Trivia: More coolly charismatic than drop-dead handsome, Richard Gere was one of the most successful sex symbols of the '80s and early '90s. Possessing something of an actual talent in addition to his good looks, Gere has proven himself to be a versatile actor since first starring as the pick-up artist who creeps out Diane Keaton in Looking For Mr. Goodbar. Capable of playing everything from romantic leads and action heroes to medieval knights and ruthless villains, Gere has moved beyond his role as cinematic eye candy to become one of the more enduring actors of his generation. Born in Philadelphia on August 31, 1949, Gere had a strict Methodist upbringing in upstate New York. Following his 1967 high school graduation, he studied philosophy and film at the University of Massachusetts -- only to leave school to pursue an acting career two years later. Gere became a professional actor and sometime musician, performing theatrically in Seattle and New York and attempting unsuccessfully to form a rock band. In 1973 the young actor landed in London, where he gained prominence playing Danny Zuko in Grease, a role he would later reprise on Broadway. While in London, Gere gained the privilege of becoming one of the few Americans ever to work with Britain's Young Vic Theater, with which he appeared in The Taming of the Shrew.Back in the U.S., Gere made his feature film debut in 1974 with a tiny part in Report to the Commissioner. He returned to the stage the following year as part of the cast of an off-Broadway production of Sam Shepard's Killer's Head; following Gere's turn in the 1977 Looking for Mr. Goodbar, he and Shepard would again collaborate in Terrence Malick's breathtaking Days of Heaven (1978). In 1979, Gere won considerable theatrical acclaim for his performance in the Broadway production of Martin Sherman's Bent, and the next year enjoyed his first shot at screen stardom with the title role in Paul Schrader's American Gigolo. Though the film was not a major critical or box-office success, it did earn recognition for the actor, who had taken the role after John Travolta turned it down. Gere did not become a real star until he appeared opposite Debra Winger in An Officer and a Gentleman in 1982, but his bona fide celebrity status was jeopardized with roles in several poorly received films including King David (1985). A lead role in Francis Ford Coppola's 1984 The Cotton Club also failed to perk up the actor's career; despite a legendary director and stellar cast, the film received mixed reviews and poor box-office turnout. With no recent major successes behind him by the end of the decade, it looked as if Gere's career was in a tailspin. Fortunately, he abruptly pulled out of the dive in 1990, first as a cop/crime lord in Mike Figgis' Internal Affairs and then as a ruthless businessman who finds true love in the arms of prostitute Julia Roberts in the smash romantic comedy Pretty Woman. Back in the saddle again, Gere continued to star in a number of films, including Sommersby (1993), Intersection (1994), and First Knight (1995). In 1996, he was highly praised for his portrayal of an arrogant hot-shot attorney in Primal Fear, and in 1999 found further financial, if not critical, success starring opposite Julia Roberts in Runaway Bride. The following year the actor enjoyed some of his best reviews to date as a gynecologist at once devoted to and bewildered by all of the women in his life in Robert Altman's aptly titled Dr. T & the Women; many critics noted that Gere seemed to have finally come into his own as an actor, having matured amiably with years and experience. In 2002, Gere played the too-perfect-for-words husband to Diane Lane in Unfaithful. While the film was not a huge critical success, Gere was praised for a game performance, and Lane was nominated for an Oscar. Unfortunately for Gere, a starring role in The Mothman Prophecies didn't do too much for his resume -- while critics once again lauded the actor's intensity, the film itself was widely hailed as too slow-paced to properly showcase his talents. Luckily, the same couldn't be said for his performance in the multiple Oscar winning Chicago, which found Gere in the role of another hotshot lawyer, this time alongside a diverse and talented cast including Catherine Zeta-Jones, Renée Zellweger, and Queen Latifah. In 2004, Gere starred opposite Jennifer Lopez and Oscar-winning Hollywood veteran Susan Sarandon in Peter Chelsom's Shall We Dance?.On- and offscreen, Gere uses his acting clout to promote his various political ventures. A devout Buddhist, Gere has been deeply involved with the struggles surrounding the Dalai Lama and the worldwide struggle for human rights -- the documentaries Return to Tibet (2003) and Shadow Over Tibet: Stories in Exile (1994) featured Gere as a prime interviewee, while 1997's Red Corner starred the versatile actor as a victim of a grossly corrupt Chinese court system.In 2005, Gere played a professor of religious studies in director David Siegel's drama Bee Season, and enjoyed success in 2007 with The Hoax, an edgy biographical drama, and The Hunting Party, a political tragi-comedy in which he played a discredited reporter mistaken as a member of a CIA hit squad. The actor joined the casat of Nights in Rodanthe in 2008, and worked with Hilary Swank in Amela, the 2009 Amelia Earhart biopic. Gere took on the role of a burnt out cop in Training Day (2009), director Antoine Fuqua's gritty crime drama Brooklyn's Finest.

Trivia: An actor of seemingly boundless range, New York-born Hector Elizondo began his career as a dancer. His initial training was at the Ballet Arts school of Carnegie Hall, from which he moved on to the Actors Studio. After several years' stage work, Elizondo made an inauspicious movie debut as "The Inspector" in the low-budget sex film The Vixens (1969). He was shown to better advantage in his next film, Hal Ashby's The Landlord (1970), which he followed up with strong character parts in such Manhattan-based productions as The Taking of Pelham One Two Three (1974) and Thieves (1977). With Young Doctors in Love (1982), Elizondo began his long association with director Garry Marshall, who has since cast the actor in all of his films, in roles both sizable (Matt Dillon's dad in The Flamingo Kid [1984], the cafe owner in Frankie and Johnny [1991]), and microscopic (Overboard [1987]). Elizondo's screen roles have run the gamut from scrungy garbage scow captains to elegant concierges (Pretty Woman). In addition, he has been a regular on several mediocre television series: Popi, Freebie and the Bean, Casablanca (in the old Claude Rains role of Inspector Renault), a.k.a. Pablo, Foley Square, and Down and Out in Beverly Hills, In 1994, Elizondo took on a co-starring role as a demanding chief of surgery on the popular TV medical drama Chicago Hope. Other non-Marshall highlights in his filmography include Tortilla Soup, Overboard, Necessary Roughness, and Music Within.

Trivia: From his late teens to his late 20s, Ralph Bellamy worked with 15 different traveling stock companies, not just as an actor but also as a director, producer, set designer, and prop handler. In 1927 he started his own company, the Ralph Bellamy Players. He debuted on Broadway in 1929, then broke into films in 1931. He went on to play leads in dozens of B-movies; he also played the title role in the "Ellery Queen" series. For his work in The Awful Truth (1937) he received an Oscar nomination, playing the "other man" who loses the girl to the hero; he was soon typecast in this sort of role in sophisticated comedies. After 1945 his film work was highly sporadic as he changed his focus to the stage, going on to play leads in many Broadway productions; for his portrayal of FDR in Sunrise at Campobello (1958) he won a Tony Award and the New York Drama Critics Award. From 1940-60 he served on the State of California Arts Commission. From 1952-64 he was the president of Actors' Equity. In 1986 he was awarded an honorary Oscar "for his unique artistry and his distinguished service to the profession of acting." He authored an autobiography, When the Smoke Hits the Fan (1979).

Trivia: Most everyone who went to high school in Livingston, NJ, with Newark-born Jason Alexander knew that the lad was destined to become a major actor. Though inclined to stoutness -- and baldness -- from age 16 onward, Alexander had such a commanding stage presence that he was invariably cast as the star in school plays, in roles ranging from romantic leads to elderly character parts. While attending Boston University, the 20-year-old Alexander was cast in the lead of the Stephen Sondheim Broadway musical Merrily We Roll Along, which might have made him an overnight star had it not closed almost as soon as it opened. Alexander's first film role was in 1981's The Burning; that same year he made his TV-movie bow in Senior Trip. By 1989, Alexander had two major industry awards to his credit: the Tony and Grammy, both for his participation in Jerome Robbins' Broadway. In 1990, he was cast as clueless loser George Costanza in the popular sitcom Seinfeld (the character was allegedly based on series co-creator Larry David). And in 1994, his voice could be heard each week on the USA cable network as the web-footed, sex-obsessed private eye hero of the animated cartoon series Duckman. Though still best-known for his portrayal of George Costanza, Alexander's feature film career picked up speed during the '90s as both a character actor in major comedies such as Dunston Checks In and a voice-over artist on such animated Disney features as Aladdin and The Hunchback of Notre Dame. In 1997, he played a more dramatic role as an AIDS-afflicted drag queen who finds romance in Love! Valour! Compassion! (1997). After a disappointing blink-and-you-miss-it comeback to the small screen as a self-help guru in Bob Patterson, Alexander leapt back to the big screen opposite Jack Black in the Farrelly brothers' Shallow Hal. He directed the sex comedy Just Looking in 1999. He had another small-screen misfire with Listen Up. But he continued to appear regularly in movies including the documentary The Aristocrats, the improvised poker movie The Grand, and Snoop Dogg's Hood of Horror. He has lent his voice to a handful of animated projects over the years, and in 2012 he appeared in the family film A Fairly Odd Movie: Grow Up Timmy Turner.

Trivia: Born in New Jersey to Italian-American parents, deep-voiced actress Laura San Giacomo studied at Carnegie Mellon School of Drama. After performing in regional theater, off-Broadway, and TV guest-star roles, she made her auspicious debut in Steven Soderbergh's sex, lies, and videotape. As the down-to-earth yet adulterous Cynthia, her presence brought a sense of inhibition to the cast of otherwise sexually repressed characters. This was followed by a series of other good roles: the prostitute Kit in Pretty Woman, the hardworking waitress in Vital Signs, Holly Hunter's sister in Once Around, and the American expatriate Crazy Cora in Quigley Down Under. In addition to providing her husky voice to the star-studded animated series Gargoyles, she moved over to TV movies, most notably the Stephen King adaptation The Stand. On the big screen, she starred in Nina Takes a Lover, Stuart Saves His Family, and The Apocalypse (co-starring her then-husband Cameron Dye). After having her son Mason, she started playing the memorable role of magazine journalist Maya Gallo on Just Shoot Me, which ran from 1997-2003 on NBC. She worked steadily in the years following Just Shoot Me, but she was away from screens for four years after 2001, returning in the 2005 drama Havoc. Two years later she starred opposite Holly Hunter in the supernatural series Saving Grace.

Trivia: The son of British actor Wilfred Hyde-White, Alex Hyde-White began his own career in his teens, appearing briefly in Captain America (1979). Hyde-White's later film characterizations include Young Henry in Indiana Jones and the Last Crusade (1990) and David Morse in Pretty Woman (1990). What might have been his breakthrough role in Roger Corman's Fantastic Four (1994) fizzled when, for legal reasons, the film was completely withdrawn from view. Alex Hyde-White was at one time married to Karen Dotrice, herself a second-generation British performer (her father was Roy Dotrice).

Trivia: If television and movie buffs with a keen eye suspect that they may have seen actress Amy Yasbeck somewhere before, it could be from her early roles on the long-running soap opera mainstay Days of Our Lives or a mid-'90s stint on Wings, but it's possible that Yasbeck's recognition factor reaches back even further into the pop culture public conscience. As a child, the pretty actress was featured on the box of the wildly popular Easy Bake Oven.Born and raised the daughter of a grocery store proprietor father and a homemaker in Cincinnati, OH, Yasbeck got her break in show business after moving to New York City, where she was discovered by an agent while working in a restaurant. Moving to Los Angeles shortly after she began auditioning for roles, the aspiring actress made her television debut on Love, American Style before taking a villainous turn as Olivia in Days of Our Lives. As her small-screen career began gaining momentum with roles in Dallas, Magnum P.I., and The Cosby Show, Yasbeck also appeared early on in such features as House II: The Second Story (1987), Pretty Woman, and Problem Child (both 1990), on the set of which she met future husband John Ritter. Her versatile ability to transform herself into a given character regardless of apparent physical disparities was later evidenced in Yasbeck's role as Maid Marian in Mel Brooks' zany parody Robin Hood: Men in Tights. Though her role description called for a buxom blond actress of British persuasion, the artifices of a wig, a phony accent, and some creative costume-stuffing won the actress the role while simultaneously winning the favor of director Brooks (who later cast Yasbeck opposite Wings co-star Steven Webber in Dracula: Dead and Loving It [1995]). Drifting between television (Alright, Already, I've Got a Secret) and film (Odd Couple II, Denial [both 1998]). Throughout the next decade she made regular guest appearances in various TV series including Just Shoot Me!, That's So Raven, and Hot in Cleveland.

Trivia: Elinor Donahue's mother, a theatrical costumer, moonlighted as a department store saleswoman in order to pay for her daughter's dancing lessons. Appearing in dancing-chorus film roles from the age of five, Donahue was at one point a ballet-school classmate of future Fred Astaire partner Barrie Chase. Striking out on her own at 12, Donahue attained work as a Las Vegas showgirl at 14; the fact that she was underage was discreetly covered by her agent and her co-workers, who took a paternal interest in the impressionable young dancer's career. Breaking her ankle at 16, Donahue decided to forego dancing in favor of acting; she was almost immediately cast in the role of sensitive teenager Betty Anderson in the long-running (1954-60) sitcom Father Knows Best. It was the first of many TV stints for Donahue; over the next three decades she would appear as a regular on such series as The Andy Griffith Show, Many Happy Returns, The Odd Couple, Mulligan's Stew, Please Stand By and Doctor's Private Lives. She became a special favorite of writer/director Savage Steve Holland, who cast Donahue as the ditsy mother of a teen-aged secret agent on the 1987 Fox network series The New Adventures of Beans Baxter, and as the voice of a suburban mom who spends her waking hours trying to learn an indecipherable foreign language on Holland's cartoon series Eek! The Cat. This fey, eccentric quality was carried over into Donahue's performance as the eternally bathrobe-clad wife of Bob Elliot and mother of 30-year-old paperboy Chris Elliot on the 1990 Fox sitcom Get a Life. Donahue's film appearances have been less frequent; when she showed up in a cameo as a department store clerk in Gary Marshall's Pretty Women (1987), there was an audible appreciative sigh of recognition from movie audiences everywhere. Elinor Donahue was the wife of Columbia TV executive Harry Ackerman from 1961 to Ackerman's death in 1991.

Trivia: A capable comic actor whose regular-guy looks and sharp wit have made him a popular character performer in both movies and television, Larry Miller was born on October 15, 1953 on Long Island, NY. Miller grew up with a keen interest in music, and graduated with honors from Amherst College, receiving a degree in music. Hoping to make a career as a musician, Miller moved to New York City and began playing the nightclub circuit as a pianist and drummer. Working the clubs inspired Miller to take a stab at comedy, and he began performing occasional sets at comedy clubs such as the Comic Strip and Catch a Rising Star. Within two years, Miller had put his musical career on the back burner and was touring full-time as a comic. Miller made his film debut in 1978 in the film Take Down, but it would be several more years before Miller found himself before the camera again; as his career as a standup comic rose, Miller began landing occasional television guest shots and bit parts in films, as well as appearing on several cable television specials devoted to comedians. But it was Miller's appearance in the 1990 film Pretty Woman that kick-started his screen career; playing an arrogant but all-too-eager-to-please salesman, Miller's brief moment in the film earned big laughs, and he soon became a frequent presence in movies and television. Miller was a regular on the TV series The Pursuit of Happiness, Life's Work, and Michael Hayes -- all three of which only lasted a season -- and played recurring roles on Mad About You, Dream On, DAG, and My Wife and Kids. Miller also made a surprising appearance in a dramatic role on Law & Order, in which he played a man accused of murder. Miller played a number of showy supporting roles in theatrical films, including Waiting for Guffman, The Minus Man, The Nutty Professor, Best in Show, and A Mighty Wind. His comedy chops only gaining more bite with the passing years, Miller would find only increasing success when he appeared on such small screen hits as Desperate Housewives and Boston Legal in the mid-00s. Of course Miller was still very much a feature man, with roles in the underseen sleeper Kiss Kiss Bang Bang and The Any Bully providing plenty of room for the comic talent to shine. When not busy with his acting career, Miller still performs as a standup comic, and writes a humor column for The Daily Standard.

Trivia: Rubber-faced comic actor and vocal artist extraordinaire Hank Azaria initially plied his trade on the stand-up circuit, then subsequently landed stage appearances and tackled bit parts on television. Azaria scored his breakthrough in 1989 when he began providing a multitude of voices for the Fox network's groundbreaking animated series The Simpsons, an assignment that imparted the performer with an enviable degree of cult stardom. In 1991, Azaria nabbed a major role in the Fox live-action sitcom Herman's Head, which ran until 1994 and gave audiences a glimpse of the man responsible for the vocal intonations of some of the most famous characters to ever corrupt an animator's storyboard.A native of Queens, NY, where he was born into a family of Sephardic Jews on April 25, 1964, Azaria commenced film roles in the late 1980s, coincident with his Simpsons stardom. Work on that program (which, after graduating from a series of crude sketches on The Tracey Ullmann Show to its own animated sitcom, quickly shot up to qualify as the Fox network's most popular enterprise) easily outstripped Azaria's screen work in popularity and visibility for many years. Recurring parts included Indian convenience store owner Apu, quack doctor Nick Riviera, dim-witted bartender Moe, and the idiotic, pig-nosed Springfield Chief of Police, Clancy Wiggum. Though his Simpsons work continued unabated over the years, beginning in the mid-1990s Azaria branched out somewhat, placing a heavier emphasis on live-action portrayals. Even in that venue, however, his work tonally mirrored his animated contributions; he specialized in adroitly handling goofy, over-the-top character parts, often with an ethnic bent. The performer attained visibility and memorability, for example, as the klutzy and scantily-dressed gay houseboy Agador in The Birdcage (1995), Hector, a goofy Hispanic paramour with a permanent effeminate lisp, in Joe Roth's underrated showbiz comedy America's Sweethearts (2001), and Claude, a Gallic beach bum with no qualms about taking off with other men's wives, in John Hamburg's gross-out romantic comedy Along Came Polly (2004).Azaria has also departed from the boundaries of screen comedy from time to time, doing memorable work across genre lines in such films as Great Expectations (1998) (which cast him as Gwyneth Paltrow's lackluster fiancé), Mystery Men (1999) (as the superhero Blue Raja), and Tim Robbins' Cradle Will Rock (1999), a historical drama about art and politics in 1930s New York that cast Azaria as leftist playwright Marc Blitzstein. In 2005, Azaria presided as one of the many off-color monologuists in Penn Jillette's stand-up comedy showcase film The Aristocrats; the performer subsequently provided at least seventeen voices (including his usual series roles) for The Simpsons Movie (2007) and voiced both Abbie Hoffmann and Allen Ginsberg in the animated sequences of Brett Morgen's offbeat documentary Chicago 10 (2007).He appeared in the pre-historic comedy Year One, and provided several voices in Night at the Museum: Battle of the Smithsonian. He played an ethically challenged doctor in Love and Other Drugs, and portrayed Gargamel, the bad guy in the big-screen hit The Smurfs. He was in family film Hop, and lent his prodigious vocal talents to Happy Feet Two. In 2012 he acted in the biopic Lovelace.In July 1999, Azaria married actress Helen Hunt, with whom he co-starred in several episodes of the sitcom Mad About You. The two divorced within eighteen months.

Trivia: American comic actor Larry Hankin was first seen on a major coast-to-coast basis in 1969. He was one of the members of a young, hip comedy troupe (including David Steinberg and Lily Tomlin) on an odd 45-minute TV variety series The Music Scene. Before this program, Hankin had a small part in the 1968 film domestic comedy How Sweet it Is (1968); after Music Scene, the actor had the misfortune to appear in the legendary all star fiasco The Phynx (1970), which never did get a general release. Hankin remained a supporting player, having a few moments here and there in such films as Thumb Tripping (1972), Ratboy (1986), She's Having a Baby (1988) and Planes, Trains and Automobiles (1991). TV fans could see Larry Hankin in the occasional guest role in series like All in the Family.

Trivia: Actor Frank Campanella's physical form almost single-handedly defined his Hollywood typecasting. A 6' 5" barrel-chested Italian with a great, hulking presence and memorably stark facial features, Campanella excelled as a character player, almost invariably appearing as toughs and heavies. Born to a piano builder father who played in the orchestras of Eddie Cantor, Jimmy Durante, and Al Jolson, Campanella studied music exhaustively as a young man, and trained as a concert pianist, but discovered a rivaling passion for drama and entered Manhattan College as an acting major. Campanella's career as an actor began somewhat uncharacteristically, on a light and jovial note, by playing Mook the Moon Man during the first season of the Dumont network's infamous and much-loved kiddie show Captain Video and his Video Rangers (1949-1954). One- and two-episode stints on many American television programs followed for Campanella, most on themes of crime and law enforcement, including Inside Detective (1952), The Man Behind the Badge (1954), Danger (1954), and episodes of the anthology series Playwrights '56 (1956), Studio One (1956), and Suspicion (1957) that called for gritty, thuggish, urban types. During the 1960s, Campanella sought out the same kinds roles in feature films -- a path he pursued for several decades. Turns included John Frankenheimer's 1966 Seconds (as the Man in the Station); Mel Brooks' 1968 The Producers (as a bartender); 1970's The Movie Murderer (as an arson lieutenant); the Steve Carver-directed, Roger Corman-produced gangster film Capone (1975, as Big Jim Colosimo); Ed Forsyth's 1976 Chesty Anderson -- U.S. Navy (as the Baron); Conway in Warren Beatty's 1978 Heaven Can Wait; and Judge Neal A. Lake in Michael Winner's 1982 Death Wish 2. Campanella teamed with director Garry Marshall seven times: as Col. Cal Eastland in The Flamingo Kid (1984), Remo in Nothing in Common (1986), Captain Karl in Overboard (1987), Frank the Doorman in Beaches (1988), Pops in Pretty Woman (1990), a retired customer in Frankie and Johnny (1991), and a Wheelchair Walker in Exit to Eden (1994). Campanella re-teamed with Warren Beatty for the first time since 1978 as Judge Harper in Dick Tracy (1990) and again as the Elevator Operator in Love Affair (1994). Additional series in which Campanella appeared during the 1970s and '80s included Maude, Hardcastle & McCormick, Quincy, M.E., The Love Boat, Barnaby Jones, The Rockford Files, The Fall Guy, St. Elsewhere, and many others. In middle age, Campanella parlayed his early musical training into two career choices that blended music and drama: a part on a commercial that required him to play the piano and a job as co-host of a musical program on KCSN Radio called "Offbeat Notes on Music." He also appeared on Broadway in such musicals as Guys and Dolls and Nobody Loves an Albatross. After many years of inactivity, Frank Campanella ultimately died at his home in the San Fernando Valley, of unspecified causes. He was 87. Survivors included his brother, actor Joseph Campanella, his sister-in-law, and 13 nephews and nieces.

Trivia: Supporting and occasional leading actress Dey Young made her screen debut playing Kate in the rollicking Rock 'n' Roll High School (1979). Her sister Leigh Taylor-Young is also an actress.

Trivia: 'The Sunday Mirror' outed him as a homosexual in 1996. Was banned from driving for half a year in 2004 as a result of speeding. Was a flight attendant for British Airways. Grew up in Essex. An EastEnders casting agent spotted him while he was performing in the musical Les Miserables.

Trivia: Racking up a staggering number of small-screen credits over the course of his impressive 50-year career, Stacy Keach Sr. also appeared in countless television commercials in addition to feature roles in The Parallax View (1974), Pretty Woman (1990), and Cobb (1994), among many others. Born Walter Stacy Keach in Chicago, IL, in May of 1914, the future star earned his bachelor's and master's degrees from Northwestern and impressed teachers so much that he was appointed a Dramatic Arts instructor as a graduate student. Keach would subsequently teach at Armstrong College and founded the Savannah Playhouse, later relocating to the West Coast for a stint at the Pasadena Playhouse. It was there that Keach was signed by Universal Studios as an actor/director/writer, and though he would stay there for nearly five years he would eventually relocate to RKO as a producer. During his stint at RKO, Keach would produce and direct the popular radio series Tales of the Texas Rangers. Keach was widely recognized for his roles on such popular television series as The Lone Ranger, Mannix, and Dr. Quinn, Medicine Woman. In addition to his work in the entertainment industry, Keach also founded Kayden Records, an award-winning education company, and proved an early developer of industrial films. The father of actors Stacy and James, Keach married Mary Cain Peckham in June of 1937 and remained wed until his death resulting from heart failure in early 2003. He was 88.

Trivia: Throughout his prolific career, composer/musician/songwriter James Newton Howard has scored films of all scales and genres, earning multiple award nominations for his work. Los Angeles-born Howard began studying music as a small child and went on to attend the Santa Barbara Music Academy and then majored in piano performance at the University of Southern California. After Howard left college, he toured with Elton John as a keyboardist during the late 1970s and early 1980s before moving into film music in the mid-1980s. By the 1990s, Howard truly hit his career stride, scoring the surprise blockbuster romantic comedy Pretty Woman (1990) and receiving his first Oscar nomination for Barbra Streisand's drama The Prince of Tides (1991). Setting the musical mood for numerous films throughout the decade, Howard's skills encompassed a plethora of genres, including the Oscar-nominated actioner The Fugitive (1993), the Western epic Wyatt Earp (1994), the legal drama Primal Fear (1996), the blockbuster suspense thriller The Sixth Sense (1999), and two more Julia Roberts romantic comedy hits, My Best Friend's Wedding (1997) and Runaway Bride (1999). My Best Friend's Wedding earned Howard his third Oscar nomination for Best Score (his collaborations on tunes for One Fine Day (1996) and Junior (1994) garnered Best Song nods). Along with scoring such smaller, character-driven films as Five Corners (1988), Glengarry Glen Ross (1992), and American Heart (1993), Howard proved equally skilled at composing for big-budget Hollywood spectacles, including Space Jam (1996), Dante's Peak (1997), and Dinosaur (2000). Though he concentrated primarily on films, Howard also contributed music for TV shows, earning an Emmy nomination in 1995 for his theme to NBC's ratings smash ER.

Trivia: Prominent producer Arnon Milchan got his start producing plays for the Israeli stage. He began working on major feature films in the 1980s and his credits include such diverse outings as Martin Scorsese's The King of Comedy (1983), Terry Gilliam's Brazil (1985), Pretty Woman (1990), Free Willy (1993), and Natural Born Killers (1994).

Trivia: The son of an actress and a director, Jace Alexander was seemingly destined for a career in show business. He began his professional life as a stage manager on Broadway, soon transitioning into performance. He starred in Broadway productions of plays like Assassins and I'm Not Rappaport, before embarking on a simultaneous career onscreen. He appeared in Eight Men Out and Clueless before returning to school to study direction at the American Film Institute. He went on to direct episodes of many TV series such as Law & Order, Rescue Me, Xena: Warrior Princess, Canterbury's Law, and Warehouse 13.

Trivia: The career of producer/director Garry Marshall was marked by many peaks, including such classic television sitcoms as The Odd Couple (1970-1975), Happy Days (1974-1984), and Mork and Mindy (1978-1982), and the phenomenally popular feature film Pretty Woman (1990). A Brooklyn native, Marshall (born Gary Marsciarelli) was the son of an industrial filmmaker and a dance instructor. His sister, Penny Marshall, is a comic actress and noted film director. Marshall majored in journalism at Northwestern University and subsequently served a stint in the army before becoming a reporter for the New York Daily News. He was also a jazz drummer in a band before becoming a television comedy scriptwriter for such artists as Joey Bishop and Phil Foster and the writer for Jack Parr on The Tonight Show.Marshall moved to Los Angeles in 1961, but he didn't make it big until he teamed up with writer Jerry Belson. Together, they penned numerous episodes for several sitcoms, notably The Dick Van Dyke Show and The Lucy Show. In 1970, Marshall produced The Odd Couple, which starred Jack Klugman and Tony Randall and was based on a popular Neil Simon play and movie. He reached his apex as a television producer during the '70s, with such hits as Laverne and Shirley (1976-1983), (a Happy Days spin-off starring sister Penny), and Mork and Mindy. In addition to his producing and television directorial efforts, Marshall occasionally appeared as a supporting actor. In features, Marshall co-produced and co-wrote (with Belson) his first film, How Sweet It Is!, in 1968. A year later, the two produced and penned The Grasshopper. Marshall made his directorial feature film debut in 1982 with Young Doctors in Love, a comic look at daytime serials. As a film director, Marshall's output received uneven critical reviews. Films such as the Goldie Hawn/Kurt Russell vehicle Overboard and the Bette Midler/Barbara Hershey melodrama Beaches (1988) had good box-office business, but were considered of average quality. 1990's Pretty Woman was Marshall's first big movie hit. Following its tremendous success, he tried his hand at a serious drama with Frankie and Johnny (1991) starring Al Pacino and Michelle Pfeiffer. Later, Marshall's films tended more toward sentimental and straight dramas such as The Twilight of the Golds (1997) and The Other Sister (1999). Marshall returned to comedy -- and to his teaming of Julia Roberts and Richard Gere -- in 1999 with Runaway Bride. Remaining an active director well into his 70s, Marshall helped to launch Anne Hathaway's career by taking the helm for both 2001's The Princess Diaries and its 2004 sequel, though his subsequent, holiday-themed ensemble comedies Valentine's Day (2010), New Year's Eve (2011) and his final film Mother's Day (2016) largely flatlined with critics and moviegoers - with New Year's Eve earning him his first-ever Razzie Award. In addition to his work behind the camera, Marshall occasionally appeared as an actor in films and television shows alike. During the mid-'90s, many TV audiences came to recognize him for playing Candice Bergen's ratings-crazy boss, Stan Lansing, on Murphy Brown. Marshall died July 18, 2016, of complications of pneumonia.