Trivia: Chicago-born Robert Young carried his inbred "never give up" work ethic into his training at the Pasadena Playhouse. After a few movie-extra roles, he was signed by MGM to play a bit part as Helen Hayes' son in 1931's Sin of Madelon Claudet. At the request of MGM head Irving Thalberg, Young's role was expanded during shooting, thus the young actor was launched on the road to stardom (his first-released film was the Charlie Chan epic Black Camel [1931], which he made while on loan to Fox Studios). Young appeared in as many as nine films per year in the 1930s, usually showing up in bon vivant roles. Alfred Hitchcock sensed a darker side to Young's ebullient nature, and accordingly cast the actor as a likeable American who turns out to be a cold-blooded spy in 1936's The Secret Agent. Some of Young's best film work was in the 1940s, with such roles as the facially disfigured war veteran in The Enchanted Cottage (1945) and the no-good philanderer in They Won't Believe Me (1947). In 1949, Young launched the radio sitcom Father Knows Best, starring as insurance salesman/paterfamilias Jim Anderson (it was his third weekly radio series). The series' title was originally ironic in that Anderson was perhaps one of the most stupidly stubborn of radio dads. By the time Father Knows Best became a TV series in 1954, Young had refined his Jim Anderson characterization into the soul of sagacity. Young became a millionaire thanks to his part-ownership of Father Knows Best, which, despite a shaky beginning, ran successfully until 1960 (less popular was his 1961 TV dramedy Window on Main Street, which barely lasted a full season). His second successful series was Marcus Welby, M.D. (1968-1973). Young's later TV work has included one-shot revivals of Father Knows Best and Marcus Welby, and the well-received 1986 TV-movie Mercy or Murder, in which Young essayed the role of a real-life pensioner who killed his wife rather than allow her to endure a painful, lingering illness. Young passed away from respiratory failure at his Westlake Village, CA, home at the age of 91.

Trivia: Endearing herself to television audiences as the devoted sitcom wife of Robert Young on Father Knows Best, petite brunette actress Jane Wyatt also essayed frequent big-screen roles highlighted by memorable performances in such films as Lost Horizon (1937), in which she plays Sondra, the lover of Robert Conway (Ronald Colman). Born in Campgaw, NJ, on August 12, 1910, to an investment banker father and a drama critic mother, and raised as a Manhattanite from age three, Wyatt received her formal education at the Chapin School and -- very briefly -- at New York City's Barnard College, where she spent two listless years. Following the irresistible call of the stage, Wyatt bucked university life in favor of honing her acting skills at Berkshire Playhouse in the western Massachusetts community of Stockbridge. Shortly after this, she accepted a position as understudy to Rose Hobart in a Broadway production of Trade Winds. Universal soon took note of Wyatt's talents and offered her a film role, in Frankenstein director James Whale's One More River (1934). Wyatt embarked on a lucrative screen career following her impressive debut, and many consider the performance in Lost Horizon her crowning achievement, though additional cinematic work throughout the 1940s proved both steady and rewarding. Following memorable performances in Clifford Odets' None But the Lonely Heart (1944) (alongside Cary Grant) and Elia Kazan's Gentleman's Agreement (1947, with Gregory Peck and Dorothy McGuire), the now-established actress transitioned smoothly into television in the early '50s, given her standing role as the matriarch of the Anderson family (mother of Bud, Princess, and Kitten, and wife of Jim) on the long-running CBS sitcom Father Knows Best. Wyatt deservedly won three Emmys for that role, and remained with the program over the course of its six-year run of original episodes. (Riding the crest of high ratings, CBS stretched prime-time reruns into the spring of 1963.) This marked the only major recurring prime-time role of Wyatt's career, though (alongside the work of others such as Barbara Billingsley and Harriet Nelson) it did much to establish the now-iconic image of the "archetypal 1950s sitcom mother," and earned the actress a beloved spot in American pop-culture history. In addition to this, Wyatt made occasional appearances, during the Father Knows Best run, on a dramatic anthology series headlined by her small-screen husband, Robert Montgomery Presents (NBC, 1950-1957). Six years after new episodes of Father wrapped, Star Trek landed on NBC, and Wyatt turned up occasionally on that program, as Mr. Spock's mother, Amanda Spock. She also made a guest appearance, alongside the late Bob Cummings, on the early-'70s comedic anthology series Love, American Style (the two play parents who are overanxious about their daughter's decision to embark on a European "swingers' holiday" with a boyfriend). If the preponderance of Wyatt's roles in the '70s, '80s, and '90s were largely supporting turns, it certainly said nothing about the actress' talent. She remained in the public eye as a fixture of such made-for-television features as You'll Never See Me Again (1973) and Amelia Earhart (1976). Though she entered semi-retirement in the late '70s, Wyatt later appeared (very infrequently) as an occasional supporting character in television's St. Elsewhere and reprised her role as Spock's mother in Star Trek IV: The Voyage Home (1986).On October 20, 2006, after years of inactivity, Jane Wyatt died of natural causes in her sleep, at her home in Bel Air, CA. She was 96.

Trivia: Elinor Donahue's mother, a theatrical costumer, moonlighted as a department store saleswoman in order to pay for her daughter's dancing lessons. Appearing in dancing-chorus film roles from the age of five, Donahue was at one point a ballet-school classmate of future Fred Astaire partner Barrie Chase. Striking out on her own at 12, Donahue attained work as a Las Vegas showgirl at 14; the fact that she was underage was discreetly covered by her agent and her co-workers, who took a paternal interest in the impressionable young dancer's career. Breaking her ankle at 16, Donahue decided to forego dancing in favor of acting; she was almost immediately cast in the role of sensitive teenager Betty Anderson in the long-running (1954-60) sitcom Father Knows Best. It was the first of many TV stints for Donahue; over the next three decades she would appear as a regular on such series as The Andy Griffith Show, Many Happy Returns, The Odd Couple, Mulligan's Stew, Please Stand By and Doctor's Private Lives. She became a special favorite of writer/director Savage Steve Holland, who cast Donahue as the ditsy mother of a teen-aged secret agent on the 1987 Fox network series The New Adventures of Beans Baxter, and as the voice of a suburban mom who spends her waking hours trying to learn an indecipherable foreign language on Holland's cartoon series Eek! The Cat. This fey, eccentric quality was carried over into Donahue's performance as the eternally bathrobe-clad wife of Bob Elliot and mother of 30-year-old paperboy Chris Elliot on the 1990 Fox sitcom Get a Life. Donahue's film appearances have been less frequent; when she showed up in a cameo as a department store clerk in Gary Marshall's Pretty Women (1987), there was an audible appreciative sigh of recognition from movie audiences everywhere. Elinor Donahue was the wife of Columbia TV executive Harry Ackerman from 1961 to Ackerman's death in 1991.

Trivia: Juvenile actor Billy Gray began appearing in movie bit parts at age 5. The best-remembered of his 1950s film appearances were in The Day the Earth Stood Still (1951) as the inquisitive son of Patricia Neal; On Moonlight Bay (1952), as Booth Tarkington's Penrod; and The Seven Little Foys (1955), in which he played the teenaged version of future film producer Bryan Foy. Billy was slated to portray Tag Oakley on the 1953 TV western Annie Oakley, but instead opted to co-star as Bud Anderson on the long-running Father Knows Best (1954-60). His appearances in film and on television became sporadic after the 1950s.

Trivia: Sued by her mother for $90,000 in earnings (held in trust) from Father Knows Best, ultimately leaving her with just $19,000. Authored a memoir titled Father Does Know Best: The Lauren Chapin Story in 1988, which boosted her career as a guest speaker. Has advised a number of actors and singers, including Jennifer Love Hewitt, on the difficulties of show business. Named an "honorary mayor" in cities in Oklahoma, Texas and Florida for her charity work. Still portrays her Father Knows Best character Kathy (or "Kitten") Anderson in interactive shows on cruises and other entertainment venues. Supports several charities benefiting underprivileged and abused children.

Trivia: Amid the all-too-common stories of child performers who never made a happy transition to adult lives and careers, Beverly Washburn's career stands as one of the great success stories. Born in Los Angeles on Thanksgiving Day 1943, she made her uncredited screen debut in 1950, at age six, as the first victim of a plague-carrier in the thriller The Killer That Stalked New York. Even at that early age, she had a screen magnetism that shone through to audiences (and makes the death of her character, midway through the movie, a highly emotional moment for the viewer, despite taking place off-screen). The following year, she turned up (once more uncredited) playing the little girl who unknowingly entertains two visitors from the center of the earth in the feature film Superman and the Mole Men (1951), which introduced George Reeves in the role of Superman, and which was later re-edited into the two-part Adventures of Superman episode The Unknown People. She also had one great scene with James Stewart in Cecil B. DeMille's The Greatest Show on Earth (1952), and appeared in small, uncredited roles in George Stevens' Shane (1953) and Edward Dmytryk's The Juggler (1953), starring Kirk Douglas, which was notable as the first Hollywood film shot in Israel. The mid-'50s saw a sharp downturn in film production and mass layoffs at most of the studios, and for the next five years, Washburn primarily worked in television, on series as different as Dragnet and The Loretta Young Show -- where the young actress was part of the stock company for both series -- and The Jack Benny Show. Apart from being a very quick study and an appealing child, Washburn was also popular with producers and directors for her ability to cry on cue, which eliminated the need for many a retake. Her range and ability to memorize lines -- and not just her own, but those of the performers around her -- allowed her to take roles on numerous anthology shows and guest spots on series such as Father Knows Best, Fury, and Leave It to Beaver, and she was also one of the regular cast members on an earlier Barbara Billingsley series called Professional Father. In 1957, she returned to feature films by way of Walt Disney in the movie Old Yeller, playing Lisbeth Searcy, but a lot of her work remained confined to television, across a whole range of series, including anthology series, comedies, westerns, dramas, and crime thrillers, plus appearing as a sketch player in The Hollywood Palace, one of the live variety shows of the early/middle '60s.Washburn was unable to professionally break stride as she reached her early twenties, owing to her family's financial situation. Her father contracted a serious illness in the early '60s, and in addition to being unable to work, he required expensive medical treatments. Washburn actually went to court -- successfully -- to get the trust fund money her parents had started to put aside for her from age six released, in order to pay for her father's treatments. She remained busy throughout the 1960s, and among the many series in which she turned up was the original Star Trek. Fans will likely remember Washburn as Lieutenant Galway, the luckless crewmember who succumbs to the old-age-like radiation sickness encountered on planet Gamma Hydra 2 in the episode "The Deadly Years" -- though it must be conceded that the 20-second century hairdo she was forced to wear in that episode did not become her (making her look like a young Alice Ghostley) She also appeared in episodes of The Streets of San Francisco and Scarecrow and Mrs. King and was in the 2003 pilot to Las Vegas. Washburn was still working in 2009, and, indeed, in that decade had found herself participating in cult celebrations of one of the stranger feature films in which she ever appeared, Jack Hill's Spider Baby (1964).