Trivia: Benjamin Bratt was already an experienced film and TV actor by the time his four-year stint as Det. Reynaldo "Rey" Curtis on NBC's long-running hit Law and Order made him famous. Born and raised in San Francisco, Bratt studied acting at UC-Santa Barbara and in his hometown. After roles in two short-lived 1980s TV series, Bratt made his film debut as John Travolta's foe in the shelved, then straight-to-cable Chains of Gold (1991). Concentrating on building a movie career, Bratt played supporting roles in the action films Demolition Man (1993), Clear and Present Danger (1994), and The River Wild (1994), as well as one of the lead roles in Bound by Honor (1993), about Chicano gang life. After joining Law and Order in 1995 as the coolly-passionate Curtis, the half-Peruvian Indian, half-Caucasian Bratt's chiseled looks received positive notices along with his acting, but rather than rest on his laurels, Bratt used his hiatus time to produce (with his director brother Peter Bratt) and star in the indie film Follow Me Home (1997). After leaving the show in 1999 (girlfriend Julia Roberts guest-starred in one of Bratt's last episodes), Bratt moved back to San Francisco to be closer to his family and focus on making movies. He costarred as Madonna's paramour in The Next Best Thing (2000).Untouched by The Next Best Thing's failure, Bratt joined the prestigious ensemble cast of Steven Soderbergh's acclaimed, Oscar-winning narcotics drama Traffic (2000), becoming nearly unrecognizable in a brief appearance as a sleazy drug dealer. Scoring his second Christmas 2000 hit, Bratt played off his smooth, sexy law enforcement officer image as Sandra Bullock's FBI ally-turned-love interest in the comedy Miss Congeniality (2000).Though the first half of 2001 was marked by his well-publicized break-up with Roberts, Bratt was poised to leave his days as tabloid fodder behind with his lead performance in the independent biopic Piñero (2001). Winning the title role over such high profile Latino actors as Jimmy Smits, Bratt's uncanny evocation of troubled Nuyorican writer and drug casualty Miguel Piñero attracted early dark horse Oscar buzz.Bratt would go on to find continued success on the small screen throughout the 2000's, in mini-series like The Andromeda Strain , and continually on Law and Order, which he would stick with until 2007. Bratt would also star on the TV series The Cleaner, as well as on the Grey's Anatomy spin-off Private Practice.

Trivia: With her wild curls, gawky build, and street-smart attitude, Natasha Lyonne presents a refreshing departure from the many blow-dried, plasticized young actors of her generation. Since appearing in Woody Allen's Everyone Says I Love You in 1996, Lyonne has consistently wowed critics with her intelligent, no-nonsense portrayals of teenage girls who are anything but typical.Born into a conservative Jewish family on April 4, 1979, in New York City, Lyonne spent her childhood in New York and Israel. She broke into show business early with her role as Opal on Pee-Wee's Playhouse (1986). Her first film of any import (aside from Heartburn (1986), in which she had an uncredited role) was 1993's Dennis the Menace. It was her next film, Everyone Says I Love You, that won Lyonne initial recognition. Critics praised her portrayal of Woody Allen's daughter, praise that was magnified with her role in Tamara Jenkins' The Slums of Beverly Hills (1998). The film won almost unanimous critical praise, as did Lyonne's endearingly jaded portrayal of Vivian Abramowitz. The success of Slums was inversely proportional to that of Lyonne's next film, Krippendorf's Tribe, which also starred Richard Dreyfuss and Jenna Elfman. However, the disappointment of that movie was more than made up for by Lyonne's following project, the very successful American Pie. As the wise and weary Jessica, Lyonne, in the minds of many critics, stole the show with her all-too limited appearance. Fortunately, thanks to both the film's success and her consistently solid performances, it was virtually ensured that critics and audiences alike would be able to see a great deal more of her, though her roles in the sequels American Pie 2 and Scary Movie 2 amounted to little more than glorified cameos, almost unrecognizably so in the case of the latter.

Trivia: An actor who hovered far too long on the brink of stardom before getting his due recognition, Adrien Brody spent much of his early career falling victim to the slings and arrows of outrageous PR. Possessing undeniable talent and looks that recall both the wasted elegance of an Aubrey Beardsley illustration and a young and hungry Al Pacino, Brody spent much of the 1990s as a candidate for his generation's "next big thing." But despite roles in two high-profile movies -- Terrence Malick's The Thin Red Line (1998) and Spike Lee's Summer of Sam (1999) -- and the publicity that accompanied them, it was not until Brody was cast as the lead in Roman Polanski's The Pianist (2002) that he won the recognition which had previously eluded him.Born on April 14, 1973, in New York City, Brody was raised in Queens. The son of a schoolteacher and a celebrated photojournalist, he was drawn to acting from an early age. Brody's first taste of show business came when he was 12-years-old and performed as a magician at children's parties; with his mother's encouragement, he subsequently enrolled in acting classes, attending both the American Academy of Dramatic Arts and the High School for the Performing Arts. He found his earliest work in off-Broadway productions, and made his television debut in 1998 with a PBS movie and a turn as Mary Tyler Moore's son in the comedienne's ill-fated sitcom Annie McGuire. Following his professional debut, the actor returned to school and attended a year of college before being cast in Steven Soderbergh's 1993 Depression-era drama King of the Hill. The film, which cast Brody as its protagonist's delinquent mentor, met with wide critical acclaim and presented him with new opportunities. He won roles in several films, including 1994's Angels in the Outfield and 1997's The Last Time I Committed Suicide, a paean to the beat generation that co-starred Keanu Reeves, Gretchen Mol, and Claire Forlani. That same year, Brody had lead parts in The Undertaker's Wedding and Six Ways to Sunday, two fairly obscure films that paved the way for both more high-profile work and a turn as one of Vanity Fair's "Hot, Young, and Full of Fun" cover boys. With the 1999 cover and principal roles in two highly anticipated films, The Thin Red Line and Summer of Sam, Brody seemed perfectly positioned to step into the limelight. Unfortunately, his scenes in the former ended up on the cutting room floor, victims of time constraints. But Brody's turn as a bisexual punk in the latter earned positive notices, and was hailed by numerous critics as one of the strongest points in Lee's flawed but compelling film. Brody continued to do solid work in films like Barry Levinson's Liberty Heights (1999) and Ken Loach's Bread and Roses (2000), but it wasn't until he was cast as the eponymous protagonist of Roman Polanksi's The Pianist that critics -- and the Academy -- really took notice of his work. For his portrayal of the real-life Wladyslaw Szpilman, a Polish pianist struggling to survive the Holocaust in the Warsaw Ghetto, Brody invested himself mentally, emotionally, and physically in the role, and was rewarded for his dedication with numerous honors, including the French César and an Oscar that made him the youngest-ever recipient of the Best Actor award. Many observers felt the quality of his performance in the film was matched by that of his acceptance speech, given only days after the U.S. went to war with Iraq: after bestowing a long kiss on a very surprised Halle Berry, who presented him with the award, he went on to give a speech that managed to combine heartfelt gratitude with an eloquent plea for peace and goodwill. It was an accomplishment that brought much of the ceremony's audience to a standing ovation and ensured that although fame had eluded him in the past, Brody had finally and deservedly won his time in the limelight.Brody followed up his triumph as The Village idiot in M. Night Shyamalan's allegorical film, and starred in the little-seen psychological thriller The Jacket. However, in 2005, Brody starred in Peter Jackson's gargantuan remake of King Kong. He returned to more independent films as a man attempting to unravel the mysterious death of George Reeves in Hollywoodland, and teamed with Todd Haynes in his unconventional Bob Dylan biopic I'm Not There: Suppositions on a Film Concerning Dylan. Brody would cement himself as a leading in Hollywood over the coming years, with appearances in everything from precocious, indie-fare like Darjeeling Limited and The Brothers Bloom to action explosions like Predators and Wrecked.

Trivia: Ellen Barkin is one of the most respected, versatile actresses on the screen; she is equally at home playing supporting roles, character roles, and leads -- even as true stardom eluded her. Prior to becoming an actress, Barkin attended the renowned High School for the Performing Arts in New York, studied history and Drama at Hunter College, and attended workshops at The Actors Studio. Barkin debuted on-stage in 1980's Irish Coffee and continued her theater work while appearing the following year in the soap opera Search for Tomorrow. She had roles in various TV movies before making her critically acclaimed film debut as the neglected wife of an obsessive record collector in Barry Levinson's Diner (1982), and subsequently went on to play supporting roles ranging from unhappy wives to white-hot sexpots to a small but vital part as Robert Duvall's troubled daughter in Tender Mercies (1983). Following her appearance in the romantic thriller The Big Easy in 1987, Barkin gained a small but devoted following. While filming the experimental supernatural thriller Siesta (1987), she met her husband, Irish actor Gabriel Byrne, with whom she had two children. (The couple divorced in 1993.) Remaining involved with The Actors Studio when not working, Barkin worked steadily during the late '80s and throughout the '90s -- most notably in Sea of Love (1989) -- and appeared (with Oprah Winfrey) in 1997's Before Women Had Wings, her first TV movie in 13 years. She appeared in Terry Gilliam's adaptation of Fear and Loathing in Las Vegas, as well as the 1999 black comedy Drop Dead Gorgeous. She made a move into indie fare at the beginning of the next decade with parts in Todd Solondz's Palindromes, and Spike Lee's micro-budget drama She Hate Me. She had her most high-profile role in quite some time in 2007 when she was cast in Ocean's Thirteen. Two years later she was in the cop drama Brooklyn's Finest, and two years after that she was the lead in the ensemble dysfunctional family drama Another Happy Day.

Trivia: Ron Perlman grew up in the Washington Heights section of New York City, where his father was a radio/TV repairman and his mother an employee with the city's Department of Health. A profoundly unhandsome youth, Perlman was nonetheless very active in high school theater by virtue of his height (6-foot-2) and his deep, rolling voice. He continued studying drama at Lehman College and later at the University of Minnesota, where he graduated with a master's degree in theater arts. He went to work with New York's Classic Stage Company, an organization specializing in Elizabethan and Restoration plays. Perlman starred in several Manhattan and touring productions staged by Tom O'Horgan of Hair fame before accepting his first film role as a Neanderthal man in 1981's Quest for Fire. Emotionally drained, Perlman backed off from acting after finishing the movie, but was soon back in the groove, essaying such attention-getting roles as the hunchbacked Salvatore in The Name of the Rose (1986). Most often cast as brooding, inarticulate, villainous characters in films (such as Pap in 1993's The Adventures of Huck Finn), Perlman became best known for his performance as the beneficent, albeit hideously ugly, sewer-dwelling Vincent in the late-'80s TV series Beauty and the Beast. Though this remained the actor's defining role for years after the show's run had drawn to a close, he was busier than ever through the '90s. Appearing in everything from obscure arthouse hits (Cronos [1993] and The City of Lost Children [1995]) to voice-over work for television (Aladdin) and video games (Fallout, A Post Nuclear Role Playing Game) to overblown Hollywood blockbusters (Alien Resurrection), Perlman left few stones unturned in terms of flexibility and experimentation in new media. He continued this trend into the early 2000s, alternating between various arenas with remarkable ease and refusing to be pigeonholed, appearing in such high-profile releases as Titan A.E. (2000), Enemy at the Gates (2001), and Blade II (2002). Though his recognition factor seemed higher than ever, few could foresee the opportunity just ahead when Blade II and Cronos director Guillermo del Toro announced that Perlman would star in the film adaptation of Mike Mignola's popular comic book Hellboy, although it seemed highly unlikely that studios would invest the millions of dollars needed to bring the comic to life with an actor of such minimal "marquee value." They wanted Vin Diesel for the role, but del Toro, with the blessing and encouragement of character originator Mignola, eventually won out to have Perlman play the Nazi-creation-turned-superhero in the 2004 fantasy-action film.

Trivia: Parents were among the refugees who fled Vietnam by boat after the end of the Vietnam War in 1979.Grew up in New Orleans.Initially studied creative writing at Boston University, but later changed her major to film studies.Started acting in hopes of overcoming her introvertedness.Worked at PBS after college.

Trivia: Though initially typecast in comedic roles -- including a small turn in Old School (2003), a contribution to Tracey Ullman in The Trailer Tales (2003), and work on MADtv -- American character actor Simon Helberg quickly branched out into diverse genres. He appeared as a CBS page in George Clooney's revered Edward R. Murrow biopic Good Night, and Good Luck., as a junior agent in Christopher Guest's For Your Consideration (2006), and in a recurring role on the Aaron Sorkin comedy drama Studio 60 on the Sunset Strip. In 2007, Helberg was cast in the regular role of Howard Wolowitz on the sitcom The Big Bang Theory, about a couple of nerdy physicists (Johnny Galecki and Jim Parsons) who struggle with women, and everything else outside the lab. In 2007, Helberg also made appearances in the comedies Mama's Boy and Walk Hard: The Dewey Cox Story. He played a young rabbi in the Coen brothers film A Serious Man (2009), and continued to make guest appearances on TV shows such as Kick Buttowski: Suburban Daredevil and Drunk History, while maintaining his regular status on The Big Bang Theory.