Trivia: Well known for his works as teen heartthrob on the NBC series Freaks and Geeks and films like Never Been Kissed (1999) starring Drew Barrymore, James Franco has the dark, refined looks of a classic movie star. Indeed, he was cast in the TNT film James Dean playing the screen legend himself, for which he won a Golden Globe Award for his performance in 2002.Born on April 19, 1978, Franco has lived in California throughout his life. After high school, he studied acting intensely under Robert Carnegie, Jeff Goldblum, and Tony Savant. He also spent time training at the Playhouse West in North Hollywood. Soon after landing the role as dark and pessimistic Daniel on Freaks and Geeks, where the teenage crowd found his performance accessible and realistic, Franco would earn a series of roles in teen-oriented motion pictures. Along with Never Been Kissed, he appeared in Whatever It Takes, on the set of which he met girlfriend Marla Sokoloff, a fellow actor. In a film about a group of "bad" students called Mean People Suck (2000), Franco appeared in the role of Casey, and then starred in Blind Spot in 2001.After retaining heartthrob status with his award-winning performance as James Dean, he would appear in Deuces Wild (2002), a '50s-style gang drama. That same year, he played the part of Harry Osborn in the live-action rendition of Stan Lee's superhero comic Spider Man, also starring Tobey Maguire, Willem Defoe, and Kirsten Dunst. The following year would find an emerging Franco in his most dramatically challenging role to date, as a murder suspect who happens to be the son of an NYPD police detective (Robert DeNiro) in City by the Sea. Impressed by Franco's turn as flm legend James Dean, DeNiro personally lobbied to have Franco cast in the film. Franco would continue to work with talented collaborators, landing a role in Robert Altman's ballet movie The Company in 2003. He returned to the role of Harry Osbourn in Spider-Man 2 a year after that. 2005 was a busy year for the young actor who directed an adaptation of his own play, The Ape, and starred in a couple of historical dramas. Neither The Great Raid nor Tristan & Isolde made much of an impression with audiences, but the films showed an actor willing to try new things. He was back in theaters early in 2006 with the Naval Academy/boxing movie Annapolis. That fall he again appeared in theaters in the World War 1 drama Flyboys, directed by Tony Bill. He also agreed to reprise the role of Harry Osborn one more time in Spider-Man 3.Having long nurtured an aptitude for painting, Franco had his first public exhibition of his work in 2006, with a show at a Los Angeles gallery. He also began writing and directing his own short films, like 2007's Good Time Max and 2009's The Feast of Stephen. Around this time, Franco made the unexpected decision to enroll at UCLA as an English major. After receiving special permission to take on a heavier than normal course-load, he received his degree in 2008, and promptly began working on his MFA at Columbia University in New York, which he completed in 2010. He next enrolled as a Ph.D. student in English at Yale University. All the while that he was completing his higher education, Franco was living up to the description often given by his co-stars and collaborators as having a superhuman ability to complete numerous projects at once. In 2008, Franco found an awesome vehicle for his comedic chops with the action-stoner-comedy Pineapple Express, pairing him with Seth Rogen as an adorably friendly weed dealer. That same year, he earned accolades for his performance as Scott Smith in the Award Winning biopic Milk, opposite Sean Penn. Even stranger, in 2009 - at the height of success - Franco decided curiously to join the cast of the daytime soap opera General Hospital, as a performance artist, not unlike himself, named Franco. He would later refer to the role as "performance art," but the tongue-in-cheek nature of a heart-throb Hollywood star joining the ranks of daytime TV only added to Franco's fun and mischievous image. He would also appear on the show 30 Rock that year as himself, in an episode in which the actor carries out a fake relationship for the press, in order to draw public attention from rumors that he's in love with a Japanese body pillow.Franco would make appearances in films like Eat, Pray, Love and Date Night over the coming years, but his next big splash came in 2011, when he starred in the gripping thriller 127 Hours. Playing a mountain climber who becomes immovably wedged in an isolated crevice, the almost completely solo performance earned Franco yet more praise from critics and fans, as well as numerous nominations from the Academy Awards, Golden Globes, Screen Actors Guild Awards, and more. Never standing still after even the biggest victory, however, Franco was soon onto the next project, reteaming with his Pineapple Express director and costars for the 2011 fantasy-stoner-comedy Your Highness.

Trivia: As the daughter of American child star-turned-cult favorite Russ Tamblyn (Peyton Place, Twin Peaks), Hollywood heartthrob and ingenue Amber Tamblyn inherited the stunning red hair, fair complexion, and acting chops of her famous dad. Born in the early '80s to Russ and wife Bonnie Murray, Tamblyn was discovered by an agent at her school during her preteen years, and soon landed a prominent role as the maniacal tot Emily Quartermaine on General Hospital -- a turn she sustained from 1995 to 2001.Tamblyn guested on such series as Buffy the Vampire Slayer and Boston Public in the early 2000s, and tackled a small role in Gore Verbinski's 2002 shocker The Ring (as one of Samara's unfortunate victims), but the actress failed to generate a sizeable fan base prior to the advent of the fantasy-tinged drama series Joan of Arcadia in 2003. Tamblyn received first billing in that program as Joan Girardi, a seemingly average high school teenager who is tapped by the Almighty to perform various assignments. Joan drew a substantial cult following and outstanding critical assessments (USA Today pegged it as the most promising dramatic series of 2003), but unfortunately, its popularity failed to spread beyond a small enthusiastic band of adherents and it folded within two years.Tamblyn then segued back into film work, with first billing in Ken Kwapis' coming-of-age comedy drama The Sisterhood of the Traveling Pants in 2005, as one of four teenage girlfriends (alongside America Ferrera, Blake Lively, and Alexis Bledel) who make a good-luck pact; the picture received outstanding reviews and ensured continued stardom for Tamblyn. In 2006, the young actress essayed the title role in Hilary Brougher's fine psychological drama Stephanie Daley, about a troubled teenager accused of killing her newborn child. Tamblyn also traveled the programmer route that year with a turn in the horror sequel The Grudge 2. The following year, the actress starred in Beth Schacter's teen comedy Normal Adolescent Behavior and Rigoberto Castaneda's indie thriller Blackout. In the latter -- a high-wire suspense picture about a bunch of people trapped in a hospital elevator -- Tamblyn played a young woman desperate to reach her grandmother before the elderly woman dies. In 2008, she reprised her Traveling Pants role in the sequel, The Sisterhood of the Traveling Pants 2.Amber Tamblyn is also a prolific poet and runs her own website, The Rebel Asylum, with postings of her work. Her volume of poetry Free Stallion was published by Simon & Schuster in 2005.

Trivia: American actress Kate Mara realized many an ingenue's dream in late 2005, when she nearly stole Ang Lee's film Brokeback Mountain. As Ennis Del Mar's (Heath Ledger) 19-year-old daughter, Alma Jr., who becomes one of the first familial recipients of Ennis' newfound ability to project love and affection, Mara walked away with one of the most powerful scenes in the picture. It marked a small contribution but a masterful one, and it made audiences take notice of her for the first time. Admirers of this scene may not have realized that Mara's onscreen history stretched back a decade prior to this.As the great-granddaughter of Pittsburgh Steelers founder Art Rooney and New York Giants progenitor Tim Mara, Kate Mara began life in Bedford, NY, and came of age in nearby Westchester. Mara debuted on-camera in her early teens, in a 1997 episode of Law & Order, and took her cinematic bow two years after that, as Kristin Scott Thomas' daughter in Sydney Pollack's romantic drama Random Hearts. The film struck audiences as laborious and unsatisfying, but great things lay in store for Mara -- and if she scraped bottom with the direct-to-video slasher flick Urban Legends: Bloody Mary (2005) and paid her dues with bit roles in such blockbuster series as CSI and 24, her extraordinary contribution to Brokeback (playing, ironically, the daughter of an actor only a few years older than the actress herself) paved the way for more covetable assignments.Thanks in no small part to an inherited football passion, Mara particularly warmed to the part of Annie Cantrell in McG's sports drama We Are Marshall. Mara then appeared as Sarah Fenn, opposite Mark Wahlberg, in Antoine Fuqua's action saga Shooter (2007). She followed that up with a role in Machinist director Brad Anderson's tense thriller Transsiberian, alongside Ben Kingsley and Woody Harrelson. In 2010 she appeared in the indie films Peep World and happythankyoumoreplease, as well as having a key role in the Oscar-nominated drama 127 Hours. She had a leading part in the 2011 twentysomething drama Ten Year. She had a supporting role in the first season of American Horror Story, and then appeared on the first two seasons of House of Cards.

Trivia: A prolific Gallic actress with a distinct onscreen presence, Clémence Poésy kick-started her career in a series of films produced in her native France, then gradually expanded her scope to include European and (later) U.S.-based efforts. Poésy signed for one of her first major parts with a supporting role opposite the legendary Carole Bouquet and Michel Duchaussoy in Francis Palluau's hostage-themed comedy Bienvenue Chez Les Rozes (2003). She then evoked the period flair of Mary, Queen of Scots with her portrayal of that character opposite Robert Carlyle in Gillies MacKinnon's U.K. miniseries Gunpowder, Treason and Plot, and then tackled a lead in the German comedy drama Olga's Summer (2004). In that film, Poésy played Olga, a 16-year-old who falls madly in love with a much older man and runs off with him to the French Rivera. Poésy subsequently achieved international crossover success and made her Hollywood debut as Fleur Delacour in the family-oriented big-budget fantasy Harry Potter and the Goblet of Fire (2005) and essayed a romantic lead opposite Colin Farrell in Martin McDonagh's steel-tough action-drama In Bruges (2008).

Trivia: Retained her British citizenship after her family moved to Manhattan, but considers herself to be an American actress. Made her silver-screen debut in 1969 in Anne of the Thousand Days, which starred her famous father, Richard. Was nominated for two Tony Awards in 2002 for her work in Hedda Gabler and The Elephant Man. Received an honorary doctorate from Brown University, her alma mater, in 2007. Portrayed all of the adult female roles in the 2008 hit Broadway show Spring Awakening. Narrated audio books for novels written by Patricia Cornwell, Lisa Scottoline, Iris Johansen and Dean Koontz.

Trivia: An actress who commenced onscreen roles in late adolescence, Lizzy Caplan initially specialized in playing teenagers and young adults in tough-natured and slightly edgy material. Caplan landed many of her earliest assignments on the small screen, in telemovies such as the 2000 From Where I Sit and the 2002 Everybody's Doing It, and made repeat appearances on such series programs as Smallville, Freaks and Geeks, and Tru Calling. Not long after, the young performer joined the cast of Mark Waters and Tina Fey's satirical big-screen comedy Mean Girls (2004), as misfit high-school student Janis Ian. Also in 2006, Caplan scored a regular role on the sitcom The Class. In 2008, Caplan made a memorable apperance in the Matt Reeves' sci-fi thriller Cloverfield as Marlena, one of the victims of a city-wide rampaging monster, followed by a memorable run as a hippie hooked on vamprie blood on True Blood. TV would prove a good fit for the actress, who also proved an impressive comedian with starring roles on shows like Party Down, Childrens Hospital, and New Girl, In 2012, Caplan headlined a couple of girly, indie-ish films, Save the Date and Bachelorette, before taking on her highest-profile role to date- sex researcher Virginia Johnson on Showtime's Masters of Sex. Caplan was nominated for an Emmy for her work in the show. In her downtime from the series, Caplan found time to squeeze in some film work, including 2015's Christmas comedy The Night Before and 2016's Now You See Me 2.

Trivia: After attending Franklin and Marshall College, Treat Williams acted with the prestigious Fulton Repertory troupe. Williams made his Broadway debut in Grease (1976) eventually taking over the leading role of Danny Zuko. His later Broadway credits included the musicals Over Here and Pirates of Penzance and the reader's-theatre exercise Love Letters. In films from 1976, he scored his first significant success as the draft-resistant protagonist of Milos Forman's Hair (1979). He went on to play the title role in The Pursuit of D. B. Cooper (1981), then gained positive critical notice for his work as reluctant interdepartmental police informant Daniel Ciello in Prince of the City (1981). His later film roles included mob-connected labor organizer Jimmy O'Donnell in Once Upon a Time in America (1984) and the seductive James Dean clone in Smooth Talk (1985). Famed for his willingness to tackle any sort of role, Williams' artistic ambitions are backed up by his versatility and astonishing vocal flexibility. On TV, Williams played Stanley Kowalski opposite Ann-Margret's Blanche Dubois in Streetcar Named Desire (1984) and was appropriately sharkish as superagent Mike Ovitz in The Late Shift (1996). He also starred in the weekly series Eddie Dodd (1991) and Good Advice (1995). Many of Treat Williams' recent film roles have exhibited a fondness for expansive, scenery-chewing villainy, notably megalomanic Xander Drax in The Phantom (1995).