Trivia: Born Janet Cole, American actress Kim Hunter trained at the Actors Studio. At age 17, she debuted onscreen in The Seventh Victim (1943) before appearing in several subpar films. Her popularity was renewed with her appearance in the British fantasy A Matter of Life and Death (1946), and, in 1947, she created the role of Stella Kowalski on Broadway in Tennessee Williams' A Streetcar Named Desire, reprising the role in the 1951 film version, for which she won the Best Supporting Actress Oscar. But her career was dealt a terrible blow when her name appeared without cause in Red Channels, a Red-scare pamphlet during the McCarthy Era, and she was blacklisted. Several years later, she was called as the star witness in a court case instigated by another Red Channels victim, and her testimony discredited the publication and made it possible for dozens of other performers to reclaim their careers. She returned to films sporadically after this, and also did much work on stage and television; among her roles was appearing as a female ape in three Planet of the Apes films. She also wrote Loose in the Kitchen, a combination autobiography-cookbook. Hunter was married to writer Robert Emmett from 1951 until her death in 2002.

Trivia: Television and movie actor John Larkin -- not to be confused with the identically named African-American actor who worked in movies during the 1930s, or with the similarly named screenwriter/producer-director of the 1930s, 1940s, and 1950s -- was an extremely busy radio actor at the start of his career. Born in Oakland, CA, in 1912, he rose to stardom in 1947 when he became the fourth (and last and longest-serving) actor to portray the role of Perry Mason in the radio series of that name. He played the part until the end of the series' run in 1955. At that point, he was cast in the role of District Attorney Mike Karr in The Edge of Night, a daytime television drama that was originally conceived as a Perry Mason spin-off. During this same period, he had already been very active on television; Larkin's strong delivery and vocal demeanor made him a natural as a narrator, and it was in that capacity that he came to the small screen at the start of the 1950s on Farewell to Yesterday. With the decline of radio, he primarily worked in television from the second half of the 1950s through the mid-1960s, including such series as The Detectives, Gunsmoke, Bonanza, The Untouchables, and The Fugitive, as well as Perry Mason. His casting in episodes of the latter created a situation that fans of the radio show appreciated for its ironic resonances. In at least one installment of Perry Mason, he was the defendant represented by television's Perry Mason, Raymond Burr. He was also the co-star of the Quinn Martin-produced series Twelve O'Clock High, as Major General Crowe, the direct superior officer to series protagonist Brigadier General Frank Savage (Robert Lansing), during the show's first season. Larkin didn't make his first feature film appearance until 1964, when John Frankenheimer cast him in Seven Days In May as Colonel Broderick, the antagonistic right-wing signal corps officer at the center of a conspiracy against the President of the United States. Although he was uncredited in the role, he had two memorable scenes with stars Kirk Douglas and Edmond O'Brien. He only ever got to work in two other movies, the Disney production of Those Calloways and John Sturges' The Satan Bug (both 1965); in the latter, he had one key scene. Larkin, who was known best for playing hard-nosed, authoritative types, died of a heart attack in early 1965 at the age of 52.

Trivia: Manhattan native Bartlett Robinson headed to Los Angeles in the mid-'30s for the express purpose of becoming a radio actor. He appeared in innumerable soap operas and anthologies, and starred as Erle Stanley Gardner's super-lawyer Perry Mason in a 1943 radio series. His stage credits on both coasts included Sweet River, Merchant of Yonkers, and Point of No Return. In films from 1956 to 1973, he was often cast as doctors and military officials. Bartlett Robinson's TV credits include the recurring roles of Willard Norton in Wendy and Me (1964) and Frank Campbell in Mona McCluskey (1965).

Trivia: A one-time Miss California, American actress Sheila Bromley came to films relatively late; she was 26 when she appeared in her first movie, Idol of the Crowds (1937). While she had several short-term starlet contracts over the years, principally at Columbia, Fox and Warner Bros., Bromley's credits are hard to trace, simply because she spent so much time not being Sheila Bromley. At various points in her career she billed herself as Sheila Manners, Sheila Mannors and Sheila Fulton, seldom rising above B-picture status under any of those names. On TV, she was a regular on the popular sitcom I Married Joan (1952-55), billed again as Sheila Bromley. After nearly twenty years in such disposable second features as Torture Ship (1939), Calling Philo Vance (1940), Time to Kill (1942) and Young Jesse James (1950), "Sheila Bromley/Manners/Mannors/Fulton" retired, returning several years later for small roles in major 1960s productions like Judgment at Nuremberg (1961) and Hotel (1966). In 1965, Sheila Bromley had a continuing featured role on the NBC TV daytime drama Morning Star.