Trivia: Tall and handsome in a meat-eating sort of way, Ben Affleck has the looks of a matinee idol and the résumé of an actor who honed his craft as an indie film slacker before flexing his muscles as a Hollywood star. A staple of Kevin Smith films and such seminal indies as Dazed and Confused, Affleck became a star and entered the annals of Hollywood legend when he and best friend Matt Damon wrote and starred in Good Will Hunting, winning a Best Original Screenplay Oscar for their work.Born in Berkeley, California on August 15, 1972 to a schoolteacher mother and drug rehab counselor father, Affleck was the oldest of two brothers. His younger brother, Casey, also became an actor. When he was very young, Affleck's family moved to the Boston area, and it was there that he broke into acting. At the age of eight, he starred in PBS's marine biology-themed The Voyage of the Mimi, endearing himself to junior high school science classes everywhere. The same year he made Mimi, Affleck made the acquaintance of Matt Damon, a boy two years his senior who lived down the street. The two became best friends and, of course, eventual collaborators. After a fling with higher education at both the University of Vermont and California's Occidental College, Affleck set out for Hollywood. He began appearing in made-for-TV movies and had a small role in School Ties, a 1992 film that also featured Damon. Further bit work followed in Richard Linklater's Dazed and Confused (1993) and Kevin Smith's Mallrats (1995). Around this time, both Affleck and Damon were getting fed up with the lack of substantial work to be found in Hollywood, and they decided to write a screenplay that would feature them as the leads. Affleck's brother Casey introduced them to Gus Van Sant, who had directed Casey in To Die For. Thanks to Van Sant's interest, the script was picked up by Miramax, and in 1997 the story of a troubled mathematical genius living in South Boston became known as Good Will Hunting. Before the film's release, Affleck starred in Smith's Chasing Amy that same year; the tale of a comic book artist (Affleck) in love with a lesbian (Joey Lauren Adams), it received good reviews and showed Affleck to be a viable leading man. The subsequent success of Good Will Hunting and the Best Original Screenplay Oscar awarded to Affleck and Damon effectively transformed both young men from struggling actors into Hollywood golden boys. Having won his own Golden Boy, Affleck settled comfortably into a reputation as one of the industry's most promising young actors. His status was further enhanced by widespread media reports of an ongoing relationship with Gwyneth Paltrow.The following year, Affleck could be seen in no less than three major films, ranging from his self-mocking supporting role in the Oscar-winning period comedy Shakespeare in Love to the thriller Phantoms to the big-budget box-office monster Armageddon. In 1999, Affleck continued to keep busy, appearing in a dizzying four movies. He could be seen as a dull bartender in 200 Cigarettes, an errant groom in Forces of Nature, a stock market head hunter in The Boiler Room, and a supporting cast member in Billy Bob Thornton's sophomore directorial effort, Daddy and Them. Finally, Affleck reunited with Smith and Damon for Dogma, starring with the latter as a pair of fallen angels in one of the year's more controversial films. In 2000, he would appear as an ex-con trying to mend his ways in Reindeer Games, with Charlize Theron. Re-teaming with Armageddon cohort Michael Bay again in 2001 for another exercise in overbudgeted excess, Affleck flew into action in Pearl Harbor. Despite unanimous lambasting from critics, Pearl Harbor blasted to number one at the box office, earning $75.2 million on its Memorial Day weekend opening and beginning a summer-2001 trend of high profile films with precipitous box-office runs. Following a self-mocking return to the Smith collective in Jay and Silent Bob Strike Back (2001) and spearheading, along with Damon, the innovative HBO series Project: Greenlight, Affleck returned to the Hollywood machine with roles in Changing Lanes and The Sum of All Fears (both 2002). Filling the shoes of Harrison Ford as a green version of Ford's famous Jack Ryan persona, The Sum of All Fears contemplated a radical group's plan to detonate a nuclear weapon at a major sporting event during a time of particularly sensitive public distress at such an idea. With the massive success of Spider-Man in the summer of 2002 prompting numerous comic-book superhero revivals, Affleck would next suit up for the role of Daredevil. As a lawyer turned into a true public defender following a mishap involving radioactive waste, Daredevil's incredibly enhanced senses enable him to get the jump on New York City evil-doers and with his athletic physique and heroically protruding chin Affleck seemed just the man to suit-up for the job. If Affleck's turn as a blind crimefighter found dedicated comic book fans turning up their noses in disgust, the lukewarm performance of that particular effort would hardly compare to the critical lashing of his subsequent efforts Gigli, Paycheck, and Jersey Girl. A notorious flop that couldn't be mentioned to movie lovers without fear of derisive laughter, Gigli alone would have likely sunken the career of a lesser star. Though Hollywood gossip rags were indeed talking about Affleck, it was more the result of his turbulent relationship with singer and Gigli co-star Jennifer Lopez than it was anything to do with his acting career. Just when it seemed that the ubiquitous "Ben and Jen" gossip that fueled the tabloids couldn't get more tiresome, the celebrity power-couple broke up their frequently discussed engagement to the surprise of only the most optimistic {E! Channel viewer. Wed to Alias star Jennifer Garner in 2005, Affleck subsequently skewered Hollywood materialism in the showbiz comedy Man About Town before making a cameo in pal Smith's eagerly-anticipated sequel Clerks II. By this point Affleck was certainly no stranger to Hollywood controversy, a fact that likely played well into his decision to strap on the famous red cape to portray original television Superman George Reeves in the 2006 Tinseltown mystery Hollywoodland. As the 2000's rolled onward, Affleck would appear in a number of films that garnered a lukewarm reception, like Smokin' Aces, He's Just Not That Into You, and State of Play. He would reverse that trend with a vengeance in 2007, directing and writing the critically acclaimed crime thriller Gone Baby Gone. He followed that up by directing and starring in The Town, and that film put Affleck squarely back into audiences' good graces. He immediately got to work on his next big project, working both behind and in front of the camera once again for the political thriller Argo which garnered strong reviews, solid box office, and a slew of year-end awards and nabbed Affleck his second Oscar, as a producer of the film, when it won Best Picture at the Academy Awards, even though Affleck was not nominated for Best Director. He appeared in Runner, Runner, opposite Justin Timberlake, in 2013 and played the accused husband in the hit 2014 film Gone Girl. Affleck was announced as the next Batman in Batman v Superman: Dawn of Justice and is scheduled to reprise the role in later Justice League films.

Trivia: From Neil LaBute mainstay to romantic lead and brainy action hero, versatile screen presence Aaron Eckhart has the talent to convincingly portray everything from the most despicable misogynist to affable love interests with equal zeal. How many other actors could purposefully and gleefully crush the soul of an innocent deaf woman before successfully charming one of the '90s most notable onscreen feminists with equal conviction? Born on March 12, 1968, to a computer executive father and a mother who wrote children's books in Santa Clara County, CA, Eckhart spent most of his childhood in Cupertino before moving with his family to England and Australia in his teens. Although he dropped out of high school before graduation, Eckhart eventually earned his equivalency before taking a few years off to hit the waves in Hawaii and the slopes in France. He later attended Brigham Young University as a film major, and it was there that he made the acquaintance of a young, aspiring director named Neil LaBute. Eckhart eventually moved to Manhattan and found himself swimming in a virtual sea of unemployed actors, though he did land a few notable commercial parts before returning to L.A., where he worked in a series of small supporting roles. He had done well enough on his own to this point, but it was only under the direction of his old college friend that he truly broke out of the mold and crafted one of the most despised cinematic characterizations of the decade. Cast in the lead of LaBute's pitch-black debut In the Company of Men, Eckhart's performance of a woman-hating, low-level executive was a cruel, but three-dimensional, villain that both repelled and fascinated moviegoers. After sticking with LaBute and gaining 30 pounds for the role of a sexually frustrated husband in LaBute's follow-up, Your Friends & Neighbors, Eckhart branched out in 1999 with a pair of memorable and entirely unexpected performances: Molly and Any Given Sunday. Cast as a caring brother of an autistic sibling in the former and a gridiron giant in the latter, his versatility began to attract casting agents. By the time he romanced Julia Roberts' eponymous character in Steven Soderbergh's acclaimed drama Erin Brockovich, Eckhart had become one to watch. He re-teamed with LaBute for Nurse Betty and Possession, but by this point, the rising star was gaining quite a reputation on his own. In 2001, Sean Penn tapped him to appear opposite Jack Nicholson in the searing drama The Pledge, and soon Eckhart was plunging headfirst into the center of the Earth alongside Oscar-winner Hilary Swank in the big-budget summer disaster flick The Core. By this time, the actor had truly established himself as a diverse talent capable of donning many hats, and following his role in Ron Howard's brutal thriller The Missing, the action flew fast and furious in John Woo's Paycheck. Eckhart next appeared in Suspect Zero (2004), which was experimental filmmaker E. Elias Merhige's eagerly anticipated follow-up to 2000's acclaimed Shadow of the Vampire.If some fans had lamented the gifted Eckhart's turn towards overly seriously roles as of late, a scathing performance in director Jason Reitman's critically-acclaimed 2005 comedy Thank You for Smoking would serve as a refreshingly funny change of pace. Alas, the laughs wouldn't keep coming for long, as it was soon back to grim dramatics with his turn as a well-schooled psychiatrist in the dramatic mystery Neverwas preceding a turn as a determined L.A. detective whose attempts to solve a particularly confounding murder lead him down a dark path of Hollywood corruption in Brian De Palma's The Black Dahlia. In 2008 he starred alongside Christian Bale inThe Dark Knight as good-man-gone-bad Harvey Dent/Two-Face, while 2010 found the actor co-starring with Nicole Kidman in the film Rabbit Hole (2010). In 2011, Eckhart played a wealthy real estate developer in The Rum Diary, an adaptation of Hunter S. Thompson's autobiography of the same name.

Trivia: An actress noted as much for her exotic, almost otherworldly beauty as she is for her considerable talent, Uma Thurman is one of the most renowned actors of her generation. The daughter of celebrated professor of Buddhist studies Robert A.F. Thurman and Nena von Schlebrugge, a model and psychotherapist who was once married to Timothy Leary, Uma was born in Boston on April 29, 1970. Raised with three brothers in Amherst, where her father taught at Amherst College, she enjoyed a fairly bohemian upbringing, one that was marked by visits from Eastern holy men and Tibetan refugees. Encouraged to think for herself and be independent, Thurman, who had been interested in acting from an early age, left her Massachusetts boarding school at the age of 15 to pursue an acting career. Moving to New York, she earned a living by washing dishes and modeling, though the latter means of support never agreed with her.The fledgling actress made her debut in Kiss Daddy Goodnight (1987), a forgettable film that cast her as a teen vamp who seduces and robs unsuspecting men. She had a starring role in the teen comedy Johnny Be Good (1988) and also made an eye-catching appearance in Terry Gilliam's underseen fantasy adventure film The Adventures of Baron Munchausen (1988). But it wasn't until her casting in Stephen Frears' Dangerous Liaisons (1988) as Cécile de Volanges, the impressionable convent girl deflowered by John Malkovich's slimy Vicomte de Valmont, that Thurman first gained recognition. Her scenes with Malkovich, particularly the one in which he offers to teach her a few bedroom terms in Latin, proved to be some of the most memorable of the year, resulting in a sizable helping of fame for the young actress. Further recognition followed with Thurman's portrayal of Henry Miller's wife -- and the object of both his and Anaïs Nin's affections -- in Philip Kaufman's Henry & June (1990). Unfortunately, the actress' role in the NC-17 film -- which required her to take part in explicit love scenes with Maria de Medeiros -- inspired a great deal of unwelcome, stalker-like attention from any number of "fans," causing Thurman to shy away from doing a subsequent number of films. The projects she did take part in all proved to be forgettable affairs: Robin Hood (1991), Final Analysis (1992), Jennifer 8 (1992), Mad Dog and Glory (1993), and Gus Van Sant's Even Cowgirls Get the Blues (1994). By the time Thurman received the script for Quentin Tarantino's Pulp Fiction, her career was in great need of resuscitation. Fortunately, Pulp Fiction provided just that. A huge, unanticipated success, it was the most talked-about film of the year, eventually becoming recognized as one of the most influential films of the decade. For her part, Thurman gave a sly, smoldering performance as Mia Wallace, the coke-snorting wife of gangster Marsellus Wallace (Ving Rhames), and soon found herself enjoying both a Best Supporting Actress Oscar nomination and an accompanying resurgence in Hollywood popularity. She followed the success of Pulp Fiction with three relatively modest romantic comedies: A Month by the Lake (1995), The Truth About Cats & Dogs (1996), and Beautiful Girls (1996). The 1997 future dystopia Gattaca did little for Thurman but introduce her to co-star and future husband Ethan Hawke. (The two married in May of 1998 and had a daughter later that year; Thurman had been married once before, to Gary Oldman). Batman & Robin, that same year, was less than a high point in Thurman's career. 1998 proved to be similarly disappointing, with both The Avengers, which cast the actress as the cat-suited Emma Peel opposite Ralph Fiennes' John Steed, and Bille August's Les Miserables experiencing swift deaths at the box office. Thurman resurfaced in 1999 in Woody Allen's widely acclaimed Sweet and Lowdown. The story of a famed jazz guitarist (Sean Penn) whose talent is inversely proportional to his merits as a human being, the film cast Thurman as his worldly, unfaithful wife. The following year, she had starring roles in two lavish period dramas, Merchant-Ivory's The Golden Bowl and Roland Joffé's Vatel. The former, a Henry James adaptation that premiered to great acclaim at the 2000 Cannes Festival, featured Thurman as a commoner caught up in a forbidden love affair with an impoverished prince (Jeremy Northam); the latter, which also premiered at Cannes, cast Thurman as a French noblewoman during the reign of King Louis XIV. Supporting performances in Richard Linklater's Tape and husband Hawke's Chelsea Walls (both 2001) were soon to follow, and though Thurman's performances were solid as ever, the limited release of both films found her gaining minimal exposure. Though Thurman was virtually unrecognizable in her role as a lovelorn Jersey girl in the HBO feature Hysterical Blindness (2002), her bravado performance earned her a Best Actress Golden Globe and the downbeat drama found audiences once again compelled by her marked versatility. Little did audiences know that her next role couldn't be more different. Thurman may had done action before in such efforts as Batman & Robin and The Avengers, but her role as the vengeful Bride in Quentin Tarantino's eagerly anticipated Kill Bill nevertheless found viewers' jaws planted firmly on the popcorn-littered multiplex floors. With the production initially delayed due to Thurman's pregnancy, the two-time mother quickly shed her excess weight shortly after giving birth to son Roan; after a vigorous training program, the violent revenge epic was back on track. Even though Thurman made no secret of the fact that balancing the difficult tasks of motherhood and superstardom often took their toll on her during the production of Kill Bill, the dedicated actress pulled off the physically demanding role without a hitch. Debuting in October 2003 to overwhelmingly positive reviews, Kill Bill Vol. 1 (the film was split into two halves after being deemed too long by studio Miramax) still managed to split audiences due to its virtually nonstop, extremely graphic violence. With Kill Bill Vol. 2 scheduled to roll into theaters four months later, fans wasted no time in speculating on The Bride's carnage-laden quest to even the score with the titular Bill (David Carradine) after the ruthless killer gunned her down on her wedding day.In the wake of the Kill Bill extravaganza, it seemed that Thurman was having an especially difficult time finding her footing at the box office when the Get Shorty sequel Be Cool, the romantic comedy Prime, and the musical comedy remake The Producers failed to make any real impact with viewers. Her career in serious need of a pick-me-up after three notable misfires, Thurman would make yet another grab for laughs when, in the summer of 2006, she starred as needy superhero who uses her powers to seek revenge against an ex-boyfriend attempting to move on in My Super Ex-Girlfriend. In 2010, Thurman joined the cast of Percy Jackson and the Lightning Thief in the role of Medusa, the snake-haired gorgon who could turn a man to stone with no more than a look. The actress played a decidedly different type of character in Ceremony (2010), a critically acclaimed independent comedy that featured Thurman as a woman in her late thirties with a tendency to date the wrong type of guy. In 2012, Thurman co-starred in the period drama Bel Ami and had a recurring role on the musical TV series Smash. She had a supporting role in Lars von Trier's Nymphomaniac in 2013.

Trivia: The balding, likeable, nervous-looking character actor Paul Giamatti is the son of the author, Yale president, and Major League Baseball commissioner A. Bartlett Giamatti. After earning his M.F.A. in Drama from Yale, the younger Giamatti got started on his acting career with small film parts and TV guest spots. He quickly became a recognizable face but his name was not yet well-known in Hollywood, while on-stage he appeared in lead roles for Broadway productions of The Three Sisters and The Iceman Cometh. Giamatti's film breakthrough came in 1997 with the role of media executive Kenny (aka "Pig Vomit") in the Howard Stern movie Private Parts. In his next few films, he played small yet funny parts like the inept mob henchman in Safe Men, the slave-peddling ape in Planet of the Apes, and the bellboy in My Best Friend's Wedding. He then got starring roles in the HBO movies Winchell (opposite fellow character actor Stanley Tucci) and If These Walls Could Talk 2. Giamatti seemed to get good parts in both independent films (Storytelling, Confidence) and in major studio blockbusters (Big Momma's House, Big Fat Liar). After playing the real-life eccentric Bob Zmuda in Milos Forman's Man on the Moon, he got his first major starring role in 2003 as the leading real-life eccentric Harvey Pekar in American Splendor, which won the Grand Jury Prize at the Sundance Film Festival. The same year he starred in the FX original movie The Pentagon Papers with James Spader.Many thought Giamatti was more than deserving of an Academy Award nomination for his role in American Splendor, but when the nods were announced his name was absent. Nonetheless, he received even more raves for his next film. As the wine-loving love-lorn lead in Sideways, Giamatti wowed critics and increased his popularity with audiences exponentially. However, despite the overwhelming accolades and multiple Oscar nominations for the film, Giamatti was again ignored by the Academy.Next up, Giamatti returned to supporting work with a role in director Ron Howard's acclaimed 2005 biopic of boxer Jim Braddock, Cinderella Man. Playing the concerned, passionate manager to Russell Crowe's headstrong underdog, Giamatti finally received some belated Academy attention, even if he lost the 2005 Best Supporting Actor prize to popular favorite George Clooney. No matter, since Giamatti was already at work on his next leading man project in M. Night Shyamalan's Lady in the Water. Of course his role as the befuddled apartment complex supervisor attempting to protect a mysterious woman who emerges from the swimming pool in Shyamalan's eagerly-anticipated fairy-tale thriller still only seemed like the beginning of an incredibly productive period that continued to capitalize on Giamatti's post-Sideways success, and with an exhausting six films featuring the actor scheduled for release in 2006 alone, the actor previously content essaying supporting roles found himself increasingly gravitating towards the status of leading man. Still, it wasn't all big budget blockbusters for the screen's most well-known wine connisseur, and with a prominant role as an obsessive falconer in writer/director Julian Goldberger's 2006 adaptation of author Harry Crews 1973 novel The Hawk is Dying, Giamatti delivered the distinct message that his career was still very much about the creativity afforded to actors and not necessarily the financial payoff. An additional role in the romantic fantasy adventure The Illusionist that same year found Giamatti taking a trip back to turn-of-the-century Vienna to play a conflicted police inspector whose outward obligations to the aristocracy belie his growing suspicions that they may be covering up an especially confounding murder. With a voice that was equally as recognizable as his distinctive face, Giamatti began lending his vocal chords to a variety of animated projects including Robots, The Ant Bully, The Haunted World of El Superbeasto and the curiously titled Amazing Screw-on Head as well. Unrelenting in the coming years, Giamatti would continue to take on a wide range of memorable character roles in interesting films like Shoot Em Up, John Adams, Cold Souls, The Last Station, The Hangover Part II, The Ides of March and Rock of Ages.

Trivia: A classically trained stage star in his adopted home of Canada, Colm Feore became an increasingly familiar presence to movie and TV audiences as a prolific supporting actor in the 1990s.Though he was born in the U.S. and spent the first years of his life in Ireland, Feore and his family moved to Ottawa when he was three and Canada became his official home. After studying acting at Canada's National Theater School, Feore built a distinguished Canadian stage career, performing in over 40 productions during 13 seasons with the prestigious Stratford Festival.Feore began adding film and TV to his acting experience in the late '80s with such movies as Iron Eagle II (1988), Bethune: The Making of a Hero (1989), Beautiful Dreamers (1991) and Truman (1995). His non-stage career expanded further in the latter half of the 1990s and into the 2000s with numerous roles in a wide range of projects likeFace/Off, The Wrong Guy (1998), City of Angels, Titus (1999), and Michael Mann's Oscar-nominated docudrama, The Insider (1999). Though he spent part of 2000 acting in the New York Public Theater production of Shakespeare's Hamlet, Feore was soon back in front of the cameras in an eclectic mix of works, like off-center murder mystery The Caveman's Valentine (2001) and played Admiral Kimmel in Michael Bay's overblown blockbuster Pearl Harbor (2001). As the years rolled on, Feore would continue to remain an active force on screen, appearing in movies like Chicago, Paycheck, The Exorcism of Emily Rose, Changeling, and Thor. Feore would also find success on the small screen on shows like 24 and The Borgias.

Trivia: Though he spent most of his childhood in Japan and Europe, Joe Morton, along with his mother and remaining family, moved from Germany to New York after the passing of his father. While he hadn't given acting an incredible amount of thought during his adolescence, Morton decided to pursue a career in the performing arts during his first day at Hofstra University. After his first professional acting job in an off-Broadway production of A Month of Sundays, Morton was cast in Hair (1968), and subsequently became a well-known name within Broadway circles. Morton's role in Raisin, a musical version of A Raisin in the Sun, earned him a Tony nomination. Though he didn't manage to snag the award, the young actor nonetheless found work on several popular television shows of the time, including M*A*S*H and Mission: Impossible. By the late '70s, Morton had appeared in a variety of equally acclaimed films, such as The Outside Man (1973), Between the Lines (1977), and ...And Justice for All (1979).After continuing his work in television, Morton made his first leading-man feature-film appearance as "The Brother," an intergalactic escaped slave, in John Sayles' 1984 hit The Brother From Another Planet. A year later, Morton could be seen in a supporting capacity alongside Lori Singer and Keith Carradine in the post-noir romantic drama Trouble in Mind (1985). Though Morton found no small amount of work during the 1980s, it wasn't until 1991 that he would play one of the most recognizable roles of his career: the cyborg-components researcher in Terminator 2: Judgment Day. However, Terminator 2 was by no means the peak in his career -- that same year, he reunited with Sayles and played a frustrated city councilman in City of Hope. In 1994, Morton portrayed a police captain in Speed, and, after a recurring role on NBC's Homicide: Life on the Street, starred in two highly lauded films: The Walking Dead (1995), in which he played a deeply religious marine, and Lone Star (1996), another John Sayles film. By this stage in his career, Morton had developed a reputation for playing scientists and government officials, and his role as an explosives expert in Executive Decision (1996) was no exception. However, Morton was certainly not incapable of more emotional fare, as demonstrated in his performance in HBO's Miss Evers' Boys, which won three Emmy awards in 1997. In 1998, Morton further avoided typecasting with his role in Blues Brothers 2000 as Cabel Chamberlain, the son of music man Curtis (Cab Calloway) from the original film.The early 2000s proved an equally busy time for Morton, who, aside from participating in numerous documentaries and made-for-television features, continued his role as Leon Chiles in NBC's Law & Order, and began regularly appearing as Dr. Steve Hamilton on the WB's Smallville. During this time, he could also be seen in supporting performances for What Lies Beneath (2000), Bounce (2000), and Ali (2001). 2003 found Morton playing another government agent in Paycheck, while 2004 brought another opportunity altogether -- Morton took the director's seat for Sunday on the Rocks. Also that year, Morton joined director Rob Cohen to film Stealth. A recurring role on the Pentagon television drama E-Ring found the actor continuing on his impressive television run, with a supporting role in the 2006 feature The Night Listener serving well to keep Morton's feature credits expanding as well.A contributing narrator of the long-running PBS series The American Experience, Morton became a familiar voice to television viewers who refused to switch their brains off for prime-time viewing. But it was recurring roles in both The Good Wife and Eureka that helped to keep him a familar face to more casual TV fans.

Trivia: Though New York City residents savvy to the off-Broadway stages may be familiar with actor Michael C. Hall as a result of his roles in nearly a dozen productions including Macbeth, Timon of Athens, and Cymbeline, television viewers are more likely to recognize the Emmy-nominated talent as the proprietor (along with his brother, Nate [Peter Krause]) of the Fisher & Sons Funeral Home on the popular HBO drama Six Feet Under. Born in Raleight, NC, in 1971, Hall graduated from Earlham College before receiving his training as an actor in the NYU Master of Fine Arts acting program. His prowess on the stage led him to appear in off-Broadway productions for The New York Shakespeare Festival, and it wasn't long before he was offered a role on Six Feet Under. Though the show's producers had originally cast Krause in the part, the subsequent difficulty they had in casting the character of Nate eventually found Krause tackling that role, while Hall took on the part of David. Of course, fate has a way of working things out for the best sometimes, and both actors hit their stride in the quirky series, with Hall's multi-layered performance as the closeted David, in particular, lending the show both some of its most poignant moments and some of its most humorous. In 2003, Hall attempted to make the leap to feature films with the John Woo action movie Paycheck, and in 2004, he began work on director Timothy Daly's low-key relationship drama Bereft.Though, with the releases of Paycheck and Bereft, it appeared as if the actor who had thus far achieved the most fame as a closeted funeral director on HBO's Six Feet Under was moving away from television in order to focus on feature work, a return to the small screen in the Showtime crime drama series Dexter found Hall dealing in death on the small screen once again. Cast in the title role of a forensics investigator who secretly moonlights as a serial killer, Hall earned critical acclaim and substantial ratings as he made the transition from playing one who sees that the dearly departed get a respectable send-off to portraying one who helps to keep funeral homes in business.He was the bad guy in the action film Gamer in 2009, and appeared in the indie films Peep World and The Trouble With Bliss. Once Dexter ended in 2013, Hall took the opporunity to take a break from the screen for a while, choosing to return to the stage in Hedwig and the Angry Inch, playing the title role.He was married to his Dexter co-star Jennifer Carpenter from 2008-2011, during which time he survived a bout with cancer.

Trivia: Avid filmgoers and adherents to the indie film movement that swept through America in the early to mid-'90s will invariably remember Peter Friedman as the sneaky, underhanded, New Age-espousing "self-help guru" who supposedly attempts to offer ailing Julianne Moore a hand up -- but only succeeds in draining her wallet -- in Todd Haynes' harrowing drama Safe (1995). In truth, that role represented just one of many memorable cinematic contributions for the prolific, highly versatile character actor, whose resumé reads like a best-of list of both independent film and Hollywood product. This slightly diminutive, stocky, and balding player first made an impression with a small role in the holiday slasher opus Christmas Evil (1980), then essayed a series of consistently interesting projects including Finnegan Begin Again (1984), The Seventh Sign (1988, as a priest), Blink (1994, as an ophthalmologist), and I Shot Andy Warhol (1996). Friedman's onscreen activity extended into the 2000s, most visibly in Tamara Jenkins' drama The Savages (2007), in which he played Laura Linney's sex-hungry paramour.

Trivia: Held in warm regard by Xena-philes for her role as the vulnerable villain Najara in the popular fantasy adventure series Xena: Warrior Princess, actress Kathy Morris sports an impressively eclectic resumé, appearing in everything from television's creepy Poltergeist: The Legacy to such dramatic roles as The Contender (2000).Morris was born in Cincinnati, but grew up traveling constantly and living a Partridge Family-esque existence with her close-knit family/bandmates from the age of five. Though she would spend time in such geographically diverse climates as Brooklyn, TX, and the cold of Connecticut, it was with her early experiences in the spotlight that Morris found the most fulfillment. Seguing into theater after her youthful experiences on the stage, she began to refine her acting skills and soon made the decision to pursue a professional career as an actress. Laboring through countless hours of free work and waitressing in the years she spent launching her career, Morris finally got her break when cast alongside Mark Harmon in the made-for-television film The Long Road Home in 1991. Making her feature debut opposite 15-minute rap sensation Vanilla Ice in Cool as Ice the same year, Morris appeared in more made-for-TV movies (Oldest Living Confederate Widow Tells All [1994]) and low-budget thrillers (Sleepstalker [1995] and The Prophecy II [1998]) in the following years, Morris began to truly gain momentum in 1997 when she was cast in television's Pensacola: Wings of Gold and the aforementioned Xena: Warrior Princess. Never having been the athletic type, Morris left most of the fantastic swashbuckling of her sympathetic villainess in the physically demanding Xena to stunt doubles. After appearances in The Contender and the nuclear war thriller Deterrence (2000), Morris leapt into her biggest film yet with her role in Steven Spielberg's A.I. (2001). Spielberg also cast her in his next film, 2002's Minority Report, playing Tom Cruise's estranged wife.In 2003, Morris returned to television in the CBS series Cold Case. Playing Philadelphia Detective Lilly Rush, Morris was the lead in the show, which ran for seven seasons. After Cold Case wrapped in 2010, she played the small role of Billy Beane's (Brad Pitt) wife in the Oscar-nominated film Moneyball (2011), but her scenes were ultimately cut from the movie. In 2013, Morris appeared in the Hallmark Channel's TV Movie The Sweeter Side of Life.

Trivia: Yugoslavian-born Ivana Milicevic emigrated to the United States with her family in 1983, when she was nine years old. Raised in Michigan, the stunning young woman began modeling while she was still in high school and shortly after graduating, she began professional acting with minor appearances on TV shows like Seinfeld and in films like Jerry Maguire. As she racked up roles on her resumé, she began to score bigger parts, on series such as Love Monkey and in the James Bond film Casino Royale.

Trivia: One of Canada's fastest-rising actors, Callum Rennie (also known as Callum Keith Rennie) came into the business at an age when most actors are considered to be heading steadily over the hill. Rennie had his breakthrough when he was 34, starring alongside Sandra Oh in Mina Shum's acclaimed Double Happiness (1994). Nominated for a Genie (Canada's equivalent of the Oscar) for his portrayal of Mark, the endearingly geeky guy who falls in love with Oh's character, Rennie was effectively introduced to audiences across Canada, many of whom wondered where he had been for so long.Born in Sunderland, Tyne-and-Wear, England, on September 14, 1960, Rennie moved to Edmonton, Alberta, with his family when he was barely out of diapers. Raised as the second of three sons in a middle-class family, he first thought about becoming an actor at the age of 18 and began appearing in local theatre productions. Unfortunately, any career aspirations he had took a back seat to an addiction to alcohol, one that would control his life until he was 33. Drinking heavily, Rennie continued his involvement with the theatre, appearing in a number of stage productions, but his work -- which often met with substantial acclaim -- was largely overshadowed by his addiction. Things finally began to change for Rennie in 1993, when he got into a bar fight that resulted in glass in his left eye and a vow to quit drinking. His ensuing sobriety was accompanied by a change in his career, marked by an increasing number of supporting roles on various TV programs, including a recurring spot on the CBC's My Life as a Dog, for which he won a Genie. Rennie's 1994 screen breakthrough in Double Happiness opened the door for more screen work, including Bruce McDonald's wickedly good but woefully little-seen Hard Core Logo (1997), a pseudo rock documentary that cast Rennie as an aging punk rocker. He also landed a starring role on Due South, an popular Canadian TV series that cast him as a hard-bitten Chicago cop.In 1998, Rennie won one of the most important roles of his career to date in Don McKellar's Last Night. An acclaimed film about the end of the world, it cast the actor as a man intent on trying every possible sexual variation imaginable in the time he has left. Rennie won a Genie for his performance, which imbued the character with more charm than smarm and captured both his efficacious self-assurance and surprising awkwardness. The film also allowed the actor to collaborate again with Sandra Oh, as well as director David Cronenberg; the following year, Cronenberg cast him in a substantial role in eXistenZ.As the 21st century began, Rennie could be seen in The Last Stop as well as Christopher Nolan's breakthrough hit Memento. He jumped back and forth between small and big-screen projects such as Bliss, Dark Angel, The Butterfly Effect, Blade: Trinity, The X-Files, Battlestar Galactica, and 24, finding one of his biggest successes when he was cast in the AMC mystery series The Killing as Rick Felder.

Trivia: Started her career on stage acting alongside Mickey Rooney. Was nominated for a Leo Award for Best Lead Performance by a Female in a Dramatic Series for her role in the Canadian TV show The Guard in 2008. Pleaded with the producers of the CBS show Harper's Island to have her character killed by having her skin peeled off. Has appeared in several sci-fi and horror films and TV series, and has stated she is especially a fan of gory horror.

Trivia: Raised in Houston,TX, Krista Allen began her acting career by wearing bikinis in beauty pageants and advertising campaigns. She appeared on the covers of several men's magazines, calendars, and beer commercials, leading straight to her national identity as "the Budweiser girl." In 1994, she made the natural progression to softcore movies on Cinemax, playing the titular lead seductress in the infamous Emmanuelle series. The following year she moved on to soap operas, with reoccurring roles on The Bold and the Beautiful and Days of Our Lives. Her most recognizable television role may be as Jenna on Baywatch, though she has also made few appearances on the popular CBS series CSI: Crime Scene Investigation. Mostly getting walk-on roles in feature films, Allen was in Raven with Burt Reynolds, Liar Liar with Jim Carrey, and Anger Management with Jack Nicholson and Adam Sandler.Though Allen continued to work in television throughout the early two thousands, it wasn't until 2005 that she would make a splash with mainstream audiences, when she played herself in a starring role on HBO's Unscripted. Allen took on a recurring role on ABC's What About Brian? (2006), and joined the cast of the reality television show Fast Cars and Superstars: The Gillette Young Guns Celebrity Race in 2007. In 2009 the actress could be seen briefly in The Final Destination. Allen landed several television roles in the late 2000s and early 2010s; among them include Dirty Sexy Money (2009), Love Bites (2011), and The L.A. complex (2012).

Trivia: Studied classical piano in his youth. Dreamed of being an Olympic hockey player as a kid. Studied engineering in college. Worked as a film editor before pursuing his acting career full-time.

Trivia: Lived on a five-acre farm with her parents for the first three years of her life. Spent a year living in the Caribbean. Supports the charities Caleb's Hope, Doctors Without Borders and the Canadian Red Cross. Studied acting at the Lyric School of Acting in Vancouver.