Trivia: American actor Bob Crane is best remembered for playing the crafty POW Col. Hogan on the 1960s television comedy Hogan's Heroes, but he also played leads in a few films during the '50s and '60s. Crane was born in Waterbury, Connecticut. He began his career as a drummer and played with dance bands and a symphony orchestra. He also worked as a radio announcer at various stations around the U.S. before hosting a morning talk show in Hollywood. Next Crane began appearing regularly on the Donna Reed Show. In 1978, he was mysteriously murdered, and the case remains unsolved. He was married to Sigrid Valdis, an actress.

Trivia: Actor Werner Klemperer seemed destined for a career as a classical musician in his native Germany; his father was legendary orchestra conductor Otto Klemperer, and his mother was an opera singer. Otto Klemperer fled the Nazis in 1933 and secured a job with the Los Angeles Philharmonic, then sent for his wife and children. Trained in piano, trumpet and violin, young Werner never lost his love of music, but decided in the early '40s to study acting at the Pasadena Playhouse. A naturalized American citizen, Klemperer worked in Maurice Evans' special services unit in World War II, which gave Werner invaluable training before all sorts of audiences. Completely bald in his mid 20s, Klemperer had little problem securing theatrical work as older continental types, yet he yearned to broaden his range. To do this, he completely surpressed his German accent, the better to play such all-American character roles as the timorous press agent in the 1957 Cary Grant film Kiss Them for Me (1957). The capture of fugitive Nazi official Adolph Eichmann in 1960 sparked a renewal of interest in war films, and soon Klemperer found himself playing Eichmann (whom he vaguely resembled) in the 1961 quickie Operation Eichmann. He also essayed a suitably slimy role as a former Nazi jurist on trial for war crimes in 1961's Judgment at Nuremberg. Try though he might to break free of the stereotype, Klemperer was stuck in Teutonic roles, so he resigned himself to recultivating his German accent and worked steadily throughout the '60s. A low-comedy variation of Klemperer's standard character made him an international TV favorite: the actor played the heel-clicking, imperious and incredibly stupid Colonel Klink on the popular sitcom Hogan's Heroes from 1965 through 1970. In the '70s, Klemperer returned to his musical roots as a sometimes performer at the Metropolitan Opera, and as a lecturer/narrator for dozens of American symphony orchestras. Having spent most of his professional career chilling the audience's marrow as the archetypal Nazi officer, Werner Klemperer was the soul of geniality as the jovial narrator of Prokofiev's Peter and the Wolf at regional kiddie concerts of the '80s and '90s.

Trivia: Actor John Banner was forced out of his native Austria in 1938 when Hitler marched in. Though most familiar to filmgoers and TV viewers as a man of considerable heft, he was a trim 180 pounds when, while touring with an acting troupe in Switzerland, he found he couldn't return to Austria because he was Jewish. Banner came to America as a refugee; though unable to speak a word of English, he was almost immediately hired as emcee for a musical revue, From Vienna, for which he had to learn all his lines phonetically. Picking up the language rapidly, Banner was cast in several films of the 1940s, starting with Pacific Blackout. Because of his accent and Teutonic features, he most often played Nazi spies -- a grim task, in that Banner's entire family in Austria was wiped out in the concentration camps. Tipping the scales at 280 pounds in the 1950s, Banner worked steadily as a character man in films and on television; he can be seen as a variety of foreign-official types on such vintage TV series as The Adventures of Superman and Rocky Jones, Space Ranger. In 1965, Banner was cast as Sgt. Schultz in the long-running wartime sitcom Hogan's Heroes. A far cry from the villainous Nazis he'd played in the 1940s, Schultz was a pixieish, lovable blimp of a man who'd rather have been working as a toymaker than spending the war guarding American POWS, and who, to protect his own skin, overlooked the irregularities occurring in Stalag 13 (which as every TV fan knows was Colonel Hogan's secret headquarters for American counterespionage) by bellowing "I know nothing! I see nothing! Nothing!" John Banner enjoyed playing Schultz, but bristled whenever accused of portraying a cuddly Nazi: "I see Schultz as the representative of some kind of goodness in every generation," the actor told TV Guide in 1967. As to the paradox of an Austrian Jew playing a representative of Hitler's Germany, Banner replied, "Who can play Nazis better than us Jews?" Or who could play them funnier than John Banner?

Trivia: Trained in British repertory, actor Richard Dawson achieved prominence in the late '50s as a cabaret and TV comedian. Arriving in the U.S. in 1961, Dawson made the variety-show rounds with an act consisting largely of quickie celebrity impressions. One of his first acting assignment was as Peter Sellers' takeoff Racy Tracy Rattigan in a 1963 episode of The Dick Van Dyke Show. A solid dramatic role as a military prisoner in King Rat led to a longer stint as resourceful cockney POW Peter Newkirk on the popular sitcom Hogan's Heroes (1965-1971). After appearing as a regular on Rowan & Martin's Laugh-In and The New Dick Van Dyke Show, Dawson settled into his true niche as a wisecracking game-show host. From 1976 through 1985, he emceed TV's The Family Feud, winning an Emmy Award for his troubles (he later resumed his Family Feud hosting chores in the 1994 syndicated version). Fittingly enough, Richard Dawson's first feature-film role after Feud was as the smarmy host of a futuristic life-or-death quiz program in Arnold Schwarzenegger's The Running Man (1989).

Trivia: Forceful African American leading man Ivan Dixon first commanded notice from theatergoers for his performance in the 1957 Broadway play The Cave Dwellers. He entered films as Sidney Poiter's double and stand-in with Something of Value (1957) and The Defiant Ones (1958), ultimately sharing scenes with Poitier in Porgy and Bess (1959) and Raisin in the Sun (1961). In 1964's Nothing But a Man, Dixon starred as Duff Anderson, an irresponsible Alabama railroad worker whose late-blooming maturity forms the nucleus of the film. Dixon's TV work includes the role of Kinchloe on the POW sitcom Hogan's Heroes and his Emmy-nominated starring role on the 1967 dramatic special The Private War of Olly Winter. In his later years, Ivan Dixon remained active as a director and a performer: he helmed the theatrical features Trouble Man (1972) and The Spook Who Sat By the Door (1992), such TV movies as Love is Not Enough and Percy and Thunder, and several episodes of the TV adventure series Hawaiian Heat (1984). Dixon died at age 76 in March 2008.

Trivia: Character actor Bert Freed prepared for his theatrical career at Penn State. Freed made his first Broadway appearance in the forgotten 1942 production Johnny 2 X 4, then went on to such long-running efforts as Counterattack, One Touch of Venus and Annie Get Your Gun. In films from 1947, he was most often cast as big-city detectives and small-town sheriffs. Some of his more memorable movie roles include Sgt. Boulanger in Paths of Glory (1957), Christopher Jones' institutionalized father in Wild in the Streets (1968), and all-around meanie Stuart Posner in Billy Jack (1969). A busy television actor, Freed settled down to a weekly-series grind only once, as Rufe Ryker on the 1966 video version of Shane. Outside of his performing activities, Bert Freed was for many years a member of the Motion Picture Academy's Committee of Foreign Films.

Trivia: Though he would eventually rise to fame as demolitions expert Sgt. Carter on the classic comedy series Hogan's Heroes, singer/actor Larry Hovis originally came into show business as a singer. A Washington native who was raised in Texas, Hovis vocalized with his sister Joan before joining the popular Houston quartet the Mascots in the 1950s. Coming in first in a local talent contest earned the Mascots some television exposure on Arthur Godfrey's popular television show, and soon thereafter Hovis was hosting his own daytime television show. Moving into acting in his early twenties, he appeared in numerous stage productions, as well as continuing songwriting, which eventually led to a recording contract with Capitol and a subsequent solo album entitled My Heart Belongs to Only You. Small-time stage work became big-time with Broadway appearances in The Billy Barnes Revue and From A to Z in the late '50s, and by the time Hovis packed his bags for California at the age of 28, his standup performances and his screenplay for the comedy Out of Sight were gaining him quite a reputation. Shortly after that reputation landed him a gig on Gomer Pyle, U.S.M.C., he embarked on a six-year run in the breakout television comedy hit Hogan's Heroes. Hovis followed his stint on Hogan's Heroes with a high-profile job as a writer on Rowan and Martin's Laugh In, and though he was indeed a writer on the show's Emmy-winning 1968 season, he missed out on winning because his name was mistakenly omitted from the writing credits. Balancing appearances in film and television with a prominent role on the television game show The Liar's Club in the 1970s, Hovis would later tour with the first national road show of The Best Little Whorehouse in Texas. In his later years, Hovis returned to Texas to teach acting at Southwest Texas University (now Texas State University) while continuing to appear frequently on-stage. On September 9, 2003, Larry Hovis died in Austin, TX, following an extended battle with cancer. He was 67.

Trivia: Sporting a Brooklyn accent and bulldog features, Harvey Keitel first gained recognition with a series of gritty roles in the early films of Martin Scorsese, and he was for a long time cast as one lowlife thug after another. His career experienced a renaissance in the 1990s, when roles in such films as Thelma & Louise, Bad Lieutenant, and The Piano demonstrated his versatility and his willingness to let it all hang out (literally) in the service of an authentic characterization.A product of Brooklyn, where he was born on May 13, 1939, Keitel grew up as something of a delinquent. At the age of 16, his truancy was put to an end when he was sent to Lebanon with the Marine Corps. Upon his return, he sold shoes and nurtured an interest in acting. He studied the craft with Lee Strasberg and Stella Adler and began appearing in off-off-Broadway productions. When he was 26, fate struck in the form of a casting ad placed by Scorsese, at that time a fledgling student director at New York University; Keitel's response to the ad began a collaboration that would last for years and produce some of the more memorable moments in film history. Keitel and Scorsese made their onscreen feature debuts with Who's That Knocking at My Door? (1968), in which the former played the latter's alter ego. Five years later, they collaborated on Mean Streets; that and their subsequent collaborations of the '70s, Alice Doesn't Live Here Anymore (1974) and Taxi Driver (1976), were some of the decade's most memorable films. Unfortunately, despite these achievements, Keitel's career suffered a great blow when he lost the lead in Francis Ford Coppola's Apocalypse Now to Martin Sheen. He spent much of the '80s appearing in obscure and/or forgettable films, save for Scorsese's controversial The Last Temptation of Christ (1988), and by the time he was cast in Thelma & Louise in 1991, he was in a career slump. 1991 and 1992 marked a turning point in Keitel's career: his role in Thelma and Louise as a sympathetic detective -- much like his role in that same year's Mortal Thoughts -- helped him break through the stereotypes surrounding him, and his Oscar nomination for his portrayal of gangster Mickey Cohen in Bugsy (1991) put him back in the forefront. Keitel's work in 1992's Bad Lieutenant, Reservoir Dogs, and Sister Act further established him as an actor of previously unappreciated versatility, and in 1993 he proved this versatility when he starred in Jane Campion's exotic art drama The Piano, in which he famously appeared in the nude as Holly Hunter's lover.Keitel continued to demonstrate his ability to play both hard-boiled gangsters and rough-edged nice guys throughout the rest of the decade, turning in one solid performance after another in such films as Pulp Fiction (1994), Clockers (1995), and Copland (1997). One of his most memorable characterizations, cigar shop owner Auggie Wren, came from his collaboration with Paul Auster on Smoke and Blue in the Face (both 1995); he also worked with Auster on his 1998 romantic drama Lulu on the Bridge. In 1999, Keitel could be seen in variety of films, notably Tony Bui's Three Seasons, in which he played an American soldier searching for his lost daughter in Vietnam, and Jane Campion's Holy Smoke, in which he played a man sent to deprogram Kate Winslet of the teachings she received while part of a religious cult.In 2001, Keitel's performance as the contemptuous Major Steve Arnold in Taking Sides was met with rave reviews; the same year, Keitel played a Holocaust victim in The Grey Zone. Keitel worked on and off throughout the 2000s, and landed a regular role in ABC's short-lived series Life on Mars in 2008.