Trivia: A former band clarinettist and vocalist, Hal Linden studied drama at the American Theatre Wing. His big Broadway break came in 1958, when he was engaged to understudy Sydney Chaplin in the musical comedy Bells are Ringing; Linden played Chaplin's character, Jeffrey Moss, a handful of times on Broadway and on a full-time basis in the touring company (reportedly, he also showed up in the 1960 film version of Bells are Ringing, though the "official" starting point of his film career was 1979's When You Comin' Back, Red Ryder?) During the 1960s, Linden's time was occupied by his stage work in musicals like Wildcat, The Apple Tree and Illya Darling; from time to time, he'd pop up on a Manhattan-filmed TV series like Car 54 Where Are You? or The Defenders and was a regular on the CBS daytime drama Search for Tomorrow. In 1974, Linden won a Tony award for his work in the Broadway musical The Rothschilds. The next year, Barney Miller, a sitcom for which Linden had lensed a pilot in 1972, was picked up as a mid-season replacement by ABC. Linden would play harried Greenwich village police captain Barney Miller from 1975 through 1980, collecting five Emmy nominations, but-astonishingly -- no actual awards. Hal Linden's subsequent TV series work has included hosting stints on the ABC informational weeklies Animals, Animals, Animals and FYI, and top-billed starring roles on Blacke's Magic (1988), Jack's Place (1992) and One of the Boys (1994); he co-starred in the latter with another perennial Emmy Awards bridesmaid, Suzanne Pleshette.His less than extensive big-screen resume includes A New Life, Killers in the House, and Time Changer.

Trivia: Slouch-shouldered, basset-faced character actor Abe Vigoda was the son of a Lower East Side tailor. Making his first stage appearance at 17, Vigoda used his GI Bill allotment to study at the American Theatre Wing. He then toiled away in obscurity for nearly 20 years before he was "discovered" by the public in the role of John the Gaunt in Joseph Papp's 1961 staging of Richard II. Another decade would pass before Vigoda attained worldwide fame as the treacherous Tessio in The Godfather. In 1974, he was tested for the minor role of Grimaldi in the upcoming TV sitcom Barney Miller; instead, he landed the role of dour, droopy-eyed Inspector Fish (and a good thing, too; the Grimaldi character was written out after only a few weeks). Vigoda remained with Barney Miller from 1975 to 1977, then was spun off into his own Fish series, which lasted until 1978. Bedeviled with legal problems during the early 1980s, Vigoda nonetheless was able to keep busy as a supporting actor in films (Joe vs. the Volcano, Look Who's Talking) and television; he also periodically returned to the stage, frequently in the Boris Karloff role in Arsenic and Old Lace. Abe Vigoda's 1990s projects have included such roles as Gus Molino in Harlem (1993) and Alaskan Grandpa in North (1994), a voice over stint in the 1994 animated feature Batman: Mask of the Phantom, and a recurring role in the 1991 weekly-TV revival of Dark Shadows. He continued to work steadily appearing in a variety of projects including Jury Duty, Good Burger, and Just the Ticket. He worked intermittently in the 21st century, but Vigoda did star in a well-liked ad for a candy bar that aired during the 2010 Super Bowl and he became a regular face at celebrity roasts where he was often the butt of old age jokes. Vigoda died in 2016, at age 94.

Trivia: The son of a wealthy office-supplies dealer, American actor Maxwell Gail Jr. excelled in high-school sports, spending his senior year as an exchange student in Germany. Upon earning collegiate degrees from both Williams University and University of Michigan, he became a teacher in Detroit's inner city, partially to ensure himself a draft deferment. Frustrated at trying to communicate with his sullen poverty-level students, Gail chucked it all to head for San Francisco, where he worked as a guidance counselor. Again, the frustrations of the job got to him, compelling Gail to seek employment as a cocktail-lounge pianist. Trying out for a play on a whim in 1970, Gail finally found his life's calling. He spent the early '70s haunting the casting offices, accepting small TV roles as heavies and bullies. A guest spot as a tough lug on the 1974 sitcom Friends and Lovers caught the attention of producer Danny Arnold, who cast Gail as Detective Stanley "Wojo" Wojohowicz on the new comedy series Barney Miller. Gail played "Wojo" until the series' cancellation in 1980, at which point he re-entered the guest-star pool. Since that time Max Gail Jr. has been seen as a reporter on the short-lived 1983 adventure series Whiz Kids, and as the father of Dweezil Zappa and Moon Unit Zappa on the even shorter-lived 1990 sitcom Normal Life.

Trivia: American dwarf actor Billy Barty always claimed to have been born in the early '20s, but the evidence of his somewhat wizened, all-knowing countenance in his film appearances of the 1930s would suggest that he was at least ten years shy of the whole truth. At any rate, Barty made many film appearances from at least 1931 onward, most often cast as bratty children due to his height. He was a peripheral member of an Our Gang rip-off in the Mickey McGuire comedy shorts, portrayed the infant-turned-pig in Alice in Wonderland (1933), he did a turn in blackface as a "shrunken" Eddie Cantor in Roman Scandals (also 1933), and he frequently popped up as a lasciviously leering baby in the risqué musical highlights of Busby Berkeley's Warner Bros. films. One of Barty's most celebrated cinema moments occurred in 1937's Nothing Sacred, in which, playing a small boy, he pops up out of nowhere to bite Fredric March in the leg. Barty was busy but virtually anonymous in films, since he seldom received screen credit. TV audiences began to connect his name with his face in the 1950s when Barty was featured on various variety series hosted by bandleader Spike Jones. Disdainful of certain professional "little people" who rely on size alone to get laughs, Barty was seen at his very best on the Jones programs, dancing, singing, and delivering dead-on impressions: the diminutive actor's takeoff on Liberace was almost unbearably funny. Though he was willing to poke fun at himself on camera, Barty was fiercely opposed to TV and film producers who exploited midgets and dwarves, and as he continued his career into the 1970s and '80s, Barty saw to it that his own roles were devoid of patronization -- in fact, he often secured parts that could have been portrayed by so-called "normal" actors, proof that one's stature has little to do with one's talent. A two-fisted advocate of equitable treatment of short actors, Billy Barty took time away from his many roles in movies (Foul Play [1978], Willow [1988]) and TV to maintain his support organization The Little People of America and the Billy Barty Foundation. Billy Barty died in December 2000 of heart failure.

Trivia: In 1999, Doris Roberts achieved "overnight" stardom in the role of Marie Barone in the series Everybody Loves Raymond, going from working actress -- which she'd been for more than 40 years -- to being an instantly recognized performer. It was an improbable climb to the top rank of popular culture stardom. Roberts was born in St. Louis, MO, in 1925, to a family that was soon shattered when the father abandoned them. She had a difficult but loving childhood as her mother sought to provide for both of them by herself, and eventually Roberts gravitated toward the idea of an acting career. To do this, she had to work at any jobs that she could find, including clerk typist, to afford the lessons that she needed from teachers that included Lee Strasberg and Sanford Meisner. She made her first television appearance in the early '50s, in a Studio One production of Jane Eyre, and made the usual rounds between theater and television. Her theatrical debut came on the a stage at New York's City Center in 1955, and she was Shirley Booth's understudy in the theatrical version of the comedy Desk Set. She distinguished herself in the role of Mommy in the original production of Edward Albee's The American Dream, and since the early '60s, had carved a niche for herself in maternal and neighborly roles, on both stage and screen. Following her screen debut in Jack Garfein's New York-filmed drama Something Wild (1961), she tended more toward comedy (albeit often black comedy), with performances in Jack Smight's No Way to Treat a Lady, where she played the skeptical onlooker whose questions and low-key intervention save the life of a would-be victim; Leonard Kastle's The Honeymoon Killers (1970), in which she played the roommate of the nurse-turned-murderer played by Shirley Stoler; and Alan Arkin's Little Murders (1971), where she played Elliott Gould's mother. Female comics seemed to perceive Roberts' gifts as an actress especially well, as she got two of her better roles, in A New Leaf (1971) and Rabbit Test (1978), from Elaine May and Joan Rivers, respectively. Although she began appearing in television in the 1950s, with appearances on Ben Casey, The Mary Tyler Moore Show, Baretta, All in the Family, The Streets of San Francisco, Rhoda, Soap, and Barney Miller, Roberts didn't start to make a lasting impression in the medium -- which would become her vehicle for stardom -- until the 1970s. She was supposed to have a role in a proposed new series starring Mary Tyler Moore, but when that series failed to sell, she was cast in the role of Donna Pescow's mother in the series Angie (1979), which got Roberts her first real notice by the public or the press. After that, the television appearances grew more frequent, and finally in 1983, she joined the cast of Remington Steele midway through the series' run, as Mildred Krebs, an IRS investigator-turned-secretary-turned-detective, working alongside Pierce Brosnan and Stephanie Zimbalist, and often stealing the show with her low-key comedic work. Roberts' first marriage ended in divorce, and her second, to novelist William Goyen, ended when he died in 1983 -- her son from her first marriage, Michael Cannata, has been her manager since the 1970s. It was a dozen years after Remington Steele, and some notable guest star appearances on shows like St. Elsewhere, that she landed the role of Marie on Everybody Loves Raymond. Since then, she has been a guest on talk shows and an acting celebrity, with a brace of Emmy nominations to her credit.In 2003 Roberts published the book Are You Hungry, Dear?: Life, Laughs and Lasagna, and the following year she was appointed a cultural ambassador by the U.S. Department of State. But back on the small screen Roberts was more recognizable than ever before, with appearances in Grey's Anatomy, Hot in Cleveland, and Desperate Housewives keeping her as active as ever. Roberts continued to work steadily until her death in 2016, at age 90.

Trivia: The son of a singing waiter, Ron Carey attended Seton Hall University, then embarked on the catch-as-catch-can life of a standup comedian. A huge hit on his first Jack Paar Show appearance, Carey was an enormous flop on his second Paar gig -- the victim, he'd later insist, of overpreparation. After two years away from show business, Carey rebuilt his confidence with nightly appearances at the Improvisation, a New York nightspot which showcased up-and-coming comics. Traveling westward to Hollywood, Carey appeared in dozens of commercials and secured supporting roles on the 1970s TV sitcoms The Corner Bar and The Montefuscos, then played a one-shot role on the last 1975 episode of Barney Miller. Executive producer Danny Arnold decided to use Carey as a Barney Miller regular, and at the beginning of the series' second season, he settled into the role of Levitt, a street cop who aspired to become a plainclothes detective. During his Barney Miller run (which lasted until 1982), Carey became a member of Mel Brooks's movie stock company, appearing in such Brooks yuckfests as Silent Movie (1976), High Anxiety (1977), and History of the World Pt. I (1981). In 1989, Ron Carey starred in the short-lived sitcom Have Faith, playing Father Vincent Paglia -- an ironic turn of events, inasmuch as Carey had once intended to become a priest.