Trivia: A professional actor since the age of nine, Jennifer Jason Leigh earned her Screen Actors Guild card at 16 and dropped out of high school to study at the Lee Strasberg Institute and star in seedy made-for-TV movies. Born to actor Vic Morrow and writer/actress Barbara Turner in Hollywood, CA, Jennifer picked up the middle name Jason from family friend Jason Robards Jr. Throughout her career, she has made a name for herself portraying helpless, damaged, or mentally unsound characters, often performing at a higher level than the material. Also known for extensively researching her roles, Leigh dropped down to less than 90 pounds for one of her first features as an anorexic teenager in the TV-movie The Best Little Girl in the World. Never one to shy away from touchy subject matter, her breakthrough role came in 1982 as the naïve high school girl who gets an abortion in Fast Times at Ridgemont High. After a decade of developing a repertoire of various troubled characters, she was nominated for two Critics Circle awards in 1990 for playing prostitutes in both Miami Blues and Last Exit to Brooklyn. She would continue to play vulnerable characters in dangerous situations as the rookie narcotics officer-turned-drug addict in Rush. This was followed by her notorious role as the psycho roommate Hedra who tries to steal the identity of her roommate (Bridget Fonda) in Single White Female. She played a phone sex worker in the ensemble film Short Cuts, her first of three projects involving director Robert Altman. Leigh occasionally stepped out of her down-and-out roles, and in 1994 she shined as Amy Archer in The Hudsucker Proxy. Her comic turn as a plucky undercover journalist was said to recall the work of legendary actresses like Katharine Hepburn and Barbara Stanwyck. She delivered critically acclaimed performances in her next two films, with a Golden Globe nomination for Mrs. Parker and the Vicious Circle and an Independent Spirit nomination for Georgia. After playing an angry daughter in Dolores Claiborne, a spitfire kidnapper in Kansas City, and a domestic violence survivor in Bastard out of Carolina, she took another dramatic turn toward a period film. In Agnieszka Holland's Washington Square, Leigh proved her range by portraying a shy, clumsy girl as she evolves into adulthood. She returned to more showy roles for two films dealing with Shakespeare's King Lear: A Thousand Acres with Jason Robards Jr. and the fourth Dogme 95 film, The King Is Alive. Not limiting herself to dramas, Leigh appeared as an isolated computer programmer in David Cronenberg's thriller eXistenZ and as an over-the-top mom in the comedy Skipped Parts. Around that time, she also appeared on-stage in Broadway and off-Broadway plays, most notably as dancer Sally Bowles in Cabaret. Testing out new ground in 2001, she and fellow Cabaret star Alan Cumming wrote, directed, and starred in the ensemble comedy The Anniversary Party, a digital video project inspired by Dogme 95. Continuing to evolve as a respected actress, she went on to work in the crime genre, first as a hitman's wife in Road to Perdition, and then in Jane Campion's thriller In the Cut. In the several years to come, Leigh would remain an active force on screen, appearing most memorably in films like Margot at the Wedding, Synecdoche, New York, and on the series Weeds. After several years of quiet films, she made a splash in 2015 with two very different movies - the stop-motion film Anomalisa (directed by Charlie Kaufman and Duke Johnson) and The Hateful Eight, a western homage by Quentin Tarantino. Leigh nabbed an Oscar nomination for her work The Hateful Eight, the first in her career.

Trivia: Sturdy, reliable character actor Jon Hamm debuted onscreen at the turn of the millennium, with a series of key supporting roles in features including Space Cowboys (2000), Kissing Jessica Stein (2001), and Mel Gibson's We Were Soldiers (2002). He also appeared on such TV series as Providence, The Division, What About Brian, and The Unit. Hamm scored his first major lead as executive Don Draper in the AMC network's series Mad Men (2007) -- a period serial about a group of boozing, chain-smoking, and sexist advertising suits toiling away at their jobs in a Manhattan high rise, circa 1960. He earned a variety of award nominations for his work on the show, which itself won the Emmy for best drama series each of its first four years on the air. He parlayed this high-profile success into a recurring gig on 30 Rock, and appeared in films such as The Day the Earth Stood Still, Howl, and Sucker Punch. He was the cop chasing thief Ben Affleck in The Town (2010), and, the next year, had an uncredited appearance in the hit Bridesmaids. In 2012 he appeared in Friends With Kids, which was written and directed by his then-longtime girlfriend Jennifer Westfeldt. While continuing to build his film résumé, Hamm snuck in some television appeances as a voice actor, including guest spots on shows like The Simpsons, Bob's Burgers and Archer. He had a memorable two episode stint on Parks and Recreation (essentially a stretched-out cameo). When Mad Men drew to a close in 2015 (with Hamm finally winning an Emmy Award for the final season), Hamm had significant guest arcs on two new web series lined up - The Unbreakable Kimmy Schmidt and Wet Hot American Summer: First Day of Camp. Hamm also expanded his film work with Million Dollar Arm, Minions and Keeping up with the Joneses.

Trivia: Entertainer Judy Garland was both one of the greatest and one of the most tragic figures in American show business. The daughter of a pushy stage mother, Garland and her sisters were forced into a vaudeville act called the Gumm Sisters (her real name), which appeared in movie shorts and at the 1933 Chicago World's Fair. It was clear from the outset that Judy was the star of the act, and, as such, was signed by MGM as a solo performer in 1936. The studio adored Garland's adult-sounding singing but was concerned about her puffy facial features and her curvature of the spine. MGM decided to test both Garland and another teenage contractee, Deanna Durbin, in a musical "swing vs. the classics" short subject entitled Every Sunday (1936). The studio had planned to keep Durbin and drop Garland, but, through a corporate error, the opposite took place. Nevertheless, MGM decided to allow Garland her feature film debut in another studio's production, just in case the positive audience response to Every Sunday was a fluke. Loaned to 20th Century Fox, Garland was ninth-billed in Pigskin Parade (1936), but stole the show with her robust renditions of "Balboa" and "Texas Tornado." Garland returned to MGM in triumph and was given better opportunities to show her stuff: the "Dear Mr. Gable" number in Broadway Melody of 1938, "Zing Went the Strings of My Heart" in Listen, Darling (1938), and so on. When MGM planned to star 20th Century Fox's Shirley Temple in The Wizard of Oz, Garland almost didn't get her most celebrated role, but the deal fell through and she was cast as Dorothy. But even after this, the actress nearly lost her definitive screen moment when the studio decided to cut the song "Over the Rainbow," although finally kept the number after it tested well in previews. The Wizard of Oz made Garland a star, but MGM couldn't see beyond the little-girl image and insisted upon casting her in "Hey, kids, let's put on a show" roles opposite Mickey Rooney (a life-long friend). Garland proved to the world that she was a grown-up by marrying composer David Rose in 1941, after which MGM began giving her adult roles in such films as For Me and My Gal (1942) -- although still her most successful film of the early '40s was in another blushing-teen part in Meet Me in St. Louis (1944). Once very popular on the set due to her infectious high spirits, in the mid-'40s Garland became moody and irritable, as well as undependable insofar as showing up on time and being prepared. The problem was an increasing dependency upon barbiturates, an addiction allegedly inaugurated in the 1930s when the studio had Garland "pepped up" with prescription pills so that she could work longer hours. Garland also began drinking heavily, and her marriage was deteriorating. In 1945, she married director Vincente Minnelli, with whom she had a daughter, Liza, in 1946. By 1948, Garland's mood swings and suicidal tendencies were getting the better of her, and, in 1950, she had to quit the musical Annie Get Your Gun. That same year, she barely got through Summer Stock, her health problems painfully evident upon viewing the film. Before 1950 was half over, Garland attempted suicide, and, after recovering, was fired by MGM. Garland and Vincente Minnelli divorced in 1951, whereupon she married producer Sid Luft, who took over management of his wife's career and choreographed Garland's triumphant comeback at the London Palladium, a success surpassed by her 1951 appearance at New York's Palace Theatre. Luft strong-armed Warner Bros. to bankroll A Star Is Born (1954), providing Garland with her first film role in four years. It was Garland's best film to date, earned her an Oscar nomination for Best Actress, and allowed her a wealth of songs to sing and a full range of emotions to play.Riding high once more, Garland was later reduced to the depths of depression when she lost the Oscar to Grace Kelly. Her subsequent live appearances were wildly inconsistent, and her film performances ranged from excellent (Judgment at Nuremberg [1961]) to appallingly undisciplined (A Child Is Waiting [1963]). Her third marriage on the rocks, Garland nonetheless pulled herself together for an unforgettable 1961 appearance at Carnegie Hall, which led indirectly to her 1963 weekly CBS series, The Judy Garland Show. As with most of the significant moments in Garland's life, much contradictory information has emerged regarding the program and her behavior therein; the end result, however, was its cancellation after one year, due less to the inconsistent quality of the series (it began poorly, but finished big with several "concert" episodes) as to the competition of NBC's Bonanza. Garland's marriage to Sid Luft, which produced her daughter Lorna, ended in divorce in 1965, and, from there on, Garland's life and career made a rapid downslide. She made a comeback attempt in London in 1968, but audiences ranged from enthusiastic to indifferent -- as did her performances. A 1969 marriage to discotheque manager Mickey Deems did neither party any good, nor did a three-week engagement at a London nightclub, during which Garland was booed off the stage. On June 22, 1969, Judy Garland was found dead in her London apartment, the victim of an ostensibly accidental overdose of barbiturates. Despite (or perhaps because of) the deprivations of her private life, Garland has remained a show business legend. As to her untimely demise, Ray Bolger summed it up best in his oft-quoted epitaph: "Judy didn't die. She just wore out."

Trivia: Receiving his undergraduate education at Malvern Collegiate Institute, Victoria College and University of Toronto, Ontario-born director and producer Norman Jewison also studied piano and music theory at the Royal Conservatory. Following service in the navy and a brief sojourn as a cab driver, Jewison worked as an actor and scenarist in London. From 1953 through 1958, he was one of the top directors with the Canadian Broadcasting Corporation television service; he continued to turn out top-ranked TV work when he was signed by CBS in New York, winning three Emmys between 1958 and 1961. His first feature film was 40 Pounds of Trouble (1962), which led to a long-term contract with Universal. In 1963, Jewison took on the daunting task of executive producing the much-troubled Judy Garland Show, emerging from this failed 26-week project with little if any egg on his face. The first of Jewison's films to be greeted with the same critical effusion as his TV work was The Cincinnati Kid (1965). He went on to earn Oscar and Golden Globe nominations for his direction of In the Heat of the Night (1967). Not all of his subsequent films were treated kindly by the press, though he continued to enjoy respectable box-office showings. One of his biggest critical and commercial hits was Fiddler on the Roof (1971), despite complaints from devotees of the original Broadway version that Jewison weeded out too much of the musical's colorful ethnicism (some wags referred to the director as "Norman Christianson"). Jewison again hit it big with 1988's Moonstruck, for which he won the "Best Director" prize at the Berlin Film Festival. His next major directorial effort was The Hurricane in 1999; the story of a champion middle-weight boxer unjustly jailed for a murder he didn't commit, it starred Denzel Washington in the title role.

Trivia: esilLiza Minnelli grew up on the front lines of entertainment; her mother was the great singer/actress Judy Garland and her father the director/designer Vincente Minnelli. Minnelli made her first film appearance, uncredited, as Garlands daughter (with co-star Van Johnson) in the last few seconds of In the Good Old Summertime (1948). When Garland shared a 1964 concert engagement at the London Palladium with her 18-year-old daughter, Minnelli's performing career was kickstarted. A year later, Minnelli had won the Tony Award for Flora, the Red Menace -- the youngest performer ever to do so -- and by 1974 had won an Oscar as well, for her performance as Sally Bowles in Bob Fosse's dramatic musical Cabaret. Several of her TV specials, particularly Liza with a Z, received critical acclaim. Despite her auspicious beginnings in show business, her film career after Cabaret has been less than notable, with the possible exception of Arthur (1981) with Dudley Moore and Sir John Gielgud. Married four times, first to cabaret artist Peter Allen, then to Jack Haley, Jr., then to artist Mark Gero, and later to David Gest, for a time she was also linked romantically with Desi Arnaz, Jr., and Peter Sellers. In 1997 Minelli returned to Broadway as the lead in Victor/Victoria, though three short years later she was stricked with a case of viral encephalatis that threatened to leave her wheelchair-bound and unable to sing. Incredibly, following an appearance on the Michael Jackson: 30th Anniversary concert (produced by Gest), she was back on stage, and in 2002 she drew rave reviews for her nostalgic concert special Liza's Back. Always charming in front of the camera, the boyant actress/comedienne could next be seen as Buster's much-older girlfriend Lucille Austero in the shortlived, critically acclaimed, series Arrested Development. Her concert appearances continue to sell out, at which she often performs the music of John Kander and Fred Ebb, who wrote the score for Cabaret.