Trivia: British director Guy Ritchie frequently attributes the success of his unorthodox crime films -- 1998's Lock, Stock, and Two Smoking Barrels, 2000's Snatch -- to the fact that his offbeat miscreants are more than believable, they are real. Preferring to cast for authenticity rather than resumé, Ritchie handpicks many of his actors from the true-life cult figures and rascals of London's underbelly. Actor Jason Statham is among the best of them.A one-time Olympic diver, fashion model, and black-market salesman, Statham came to acting by way of commercials and "street theater" -- a euphemism for hustling tourists on London's Oxford Street. Raised in Syndenham, London, he was the second son of a lounge singer and a dressmaker turned dancer. Although Statham had the familial background to go immediately into entertainment, he excelled first on the high dive. He was a member of the 1988 British Olympic Team in Seoul, Korea, and remained on the National Diving Squad for ten years. In the late '90s, a talent agent specializing in athletes landed Statham a gig in an ad campaign for the European clothing retailer French Connection. This led to an appearance in a Levi's Jeans commercial and a fledgling modeling career. Meanwhile, Statham had also earned local fame as a street corner con man, selling stolen jewelry and counterfeit perfume out of a briefcase. Thus, when French Connection's owner became one of the biggest investors in Lock, Stock, and Two Smoking Barrels, he naturally introduced the diver/model/hustler to knave-hunting Ritchie.Intrigued by Statham's past and impressed by his modeling work, Ritchie invited him to audition for a part in the film. The director challenged Statham to impersonate an illegal street vendor and convince him to purchase a piece of imitation gold jewelry. Statham was evidently so persuasive that Ritchie bought four sets. When the director attempted to return his worthless acquisition -- pretending that the gold had turned to stainless steel -- Statham was so graciously inflexible that Ritchie hired him.This unorthodox audition resulted in Statham's big screen debut as Bacon, one of Lock, Stock, and Two Smoking Barrels' four primary characters engaged in a risky get-rich-quick scheme to repay a massive gambling debt. Bacon supplies a streetwise discipline and restraint that the other characters lack and a sense of humility crucial to Ritchie's film. In the director's follow-up crime comedy, Snatch, Ritchie rehired Statham to play Turkish, a smalltime hood vainly trying to break into the world of underground boxing. As this amateur but respectable hoodlum, Statham is attractive, urbane, immaculate, and smart enough to be bewildered by even his own laughable criminal ineptitude. The role began as a small supporting part in Snatch's star-filled ensemble cast but expanded throughout shooting. By the time of the film's theatrical release, Statham received top billing as its narrator and chief anti-hero.The Guy Ritchie oeuvre that supplied his breakthrough performances is not Statham's only acting arena. In 2000, he made his American film debut as a British drug dealer in Robert Adetuyi's Turn It Up starring Pras Michel. By 2001, he had finished shooting John Carpenter's sci-fi thriller Ghosts of Mars and joined Delroy Lindo in the cast of the Jet Li vehicle The One. A chance to reteam with former Lock, Stock, and Two Smoking Barrel co-star Vinnie Jones proved too fun an opportunity to resist, and Stratham would round out a particularly busy 2001 with his role in the prison-bound sports remake Mean Machine. Just as audiences were finally standing up to take notice of the amiable tough-guy, Stratham stepped into his own as the action lead of the explosive 2002 adrenaline ride The Transporter. A sizable hit that would earn Statham increasingly prominent roles in such high profile pics as The Italian Job, and Cellular, The Transporter established Stratham as a bankable international action star and was eventually followed by a 2005 sequel that miraculously managed the improbable feat of upping the ante of the previous installment's over-the-top cartoon violence. A starring role in Ritchie's 2005 crime thriller Revolver found Stratham re-teaming with the director who launched his career with decidedly mixed results, and the following year it was off to race the clock and rescue the girl as a reformed assassin looking to make good in the hyper-intense action entry Crank. The positively outrageous Crank: High Voltage upped the ante (and the ampage) in every possible way in 2009, but not before Statham got behind the wheel for Resident Evil director Paul W.A. Anderson for the 2008 remake Death Race, discovered just how far a foolproof heist could go awry in The Bank Job, and once again put the pedal to the metal in The Transporter 3. All of this left little doubt that Statham had quickly become one of the most bankable action stars of his generation, and in 2010 he teamed with none other than Sylvester Stallone for the all-star action flick The Expendables. The action just kept coming in The Mechanic, Blitz, Killer Elite (which paired him with screen legend Robert DeNiro), Safe, and the super-sized The Expendables 2 in 2012. Statham next joined another franchise, making a cameo appearance in Fast & Furious 6. He also reprised his role in The Expendables 3. In 2015, Statham appeared in Furious 7 and flexed his comedy chops in Spy, opposite Melissa McCarthy, earning favorable reviews and opening him to another genre.

Trivia: Born Liliane Rudabet Gloria Elsveta Sobieski on June 10, 1982, Leelee Sobieski had shot to ingénue stardom in the time it took to say "Helen Hunt's spitting image." The young actress, who does indeed bear a striking resemblance to Hunt, first came to the attention of art house audiences with her role in A Soldier's Daughter Never Cries (1998). Thanks to her participation in two high-profile projects, Deep Impact and Eyes Wide Shut, Sobieski has garnered both widespread recognition and the distinction of being one of the most promising actresses of her generation.Born and bred in New York City, Sobieski, the eldest of two children, was raised by her father, a French painter, and her mother, a freelance writer. She was "discovered," rather unexpectedly, in her school's cafeteria by Woody Allen's casting director. With the encouragement of her parents, Sobieski began auditioning, trying out at one point for the part that went to Kirsten Dunst in Interview With the Vampire. She landed her first screen role in the 1997 Tim Allen comedy Jungle 2 Jungle, and then was cast as Channe in Merchant/Ivory's A Soldier's Daughter Never Cries (1998). Sobieski drew raves for the depth and intelligence of her performance and was further rewarded with another leading role, that of Joan of Arc in the 1999 TV miniseries Joan of Arc. Sobieski then turned her back on typical ingénue roles with her portrayal of a geek queen in the Drew Barrymore comedy Never Been Kissed. The film's producers had originally wanted Sobieski for the role of the most popular girl in school, but the actress had insisted on that of her antithesis, a choice that reflected her desire to take on more unconventional roles. This choice was made further apparent with her casting in Stanley Kubrick's Eyes Wide Shut, in which Sobieski had a brief but memorable appearance as the silent, flirtatious daughter of a costume-shop owner.In 2000 Sobieski returned to more conventional fare with Here on Earth, a romantic drama in which she starred as a young woman coping with first love and terminal illness. That same year, she could be seen in the teen thriller Squelch and My First Mister, a romantic comedy that featured her as a recent high-school grad who develops a crush on her much older boss (Albert Brooks). Gaining notice for her increasing ability to carry a movie, Sobieski earned her first million-dollar salary that same year for her role in the thriller The Glass House, followed shortly thereafter by another prominent role in the throwback CB thriller Joy Ride. A Golden Globe-nominated performance in the 2001 World War II drama Uprising served well to balance out such lukewarm efforts as the 2001 thriller The Glass House and the 2003 literary adaptation Dangerous Liaisons, and on the heels of a fairly forgettable 2005 Sobieski took a trip to a neo-pagan island where nothing is really as it seems in the Neil LaBute-directed remake The Wicker Man. She next appeared in 88 Minutes, opposite Al Pacino, and Public Enemies, opposite Johnny Depp. Sobieski switched gears after that, appearing in some TV guest spots before taking on a regular role in the short-lived NYC 22.

Trivia: John Rhys-Davies is one of modern cinema's most recognizable character actors. While best known for his work as Indiana Jones' (Harrison Ford) comic sidekick, Sallah, in two of Paramount's Indiana Jones adventure films, the actor has appeared in over 100 television shows and films since the early '70s. He has built an impressive onscreen career, especially for a stage actor who once swore that he would never perform in front of a camera. Born in Wales on May 5, 1944, Rhys-Davies grew up in England, Wales, and East Africa. He studied English and History at the University of East Anglia at Norwich, where he became interested in theater while reading classical literature. Upon graduating, Rhys-Davies earned a scholarship to study acting at London's prestigious Academy of Dramatic Art. He then worked briefly as a schoolteacher before joining the Madder-Market Theatre in Norwich. The actor, who eventually advanced to the Royal Shakespeare Company, performed in over 100 plays. His theatrical credits include starring roles in Shakespeare's Othello, The Tempest, Hamlet, Macbeth, and Henry the Fourth, Ibsen's Hedda Gabler, and Moliere's The Misanthrope. Rhys-Davies was 28 when he made his television debut in 1972 as Laughing Spam Fritter in the BBC's Budgie, a comedy starring former British pop star Adam Faith as an amusing ne'er-do-well. In 1975, he joined John Hurt in the cast of the television show The Naked Civil Servant, which chronicled the rich life of Quentin Crisp. One year later, Rhys-Davies re-teamed with Hurt, as well as Derek Jacobi and Patrick Stewart, for the BBC's unforgettable three-part adaptation of Robert Graves' I, Claudius and Claudius the God. Titled I, Claudius, the television miniseries appeared on PBS's Masterpiece Theater and gave American audiences their first glimpse of the actor. He subsequently starred as Vasco Rodrigues in NBC's adaptation of James Clavell's Shogun, which told the adventures of an English sailor stranded in Japan during the early 17th century. Rhys-Davies' performance earned him both an Emmy nomination and the attention of director Steven Spielberg. In 1981, Spielberg cast Rhys-Davies as the comic, fez-wearing Sallah in Raiders of the Lost Ark, the first installment of the Indiana Jones movies. The film was an instant success and Rhys-Davies' comedic skill made Sallah an audience favorite. He went on to film Victor/Victoria (1982) with Julie Andrews, James Garner, Robert Preston, Leslie Ann Warren, and former pro-football player Alex Karras. For the next two decades, the actor worked on numerous films and television shows and made memorable guest appearances on ChiPs, The Scarecrow and Mrs. King, Murder, She Wrote, Perry Mason, Tales From the Crypt, Star Trek: Voyager, and The Secret Adventures of Jules Verne. In 1987, he portrayed Front de Boeuf in the television adaptation of Sir Walter Scott's Ivanhoe that starred James Mason and Sam Neill. That same year, he played the evil Russian General Koskov in the Timothy Dalton-helmed James Bond film The Living Daylights. 1989 saw Rhys-Davies playing Joe Gargery in the Disney Channel's adaptation of Dickens' Great Expectations, starring in the miniseries version of War and Remembrance with Robert Mitchum, David Dukes, and Jane Seymour, and returning as Sallah in Indiana Jones and the Last Crusade. In 1990, he wrote and starred in the safari adventure film Tusks. In 1991, he hosted the documentary Archaeology. In 1993, he signed onto the series The Untouchables, based on Brian De Palma's hit film. The show was short-lived and Rhys-Davies did not work on a successful television series until 1995's Sliders with Jerry O'Connell. The sci-fi venture accrued a rather large fan base: Audience members were openly upset when Rhys-Davies' character, the bombastic Professor Maximillian P. Arturo, left the series after only three seasons. After appearing with Damon Wayans in The Great White Hype (1996), Rhys-Davies recorded voice work for the animated films Aladdin and the King of Thieves (1996) and Cats Don't Dance (1997). The actor has done additional voice work for Animaniacs, Batman: the Animated Series, Gargoyles, Pinky and the Brain, The Fantastic Four, and The Incredible Hulk. He has also branched out to other medias, starring in video games such as Wing Commander III: Heart of the Tiger, Dune 2000, and Baldur's Gate: Dark Alliance, and the CD-ROM game Quest for Glory IV. In 1999, Rhys-Davies read for the minor character of Denethor in the second installment of Peter Jackson's highly anticipated three-film adaptation of J.R.R. Tolkien's The Lord of the Rings trilogy. Jackson offered him the role of the warrior dwarf Gimli, a major figure in all three pictures. As Gimli, Rhys-Davies is utterly unrecognizable: The part required that he wear heavy facial prosthetics and perform on his knees in order to portray the 4'2" dwarf (the actor, himself, is over six feet tall). The three films -- The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003) -- were shot simultaneously over an 18-month period in New Zealand, after which Rhys-Davies was asked to return to the set and record the voice of Treebeard, a computer-generated character in the second picture. In 2001, in the midst of attending press junkets for the release of The Fellowship of the Ring, Rhys-Davies began work on the Jackie Chan film Highbinders (2002) and the Eric Roberts B-picture Endangered Species (2002). Besides being an actor, Rhys-Davies is also a serious vintage car collector and a thriving investor. In the '80s, he invested heavily with his earnings and purchased a company that conducts genetic engineering feasibility studies. The actor resides in both Los Angeles and the Isle of Man.

Trivia: Ron Perlman grew up in the Washington Heights section of New York City, where his father was a radio/TV repairman and his mother an employee with the city's Department of Health. A profoundly unhandsome youth, Perlman was nonetheless very active in high school theater by virtue of his height (6-foot-2) and his deep, rolling voice. He continued studying drama at Lehman College and later at the University of Minnesota, where he graduated with a master's degree in theater arts. He went to work with New York's Classic Stage Company, an organization specializing in Elizabethan and Restoration plays. Perlman starred in several Manhattan and touring productions staged by Tom O'Horgan of Hair fame before accepting his first film role as a Neanderthal man in 1981's Quest for Fire. Emotionally drained, Perlman backed off from acting after finishing the movie, but was soon back in the groove, essaying such attention-getting roles as the hunchbacked Salvatore in The Name of the Rose (1986). Most often cast as brooding, inarticulate, villainous characters in films (such as Pap in 1993's The Adventures of Huck Finn), Perlman became best known for his performance as the beneficent, albeit hideously ugly, sewer-dwelling Vincent in the late-'80s TV series Beauty and the Beast. Though this remained the actor's defining role for years after the show's run had drawn to a close, he was busier than ever through the '90s. Appearing in everything from obscure arthouse hits (Cronos [1993] and The City of Lost Children [1995]) to voice-over work for television (Aladdin) and video games (Fallout, A Post Nuclear Role Playing Game) to overblown Hollywood blockbusters (Alien Resurrection), Perlman left few stones unturned in terms of flexibility and experimentation in new media. He continued this trend into the early 2000s, alternating between various arenas with remarkable ease and refusing to be pigeonholed, appearing in such high-profile releases as Titan A.E. (2000), Enemy at the Gates (2001), and Blade II (2002). Though his recognition factor seemed higher than ever, few could foresee the opportunity just ahead when Blade II and Cronos director Guillermo del Toro announced that Perlman would star in the film adaptation of Mike Mignola's popular comic book Hellboy, although it seemed highly unlikely that studios would invest the millions of dollars needed to bring the comic to life with an actor of such minimal "marquee value." They wanted Vin Diesel for the role, but del Toro, with the blessing and encouragement of character originator Mignola, eventually won out to have Perlman play the Nazi-creation-turned-superhero in the 2004 fantasy-action film.

Trivia: An actress whose fragile, fine-boned beauty has often gotten her cast as emotionally vulnerable, put-upon girlfriends, Claire Forlani has done strong work in this capacity in such films as Basquiat and Meet Joe Black. The daughter of an Italian father and a British mother, she was born in London on July 1, 1972. At the age of 11, she began studying dance and drama at London's Arts Educational School, where she trained for the next six years. She began her professional acting career in 1991, when she appeared in a number of productions for British television.After relocating with her family to San Francisco in 1993, Forlani made her American acting debut with a small but memorable role in the TV miniseries JFK: Reckless Youth (1993) as a young woman who dances her way into the heart and hormones of the young president. She subsequently had a minor part in Police Academy - Mission to Moscow (1994), and then landed more substantial work in Mallrats (1995) after impressing director Kevin Smith with her flawless impression of an immature young American. Forlani's work in Mallrats gave her enough exposure to garner the attention of various casting agents, as evidenced by her central role as the all-too accommodating waitress girlfriend of Basquiat's (1996) eponymous artist (Jeffrey Wright).The actress remained in troubled girlfriend mode for The Last Time I Committed Suicide (1997), in which she played Beat icon Neal Cassady's suicidal paramour, and then literally flirted with death in Meet Joe Black (1998). The film cast Forlani in her biggest role to date, that of a young doctor who falls in love with Death, as personified with blond highlights by Brad Pitt; although the film itself was the object of much critical ire, Forlani escaped relatively unscathed. After playing yet another imperiled girlfriend in Mystery Men (1999), Forlani switched gears to play a neurotic college student who ends up in bed with her best friend (Freddie Prinze, Jr.) in the romantic comedy Boys and Girls (2000). Forliani stayed busy throughout the 2000s, winning praise for her work in the critically acclaimed fantasy drama Northfolk (2003), which also starred James Woods and Nick Nolte. She appeared in director Christopher Guest's playful send-up of Hollywood during awards season, For Your Consideration, in 2006, though she is better known for her portrayal of medical examiner Peyton Driscoll in CSI: NY (2006-2007). In 2008 she joined the cast of the supernatural thriller Not Forgotten to play a supporting role, and returned to the small screen in 2011 to play the part of Igraine in Camelot, a short-lived television series from STARZ.

Trivia: It's a rare feat when a beautiful blonde gets the chance to knock around a seasoned action veteran such as Arnold Schwarzenegger onscreen, but with the release of Terminator 3: Rise of the Machines, former model Kristanna Loken takes full advantage of the opportunity; and she looks good doing it. Born the daughter of a former actor/writer turned organic fruit farmer and a onetime model in Ghent, NY, Loken spent most of her early years studying dance and riding horses. Encouraged early on by her mother to pursue a career in modeling, the young beauty stepped before cameras for the first time at the age of 15. Landing a contract with Elite soon thereafter, it wasn't long before the girl began to eye an acting career. Getting off to a solid start with a recurring role on the popular soap opera As the World Turns in 1994, Loken went on to appear in such TV series as Pensacola: Wings of Gold and Mortal Kombat: Conquest before graduating to features with the 2000 action film Gangland. Subsequently appearing in the following year's Academy Boyz, she continued to turn up on the small screen in numerous episodes of the popular series Philly. Although Loken's status, to this point, had remained a relatively low-key affair, it was her casting as the villainous T-X in the eagerly anticipated sequel Terminator 3: Rise of the Machines in 2003 that found her gaining instant worldwide recognition. Beating out such heavy contenders as the buff Joanie Laurer (formerly known as WWF star Chyna), Loken eagerly accepted the opportunity to relentlessly pummel Schwarzenegger as few could claim.

Trivia: Making a career out of playing either sociopaths or the hyperkinetically weird, Matthew Lillard has established himself as one of the more promising, to say nothing of idiosyncratic, actors of his generation. Originally hailing from Lansing, MI, where he was born on January 24, 1970, Lillard was raised in California. His first break came in the form of Ghoulies 3: Ghoulies Go to College (1993), in which he was credited as Matthew Lynn. More auspicious work followed in John Waters' lovably warped Serial Mom (1994), which cast Lillard as the gore-obsessed son of the decidedly unhinged Kathleen Turner. The role was one of the first in which Lillard played the type of superficially normal yet profoundly wacked-out character that was to become his trademark. It was followed by a minor role in the Drew Barrymore/Chris O'Donnell doomed love vehicle Mad Love (directed by Antonia Bird in 1995) and a cyberpunk turn in Hackers (also 1995). Next up was the film that would make him famous, Wes Craven's Scream (1996). The film, in addition to simultaneously parodying and reviving the teen horror genre, helped to enhance the careers of more than a few of its actors, including David Arquette, Courtney Cox, Neve Campbell, and Skeet Ulrich.Lillard's next project of any acclaim (following such disappointments as Dish Dogs, The Curve, and Senseless, all made in 1998) was Robert Towne's Without Limits (1998), the critically lauded, if little-seen, story of the life of runner Steve Prefontaine (played by Billy Crudup, with Donald Sutherland as his coach). Lillard's subsequent film, SLC Punk! (1999), met with similarly good reviews, with praise being singled out for both Lillard's performance and that of his co-star, Michael Goorjian. The film told the story of two punks growing up in staid Salt Lake City during the Reagan years, and contained the type of small-budget charm lacking in Lillard's next two projects, Wing Commander and She's All That. Both films featured Lillard co-starring with Freddie Prinze Jr., as well as a score of bad reviews. However, while the former also succumbed to dismal box-office performance, the latter met with widespread success, virtually guaranteeing future work for Lillard and his young co-stars. Following the release of such efforts as Summer Catch and 13 Ghosts (both 2001), Lillard would take on the role of the fragile-nerved Shaggy in the live-action adaptation of the enduring cartoon Scooby-Doo in 2002. He appeared in The Baker and The Escapsit in 2008, and in 2011 he was cast in the well-reviewed made-for-cable series Homeland. That same year he appeared in the period pot comedy Your Highness.

Trivia: Actor Brian J. White eked out an unusual path to showbusiness. A Massachusetts native and the son of Boston Celtics player JoJo White, Brian attended the Ivy League Dartmouth College, majoring in poly sci, theater arts, and psychology, but his athletic prowess yielded two offers to go professional: one with the NFL and another with the National Lacrosse League. White opted for the NFL, and signed with the New England Patriots, but a sporting injury derailed his career and found him forking off into professional modeling, and then acting. Within the latter arena, White began to specialize in onscreen portrayals of intelligent, polished, and urbane men. The actor took his earliest screen bow with a lead role: that of Tracy Wainwright, a young executive who strikes up an ill-advised affair with his boss, only to find his career jeopardized when he falls in love with another woman, in the 2001 workplace drama Me & Mrs. Jones. Unfortunately for White and his co-stars, that film failed to achieve wide theatrical release in the United States (despite touring the festival circuit), but the actor achieved greater recognition with a multi-episode role on the small-screen police drama The Shield (as Detective Tavon Garris) and supporting turns in the features Mr. 3000 (2004), The Family Stone (2005), and Stomp the Yard (2007). He returned to the small screen in fall 2007, playing Lieutenant Carl Davis in a recurring role on the vampire detective series Moonlight.

Trivia: Actor Ray Liotta's intense demeanor and fondness for edgy roles quickly established him as one of the most interesting and respected supporting players of his generation. Born in Newark, NJ, on December 18, 1955, he was adopted at the age of six months, by Alfred and Mary Liotta, and raised in Union Township, New Jersey. (His parents adopted another child, Linda, three years later.) As a gifted high school athlete, Liotta played varsity basketball and soccer, while working a side job in his father's auto supply shop. After graduation, he left home to attend the University of Miami, where he cultivated an interest in acting and majored in Drama. Liotta appeared in a number of collegiate productions, including a surprising number of musicals (Cabaret, The Sound of Music). Within a year of graduation, Liotta scored a one-shot commercial and a recurring three-year role as Joey Perrini on the daytime soap opera Another World; he also joined the cast of several short-lived prime-time network TV series, including Crazy Times (1981) - with David Caruso and Amy Madigan - and Casablanca (1983) - featuring David Soul in the role Humphrey Bogart made famous, and Liotta as Sacha. Liotta signed for his first film role in the 1983 Pia Zadora vehicle The Lonely Lady, but didn't break into the big time until 1986, when Jonathan Demme cast him as the psychotic Ray Sinclair in the comedy-drama Something Wild. Liotta's well-received performance won him a number of Hollywood offers playing over-the-top villains, but, determined to avoid typecasting - , Liotta rejected the solicitations and traveled the opposite route, with gentle, sensitive roles in Dominick and Eugene and Field of Dreams (as the legendary "Shoeless" Joe Jackson). His determination to wait for the right role paid off in 1990, when he was cast as mobster Henry Hill in Martin Scorsese's masterful crime drama GoodFellas. However, while the success of GoodFellas raised Liotta's profile considerably, he clung to his high standards, waiting for the right part (and wary of compromise). While he still found himself playing tough and/or scary guys in the likes of Unlawful Entry and No Escape, in Corrina, Corrina showcased Liotta's talent as a a romantic lead, and he catered to "family friendly" audiences with Disney's Operation Dumbo Drop (1995) and Tim Hill's Muppets From Space (1999). After a productive 2001, with key roles in the blockbuster hits Blow, Hannibal, and Heartbreakers, the actor formed his own production company to ensure a greater diversity of roles and more interesting material. For his debut as a producer, Liotta developed and released the critically acclaimed Narc; he also appears in the film, as a hot-headed ex-cop. Liotta hosted an episode of Saturday Night Live in 2003, the same year he cameo'd in director Peter Segal's Anger Management, starring Adam Sandler and Jack Nicholson. But that year also marked the beginning of a downswing for the gifted thesp. His activity ostensibly crescendoed through the end of 2004 - but, despite scattered encouraging reviews - his trio of major films from that year (a sociopath in Tim Hunter's Control, a corrupt cop in Matthew Chapman's Slow Burn, a bit part in Jeff Nathanson's Tinseltown satire The Last Shot) saw extremely limited release and fell just ahead of going straight to video. As 2005 dawned, he restrategized by sticking with higher-profile directors - specifically, Guy Ritchie for Revolver (second billing, as a casino owner targeted by a vengeful ex-con) and Mark Rydell for the sports gambling drama Even Money. This plan proved uneven: the Ritchie film tanked amid widespread accusations of directorial pretentiousness, while the Rydell film seemed destined to score given the talent in the cast (Danny de Vito, Kim Basinger, Tim Roth, Forest Whitaker).As 2006 rolled around, Liotta returned to the glitter box - for the first time in twenty-five years - with the action-laced ensemble crime drama Smith. Slated with a September '06 premiere, this CBS series follows the adventures of a collective of high-rolling thieves who execute dazzling crimes with cunning and adroitness; Liotta plays one of the criminals. That same year, Liotta continued his big screen forays with appearances in the gentle coming-of-age drama Local Color, as a dad who passionately objects to his son's desire to apprentice a master painter, and Bruce McCulloch's buddy comedy Comeback Season, as a down-and-outer, rejected by his wife, who makes a close friend in prison. These projects suggested a turn away from tough guy roles and Liotta's harkening back to the gently understated work that he perfected in Dominick and Field of Dreams. Working steadily over the next few years -- albeit frewquently in lower-profile productions -- Liotta followed his Emmy-winning 2005 guest appearance on ER with playful turns in the comedies Observe and Report (2009), Crazy on the Outside (2010), and opposite Toby Maguire in The Details (2012). Liotta married actress Michelle Grace (Narc, Baseball Wives) in 1997, who co-produced his dance drama Take the Lead (2006) with him. The couple divorced in 2004.

Trivia: Charming, handsome, and easy-going, lead actor and megastar Burt Reynolds entered the world on February 11, 1936. He attended Florida State University on a football scholarship, and became an all-star Southern Conference halfback, but - faced with a knee injury and a debilitating car accident - switched gears from athletics to college drama. In 1955, he dropped out of college and traveled to New York, in search of stage work, but only turned up occasional bit parts on television, and for two years he had to support himself as a dishwasher and bouncer.In 1957, Reynolds's ship came in when he appeared in a New York City Center revival of Mister Roberts; shortly thereafter, he signed a television contract. He sustained regular roles in the series Riverboat, Gunsmoke, Hawk, and Dan August. Although he appeared in numerous films in the 1960s, he failed to make a significant impression. In the early '70s, his popularity began to increase, in part due to his witty appearances on daytime TV talk shows. His breakthrough film, Deliverance (1972), established him as both a screen icon and formidable actor. That same year, Reynolds became a major sex symbol when he posed as the first nude male centerfold in the April edition of Cosmopolitan. He went on to become the biggest box-office attraction in America for several years - the centerpiece of films such as Hustle (1975), Smokey and the Bandit (1977) (as well as its two sequels), The End (1978), Starting Over (1979), The Best Little Whorehouse in Texas (1982), and The Man Who Loved Women (1983). However, by the mid-'80s, his heyday ended, largely thanks to his propensity for making dumb-dumb bumper-smashing road comedies with guy pals such as Hal Needham (Stroker Ace, The Cannonball Run 2). Reynolds's later cinematic efforts (such as the dismal Malone (1987)) failed to generate any box office sizzle, aside from a sweet and low-key turn as an aging career criminal in Bill Forsyth's Breaking In (1989). Taking this as a cue, Reynolds transitioned to the small screen, and starred in the popular sitcom Evening Shade, for which he won an Emmy. He also directed several films, created the hit Win, Lose or Draw game show with friend Bert Convy, and established the Burt Reynolds Dinner Theater in Florida. In the mid-'90s, Reynolds ignited a comeback that began with his role as a drunken, right-wing congressman in Andrew Bergman's Striptease (1996). Although the film itself suffered from critical pans and bombed out at the box office, the actor won raves for his performance, with many critics citing his comic interpretation of the role as one of the film's key strengths. His luck continued the following year, when Paul Thomas Anderson cast him as porn director Jack Horner in his acclaimed Boogie Nights. Reynolds would go on to earn a Best Supporting Actor Oscar nomination, and between the twin triumphs of Striptease and Nights, critics read the resurgence as the beginning of a second wind in the Deliverance star's career, ala John Travolta's turnaround in 1994's Pulp Fiction. But all was not completely well chez Burt. A nasty conflict marred his interaction with Paul Thomas Anderson just prior to the release of Boogie Nights. It began with Reynolds's disastrous private screening of Nights; he purportedly loathed the picture so much that he phoned his agent after the screening and fired him. When the Anderson film hit cinemas and became a success d'estime, Reynolds rewrote his opinion of the film and agreed to follow Anderson on a tour endorsing the effort, but Reynolds understandably grew peeved when Anderson refused to let him speak publicly. Reynolds grew so infuriated, in fact, that he refused to play a role in Anderson's tertiary cinematic effort, 1999's Magnolia. Reynolds's went on to appear in a big screen adatpation of The Dukes of Hazzard as Boss Hogg, and later returned to drama with a supporting performance in the musical drama Broken Bridges; a low-key tale of a fading country music star that served as a feature debut for real-life country music singer Toby Kieth. Over the coming years, Reynolds would also enjoy occasional appearances on shows like My Name is Earl and Burn Notice.

Trivia: Began modelling at the age of 4 for local and national print adverts. Provided his voice to many animated television series, including Sofia the First, Jake and the Never Land Pirates and Family Guy. DJs in his spare time and goes by the name DJ C-4. Received the 'Young Artist Award for Best Performance in a TV Series for Recurring Young Actor' for his role in Supernatural in 2010. Earned the Young Artist Award in a Voice-over Role - Young Actor for his voice performance as 'Jake' in the Jake and the Never Land Pirates in 2012. Dated childhood friend and actress, Isabelle Fuhrman, in 2012 and actress, Chloe Grace Moretz, in 2013 Attended the 10th annual Tony Hawk's Stand Up for Skateparks charity event in 2013. Obtained a Saturn Award for Best Performance by a Young Actor in a Television Series in 2014.

Trivia: Canadian-born Michael Eklund began his career with a number of TV appearances on shows like Smallville and Dark Angel. By 2007, he'd picked up a starring role in the movie Walk All Over Me; and he later acted alongside Al Pacino in the 2008 thriller 88 Minutes. In 2011, Eklund starred with Michael Biehn in the post-apocalyptic horror flick The Divide.

Trivia: Gangly American character actor William Sanderson has done all right by himself in "Bubba" roles. He was seen in such bucolic characterizations as Lee Dollarhide in Coal Miner's Daughter (1980), Sleets in Rocketeer (1989), Zeke in Wagons East (1994), and Lippy in the first two Lonesome Dove TV miniseries. He rose to prominence in the early 1980s as one-third of the backwoods trio Larry, Daryl and Daryl on the TV sitcom Newhart (1982-90); Sanderson was Larry, the interpreter for his two tight-lipped, dull-witted siblings. Despite the illusion created by his specialty, Sanderson is no hayseed. Following his military discharge, Sanderson graduated from Memphis State University and after that became a law student until the acting bug bit and led him to drop out of school to launch a successful theater career in New York; Sanderson moved into television and feature films. As a change of pace, William Sanderson was heard as urbane, authoritative robotmaster Karl Rossum in the daily Fox TV Network attraction Batman: The Animated Series (1992). In 1998, William Sanderson co-starred opposite Beau Bridges in the satirical television series Maximum Bob.