Trivia: Actress Piper Perabo learned one of Hollywood's rules of self-preservation early on: lie. Auditioning for her first major film role in Whiteboyz (1999), a spoof of white homeboy culture, Perabo was asked if she knew how to rap. She replied that she did, even though she was completely clueless about the musical style. After getting the part, she took a two-week crash course in hip-hop and emerged well-versed in both the music and the art of securing employment. Although Whiteboyz failed to make much of an impression in theaters, Perabo did manage to attract attention in her role as the college-bound girlfriend of the film's protagonist and was soon being touted as the latest blonde, blue-eyed Next Big Thing to sashay across the collective psyche of the filmgoing public.A native of Toms River, NJ, where she was born in 1977, Perabo first became involved in acting through drama lessons at Manhattan's LaMama Theatre. After graduating summa cum laude from Ohio University with a BFA in acting in 1998, she worked on the stage and soon landed her role in Whiteboyz. On the heels of that film, Perabo was cast as FBI agent Karen Sympathy opposite Robert De Niro, Rene Russo, and Jason Alexander in The Adventures of Rocky and Bullwinkle and also bagged the lead in Jerry Bruckheimer's Coyote Ugly. Both debuting in the summer of 2000, neither film found much popularity among critics, but the latter--a flamboyant and fairly disconcerting blend of Flashdance, Cocktail, and an extended-play Budweiser ad--succeeded in putting Perabo in the summer spotlight.Over the ensuing few years, Perabo maintained most of her buzz despite failing to attach herself to any bonafide hits, appearing in such disparate films as the 2001 well-received indie-film Lost and Delirious and the 2002's DOA comedy Slap Her... She's French. Finally, at the end of 2003, Perabo hit paydirt, starring as the eldest of twelve children in the holiday blockbuster, Cheaper by the Dozen. She never had the breakout role she seemed destined for, but she worked steadily in projects like the Cheaper By the Dozen sequel, The Prestige, The Lazarus Project, and Beverly Hills Chihuahua. In 2010 she was cast as one of the leads in the TV series Covert Affairs.

Trivia: Born in Pennsylvania c. 1967, Maria Bello attended Villanova University as a political science major, but acting ability - evident from an early drama class - altered her career plans. Following graduation, Bello honed her acting skills in a number of New York theater productions before she broke through to the public as one of the leads in the short-lived TV spy comedy Mr. and Mrs. Smith (1996). Bello gained broader primetime exposure as Dr. Anna Del Amico on NBC's blockbuster ER during the 1997 season and segued into films with her performance as recovering junkie Ben Stiller's confidante in the film-a-clef Permanent Midnight (1998), adapted from Jerry Stahl's harrowing book.Bello scored her first pop hit as Mel Gibson's beautiful cohort in the harsh crime drama Payback (1999). Poised to potentially become one of the select group of actors who transition smoothly from television to film, Bello co-starred as one of the bottle-tossing, bar-stomping babes in charge of the titular drinking establishment in the Bruckheimer-produced hellraiser Coyote Ugly (2000). When Coyote Ugly failed to live up to box office hopes, Bello starred as Suzi Loomis in Bruce Paltrow's Duets, and as Ruth Harkness in the IMAX feature China: The Panda Adventure (2001), based on her real-life experiences with the eponymous creatures. Bello scored a bona fide critical, if not financial, hit with Paul Schrader's biopic about slain Hogan's Heroes star Bob Crane, Auto Focus (2002). As Crane's co-star and second wife Patricia, Bello holds her own opposite Greg Kinnear's bravura performance as the nymphomaniacal Crane, evoking the complex emotions of a spouse who accepts yet ultimately cannot contend with her husband's desires.A year after Auto Focus, Bello would score even bigger with the critics with a starring role alongside William H. Macy in the gritty Vegas romance The Cooler. As the cocktail waitress who falls for Macy's sadsack ne'er-do-well, Bello brought a sense of extreme realism to her character. The film netted her a Best Supporting Actress nomination from the Screen Actors Guild and a runner-up prize from The National Society of Film Critics.In early 2004, Bello appeared as Johnny Depp's estranged wife in the Stephen King adaptation The Secret Window, and in John Sayles' well-received political thriller Silver City. Though subsequent appearances in the fairly forgettable Assault on Precinct 13, The Dark, and The Sisters followed in 2005, Bello's Golden Globe-nommed performance as an unassuming housewife who married into mystery in A History of Violence, coupled with her prominent performance as a determined alcohol lobbyist in the critically-acclaimed Thank You for Smoking, helped to get her back in the good graces of critics and end the year on a decidedly high note. When 2006 arrived, Bello joined Nicolas Cage, Michael Pena, and Maggie Gyllenhall in World Trade Center, Oliver Stone's docudrama/survival picture that recounted the experiences of two Port Authority firefighters trapped beneath the rubble of the destroyed buildings. Bello joins the cast of the same year's Flicka, adapted from the seminal children's novel by Mary O'Hara (and incarnated decades prior as the movie and TV series My Friend Flicka) , alongside Alison Lohman and country singer Tim McGraw.Bello had a lead part in Alan Ball's feature film directorial debut Towelhead in 2007, and tackled the indie horror film Downloading Nancy the next year. In 2010 she scored a small part in the Adam Sandler comedy Grown Ups as well as major parts in a couple of dramas - The Company Men and Beautiful Boy.She next returned to television, taking the lead role in the NBC remake of the British series Prime Suspect in 2011. The show was cancelled after only 13 episodes, but Bello quickly booked another television role, in the second season of Fox's Touch, opposite Kiefer Sutherland. That show was also canceled after that season, and Bello returned to film, reprising her role in Grown Up 2 in 2013.Active in social causes as well, Maria Bello co-founded the Harlem not-for-profit arts and education program, Dream Yard Drama Project for Kids.

Trivia: Setting the silver screen ablaze with her memorable moves in Coyote Ugly and getting small-screen laughs with her role as Mr. Big's fiancée (aka "the stick with no soul") in HBO's massively popular Sex and the City, former child athlete turned Glamour cover-girl Bridget Moynahan forged a successful transition from catwalk to screen in the early years of the new millennium. Born in Binghamton, NY, and raised in Longmeadow, MA, the soccer-playing youngster soon favored preserving her looks as she began gracing the pages of some of the most-respected fashion magazines in the industry. It wasn't long before she began to seek more of her career, and after making an impression on Sex and the City, Moynahan appeared in small roles in such features as In the Weeds and Trifling With Fate (both 2000). Dancing to Prince songs was as just about as demanding as her audition for Coyote Ugly got, and the energetic actress was soon kicking her heels on the bar-top in the free-spirited film. Later appearing in such films as Whipped (2000), Serendipity (2001), and The Sum of All Fears (2002), Moynahan took a choice role opposite Al Pacino and Colin Farrell in the espionage thriller The Recruit in 2002.In 2004, she starred in I, Robot, opposite Will Smith and followed that up with another big co-starring role, opposite Nicolas Cage in Lord of War. Moynahan returned to television and starred in the short-lived Six Degrees. She played the title characters mother in Ramona and Beezus (2010) before taking a regular role in the procedural drama Blue Bloods. In 2014, she had a supporting role in the Keanu Reeves action film John Wick.

Trivia: "A smart model is a good model," Tyra Banks was once quoted as saying, and she seems destined to prove it in every way. Now widely known as one of the world's foremost supermodels, Banks began her modeling career at the age of 17 with the Elite agency after flirting with attending college at Loyola Marymount. The 5'11" beauty was quickly discovered in Los Angeles, her birth city, and offered a healthy contract with cosmetics company Cover Girl -- becoming only the third African-American woman in the world to secure such an opportunity.Her striking looks and business savvy extended to several offers, including assignments with Ralph Lauren and various magazine covers (over 20 to be exact), including Sports Illustrated and most notably GQ, where Banks became the first black woman ever to grace the cover. In addition to various ads and runway gigs, Banks decided to branch out into feature films, scoring a few high-profile gigs, starring as Omar Epps' love interest in John Singleton's racially charged drama Higher Learning (1995) and snagging a stint opposite Will Smith on TV's The Fresh Prince of Bel-Air. These breakout roles led to more film work, including a British sexploitation film called Inferno and a comic turn in 1999's Love Stinks with actors French Stewart and Bill Bellamy. In 2000, Banks landed a high-profile gig in the critically dismissed but lively Jerry Bruckheimer production Coyote Ugly.Banks would find a useful avenue for her skills as a producer, host, and co-creator of the competitive reality show America's Next Top Model, an immensely successful franchise that would run from 2003 to 2012. Though her self-absorbed persona would often find her the subject of mockery, Banks would also launch an unsuccessful music career, as well as a talk show, and a handful of other reality shows, like True Beauty, and Stylista. America's Next Top Model came to an end in 2015, but Banks continued to keep busy, immediately booking a guest spot on Black-ish.

Trivia: A blonde beauty who began her career as a ballerina, Izabella Miko moved between Poland and America before establishing herself in the Hollywood scene with roles in such popular features as Coyote Ugly (2000) and The Forsaken (2001).Born in Lodz, Poland, in 1981, Miko studied ballet, voice, and piano at Poland's Chopin Music School before a choreographer recruited her at the age of 14 to move abroad and join the School of American Ballet. Relocating to New York, Miko studied at the New York City Ballet and the Lee Strasberg Institute before a back injury brought her dancing career to a halt. Moving back to Poland and appearing in numerous films in the following few years, Miko moved back to the United States in the mid-'90s and, with her acting experiences intact, began to make a bid for the big time on the silver screens of Hollywood. She had a small recurring role on the HBO western series Deadwood, and went on to appear in Save the Last Dance 2, Dark Streets, The Spiderwick Chronicles, and 2010's big-budget spectacle Clash of the Titans.

Trivia: With a talent as large as his girth, John Goodman proved himself both a distinguished character actor and engaging leading man. A native of St. Louis, MO, Goodman went to Southwest Missouri State University on a football scholarship, but an injury compelled him to seek out a less strenuous major. He chose the university Drama Department, attending classes with such stars-to-be as Tess Harper and Kathleen Turner. Moving to New York in 1975, he supported himself by performing in children's and dinner theater, appearing in television commercials, and working as a bouncer. Goodman made his off-Broadway debut in a 1978 staging of A Midsummer Night's Dream, and, a year later, graduated to Broadway in Loose Ends. His best Broadway showing was as the drunken, brutish Pap in Big River, Roger Miller's 1985 musical adaptation of Huckleberry Finn. Goodman has occasionally played out and out villains or louts (The Big Easy, Barton Fink), but his essential likeability endeared him to audiences even when his onscreen behavior was at its least sympathetic. He contributed topnotch supporting appearances to such films as Everybody's All-American (1988), Sea of Love (1989), Stella (1989), and Arachnophobia (1990), and starred in such films as King Ralph (1991), The Babe (1992, as Babe Ruth), Born Yesterday (1993), and The Flintstones (1994, as Fred Flintstone). Goodman did some of his best work in Matinee (1992), in which he starred as William Castle-esque horror flick entrepreneur Lawrence Woolsey, and topped himself in The Big Lebowski (1998), playing a quirky security-store owner. He was seen the following year with Nicolas Cage and Ving Rhames in Martin Scorsese's Bringing out the Dead as an ambulance driver.Between 1988 and 1996, Goodman appeared as blue-collar patriarch Dan Conner on the hit TV sitcom Roseanne, a role that earned him four Emmy nominations and a Golden Globe award; his additional TV credits included two 1995 made-for-cable movies: the title role in Kingfish: A Story of Huey P. Long and Mitch in A Streetcar Named Desire, for which he earned another Emmy nomination. Announcing that the 1996-1997 season of Roseanne would be his last, Goodman limited himself to infrequent appearances on the series, his absences explained away as a by-product of a heart attack suffered by his character at the end of the previous season.After making his 10th appearance on Saturday Night Live (2000), Goodman could be seen playing a red-faced bible salesman in director Joel Coen's award winning O Brother, Where Art Thou (2000), and participated in Garry Shandling's film debut What Planet Are You From? (2000). He could be spotted playing an Oklahoma cop in The Adventures of Rocky and Bullwinkle (2000), while Coyote Ugly (2000) and Storytelling (2001) found Goodman stepping back into the role of over-protective father. Interestingly enough, he donned hippie-gear to play a goth-chick's Leelee Sobieski dad in 2001's My First Mister. Though Goodman's status as an amiable big guy was well established by the early 2000's, he didn't actually appear on-screen for two of his most beloved roles. In The Emperor's New Groove (2000), Goodman lent his vocal talents for the part of Pacha, a poor farmer who taught a spoiled prince (David Spade) some valuable lessons about life, love, and the meaning of societal standing. Any film-going youngster will recognize Goodman's voice as Monsters, Inc.'s kind-hearted Sully, the furry blue monster who risked life and limb to return a little girl to her home; and who other than Goodman would have been appropriate to voice the part of Baloo, The Jungle Book 2's (2003) freewheeling bear? 2001's ill received One Night at McCool's features Goodman as one of three men lusting after Liv Tyler's character, while 2002's Dirty Deeds took John to Australia, where he played an American mafia-goon thoroughly ill suited to the intricacies of culture down under. Though 2003's Masked and Anonymous was skewered by fans and critics alike, it did give Goodman the chance to work with industry bigwigs Jessica Lange, Jeff Bridges, Penélope Cruz, and legendary singer/songwriter Bob Dylan. In 2004, Goodman got even more involved in the realm of family friendly movies and TV, lending his voice to the character of Larry on the animated show Father of the Pride. The next few years in his career would include many more such titles, like Cars, Evan Almighty, and Bee Movie, and in 2008, he played Pops Racer in the candy-colored big screen adaptation of the popular cartoon Speed Racer. By this time, Goodman had become a go-to guy for PG fare, and signed on next to provide the voice of Big Daddy for the jazz-age animated film The Princess and the Frog. He earned good reviews for his work in the made-for-HBO biopic of Jack Kervorkian You Don't Know Jack in 2010. The next year he appeared in The Artist, the Best Picture Oscar winner, as the head of a Hollywood studio, and in another of the Best Picture nominees playing the doorman in Extremely Loud and Incredibly Close.

Trivia: Won her first talent contest at the age of 5. Recorded her first album at 7, her second at age 11. The title song of this disc, Blue, is what brought her to national attention. Her vocals are often likened to Patsy Cline. At 16, sued her record label (for their release of an album of studio outtakes that she deemed "substandard") and her father (for taking more than $7 million of her earnings). Ended her estrangement from her father before her 2002 wedding. Her 1997 version of the song "How Do I Live" spent a record-setting 69 weeks on the Billboard Hot 100 chart. Made her big-screen acting debut in Coyote Ugly (2000). She also contributed four songs to the film's soundtrack. Has written several books, including the novel Holiday in Your Heart (1997), the children's books Jag (2003) and Jag's New Friend (2004), and the inspirational What I Cannot Change (2009). Supports the Wish Upon a Hero Foundation, MusiCares, the No H8 Campaign and Stand Up for Kids.

Trivia: Took his first dance lesson in ballet aged 7. Was a student at Capital Dance Studio in Sydney when he met Dein Perry, a guest teacher at the time who later gave him his first big break with Hot Shoe Shuffle. First job dancing was for Baz Luhrmann's Dance Hall cabaret at the Sydney Festival in 1989. Wanted to be a research scientist, but dropped out of his university science course after six months to dance in Hot Shoe Shuffle. Nominated for an Olivier Award for Best Actor in a Musical for his portrayal of Tony Manero in the West End stage version of Saturday Night Fever in 1999. Had a tap-dancing solo in the Opening Ceremony of the Sydney Olympic Games in 2000. In 2006, originated the role of Fiyero in the UK version of Wicked. Appeared in the Trevor Nunn-directed production of Kiss Me, Kate at the Old Vic in 2012.

Trivia: Many television aficionados first noticed Sarah Jane Morris via her supporting role as Zoe on the hit series Felicity -- despite the fact that Morris' earliest accomplishments predate this achievement, and the fact that her ravishing appearance makes her virtually impossible to miss. Morris attended Southern Methodist University in Texas, and moved immediately to the City of Angels after college, where she debuted with a bit part in Coyote Ugly, then instantly began chalking up appearances on Felicity and other series, such as Murder in Small Town X and Dark Angel (both 2001). The actress maintained a much higher profile beginning in 2006, with her portrayal of Julia on the prime-time family drama Brothers & Sisters. Two years after Brothers & Sisters went off the air, Morris joined the cast of NCIS as Special Agent Erica Jane "EJ" Barrett.

Trivia: When Peter Jackson's Heavenly Creatures was released to international acclaim in 1994, it launched the career of a then-unknown actress by the name of Kate Winslet. Unfortunately, it didn't do the same for Winslet's co-star, the similarly unknown and equally talented Melanie Lynskey. As Pauline Parker, a New Zealand schoolgirl who, along with best friend Juliete Hulme (Winslet), brutally murders her mother, Lynskey turned in a performance that combined sullen adolescent alienation with cold-blooded brutality. Although marked as a promising newcomer, she did not enjoy a subsequent breakthrough of the magnitude of Winslet's but instead worked quietly for a few years, gradually earning belated recognition from audiences and industry figures alike.Born in New Plymouth, New Zealand, on May 16, 1977, Lynskey was a high school student when she was discovered by Peter Jackson's wife, Frances Walsh, who cast her in Heavenly Creatures. Following the film's success, the fledgling actress moved to Los Angeles, but encountered endless rejection thanks to her non-blonde, non-waifish physique, and after only six weeks returned to her native country. Eighteen months of film, theatre, and English studies at Victoria University followed, as did a supporting role in Jackson's The Frighteners (1996). A self-professed attitude change -- the result of her friendship with director Gaylene Preston, who encouraged the actress to make herself a stronger person -- also altered Lynskey's approach to acting, and she subsequently won a role in her first Hollywood film, Andy Tennant's Ever After (1998). Cast as the not-so-evil stepsister of Drew Barrymore's Cinderella-like heroine, Lynskey enjoyed the greater recognition the film's success afforded her and went on to supporting roles the next year in Detroit Rock City, in which she co-starred with Natasha Lyonne and Edward Furlong, and Michael Cacoyannis' adaptation of The Cherry Orchard, which also starred Alan Bates, Charlotte Rampling, and Katrin Cartlidge. With another successful independent film, Jamie Babbit's But I'm a Cheerleader (1999), and a Jerry Bruckheimer chick flick, Coyote Ugly, also under her belt, Lynskey began the new decade on a decidedly promising note.

Trivia: A native of Portland, OR, who honed her passion for the stage by studying theater at the University of Oregon, Kaitlin Olson moved to Los Angeles after earning her degree and quickly aligned herself with the improvisational comedy specialists at the Groundlings Theater. A coveted spot in the Sunday Company proved the catalyst that would help Olson to secure roles in the hit HBO series Curb Your Enthusiasm (in which she played Cheryl's sister Becky), and the hit sitcom The Drew Carey Show (in which she played Mimi's nemesis Traylor). Later, after joining Carey's "Who's Line Is It Anyway?" troupe at the Melrose Improv, Olson joined her bespectacled co-star for a USO tour and entertained troops in Bosnia, Kosovo, and Norway. While The Drew Carey Show would go off the air in 2004, Olson wasn't out of work for long, and next turned up as part owner of a popular Irish pub in the twisted FX series It's Always Sunny in Philadelphia. In 2007, Olson remained busy on the small screen with a recurring role on the Emmy-nominated series The Riches.

Trivia: Fans of Zach Braff's comedy Garden State (2004) will invariably be able to identify actor Michael Weston from his participation in that film; he played Kenny, the loudmouthed (and profane) cokehead-turned-cop who turns up to read Braff's character the riot act for speeding. The impression made here was not unique; Weston first bowed onscreen during the very late '90s and developed and honed a reputation for memorable one- and two-scene performances over the course of many Hollywood projects. Credits included the slick urban comedy Coyote Ugly (2000), the light crime comedy Lucky Numbers (2000), and the war drama Hart's War (2002). With his performance as hayseed deputy Enos Strate in The Dukes of Hazzard (2005), Weston ascended to supporting billing; he subsequently joined the cast of the Jason Biggs comedy Wedding Daze (2006) and Marc Schoelermann's medical thriller Pathology (2008).

Trivia: With his knack for staging visually flashy blockbuster mayhem, Michael Bay became the commercial leader among a new, 1990s generation of advertising-and-MTV-bred directors. Hollywood to the core, Bay has claimed that he was the illegitimate child of a popular director of the 1970s -- although he won't reveal who -- and was given up for adoption at birth. Raised in Los Angeles, he spent his childhood staging Super-8 action movies. He studied film at Wesleyan University and the Pasadena Arts Center, where a Coke commercial he shot as a student project attracted offers to make the real thing. His Coke, Nike, Budweiser, and award-winning "Got Milk?" ads resulted in a 1994 Director's Guild nomination for Best Commercial Director. He was then tapped by producers Don Simpson and Jerry Bruckheimer to make the kind of slick escapism that defined their 1980s heyday; Bay's directorial debut, Bad Boys (1995), became a star-maker for Will Smith and Martin Lawrence.Bay made his movie name with his second feature, The Rock (1996). While the lead trio of Sean Connery, Nicolas Cage, and Ed Harris lent a modicum of class to the over-the-top story concerning treason and Alcatraz, Bay's rapid edits, mobile camera, multi-colored lighting effects, and extreme camera angles never let the narrative energy flag. Popular beyond expectations, The Rock remade the idiosyncratic Cage into a 1990s action star and put Bay on the directorial A-list. Bay's third film, Armageddon (1998), proved that The Rock was no commercial fluke. Although it was the second "asteroid" movie in three months, Armageddon's adrenalized, effects-laden exploits and a cast mixing veterans with hip newcomers turned it into one of the summer's top hits. Armageddon's success set the stage for a bigger, more ambitious, and far more expensive Bay film the next time out: 2001's historical epic/action hybrid Pearl Harbor. Aiming to out-Titanic Titanic, Bay took the events of December 7, 1941, and grafted them onto a fictional love triangle as vapid as it was implausible. The film's budget -- at the time, it was rumored to be the most expensive production ever -- assured that its 40-minute recreation of the 90-minute bombing would indeed be spectacular (in a hyper-edited, Bay sort of way). Unsurprisingly, critics eviscerated the film. But, despite a huge Memorial Day weekend opening and a by other standards large 198 million dollars in U.S. grosses, the public didn't respond to Pearl Harbor, either, and it failed to become the mega-blockbuster it was designed to be.In the next few years, Bay returned to the franchise that made his name, reuniting Will Smith and the errant Martin Lawrence for the predictably profitable (if surprisingly overlong) Bad Boys II. However, venturing outside of his tough-guys comfort zone for the futuristic sci-fi thriller The Island in 2005, Bay experienced his first true flop. The film combined two stars whose ability to open a picture had not yet been tested -- Ewan McGregor and Scarlett Johansson -- and a premise that seemed more Logan's Run than The Matrix. Bay's dystopian, clones-on-the-run vision came and went in America, although it had better staying power in the worldwide market, where its stars had more influence.Bay augmented his career by producing a string of slick, profitable horror remakes (The Hitcher, The Texas Chainsaw Massacre, and its prequel) as he geared up for a remake of his own, bringing the venerable animated kid's show The Transformers to the big screen in 2007. It was such a box-office behemoth that he would make numerous sequels to the project over the next few years. While those would take up the majority of his directorial duties, Bay continued to work as producer on horror film remakes of classics like Friday the 13th and A Nightmare on Elm Street.

Trivia: Was nominated for an Annie Award for his work in Bunsen Is a Beast.A member of the sketch comedy improv group The Groundlings.On March 14, 2017, his wife Danielle Morrow announced the birth of their first son.Often portrays "ballistic" characters, including Lewbert in iCarly, an angry customer in The Amanda Show sketch "Blockblister," and Ming on Comedy Bang! Bang!Best known for playing Lewbert on iCarly.

Trivia: Parents are a former nun and a former Franciscan monk. First role was the Scarecrow in his elementary school's production of The Wizard of Oz. Made professional acting debut at 12 as the Second Player in a regional theater production of Hamlet. The acclaimed one-man show Junk Male won him a 1997 Manhattan Association of Cabaret and Clubs award and landed him a job with VH1. Engaged in heated debate with former KKK leader David Duke on a 2000 episode of Politically Incorrect.

Trivia: Inasmuch as there was already a Wally Cox, American actor Walter Edward Cox chose the stage name Bud Cort when applying for his Equity card. Straight off the stage, Cort was cast in the small role of an intern browbeaten into tears by Robert Duvall in M*A*S*H* (1970). This brief appearance was enough to encourage M*A*S*H director Robert Altman to entrust Cort with the lead in his next film, Brewster McCloud (1971), a Vonnegut-like pastiche about a flying boy. Cort was not "standard leading man" material, thus many of his roles were in the offbeat vein of Brewster McCloud, even in more down-to-earth material like The Strawberry Statement (1971). Thus Cort was in many ways perfect for the suicidal teen protagonist of Hal Ashby's Harold and Maude (1972), whose life would be turned inside out (and back on track) by septuagenarian "free spirit" Ruth Gordon. It wasn't that Cort quit acting after Harold and Maude; it's simply that many of his subsequent films tried too hard to emulate Harold and Maude's cult status, and fell so short of this goal as to be forgettable. The later Cort films in this "midnight movie wannabe" vein included Electric Dreams (1984), Invaders From Mars (1989), Love at Stake (1991), and Ted & Venus (1992), a charmingly outdated "crazy for love" opus which Cort also directed.

Trivia: Johnny Knoxville became both a beloved goofball and a lightning rod for controversy as soon as his signature TV show, Jackass, premiered on MTV in 2000. The show, which featured Knoxville and his friends executing a variety of stupid pranks and dangerous stunts, made an instant star of its hip, easygoing, developmentally arrested host, who was quickly signed on for a variety of film projects. However, its subject matter of foolish bicycle jumps, gross eating feats, and pepper spray testing drew the ire of concerned parents whose children were hurting themselves trying to imitate their hero.Knoxville was born Philip John Clapp in Knoxville, TN, on March 11, 1971, son of a used car salesman. At age eight, the asthmatic suffered a simultaneous bout of flu, pneumonia, and bronchitis that nearly killed him. Knoxville would later joke that surviving this period convinced him he was invincible, making possible his future vocation as a performer who would injure himself for laughs. Knoxville had originally planned to go into acting through normal channels, attending the American Academy of Dramatic Arts in Pasadena, CA. However, it was while writing for a skateboarding magazine called Big Brother that Knoxville got his big break. Working on a story about self-defense equipment, Knoxville agreed to let magazine editor Jeff Tremaine film him testing the devices on himself. Hence, Jackass was born, with Tremaine, Knoxville, and director Spike Jonze serving as co-creators. MTV won a bidding war with Comedy Central, and the show became a hit -- one quickly festooned with warning labels not to try this at home.After a role in the little-seen indie Desert Blues (1995) (credited as Phillip John) and a blink-and-you'll-miss-him appearance in Coyote Ugly (2000), Knoxville was offered a string of film roles following the success of Jackass, as well as a stint on Saturday Night Live, which he turned down. However, his cinematic coming-out party was delayed when Big Trouble, which featured a nuclear weapon smuggled aboard a commercial airplane, was pushed back indefinitely due to the World Trade Center terrorist attacks. In 2001, he was also cast in the smaller films The Tree, The Ranger, and Life Without Dick, in which he plays the title character. As if one Knoxville wasn't enought to keep fans in stitches, the death-defying funnyman turned up as a two-headed alien in Men in Black II before taking his small screen antics to the silver screen, unrestrained by the restrictions of television, in Jackass: The Movie (both 2002). Though to this point Knoxville's fairly minimal film roles (of course excluding Jackass: The Movie) called for any true acting ability, increasingly prominant roles in such efforts as Grand Theft Parsons (2003) and Walking Tall (2004) found the likeable Jackass successfully developing a notable film career. Following a supporting performance alongside wrestler-turned-actor in Walking Tall, Knoxville landed a role in self-described "Prince of Puke" director John Waters' Baltimore-based comedy A Dirty Shame. In 2005 Knoxville made two big attempts to court the mainstream, though neither struck box office gold. He starred as Luke Duke in the big-screen version of The Dukes of Hazzard, and was the lead in the comedy The Ringer, where he played a man who pretended to be disabled so he could compete in the Special Olympics. He reteamed with the Jackass crew for a second feature film playfully titled Jackass: Number Two.In the years to follow, Knoxville would do more and more conventional acting, appearing in movies like The Ringer and Nature Calls, as well as writing and producing projects like The Dudesons in America.