caan and Kathy Bates. The latter won a Best Actress Academy Award for her portrayal of the psychopathic ex-nurse Annie Wilkes, who confines Caan's author in her home and forces him to write a new manuscript under the duress of torture and threatened homicide. With a trio of A-list actors including Jack Nicholson, Tom Cruise, and Demi Moore, the director's late 1992 courtroom thriller A Few Good Men (adapted by Aaron Sorkin from his play) earned a Best Picture Oscar nomination and another Golden Globe nomination for Reiner. Unfortunately, this marked the beginning of a decline, of sorts, for Reiner. He then helmed 1994's god-awful family-friendly comedy North (reviled by just about everybody). The following year's The American President charmed audiences, but 1996's Ghosts of Mississippi struck most viewers as uneven. In 1999, Reiner produced, directed, and co-starred in The Story of Us, a romantic comedy starring Michelle Pfeiffer and Bruce Willis, but it opened up to mediocre reviews. (Ebert gave it one star and moaned, "Watching it is like taking a long trip in a small car with the Bickersons"; Janet Maslin observed that it "offers such an arthritic vision of middle-aged marriage that it feels like the first Jack Lemmon comedy made expressly for the baby-boom generation.") Perhaps riled by these disappointments -- and seeking greater immersion in California politics -- Reiner took several years off as a director, until 2003's Alex & Emma, a romantic comedy about writer's block starring Luke Wilson and Kate Hudson. With one or two exceptions, critics universally panned the picture (giving Reiner his most terrible reviews to date). 2005's Rumor Has It..., yet another romantic comedy starring Jennifer Aniston as a woman who goes off in search of her family's roots, also opened to dismal reviews and lackluster box office, despite the star appeal of Aniston and her male lead, Kevin Costner. In 1987, Reiner co-founded Castle Rock Productions (the company's name refers to a fictional town created by Stephen King). In addition to directing and producing, Reiner has also pursued an acting career on the side, with supporting roles and cameos in such films as Postcards From the Edge (1990), Sleepless in Seattle (1993), Bullets Over Broadway (1994), The First Wives Club (1996), Primary Colors (1998), EDtv (1999), The Muse (1999), The Story of Us (1999), and The Majestic (2001). Later, he delivered a performance as Wirschafter in his own Alex & Emma (2003) and cameo'd as himself in the 2003 David Spade comedy Dickie Roberts: Former Child Star. Between 2004 and 2006, Reiner joined Whoopi Goldberg, Mandy Patinkin, William H. Macy, and others to voice the late Christopher Reeve's CG-animated feature Everybody's Hero, about a boy who attempts to retrieve a talking baseball bat from a crooked security guard. In 2007 he had one of his biggest late-career successes directing Jack Nicholson and Morgan Freeman in The Bucket List. Three years later he made the little-seen comedy Flipped. Reiner married his second wife, Michele Singer Reiner, in 1989.

Trivia: Actor Robert Costanzo is generally typecast an urban Italian-American, prone to mouthing such lines as "You gotta problem with that?" Costanzo began popping up with regularity in such films as Saturday Night Fever in the late '70s. The first of his many TV-series stints was as plumber Vincent Pizo, the blue-collar father of Travolta clone Joe Piza (Paul Regina), in 1978's Joe and Valerie. He retained his man-of-the-people veneer as maintenance engineer Hank Sabatino in the weekly series Checking In (1980), Lt. V.T. Krantz in the 1990 TVer Glory Days, and the voice of Detective Bullock in Warner Bros.' Batman: The Animated Series (1992). In 1995, Robert Costanzo joined the cast of television's NYPD Blue as Detective Giardella.

Trivia: Cloris Leachman seems capable of playing any kind of role, and she has consistently demonstrated her versatility in films and on TV since the 1950s. On the big screen, she can be seen in such films as Kiss Me Deadly (1955), Butch Cassidy and the Sundance Kid (1969), The Last Picture Show (1971), for which she won an Oscar; and Young Frankenstein (1974). On TV, she played the mother on Lassie from 1957-58, and Phyllis Lindstrom on both The Mary Tyler Moore Show (1970-77) and her own series, Phyllis (1975-77). She was a staple on many of the dramatic shows of the '50s, and a regular on Charlie Wild, Private Detective (1950-52), and The Facts of Life. Leachman has won three Emmy Awards and continues to make TV, stage, and film appearances, including a turn as Granny in the film version of The Beverly Hillbillies (1993) and supplying her voice for the animated Beavis and Butt-Head Do America (1996) and The Iron Giant (1999). In 1999, she could be seen heading the supporting cast in Wes Craven's Music of the Heart.

Trivia: Within four years of his film debut in Zebrahead (1993), Michael Rapaport (born March 20th, 1970) became one of Hollywood's hardest-working and most versatile supporting/character actors. He began as a standup comedian, but turned to acting after landing a guest-starring role in a 1990 episode of the ABC television drama China Beach. Rapaport's portrayal in Zebrahead of a Jewish teen struggling to survive in an African-American-dominated Detroit neighborhood while romantically involved with a black girl earned him considerable acclaim and a nomination for an Independent Feature Project Spirit Award. After that, he did a bit more television work and his career remained low-key until the following year, when he suddenly burst back onto the screen in four major films: True Romance, Point of No Return, Money for Nothing, and Poetic Justice. Some of Rapaport's notable subsequent roles include that of a college student who mistakenly attempts to find his niche by becoming a skinhead in John Singleton's Higher Learning (1995) and that of a slightly dim prizefighter set up for a blind date with a goodhearted hooker in Woody Allen's Mighty Aphrodite (1995). In 1998, Rapaport co-starred in the Showtime cable network's black comedy series about the zany world of substance abuse recovery programs Rude Awakening. That year, Rapaport also appeared in the films Palmetto and Some Girls. Rappaport worked in film sporadically throughout the 2000, but found some success in Metro, Deep Blue Sea, and Higher Learning. However, the actor is much more recognized for his work in the television shows Boston Public, Prison Break, and the War at Home.