Trivia: A dancer from childhood, Buddy Ebsen headlined in vaudeville in an act with his sister Velma. In 1935, Ebsen was signed by MGM as a specialty performer in The Broadway Melody of 1936, wherein he was shown to good advantage in several solos. He worked in a number of subsequent musicals, including Shirley Temple's Captain January (1936), teaming with Shirley for the delightful number "At the Codfish Ball." MGM assigned Ebsen to the role of the Scarecrow in 1939's The Wizard of Oz, but Ray Bolger, who'd been cast as the Tin Man, talked Ebsen into switching roles. The move proved to be Ebsen's undoing; he found that he was allergic to the silver makeup required for the Tin Man, fell ill, and was forced to bow out of the film, to be replaced by Jack Haley (however, Ebsen's voice can still be heard in the reprises of "We're Off to See the Wizard").Ebsen then returned to the stage, taking time out to provide the dancing model for a electronically operated wooden marionette which later was used at Disneyland. In 1950 Ebsen returned to films as comical sidekick to Rex Allen, gradually working his way into good character parts in "A" pictures like Night People (1955). Walt Disney, who'd remembered Ebsen from the dancing marionette, offered the actor the lead in his 1954 three-part TV production of Davy Crockett, but at the last moment engaged Fess Parker as Davy and recast Buddy as Crockett's pal George Russel. Ebsen continued to pop up in films like 1961's Breakfast at Tiffany's (as Audrey Hepburn's abandoned hometown husband), and in TV westerns, where he often cast his image to the winds by playing cold-blooded murderers. Comfortably wealthy in 1962 thanks to his film work and wise business investments, Ebsen added to his riches by signing on to play Jed Clampett in the TV sitcom The Beverly Hillbillies, which ran for nine years to excellent ratings. A millionaire several times over, Ebsen planned to ease off after Hillbillies, but in 1972 he was back in TV in the title role of Barnaby Jones. Few observers gave this easygoing detective series much of a chance, but they weren't counting on Ebsen's built-in popularity; Barnaby Jones lasted until 1980. The actor now confined himself to special events appearances and occasional guest-star roles, though he did play the recurring part of Lee Horsley's uncle in the final season of the TV mystery show Matt Houston (1983-85). One of Buddy Ebsen's final roles was in the 1993 theatrical film version of The Beverly Hillbillies -- not as Jed Clampett but in a cameo as Barnaby Jones!

Trivia: For as long as she could remember, Irene Ryan was performing on some stage or other. From the 1920s onward, she and her husband Timothy Ryan formed the popular vaudeville duo Tim and Irene. They carried over their song, dance and snappy patter into a brief series of two-reel comedies and several radio programs. During her first burst of filmmaking activity in the 1940s, Ryan played comedy relief parts in a number of B pictures scripted by her husband. Her standard characterization at this time was the traditional wisecracking, man-hungry spinster. During and after her divorce, Ryan continued accepting roles of varying sizes in such pictures as Woman on the Beach (1948), My Dear Secretary (1948), Mighty Joe Young (1949), Bonzo Goes to College (1952) and Blackbeard the Pirate (1952). By the early 1960s, Ryan was (as she would later cheerfully admit) pretty much washed up in show business. All this changed when she was invited to audition for an upcoming sitcom about a family of mountaineers who suddenly come into a fortune. Ryan read one single line and was hired on the spot: she played Granny on The Beverly Hillbillies from 1962 through 1971, never missing an opportunity to express gratitude for her involvement in so popular a project. No sooner had Hillbillies folded than Irene Ryan was cast in a show-stopping role in the 1971 Broadway musical Pippin, scoring yet another personal success--which, sadly, turned out to be her last.

Trivia: Though she appeared in feature films before and after the much-loved '60s sitcom The Beverly Hillbillies, American actress Donna Douglas will always be remembered as the buxom, blue-eyed tomboy Elly May Clampett. She was born Doris Smith in Pride, LA, and grew up to be very much like Elly May in that she always had a special affinity for animals and nature. As a teen, Douglas was a cheerleader and won some beauty contests, notably the title of Miss New Orleans 1957. From there Douglas appeared as the Letters Girl on The Perry Como Show and later appeared on The Steve Allen Show as a Billboard Girl. She made her feature-film debut in Career Girl (1959) and followed it up with a co-starring role in the Rock Hudson/Doris Day screwball comedy Lover Come Back (1960). She was cast as Elly May in 1962 and remained with the series through its demise in 1971. Later, she returned for a Beverly Hillbillies made-for-TV reunion movie in 1981. In 1965, Douglas starred opposite Elvis Presley in Fred de Cordova's Frankie and Johnnie. It would be her last film that had nothing to do with Hillbillies. Whereas some actors deeply resent being so closely associated with a single role, Donna Douglas embraced Elly Mae and continued to make public appearances in costume. A devout Christian, Douglas was also a noted gospel singer. Douglas died in 2015, at age 81.

Trivia: The politically incorrect term for the sort of roles played by actress Nancy Kulp is "spinsterish." The daughter of a stockbroker, Kulp served as a WAVE lieutenant during World War II, specializing in electronics. A graduate of Florida State and the University of Miami, she worked as a newspaper and radio reporter before entering television as a continuity editor and news director at Miami's first TV station. Through the auspices of her then-husband, a New York television producer, Kulp began picking up small film and TV acting assignments, usually playing frontierswomen, stern maiden aunts or lovelorn professional girls. Impressed by her gift for comedy, producer Paul Henning cast Kulp in the 1950s TV sitcom Love That Bob as birdwatcher Pamela Livingston. This in turn led to a longer (1962-71) stint on the Henning-produced Beverly Hillbillies, in which Kulp played ultraefficient bank secretary Jane Hathaway. After the cancellation of Hillbillies, Nancy Kulp did a great deal of summer stock and dinner theater, returning to television to re-create "Miss Jane" for a 1981 Beverly Hillbillies reunion special.

Trivia: Intending to become a dentist like his father, American actor Edgar Buchanan wound up with grades so bad in college that he was compelled to take an "easy" course to improve his average. Buchanan chose a course in play interpretation, and after listening to a few recitations of Shakespeare he was stagestruck. After completing dental school, Buchanan plied his oral surgery skills in the summertime, devoting the fall, winter and spring months to acting in stock companies and at the Pasadena Playhouse in California. He was given a screen test by Warner Bros. studios in 1940, received several bit roles, then worked himself up to supporting parts upon transferring to Columbia Pictures. Though still comparatively youthful, Buchanan specialized in grizzled old westerners, with a propensity towards villainy or at least larceny. The actor worked at every major studio (and not a few minor ones) over the next few years, still holding onto his dentist's license just in case he needed something to fall back on. Though he preferred movie work to the hurried pace of TV filming, Buchanan was quite busy in television's first decade, costarring with William Boyd on the immensely popular Hopalong Cassidy series, then receiving a starring series of his own, Judge Roy Bean, in 1954. Buchanan became an international success in 1963 thanks to his regular role as the lovably lazy Uncle Joe Carson on the classic sitcom Petticoat Junction, which ran until 1970. After that, the actor experienced a considerably shorter run on the adventure series Cade's County, which starred Buchanan's close friend Glenn Ford. Buchanan's last movie role was in Benji (1974), which reunited him with the titular doggie star, who had first appeared as the family mutt on Petticoat Junction.

Trivia: The daughter of Sheila and Gordon MacRae, actress/singer Meredith MacRae was virtually born into a show business career, and with her voice and good looks it would have been difficult for her to have avoided such a choice, even if she'd wanted to. Her parents actually led a surprisingly unpretentious middle-class life-style, and she earned all of her breaks, whether they were roles in movies (Bikini Beach) or a chance at a recording career -- she cut a handful of records in the early/middle 1960s. But it was on the series My Three Sons in 1963 that she first became widely known on the small-screen, when she took the role of Sally Morrison. After two years in that part, she moved on to Petticoat Junction, where she took over the role of Billie Jo Bradley from Guinilla Hutton -- she kept the part for the five years remaining in the series' run, and the producers enabled MacRae to feature her singing ability in the part. Following the cancellation of the series, MacRae went on to do guest spots of series ranging from Fantasy Island to The Rackford Files, and she was also a frequence guest on game shows. She was also active in summer stock and regional theater productions of such shows as Bye Bye Birdie and Take Me Along, and raised money for various medical charities. MacRae died of complications from brain cancer in the summer of 2000.

Trivia: Dark-haired actress Lori Saunders is probably best remembered for her six season (1966-1972) portrayal of Bobbie Jo Bradley on the long-running sitcom Petticoat Junction. But she did appear in feature films, as well, including adventure and horror pictures, usually working under the name Linda Saunders, and even got to play the title-role in one such vehicle during the early/middle 1960s. Born Linda Marie Hines in Kansas City, Missouri in 1941, she began working as Linda Hines on television during the early 1960s, appearing in episodes of The Adventures of Ozzie And Harriet playing various characters. By the time she started showing up on episodes of Burke's Law and Bob Hope's TV specials, she was working as Linda Saunders, and it was under that name that she made her feature film debut in 1965, in The Girls On The Beach. Later that same year, Saunders played the title-role, a sort of distaff Tarzan, raised by wolves in the Alaskan wild, in Mara of the Wilderness, an adventure film that got a fairly wide theatrical release at the time, aimed primarily at younger audiences -- additionally, because it also starred Adam West, the movie was re-released following the premiere of the Batman television series in 1966, and was later shown on network television. By the time that movie had made its initial bow in theaters, however, Saunders had also appeared in a lead role in the Jack Hill/Stephanie Rothman-directed horror film Blood Bath (1966) (aka Track of the Vampire). In the year of that movie's release, however, Saunders redirected her work and career toward comedy, taking over the role of Bobbie Jo Bradley, the cerebral, studious middle daughter in the sitcom Petticoat Junction (and its sister series, Green Acres) from actress Pat Woodell. In contrast to Woodell, who had emphasized the character's braininess, Saunders' portrayal made the character a bit more boy-crazy and charmingly goofy -- one might think of a very young, slightly ditsy Phyllis Kirk -- and during the final season the writers gave her an on-going romantic interest in the guise of game warden Orrin Pike (Jonathan Daly). She also appeared in episodes of The Beverly Hillbillies and Love American Style and, following the cancellation of Petticoat Junction, worked in the comedy western series Dusty's Trail, as well as showing up in various feature films. Saunders retired from acting in the 1980s.

Trivia: Balding, long-necked character actor Frank Cady was a stage actor of long standing when he moved into films in 1947. He was usually cast as a quiet, unassuming small town professional man, most memorably as the long-suffering husband of the grief-stricken alcoholic Mrs. Daigle (Eileen Heckart) in The Bad Seed (1957). A busy television actor, he spent much of the 1950s on The Adventures of Ozzie and Harriet as Ozzie Nelson's neighbor Doc Willard. The "TV Generation" of the 1960s knows Cady best as philosophical storekeeper Sam Drucker on the bucolic sitcoms Petticoat Junction (1963-1970) and Green Acres (1965-1971). Whenever he wanted to briefly escape series television and recharge his theatrical batteries, Frank Cady appeared with the repertory company at the prestigious Mark Taper's Forum.

Trivia: The son of actors, Percy Helton began his own career at age two in a Tony Pastor revue in which his parents were performing. The undersized Helton was a valuable juvenile player for producer David Belasco, making his film debut in a 1915 Belasco production, The Fairy and the Waif. Helton matured into adult roles under the stern guidance of George M. Cohan. After serving in the Army during World War I, Helton established himself on Broadway, appearing in such productions as Young America, One Sunday Afternoon and The Fabulous Invalid. He made his talkie debut in 1947's Miracle on 34th Street, playing the inebriated Macy's Santa Claus whom Edmund Gwenn replaces. Perhaps the quintessential "who is that?" actor, Helton popped up, often uncredited, in over one hundred succinct screen characterizations. Forever hunched over and eternally short of breath, he played many an obnoxious clerk, nosey mailman, irascible bartender, officious train conductor and tremulous stool pigeon. His credits include Fancy Pants (1950), The Robe (1953), White Christmas (1954), Rally Round the Flag Boys (1959), The Music Man (1962) and Hush Hush Sweet Charlotte (1965), as well as two appearances as sweetshop proprietor Mike Clancy in the Bowery Boys series. Thanks to his trademarked squeaky voice, and because he showed up in so many "cult" films (Wicked Woman, Kiss Me Deadly, Sons of Katie Elder), Helton became something of a high-camp icon in his last years. In this vein, Percy Helton was cast as the "Heraldic Messenger" in the bizarre Monkees vehicle Head (he showed up at the Monkees' doorstep with a beautiful blonde manacled to his wrist!), the treacherous Sweetieface in the satirical western Butch Cassidy and the Sundance Kid (1969), and the bedraggled bank clerk Cratchit on the TV series The Beverly Hillbillies.