Trivia: At first intending to become a minister, actor/monologist Andy Griffith (born June 1st, 1926) became active with the Carolina Playmakers, the prestigious drama-and-music adjunct of the University of North Carolina--Chapel Hill. He spent several seasons portraying Sir Walter Raleigh in the summertime outdoor drama The Lost Colony, spending the rest of the years as a schoolteacher. Griffith continued performing fitfully as an after-dinner speaker on the men's club circuit, developing hilariously bucolic routines on subjects ranging from Shakespeare to football. Under the aegis of agent/producer Richard O. Linke, Griffith returned to acting, attaining stardom in the role of bumptious Air Force rookie Will Stockdale in the TV and Broadway productions of No Time For Sergeants. Before committing Sergeants to film, Griffith made his movie debut in director Elia Kazan's A Face in the Crowd, in which he portrayed an outwardly folksy but inwardly vicious TV personality (patterned, some say, after Arthur Godfrey).After filming Face in the Crowd, No Time for Sergeants and Onionhead for Warner Bros. during the years 1957 and 1958, Griffith starred in a 1959 Broadway musical version of Destry Rides Again; as an added source of income, Griffith ran a North Carolina supermarket. On February 15, 1960 he first appeared as Andy Taylor, the laid-back sheriff of Mayberry, North Carolina, on an episode of The Danny Thomas Show. This one-shot was of course the pilot film for the Emmy-winning The Andy Griffith Show, in which Griffith starred from 1960 through 1968. Eternally easygoing on camera, Griffith, who owned 50% of the series, ruled his sitcom set with an iron hand, though he was never as hard on the other actors as he was on himself; to this day, he remains close to fellow Griffith stars Don Knotts and Ron Howard. An unsuccessful return to films with 1969's Angel in My Pocket was followed by an equally unsuccessful 1970 TV series Headmaster. For the next 15 years, Griffith confined himself to guest-star appearances, often surprising his fans by accepting cold-blooded villainous roles. In 1985, he made a triumphal return to series television in Matlock, playing a folksy but very crafty Southern defense attorney. A life-threatening disease known as Gillian-Barre syndrome curtailed his activities in the late 1980s, but as of 1995 Andy Griffith was still raking in the ratings with his infrequent Matlock two-hour specials. The actor worked on and off throughout the late nineties and early 2000s, and co-starred with Keri Russell and Nathan Fillion in the romantic comedy Waitress in 2007.

Trivia: Marc Macaulay is an actor who's just got one of those faces -- you know you've seen it somewhere before but you just can't seem to put your finger on it. Of course, one glance at the screen veteran's credit list and movie fanatics will instantly realize that they have indeed seen Macaulay numerous times on screens both large and small, it's just that he has a way of immersing himself in the role so effectively that it's difficult to distinguish which performance stood out the most. It was during his junior year of college that the aspiring commercial illustrator accepted a dare to audition for an upcoming play, yet while the friend who issued that challenge was well on his way to becoming a professional actor, Macaulay himself had never even considered a career in the performing arts. When the cast list was posted and Macaulay discovered that he had landed one of the lead roles, however, the course of his entire life would suddenly be altered by the decision of one single casting director. After receiving a scholarship for acting and graduating with a BFA in theater, Macaulay relocated to Jupiter, FL, in order to attend the Burt Reynolds Institute of Theatre Training. While a move to New York seemed only natural for Macaulay upon finishing his training in Florida, acting gigs in the Big Apple were few and far between. After racking up a few film credits and continuing his studies at H.B. Studios, Macaulay eventually returned to the Sunshine State to audition for a new series called Miami Vice (1984). Over the course of the following decade, Macaulay was swept up in a whirlwind of supporting roles. From short-lived series like B.L. Stryker and Wiseguy to major motion pictures such as Edward Scissorhands, Passenger 57, Contact, and The Truman Show, the workman-like actor could always be counted on to deliver a convincing, well-mannered performance. While frequent roles in such shows as Matlock, Walker, Texas Ranger, and Nash Bridges provided a bit of stability in a notoriously volatile industry, the increasingly busy actor largely earned his keep by continually leaping from the big screen to the small -- all the while displaying impressive footing on both. By the year 2000, casting directors were finally wising up to the true talent at their disposal, and Macaulay was landing consistent work in feature films. Never tied to just one genre, Macaulay turned in impressive performances in films as diverse as From Justin to Kelly, Monster, Transporter 2, and The Hawk Is Dying (opposite Academy Award-nominee Paul Giamatti). A minor role in the 2006 feature film Miami Vice served well to bring Macaulay's career full circle. In 2006, Macaulay could be seen in a recurring role on the popular Fox drama Prison Break, with subsequent parts in the feature films Premonition and Walking Tall 2 preceding yet another small-screen recurring role in the weekly USA Network thriller Burn Notice in 2007.

Trivia: Lead actor, onscreen from 1985.

Trivia: Sturdy, reliable character player Kene Holliday specialized in portrayals of vociferous everymen, with a strong emphasis on television work. Holliday landed one of his first major roles in the small-screen blockbuster Roots: The Next Generations (as Detroit, one of the direct descendants of the iconic Kunta Kinte), and subsequently divided his time between occasional big-screen features (No Small Affair, The Philadelphia Experiment), series work (with many appearances on Matlock), and TV movies, such as the 1988 Dangerous Company. Holliday tackled a rare yet effective lead role in the much-anticipated 2007 drama Great World of Sound, as Clarence, a well-meaning record producer in training who discovers that his parent company isn't exactly all that it professes to be.

Trivia: Having made her feature film debut in Sex and the College Girl (1964), blonde actress Julie Sommars went on to appear in television movies of the '70s and in the occasional feature film through the mid-'80s. Fans of the television drama Matlock (1986-1995) will recognize her for playing Julie March.