Trivia: From lamebrained teenage time traveler to metaphysical sci-fi Superman, Keanu Reeves has portrayed just about every character type imaginable in his sometimes wildly fluctuating career. Frequently lambasted by critics and often polarizing audiences suspicious of his talent's true extent, Reeves has nevertheless managed to maintain his lucrative career by balancing his lesser efforts with intermittent direct hits at the box office.Born Keanu Charles Reeves in Beirut, Lebanon, on September 2, 1964, and named for the Hawaiian word that means "cool breeze over the mountains," the future actor was a world traveler by the age of two, thanks to his father's career as a geologist. His mother, Patricia Taylor, worked as a showgirl and later a costume designer of film and stage, and after his parents divorced, Reeves followed his mother and sister to live in New York; the trio would later relocate to Toronto -- where Reeves' interest in ice hockey and acting took a substantial precedence over academics. His formidable presence in front of the goal eventually earned Reeves the nickname "The Wall," and it wasn't long before all interest in school waned and the talented goalie decided to pursue acting.Later working as a manager in a Toronto pasta shop, Reeves soon began turning up in small roles on various Canadian television programs, making his feature debut in the 1985 Canadian film One Step Away before American audiences got their first good look at him in the 1986 Rob Lowe drama Youngblood. Subsequently going back to television and garnering favorable notice for his role in 1986's Young Again, it was the release of Tim Hunter's The River's Edge later that year that would provide Reeves with his breakthrough role. A harrowing tale of teen apathy in small town America, The River's Edge provided Reeves with a perfect opportunity to display his dramatic range, and the film would eventually become a minor classic in teen angst cinema.Appearing in a series of sometimes quirky but ultimately forgettable efforts in the following few years, 1988 found Reeves drawing favorable nods for his role in director Stephen Frears' Dangerous Liaisons. It was the following year's Bill & Ted's Excellent Adventure, however, that would transform the actor into something of an '80s icon. Reeves' performance of a moronic, air guitar wielding wannabe rocker traveling through time in order to complete his history report and graduate from high school proved so endearingly silly that it spawned both a sequel (1991's Bill & Ted's Bogus Journey) and a Saturday morning cartoon. In an odd twist of fate, Reeves and co-star Alex Winter had initially auditioned for the opposite roles from those in which they were ultimately cast. Though he would later offer variations of the character type in such efforts as Parenthood (1989) and I Love You to Death (1990), it wasn't long before Reeves was looking to break away from the trend and take his career to the next level.After drawing favorable reviews for his turn as a rich kid turned street hustler opposite River Phoenix in Gus Van Sant's 1991 drama My Own Private Idaho, Reeves battled the undead in Francis Ford Coppola's lavish production of Dracula (1992). Showing his loyalty toward fellow Bill and Ted cohort Winter with a hilarious extended cameo in Freaked the following year, Reeves once again teamed with Van Sant for the critically eviscerated Even Cowgirls Get the Blues before surprising audiences with an unexpectedly complex performance as Siddhartha in Bernardo Bertolucci's Little Buddha (1993).Just as audiences were beginning to ask themselves if they may have underestimated Reeves talent as an actor, the mid-'90s found his career taking an unexpected turn toward action films with the release of Jan de Bont's 1994 mega-hit Speed (Reeves would ultimately decline to appear in the film's disastrous sequel). Balancing out such big-budgeted adrenaline rushes as Johnny Mnemonic (1995) and Chain Reaction (1996) with romantic efforts as A Walk in the Clouds (1995) and Feeling Minnesota (1996), Reeves spooked audiences as a moral attorney suffering from a major case of soul corrosion in the 1997 horror thriller The Devil's Advocate. The late '90s also found Reeves suffering a devastating personal loss when his expected baby girl with longtime girlfriend Jennifer Syme was stillborn, marking the beginning of the end for the couple's relationship. Tragedy stacked upon tragedy when Syme died two short years later in a tragic freeway accident. His career in fluctuation due to the lukewarm response to the majority of his mid-'90s efforts, it was the following year that would find Reeves entering into one of the most successful stages of his career thus far.As Neo, the computer hacker who discovers that he may be humankind's last hope in the forthcoming war against an oppressive mainframe of computers, Reeves' popularity once again reached feverish heights thanks to The Wachowski Brothers' wildly imaginative and strikingly visual sci-fi breakthrough, The Matrix. Followed by such moderately successful films as The Replacements (for which he deferred his salary so that Gene Hackman could also appear) and The Watcher (both 2000), Reeves took an unexpectedly convincing turn as an abusive husband in Sam Raimi's The Gift before returning to familiar territory with Sweet November and Hardball (both 2001). With the cultural phenomenon of The Matrix only growing as a comprehensive DVD release offered obsessive fans a closer look into the mythology of the film, it wasn't long before The Wachowski Brothers announced that the film had originally been conceived as the beginning of a trilogy and that two sequels were in the works. Filmed back to back, and with both scheduled to hit screens in 2003, excitement over The Matrix Reloaded and The Matrix Revolutions began to reach feverish heights in the months before release, virtually ensuring that the films would become two of the year's biggest box-office draws; they delivered on this promise despite mixed critical receptions.Reeves ensured his liberation from typecasting with a drastic turn away from The Matrix as the curtain fell on 2003, by appearing as heartthrob Dr. Julian Mercer in Nancy Meyers' romantic comedy Something's Gotta Give. Although he played second fiddle to vets Jack Nicholson and Diane Keaton, Reeves scored a bullseye, especially with female viewers. In 2005, he joined the cast of the collegiate arthouse hit Thumbsucker as Perry Lyman and fought the denizens of hell in the occultic thriller Constantine. Reeves's 2006 roles included the animated Robert Arctor in Richard Linklater's A Scanner Darkly and Alex Burnham in Alejandro Aresti's romantic fantasy The Lake House (co-starring Sandra Bullock). In 2009, the actor was praised for his role as a bitter divorcee in the critically acclaimed comedy drama The Private Lives of Pippa Lee.Reeves soon pulled back from acting to focus more on behind-the-camera work, as a producer and director. He produced and starred in the limited release Henry's Crime (2010) and released his directorial debut, Man of Tai Chi, in 2013 (he also starred in the film). In 2014, Reeves executive produced and starred in John Wick, playing a retired hitman. He also produced a series of documentaries, Side by Side, about filmmaking in the digital and film world.Famously playing bass for the band Dogstar in his cinematic down time, Reeves' other personal interests include motorcycles, horseback riding, and surfing. When he's not filming, Reeves maintains an everpresent residence in Toronto, Ontario, Canada.

Trivia: Morgan Freeman has enjoyed an impressive and varied career on stage, television, and screen. It is a career that began in the mid-'60s, when Freeman appeared in an off-Broadway production of The Niggerlovers and with Pearl Bailey in an all-African-American Broadway production of Hello, Dolly! in 1968. He went on to have a successful career both on and off-Broadway, showcasing his talents in everything from musicals to contemporary drama to Shakespeare. Before studying acting, the Memphis-born Freeman attended Los Angeles Community College and served a five-year stint with the Air Force from 1955 to 1959. After getting his start on the stage, he worked in television, playing Easy Reader on the PBS children's educational series The Electric Company from 1971 through 1976. During that period, Freeman also made his movie debut in the lighthearted children's movie Who Says I Can't Ride a Rainbow? (1971). Save for his work on the PBS show, Freeman's television and feature film appearances through the '70s were sporadic, but in 1980, he earned critical acclaim for his work in the prison drama Brubaker. He gained additional recognition for his work on the small screen with a regular role on the daytime drama Days of Our Lives from 1982 to 1984. Following Brubaker, Freeman's subsequent '80s film work was generally undistinguished until he played the dangerously emotional pimp in Street Smart (1987) and earned his first Oscar nomination. With the success of Street Smart, Freeman's film career duly took off and he appeared in a string of excellent films that began with the powerful Clean and Sober (1988) and continued with Driving Miss Daisy (1989), in which Freeman reprised his Obie-winning role of a dignified, patient Southern chauffeur and earned his second Oscar nomination for his efforts. In 1989, he also played a tough and cynical gravedigger who joins a newly formed regiment of black Union soldiers helmed by Matthew Broderick in Glory. The acclaim he won for that role was replicated with his portrayal of a high school principal in that same year's Lean on Me.Freeman constitutes one of the few African-American actors to play roles not specifically written for African-Americans, as evidenced by his work in such films as Kevin Costner's Robin Hood: Prince of Thieves (1991), in which he played Robin's sidekick, and Clint Eastwood's revisionist Western Unforgiven (1992). In 1993, Freeman demonstrated his skills on the other side of the camera, making his directorial debut with Bopha!, the story of a South African cop alienated from his son by apartheid. The following year, the actor received a third Oscar nomination as an aged lifer in the prison drama The Shawshank Redemption. He went on to do steady work throughout the rest of the decade, turning in memorable performances in films like Seven (1995), in which he played a world-weary detective; Amistad (1997), which featured him as a former slave; Kiss the Girls (1997), a thriller in which he played a police detective; and Deep Impact, a 1998 blockbuster that cast Freeman as the President of the United States. Following an appearance opposite Renee Zellweger in director Neil LaBute's Nurse Betty, Freeman would return to the role of detective Alex Cross in the Kiss the Girls sequel Along Came a Spider (2001). Freeman continued to keep a high profile moving into the new millennium with roles in such thrillers as The Sum of All Fears (2002) and Stephen King's Dreamcatcher, and the popular actor would average at least two films per year through 2004. 2003's Jim Carrey vehicle Bruce Almighty cast Freeman as God (a tall role indeed, and one he inherited from both George Burns and Gene Hackman). The story finds the Supreme Being appearing on Earth and giving Carrey temporary control over the universe - to outrageous comic effect. By the time Freeman appeared opposite Hilary Swank and Clint Eastwood in Eastwood's acclaimed 2004 boxing drama Million Dollar Baby, his reputation as one of Hollywood's hardest-working, most-respected actors was cemented in place. When Freeman took home the Best Supporting Actor Oscar at the 77th Annual Academy Awards for his performance as the former boxer turned trainer who convinces his old friend to take a scrappy female fighter (Hilary Swank) under his wing, the award was considered overdue given Freeman's impressive body of work.The Oscar reception lifted Freeman to further heights. In summer 2005, Freeman was involved in three of the biggest blockbusters of the year, including War of the Worlds, Batman Begins and March of the Penguins. He joined the cast of the first picture as the foreboding narrator who tells of the destruction wrought by aliens upon the Earth. The Batman Begins role represented the first in a renewed franchise (the second being 2008's The Dark Knight), with the actor playing Lucius Fox, a technology expert who equips Bruce Wayne (Christian Bale) with his vast assemblage of gadgetry. Freeman also provided narration for the most unpredictable smash of the year, the nature documentary March of the Penguins.That fall, Miramax's drama An Unfinished Life cast Freeman in a difficult role as Mitch, a bear attack victim reduced to near-paraplegia, living on a derelict western ranch. The picture was shelved for two years; it arrived in cinemas practically stillborn, and many critics turned their noses up at it. After a brutal turn as a sociopathic mob boss in Paul McGuigan's Lucky Number Slevin (2006), Freeman reprised his turn as God in the 2007 Bruce Almighty sequel Evan Almighty; the high-budgeted picture flopped, but Freeman emerged unscathed. Versatile as ever, he then opted for a much different genre and tone with a key role in the same year's detective thriller Gone, Baby, Gone. As written and directed by Ben Affleck (and adapted from the novel by Dennis Lehane) the film wove the tale of two detectives searching for a missing four-year-old in Boston's underbelly. He returned to the Batman franchise in The Dark Knight, a film that broke box-office records, in 2008, and he would stick with the franchise for its final installment, The Dark Knight Rises, in 2012. Freeman would remain a top tier actor in years to come, appearing in such films as Red, Invictus (which saw him playing Nelson Mandela), Conan the Barbarian, and The Magic of Belle Isle.

Trivia: A British actress whose name and dark looks effortlessly conjure up associations with Eastern European exoticism, Rachel Weisz first earned the attention of an international audience with her role as the spoiled daughter of a sculptor in Bernardo Bertolucci's Stealing Beauty (1996). The daughter of a Jewish-Hungarian inventor and an Austrian psychoanalyst (both sides of the family fled Fascist Europe during the '30s), Weisz was born in London on March 3, 1971. Much of her adolescence was spent modeling, and after attending Cambridge to study English, she broke into acting with a role in Sean Mathias' West End revival of Noel Coward's Design for Living.Weisz's performance in the play won her the Critics' Circle Best Newcomer award, and she subsequently took advantage of this recognition with a starring role in the BBC's TV adaptation of Scarlet & Black (1993), and then in 1996 with her aforementioned part in Bertolucci's Stealing Beauty. Although most attention was paid to Liv Tyler in her role as the film's protagonist, Weisz managed to garner notice of her own, and this recognition was furthered by her top billing opposite Keanu Reeves in Chain Reaction that same year. Unfortunately, the big-budget thriller was an unmitigated turkey; Weisz followed it with leads in smaller films such as The Land Girls (1997), a WWII drama that cast her as a young socialite sent to work on a farm; and Going All the Way (1997), a post-war coming-of-age drama starring Ben Affleck and Jeremy Davies that saw Weisz play Wasp, Affleck's Jewish girlfriend.After returning to Britain to star as a hairdresser in the noirish drama I Want You (1998), Weisz reappeared on the Hollywood radar as Brendan Fraser's damsel in distress in the 1999 summer blockbuster The Mummy. That same year, she played yet another love interest, that of a womanizing Ralph Fiennes in Sunshine, István Szabó's epic drama about three generations of a family of Hungarian Jews. Weisz' subsequent turn in the period drama Enemy at the Gates (2000) saw her play the inamorata of yet another Fiennes brother, Joseph. As a Russian-American sniper caught between the affections of a Russian party official (Fiennes) and a legendary sniper (Jude Law), the actress again returned to the early part of the 20th century (this time the Battle of Stalingrad) and to the deep end of the Fiennes family gene pool.Dutifully returning for The Mummy Returns a few short months later, that same year found the starlet gaining positive notice for her role in director Neil LaBute's biting stage drama The Shape of Things. Cast as a young art student whose latest "piece" is a strikingly original form of sculpture, Weisz's character would attempt to transform her boyfriend from schlub to stud to surprising effect. When the play was adapted to film in 2001, the team stuck together with Weisz and co-star Paul Rudd stepping before LaBute's all-seeing lens. For her role in the 2003 crime drama Confidence, Weisz would join a band of talented con artists in a daring bid to take a banker with ties to organized crime for all he's worth. Though the film may not have struck box-office gold, it did prove something of a sleeper and drew generally favorable reviews from critics. Confidence would be one of two films that found Weisz cast alongside screen legend Dustin Hoffman in 2003, the other being the courtroom thriller Runaway Jury. If her last few years had been slightly weighed down in drama, audiences could be assured that things would lighten up considerably when Weisz joined the cast of the Barry Levinson comedy Envy (2004).In 2005 she starred alongside Keanu Reeves again in the comic book adaptation Constantine. The dark film about a man trying to avoid his fate in hell by battling demons on Earth helped keep Weisz's name in circulation, but her next project would create the biggest buzz of her career thus far. Her role in Fernando Meirelles' The Constant Gardener garnered praise from critics and audiences alike, winning her an Oscar and a Golden Globe for Best Actress in a Supporting Role. Weisz played a British activist working in Kenya whose investigations into government corruption cause her to turn up dead, prompting her husband, Ralph Fiennes, to embark on an epic search to reveal the truth behind her murder. On the heels of this tremendous success, she joined the cast of Darren Aronofsky's psychological science-fiction film The Fountain-a story spanning a thousand years and exploring issues of love, death, and spirituality. Weisz joined Adrien Brody and Mark Ruffalo for The Brothers Bloom (2008), and worked with celebrated director Alejandro Amenabar in Agora (2009), a historical drama featuring Weisz in the lead role. In 2010, Weisz played a major role in The Whistleblower, which was inspired by a true story of a corporation involved in human trafficking, and later worked opposite Daniel Craig in director Terrence Malick's thriller Dream House (2011).

Trivia: Tall, outdoorsy, easygoing, and known for giving consistently well-wrought, naturalistic performances, Fred Ward seems to have all the makings of a leading man, but for some reason he has had more success in supporting and character roles. He became an actor after a three-year Air Force stint and time spent studying at New York's Herbert Berghof Studio and in Rome. While in Italy he dubbed Italian movies and worked as a mime until he made his debut in two Roberto Rossellini films. Upon returning stateside in the early '70s, Ward spent time working in experimental theater and doing some television work. He made his first American film appearance playing a truck driver in Ginger in the Morning (1973). His first major role came in the Clint Eastwood vehicle Escape From Alcatraz (1979) as fellow escapee John Anglin. For Ward, 1983 was a very good year as he played key roles in three major films, Uncommon Valor, as an anguished Vietnam vet-turned-sculptor, Silkwood, as a brave union activist, and in a scene-stealing performance as Virgil "Gus" Grissom in Philip Kaufman's The Right Stuff. In 1985, Ward starred in Remo Williams: The Adventure Begins, a James Bond-ian spy thriller; this was to be the film that made Ward a leading man. Unfortunately, it fizzled at the box office. This led to more leading roles, but again, none were particularly successful and he returned to major supporting roles. Notable performances from the '90s include that of a beaten-down, humiliated cop in Miami Blues, (Ward also co-produced it), a fascinating portrayal of author Henry Miller in Henry & June (both 1990), and as the studio security chief in The Player (1992). His role alongside Kevin Bacon in 1990's Tremors found Ward's comic abilities sharp and in tact, and after again appearing alongside Tim Robbins in the 1992 satire Bob Roberts, the talented actor would continue through the 1990s with role in The Naked Gun 33 1/3: The Final Insult (1994), and the Keanu Reeves thriller Chain Reaction (1996). Increasingly busy into the new millennium, Ward continued to move effortlessly between television and film roles, displaying his sense of humor in Joe Dirt and Corky Romano (both 2001), and his penchant for action in The Chaos Factor (2000) and Full Disclosure the following year. He worked continuously in projects such as Enough and Sweet Home Alabama (both 2002), the Bob Dylan vehicle Masked and Anonymous, and appeared briefly on the hit television series Grey's Anatomy. In 2010 he was part of the cast of The United States of Tara, and the next year he appeared in the crime comedy 30 Minutes or Less.

Trivia: The genial, slightly stocky Hollywood character actor Kevin Dunn graced the casts of some of the highest grossing and most enjoyable A-listers of the '80s, '90s, and 2000s. With a pleasant (if unremarkable) countenance, this brother of Second City veteran (and onetime Saturday Night Live mainstay) Nora Dunn cut his chops playing everymen in American movies and one-shot television episodes. Kevin Dunn lacked the sketch comedy background of his arguably more famous sibling but quickly chalked up an equally extensive resumé at about the same time.Dunn debuted on camera in the mid-'80s, with a recurring role on the series comedy drama Jack & Mike (1986), co-starring Shelley Hack and Tom Mason, but Alan Parker's harrowing civil-rights drama Mississippi Burning (in which he played Agent Bird) marked his first real breakthrough. From that point on, he became ever-present in such blockbusters as Ghostbusters 2 (1989), Blue Steel (1990), Only the Lonely (1991), Hot Shots! (1991), Chaplin (1992), and Dave (1993). Directors often cast Dunn as an emotional (or political) support to a heavy, such as his brief evocation of Nixon aide (and eventual Christian spokesperson) Chuck Colson in Oliver Stone's biopic Nixon (1995), that of Lou Logan (opposite Nicolas Cage) in Brian De Palma's muddled, flawed paranoid thriller Snake Eyes (1998), and that of Alex (alongside Sean Penn) in the political drama All The King's Men (2006). In 2007, Dunn appeared in the blockbuster action hit Transformers as Ron Witwicky, the father of lead actor Shia LaBeouf's character, Sam. Dunn also had a role in the underperforming Tom Cruise/Robert Redford/Meryl Streep drama Lions for Lambs. In the fall of that year, Dunn found success on the sitcom Samantha Who? as the father of the amnesia-afflicted main character (Christina Applegate).He was part of the cast of Woody Allen's Vicky Cristina Barcelona, and played a bad guy in the runaway train thriller Unstoppable. In 2011 he appeared in the well-reviewed MMA drama Warrior, and the blockbuster Transformers: Dark of the Moon. The next year he was cast in the one and only season of HBO's racetrack set drama series Luck.

Trivia: Growing up in Scotland, the descendent of Irish immigrants, Brian Cox always felt an affinity to American cinema that eventually led him to pursue his career stateside. Born on June 1, 1946, in Dundee, Scotland, Cox knew he wanted to act from an early age, but identified more with the characters portrayed in American films than in "zany British comedies," to use his phrase. While working at the local theater, where he started by mopping the stage, the 15-year-old Cox would watch the actors and study their styles to separate the wheat from the chaff. He attended drama school in London and got caught up in British theater and television during the 1970s. Cox landed on Broadway in the early '80s, but found more closed doors than open ones. It was while performing a play transplanted from the U.K. that a casting agent for Michael Mann's Manhunter (1986) noticed him. The film would become the first cinematic treatment of Thomas Harris' Hannibal Lecter (spelled "Lecktor" at the time) character, which Anthony Hopkins would make his own in Silence of the Lambs (1991). Cox was cast in the role, paving the way for the success that had eluded him until his 40th year.Despite the breakthrough, Cox remained better identified with television than film during the late '80s and early '90s, though his roles significantly increased in number. His initiation to regular film work came through appearances in two 1995 sword epics, Braveheart and Rob Roy. Over the latter half of the 1990s he materialized in character-actor roles -- police officers, doctors, fathers -- in such films as The Long Kiss Goodnight (1996), Kiss the Girls (1997), Rushmore (1998), and The Minus Man (1999). Although he appears more often in American than British cinema, Cox has also paid homage to his Scottish and Irish roots, such as playing an IRA heavy in Jim Sheridan's The Boxer (1997).In 2001, Cox secured major acclaim -- and an American Film Institute nomination for best supporting actor -- with the release of L.I.E., the debut film of director Michael Cuesta. Like Todd Solondz' critical darling Happiness (1998), the film presents a child molester (Cox) as one of its major characters without condemning him, if not actually leaving him altogether unjudged. Cox's complicated, intense portrayal enabled such shades of gray, raising the character above the bottom rung of the morality food chain.As the decade continued, so did Cox's visibility in bigger hollywood films. In 2002 alone, he took on substantial roles in The Bourne Identity, The Rookie, The Ring, The 25th Hour, and Adaptation, a film that saw him stealing scenes with an appropriately over-the-top turn as blowhard screenwriting guru Robert McKee. The following year audiences could see him in the blockbuster comic-book sequel X2: X-Men United, and in 2004 he starred alongside Brad Pitt and Orlando Bloom in the epic retelling of the Iliad, Troy. He returned to the Bourne franchise for The Bourne Supremacy, and appeared in the thriller Red Eye. He was the psychiatrist in the comedy Running With Scissors, and in 2007 portrayed Melvin Belli in David Fincher's Zodiac. He was cast in the geriatric action film Red, and joined up with Wes Anderson a second time to lend his voice to a bit part in Fantastic Mr. Fox. In 2011 Ralph Finnes tapped Cox to play Menenius in his big-screen adaptation of The Bard's Coriolanus.

Trivia: After one year in college as an art major Cassidy dropped out and got married, but the marriage didn't last. She moved to San Francisco and worked successfully as a model; she also appeared briefly in two films shot there, Bullitt (1968) and Fools (1970), then went four years without another screen role, meanwhile finding some work in TV commercials. Her first significant screen appearance was in a small role in the San Francisco police drama The Laughing Policeman (1974), which led to work in two more films that year; in the second of these, Bank Shot (1974), she got her first prominent billing. Cassidy had many unmemorable roles over the next few years, finally making an impression in a successful film with Blade Runner (1982); after that she got better roles in better films, but has yet to become a widely known screen actress.

Trivia: Lettered in baseball, basketball and football in high school. First stage role was in college, playing the lead role in King Lear. Served four years in the Air Force after college, including a stint in Vietnam in 1967-68. Was a radio disc jockey in Texas. Made his film debut in 1976's Keep My Grave Open. Appeared in legendary sports movies Hoosiers (1986), Major League (1989) and Rudy (1993). Character name in both Basic Instinct and The Sopranos was Capt. Talcott.

Trivia: Chinese American actor Tzi Ma has an impressively long résumé, with roles on everything from The Cosby Show to Walker, Texas Ranger. Guest appearances would be Ma's bread and butter, but the versatile actor would also cultivate a successful career in film, portraying many memorable characters in movies, like The Ladykillers. In 2005, Ma took on the recurring part of Chinese Consulate Cheng Zhi for the fourth season of the series 24, a role he would reprise for seasons five and six.

Trivia: Comedic actor Neil Flynn cut his teeth with the renowned improv companies Second City and ImprovOlympic, the latter of which saw him study under the late improv guru Del Close. Despite his comedy-oriented aspirations, though, Flynn spent much of his early career taking bit parts in films like The Fugitive and Magnolia and on TV shows such as Doogie Howser, M.D. and Chicago Hope, often playing a cop. But in 2001, things took a decidedly positive turn when he was cast as the nameless Janitor on NBC's Scrubs, a role that was intended only for the pilot but was expanded to a regular series character in light of Flynn's performance. In addition to his live-action work, Flynn has also done a considerable amount of voice work on such animated projects as Clone High, Kim Possible, and Cloudy with a Chance of Meatballs. Flynn left Scrubs after season 8 and took a starring role in the ABC comedy The Middle, playing patriarch Mike Heck

Trivia: Distinguished character actor Michael Shannon essayed a diverse series of characterizations onscreen, beginning just after the start of the new millennium. A veteran member of Chicago's experimental Red Orchid theatrical troupe, Shannon specialized in small, multidimensional portrayals that added to the overall effectiveness of each project -- per his contributions to Vanilla Sky (2001), 8 Mile (2002), and Bad Boys II (2003). Whenever necessary, Shannon imperceptibly blended into the material at hand. He played a therapist in Nicole Kassell's psychodrama The Woodsman (2004), yet by virtue of his emotional intensity and eccentric look, Shannon evinced an ability to dominate with his onscreen presence, as well. Nowhere was this tendency more evident than in William Friedkin's psychological thriller Bug (2006). As adapted by Tracy Letts from his own stage play, the film concerns a shabby and skanky drifter (Shannon, reprising his role from the play) with a serious complex of delusional schizophrenia, who believes that bugs are crawling beneath his skin and enters a terrifying pas de deux with a young waitress (Ashley Judd). Shannon followed it up with a memorable contribution to Oliver Stone's World Trade Center -- as a military man desperate to help in any way possible during the 9/11 tragedy -- and Sidney Lumet's Before the Devil Knows You're Dead (2007), a crime thriller about two brothers who team up to rob a jewelry store. Shannon grabbed his first taste of stardom with his breakout role as a mentally disturbed man in Sam Mendes' adaptation of Revolutionary Road. His truthful, menacing character cut through the main characters' self-deception, and Shannon's off-kilter delivery won him glowing notices from critics, as well as a nomination for Best Supporting Actor from the Academy. He worked steadily after that success appearing in The Greatest, Jonah Hex, and Bad Lieutenant: Port of Call New Orleans. In 2010 he had a pair of critical successes that included his work as a repressed federal agent on the HBO series Boardwalk Empire, and his portrayal of the eccentric rock entrepreneur Kim Fowler in The Runaways. In 2011 he again earned raves for his work a schizophrenic in Take Shelter. His intensity got him cast relatively often as bad guys, something he put to great effect in the 2012 action film Premium Rush and in the criminal biopic The Iceman.

Trivia: Son of Nigerian immigrants.Grew up in Chicago.Was a member of the University of Illinois' varsity football team.Discovered his comedic talent at a talent show in college doing impressions of his teammates and coaches.Refined his comedic skills at the All Jokes Aside comedy club.