Trivia: Yale graduate Bradford Dillman began his career in the sort of misunderstood-youth roles that had previously been the province of Montgomery Clift and James Dean. His first significant stage success was as the younger son in the Pulitzer Prize-winning Eugene O'Neill play Long Day's Journey Into Night. Signed by 20th Century-Fox in 1958, Dillman at first played standard leading men; his subtle shift to villainy occurred after he was cast as a wealthy psychopath in Compulsion, the 1959 drama based on the Leopold-Loeb case. Compulsion won Dillman an award at the Cannes Film Festival, and also threatened to typecast him for the rest of his film career, notwithstanding his leading role in Fox's Francis of Assisi (1961). It was during his Fox years that Dillman married popular cover girl Suzy Parker. Bradford Dillman has remained much in demand as a television guest star, and in 1965 was the lead on the filmed-in-Britain TV drama series Court-Martial.

Trivia: Born Barbara Berman, Barrie was a supporting actress onscreen from 1956, when she appeared in the James Dean vehicle Giant. She won Cannes Film Fetival Best Actress Award for her star role in One Potato, Two Potato. Barrie was nominated for Best Supporting Actress Oscar for her work in Breaking Away.

Trivia: Born in London, Les Tremayne moved to America in his early teens. Educated at Northwestern, Columbia and UCLA, Tremayne went on the stage in the early 1930s, where his distinguished demeanor and mellifluous voice served him well. He rose to stardom on radio, appearing in literally thousands of "Golden Age" broadcasts, notably as star of the long-running anthology The First Nighter Program. In films from 1951, Tremayne brought a large dose of sober credibility to many an otherwise hard-to-swallow science fiction opus. At his best as General Mann in War of the Worlds (1953)--the General's explanation of the Martian's invasion strategy remains one of the finest pieces of pure exposition in all of "fantastic" cinema--Tremayne was also successful in maintaining his dignity in cheapies of the Angry Red Planet (1959) and Slime People (1965) variety. The actor's contributions to the sci-fi genre were hosannahed in the direct-to-video production The Attack of the B-Movie Monsters (1985). In addition, Tremayne showed up in several non-genre efforts, usually in small but substantial roles like the auctioneer in North by Northwest (Tremayne's single scene in this 1959 Hitchcock classic also featured his old First Nighter colleague Olan Soule). Busiest on television as a commercial spokesman and voiceover artist, Tremayne found time to appear on the prime-time TV version of radio's One Man's Family (1951); as Inspector Richard Queen on the 1958-59 incarnation of the venerable Ellery Queen; and as Mentor on the Saturday morning Captain Marvel-inspired weekly Shazam! (1974-77). In 1995, Les Tremayne, as golden-throated as ever, was inducted into the Radio Hall of Fame during a moving, nationally broadcast ceremony from Chicago's Museum of Broadcasting.

Trivia: Coleman attended a Virginia military school before studying law and serving in the army. While attending the University of Texas, Coleman became attracted to acting, and headed to New York, where he studied at the Neighborhood Playhouse. After stage experience and TV work, Coleman made his movie debut in 1965's The Slender Thread. Minus his trademarked mustache for the most part in the mid-1960s, Coleman specialized in secondary character roles. He began to branch into comedy during his supporting stint as obstetrician Leon Bessemer on the Marlo Thomas sitcom That Girl, but his most memorable role would come in 1980 as the nasty, chauvinistic boss in 9 to 5. He would go on to appear in other films, like On Golden Pond [1981], The Beverly Hillbillies [1993], You've Got Mail [1998], and Moonlight Mile, but the actor found more success in television, appearing on a few cult hits that were tragically cancelled, like Drexell's Class and Madman of the People, as well as The Guardian, Courting Alex, Heartland, and Boardwalk Empire.

Trivia: Formidable stage leading lady Doris Lloyd transferred her activities from British repertory to Hollywood in 1925. She was prominently cast as an alluring spy in George Arliss' first talkie Disraeli (1929); one year later, at the tender age of 30, she was seen as the matronly Donna Lucia D'Alvadorez in Charley's Aunt. Swinging back to younger roles in 1933, Lloyd was cast as the tragic Nancy Sykes in the Dickie Moore version of Oliver Twist. By the late 1930s, Lloyd had settled into middle-aged character roles, most often as a domestic or dowager. Doris Lloyd remained active until 1967, with substantial roles in such films as The Time Machine (1960) and The Sound of Music (1965).

Trivia: Kathryn Hays is best known for her work as an actress on television -- ironically, her most notable credits in that medium reside in two vastly different genres and professional engagements: as a longtime member of the cast of the daytime drama As The World Turns, portraying Kim Sullivan Hughes for more than 30 years; and for her performance in a single 1968 episode of the science fiction series Star Trek, entitled "The Empath." Hays was born in Princeton, IL, and raised in Joliet. She did theatrical work from the outset of her career, but from the early '60s also distinguished herself on television -- starting with a 1962 episode of the police drama Naked City up through a regular role on The Guiding Light, and on to her multi-decade work on As the World Turns. The Star Trek episode "The Empath" cast Hays in a mute role as "Gem," an alien who is trapped beneath the surface of a dying planet with the captain (William Shatner), first officer (Leonard Nimoy), and senior medical officer (DeForest Kelley) of the starship Enterprise. Her wonderfully expressive features (especially her eyes) and her portrayal -- which was almost balletic at times -- allowed Hays to totally dominate the screen and the episode without uttering a word of dialogue; many fans of the series regard her work as the finest guest-starring portrayal in the entire run of the show, and she helped to turn "The Empath" into the best single episode of the series' third season. Around this same time, Hays also starred in one theatrical film, Ralph Nelson's music-and-war drama Counterpoint (1967), playing opposite Charlton Heston. During this period, from 1966 through 1969, she was also married to Glenn Ford, who was then part of the shrinking ranks of genuine big-screen legends in the movie business. As a New York-based actress, Hays' career has mostly been centered on the small screen, as well as the stage. She is virtually an acting institution among daytime drama aficionados, and her work on As the World Turns hasn't stopped her from doing occasional guest-star turns in such New York-filmed dramas as Law & Order and Law & Order: SVU in more recent years.

Trivia: American actor/singer Walter Woolf King was the son of a wholesale whisky salesman. Upon moving with his family to Salt Lake City, young King began singing in Mormon churches; leaving school after the death of his father, the boy decided to make singing his full-time avocation and headed for vaudeville with his friend, pianist Charles LeMaire (later an Oscar-winning costume designer). Making his Broadway bow in The Passing Show of 1919, King became a popular light baritone in several musical comedies and operettas of the '20s. He was then billed as Walter Woolf, but later switched to Walter King, until settling on his full three-barrelled name in the late '30s. King's first film was Warner Bros.' Golden Dawn (1930), but this starring moment was blighted by negative publicity about King's voice, over which the actor sued Warners. After a return to the stage in Music in the Air, King came back to films, though seldom as a star. Modern audiences know King best from his second-lead appearance in Laurel and Hardy's Swiss Miss (1938) and from his two Marx Brothers films, A Night at the Opera(1935) (in which he played villainous opera star Lassparri) and Go West (1940) (in which he was a villain again, albeit non-singing). Working with success in radio in the '40s, King was less lucky in films; he was reduced to B-pictures at such studios as Monogram and PRC, permitted to play leads only because the younger male stars had gone to war. Tired of his lackluster film career, King became an actor's agent in the late '40s, accepting only small, sometimes unbilled movie character roles for himself; he did however host a moderately popular 1950 TV talent show, Lights, Camera, Action. In the '60s, King, now greyer and stockier, found himself in demand for good supporting parts as stuffy corporate types, as in the 1968 Rosalind Russell picture Rosie. In the months just prior to his death, Walter Woolf King was seen around Hollywood in the company of Della Lind, who four decades earlier had played his wife in Swiss Miss (1938).

Trivia: With his crotchety persona, wrinkled visage, and nervous manner, Forrest Lewis is best remembered by most viewers for the neurotic and comical old man roles that he played in dozens of movies and television shows in the 1950s and '60s -- he was somewhere between Harry Carey Sr. and Strother Martin in his characterizations for over two decades. In reality, he'd been playing old men since the age of 20, in 1919. Born in Knightstown, IN, in 1899, Lewis was a linear descendant of Meriwether Lewis, the explorer immortalized by the Lewis and Clark expedition. Forrest Lewis was drawn to performing as a boy, and made his first appearance on a theatrical stage as a singer, at age 12. He made his professional acting debut at 20, with the Emerson Stock Company, portraying an 80-year-old man. Over the next decade, he toured the United States in vaudeville and stock companies, before landing on Broadway in Lulu Belle, starring Lenore Ulric. Radio began its boom years in the late '20s, and Lewis made his debut in the commercial broadcast medium in 1929. He had some small roles until fate took a hand; he inadvertently received a call for an audition that had been intended for another actor, and won the part. There was no looking back for Lewis, who was busy from then on, playing numerous key supporting roles, including Harry Freeman on the radio series Scattergood Baines and (with Van McCune) one half of the comedy team of Buck and Wheat, on the Aunt Jemima radio show. Lewis resisted offers to appear in movies until the mid-'40s, when he began playing character roles -- mostly far older (or acting far older) than his 44 years -- in movies such as Gildersleeve on Broadway (1943) and I'll Tell the World (1945). Lewis' career remained focused on radio, however, until that medium began retrenching in the early '50s. He jumped to television on Amos 'n' Andy and Dragnet, and also became downright ubiquitous on the big screen during the first half of the 1950s, playing a succession of doctors, judges, nit-picking public officials, police officers, and crotchety old men. Westerns predominated as a genre in his film career, but he also played in a few Disney movies (The Shaggy Dog, Son of Flubber) and even two minor B-horror classics, The Thing That Couldn't Die (1958) and The Monster of Piedras Blancas (1959), the latter offering Lewis one of the biggest parts of his career, as the town constable faced with a series of grisly murders. And Howard Hawks used him in Man's Favorite Sport? (1964) and Red Line 7000 (1965). By the time of Riot on Sunset Strip (1967), in which he played a senior citizen seen in the movie's opening who expresses his anger over the behavior of the teenagers on the renowned stretch of Los Angeles real estate, Lewis had aged into the role. He died in 1977 of a heart attack at age 77, four years after his last television appearance.