Trivia: Though perhaps best remembered for playing the suave, mysterious Mr. Roarke on the popular television series Fantasy Island (1978-1984), and for his car commercials in which he seductively exhorted the pleasures of the upholstery ("Rich, Corinthian leather") in his distinctive Spanish accent, Ricardo Montalban once played romantic leads in major features of the '40s and '50s. He also had a successful career on-stage. Born Ricardo Gonzalo Pedro Montalban y Merino in Mexico City, Montalban spent part of his youth in the U.S. The tall, dark, handsome, and curly haired actor first worked as a bit player on Broadway before returning to Mexico in the early '40s and launching a film career there. By 1947, he had returned to the States and signed with MGM. That year, Montalban played his first leading role opposite Cyd Charisse in the romantic musical Fiesta (1947). It would be the first of many roles in which he would play a passionate singing and dancing "Latin Lover." He and Charisse again teamed up as dancers in the Esther Williams musical water extravaganza in On an Island With You (1948). At one point, it was a toss-up between Montalban and fellow MGM "LL" Fernando Lamas as to which was more popular. It would not be until 1949 before Montalban had the opportunity to play a non-romantic role as a border agent who gets revenge upon the killers of his partner in Border Incident. His second serious role in Battleground (1949) ranks among his best performances. By the late '50s, he had become a character actor, often cast in ethnic roles, notably that of a genteel Japanese Kabuki actor in Sayonara (1957). He had occasionally appeared on television since the late '50s, but did not appear regularly until the mid-'70s. In 1976, Montalban earned an Emmy for his portrayal of a Sioux chief in the television miniseries How the West Was Won. In the early '70s he was part of a touring troupe that read dramatic excerpts from Shaw's Don Juan in Hell. In 1982, Montalban reprised a role he had made famous on the original Star Trek TV series as the ruthless Khan to star in the second Star Trek feature, The Wrath of Khan. In the '80s, Montalban only sporadically appeared in feature films. His television career also slowed, though he occasionally appeared on series such as The Colbys (1985-1987) and Heaven Help Us! (1994). Montalban has written an autobiography, Reflections: A Life in Two Worlds (1980). Confined to a wheelchair after a 1993 spinal operation left him paralyzed from the waist down, Montalban remiained in good health despite being in constant pain, and continued to play an active role in promoting Nostros - a non-profit organization founded by Montalban in 1970 and dedicated to improving the image of Latinos within the entertainment industry. In the late 1990s and early 2000s Moltalban's career recieved something of a second wind when he began performing vocal work on such animated television series' as Freakazoid!, Dora the Explorer, and Kim Possible, with a role as the kindly grandfather in Robert Rodriguez's Spy Kids 2: Island of Lost Dreams and Spy Kids 3-D: Game Over even giving the wheelchair-bound actor an opportunity to triumphantly rise once again thanks to the magic of special effects. Additional vocal work in the 2006 animated family adventure The Ant Bully continued to keep Montalban busy despite his physical limitations. His brother, Carlos Montalban, was also an actor.

Trivia: American actor Bert Convy excelled in baseball while attending North Hollywood High School and was signed upon graduation by the Philadelphia Phillies. After two years' stagnation in the Phillies' farm system, Convy gave up baseball and attended UCLA, where he became a member of a briefly popular singing group called the Cheers. A 1959 stint with the songs-and-laughs Billy Barnes Revue led to small TV and movie parts, notably a brief bit as a murder victim in the Roger Corman "C minus" horror classic Bucket of Blood (1959). Convy's star ascended on Broadway in the 1960s, when he originated two memorable musical comedy roles: Perchik in Fiddler on the Roof, and Clifford Bradshaw in Cabaret. He was a popular variety-show guest star in that decade, but despite starring appearances in several TV pilots he was unable to get his own prime time series. However, thanks to his ingratiating personality and smooth speaking voice, Convy developed into the perfect daytime game show host, headlining such quizzers of the 1970s and 1980s as Tattletales (which won him an Emmy), Super Password, The Third Degree and Win, Lose or Draw. This last program was co-produced by Convy's close friend Burt Reynolds, who had previously arranged for Convy to obtain good secondary roles in several of Reynolds' films. Convy finally cracked prime time TV with a continuing role on the 1972 mystery series The Snoop Sisters; four years later, The Late Summer-Early Fall Bert Convy Show was briefly telecast by CBS, with Convy presiding over a motley crew of sketch comics. From 1977 to 1986, Convy was a frequent guest star on the long-running TV anthology series The Love Boat, seemingly popping up in every other episode when the series is rerun today. Convy co-starred in the very short-lived TV sitcom It's Not Easy in 1983, and hosted the 1984 Candid Camera clone People Do the Craziest Things. In 1989, the actor learned that he had a brain tumor, and in 1990 suffered a series of severe strokes. One year later, Bert Convy was dead at the age of 58.

Trivia: Began her TV career as the Statue of Liberty on Happy Days opposite Ron Howard. Both of her parents had music careers, as her mother, Judy, was a singer and TV star, and her father, Filberto, a radio personality. Inspired to follow in her parents' footsteps after seeing Angela Lansbury perform on stage. Best known to many as Corrine Tate on the controversial late-1970s satirical TV series Soap. Stage credits include They're Playing Our Song and Company. Active in a local theater in Connecticut, where she raises funds and is a summer-theater director. Teaches voice at Manhattanville College in the state of New York.

Trivia: A beloved comedic actress whose breakthrough performance in the Mary Tyler Moore Show helped convince a disgruntled Ted Knight to stick with the series despite disappointment with his character, Georgia Engel's golden comic talents are only matched by her unmistakable blonde locks and remarkable zeal for her craft. A native of Washington, D.C., who studied her craft at The University of Hawaii, Engel appeared in Milos Forman's Taking Off and Jacques Deray's The Outside Man before joining the cast of The Mary Tyler Moore Show in a one-time role that was quickly expanded when producers made note of her comic abilities. Engel remained with the series until the end of its run in 1977, during which time she was nominated for two Emmy awards for her winning performances. If subsequent appearances on such short-lived sitcoms as The Betty White Show and Goodtime Girls found Engel's career floundering somewhat in the late-'70s/early-'80s, post-Mary Tyler Moore era, a six-year stint in the popular television series Coach in the early '90s found her back in top form. Of course that was only the beginning to Engel's comeback period, and following the cancellation of Coach in 1997, her success carried over into the new millennium with a recurring role on Everybody Loves Raymond. Minor voice work in Dr. Dolittle 2 preceded a return to the big screen in the 2002 comedy The Sweetest Thing, after which she made an appearance in theater opposite I Dream of Jeannie's Barbara Eden in The Odd Couple: The Female Version.

Trivia: John Saxon never intentionally set out to be a Brando clone, but his resemblance to Marlon Brando was something he was born with, so what was there to do? A student of Stella Adler at the Actor's Studio, Saxon's first film was Running Wild (1955). Thanks to "hunk" assignments in films like The Restless Years (1957), The Reluctant Debutante (1958), and Summer Youth (1958), Saxon was briefly the object of many a teenage crush. He shed himself of his heartthrob image in the early '60s with a string of unsympathetic roles, making a leading man comeback of sorts as Bruce Lee's co-star in the immensely popular Enter the Dragon (1973). Fans could watch Saxon's expertise as an actor increase (and his hairline recede) during his three-year (1969-1972) stint as Dr. Ted Stuart on the NBC television series The Bold Ones. He later appeared as a semiregular on the prime-time TV soaper Dallas. In 1988, John Saxon made his directorial debut with the low-budget feature Death House.

Trivia: Austrian character actor Reggie Nalder, with his sharp, angular face and disconcerting leer, was frequently cast as villains in French and German films. Two of his most memorable roles were as the assassin in Hitchcock's The Man Who Knew Too Much and as the Russian spy in charge of brainwashing American soldiers in The Manchurian Candidate.

Trivia: Supporting and character actor Herve Villechaize appeared in 13 feature films, but he is best remembered for playing Tattoo, Ricardo Montalban's chirpy sidekick on Fantasy Island (1978-1983). Born to a French father and English mother, Villechaize was a dwarf who stopped growing taller after hitting 3'9". Before becoming an actor, Villechaize studied art in Paris and New York. Deciding acting was the better venue, he studied under drama teacher Julie Bovasso. He made his feature film debut in The Gang That Couldn't Shoot Straight (1971) and went on to play small "novelty" roles in exploitation and cult movies such as Malatesta's Carnival and Oliver Stone's Seizure (1974). One of his more notable roles was that of an evil dwarf in the James Bond thriller The Man With the Golden Gun (1974). Villechaize was married three times. On September 4, 1993, he fatally shot himself, allegedly to escape his many health problems.

Trivia: Leaving his Milwaukee home in 1942 in hopes of attending the University of Southern California, Don Weis secured work as a messenger at Warner Bros. After war service as a technician in Warners' army training film unit, Weis became a dialogue director at Enterprise Productions, working on such films as Body and Soul (1947) and Arch of Triumph (1948). Hired as a director for Ida Lupino and Collier Young's Filmakers Company, Weis was wooed to MGM by that studio's head man, Dore Schary. His first effort for MGM was a brief sequence in It's a Big Country (1951), followed by his first full-fledged feature, Bannerline (1951). Weis' helming of such lightweight MGM musicals as I Love Melvin (1953) and The Affairs of Dobie Gillis (1953) earned him a brief cult reputation with foreign film critics, though he was hardly confined to the song-and-dance genre. He entered television in 1956, eventually winning several Director's Guild Awards. During his TV years, Weis was busiest with comedy programs like The Jack Benny Show and The Andy Griffith Show, and slick adventure series like Burke's Law and It Takes a Thief; one of his more notable TV assignments was the 1959 pilot film Head of the Family, Carl Reiner's precursor to the popular Dick Van Dyke Show. In the mid-'60s, Weis directed several of the American-International teen-oriented musicals, among them Pajama Party, Ghost in the Invisible Bikini, and Looking for Love (which has earned latter-day notoriety as being the first and last film to star Johnny Carson). After completing the never-released Darren McGavin feature film Zero to Sixty (1977), Don Weis closed out his career with such episodic TV efforts as Charlie's Angels and MASH.