Trivia: One of the precious few actors of the "pretty boy" school to survive past the 1950s, Robert Wagner was the son of a Detroit steel executive. When his family moved to Los Angeles, Wagner's original intention of becoming a businessman took second place to his fascination with the film industry. Thanks to his dad's connections, he was able to make regular visits to the big studios. Inevitably, a talent scout took notice of Wagner's boyish handsomeness, impressive physique, and easygoing charm. After making his unbilled screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but it wasn't until he essayed the two scene role of a shellshocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor. He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1956), and shocked his bobby-soxer fan following by effectively portraying a cold-blooded murderer in A Kiss Before Dying (1955). In the early '60s, however, Wagner suffered a series of personal and professional reverses. His "ideal" marriage to actress Natalie Wood had dissolved, and his film career skidded to a stop after The Pink Panther (1964). Two years of unemployment followed before Wagner made a respectable comeback as star of the lighthearted TV espionage series It Takes a Thief (1968-1970). For the rest of his career, Wagner would enjoy his greatest success on TV, first in the mid-'70s series Switch, then opposite Stefanie Powers in the internationally popular Hart to Hart, which ran from 1979 through 1983 and has since been sporadically revived in TV-movie form (a 1986 series, Lime Street, was quickly canceled due to the tragic death of Wagner's young co-star, Savannah Smith). On the domestic front, Wagner was briefly wed to actress Marion Marshall before remarrying Natalie Wood in 1972; after Wood's death in 1981, Wagner found lasting happiness with his third wife, Jill St. John, a longtime friend and co-worker. Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career into his sixties; he has also launched a latter-day stage career, touring with his Hart to Hart co-star Stefanie Power in the "readers' theater" presentation Love Letters. He found success playing a henchman to Dr. Evil in the Austin Powers movies, and in 2007 he began playing Teddy, a recurring role on the hit CBS series Two and a Half Men.

Trivia: Born Stefania Federkiewicz, she is a lead actress of routine Hollywood films of the '60s and '70s. Soon after graduating from Hollywood High, she debuted onscreen in 1961; early in her career she was billed as Taffy Paul. She starred in the TV series Girl from U.N.C.L.E. and Hart to Hart. From 1966-74 she was married to actor Gary Lockwood, then she became the constant companion of aging actor William Holden; following his death in 1981, she continued being active with the William Holden Wildlife Foundation, which worked to create a big-game preserve and study center in Kenya.

Trivia: Actor/director Sam Wanamaker was one of those whose career was nearly derailed by the machinations of Senator McCarthy and his House Un-American Activities Committee. A native of Chicago, born Samuel Watenmaker, he began his career in theater at age 17 following training at Chicago's Goodman Theater. Wanamaker honed his acting skills in stock, traveling shows, and on Broadway. He also attended Drake University. Between 1943 and 1946, Wanamaker was in the U.S. Army. Early in his career, he also worked in radio. He made his feature film debut in My Girl Tisa (1948). The following year, Wanamaker, whose leftist political views were no secret in Hollywood, went to England to appear in blacklisted director Edward Dymtryk's Give Us This Day (1949). After making another film in Britain, Wanamaker learned that he too was about to be investigated and had been blacklisted; therefore, Wanamaker elected to remain in England. Over the next ten years, Wanamaker worked on-stage as a director, producer, and actor. In the 1960s, Wanamaker resumed his acting career in internationally produced films such as The Concrete Jungle (1962) and The Spy Who Came in From the Cold (1965). He made his directorial bow in 1969 with The File of the Golden Goose (1969) and went on to make several more films, including The Executioner (1970). He also made television movies such as the well-regarded true story, The Killing of Randy Webster (1981). In 1985, Wanamaker appeared on the short-lived television series The Berrengers. When not busy acting or directing, Wanamaker had been an active supporter of the plan to restore Shakespeare's Globe Theatre. Unfortunately, Wanamaker died of cancer just before the project was completed. His daughter Zoe Wanamaker is also an actor.

Trivia: Jeremy Brett was a gifted yet ultimately underappreciated Thespian whose symbiotic relationship with the character Sherlock Holmes has earned him a permanent place in the livelihood of the fictitious legend as well as Baker Street Irregulars and the like. (His portrayal of the character is, arguably, the most authentic and revered today.) Born Jeremy Peter William Huggins in Berkswell, Warwickshire, England, in 1933, Brett was the son of Henry and Elizabeth Huggins along with his three brothers, John, Patrick, and Michael. His father was a Lieutenant Colonel in the army and did not want the family name associated with the dubious world of the theatrical, so young Brett plucked his stage name from the tag in his first suit, Brett & Co. He made his professional stage debut in Manchester, England, in the company of the Library Theatre in 1954. Brett's early work on the stage included everything from the classic to the avant-garde in nature; he was a diverse and multifaceted performer, who even worked alongside the likes of Charlton Heston (playing Dr. Watson oddly enough). He was still a fledgling at London's Central School of Speech and Drama when he made his first uncredited feature-film appearance in Svengali.Brett's photograph in a British actors publication caught the eye of American filmmaker King Vidor, who subsequently cast him as Nicholai Rostov in his adaptation of Tolstoy's War and Peace (1956); the film marked his first encounter with future co-star Audrey Hepburn. After a stint in film, Brett returned to the London stage and joined the Old Vic theater company touring England and Canada, and it finally landed him right on Broadway in the U.S. Brett made his first U.S. television appearance on March 4, 1957, as Paris in an adaptation of Romeo and Juliet. He continued to act in London plays and sing in musicals into his late twenties, including an important role as Hamlet in 1961. He married fellow Thespian Anna Massey in 1958; however, the marriage was short-lived. The couple had one son, David, for whom they continued to care for adequately in the aftermath of their divorce.The early '60s found Brett collaborating with renowned British actor/director Laurence Olivier, who offered him supporting roles in his productions of Othello and Hamlet. Brett would have been more inclined to focus on these stage roles if he hadn't been distracted by the filming of My Fair Lady, in which he sang alongside Audrey Hepburn as Freddy Eynesford-Hill. Olivier did his best to get Brett to stay in London, but Hollywood and the West Coast were too alluring for the adventurous young man, who was always up for an adventure. After the filming of My Fair Lady finally ended, Brett partook in a number of theatrical pieces including Rolf Hochhuth's The Deputy and Turgenev's A Month in the Country. Taking a nod from director Olivier and other patrons of London's National Theatre, Brett finally made his debut with the prestigious company in 1967 as Orlando in Shakespeare's As You Like It, which premiered with mixed reviews. He also appeared with the company in MacRune's Guevara (as Che Guavara, reportedly spending time hitchhiking around South America to fully understand his character), The Merchant of Venice, and Hedda Gabler, directed by Ingmar Bergman. The '70s attracted Brett more to television and radio with a few small intermissions on the stage; he was a player in the 1976 Stratford Festival in Ontario, Canada. Television, however, brought him together with his second wife, producer Joan Sullivan (aka Joan Wilson), on the set of Rebecca. The two claim it was love at first sight, and they were married in November of 1977 until her untimely death from cancer in 1985. The Adventures of Sherlock Holmes had begun filming that year, thanks to producer and Brett-enthusiast Michael Cox; Brett continued to work through his period of grief, performing in Aren't We All through the end of July and then showed up to start filming The Return of Sherlock Holmes in August of that same year. As he fought to belie his inward grief through continuous working, his emotions finally caught up with him, and he had a breakdown of sorts after finishing the first few episodes of the Return series in 1986. It was at this point that Brett was officially diagnosed with bipolar disorder, a sickness which had gone mostly undocumented throughout his life and was played off as indiosyncracies of an impulsive actor amongst his friends and associates.Aside from his loss and psychological demons at bay, Brett's portrayal of Sherlock Holmes in the Granada series was to be his most poignant work, partly due to the emotive energy he channeled into it from his personal standpoint. He approached the role with utter seriousness and respect for the detective; Brett was a staunch critic in keeping true to the historical and literary keynotes from the stories, which resulted in a stylish, witty, and sophisticated interpretation of the singular friendship between Sherlock Holmes and Dr. John Watson. At the same time, Brett articulated facets of Holmes that went beyond the stories, creating a fresh and more vibrant (and sometimes more comical) Holmes than had been seen before. The Granada anthology includes The Adventures of Sherlock Holmes, The Return of Sherlock Holmes, The Casebook of Sherlock Holmes, and The Memoirs of Sherlock Holmes; four feature films were also produced from the short novels -- A Study in Scarlet, The Sign of Four, The Hound of the Baskervilles, and The Master Blackmailer (adapted from Doyle's The Valley of Fear). Brett was not only manic depressive, but he also had a continually failing heart; his condition was further compromised by heavy smoking, a grueling work schedule, and an already weakened heart from a spout with rheumatic fever as a child. He had become compulsive and brooding like the Holmes he portrayed in The Secret of Sherlock Holmes, a centennial commemorative play written by his good friend, Jeremy Paul, the man who also wrote a number of Holmes episodes for Granada. The Secret ran a rigorous year in the U.K. and finally came to a close in late 1989. By then, Brett's health was waning; his last appearances were on the set of The Memoirs of Sherlock Holmes at 221b Baker Street. He passed away on September 12, 1995, in his sleep at his home in Clapham Common. His career legacy is still treasured to many, and his portraiture of the famous detective hero will always remain in the hearts of Sherlockians everywhere.

Trivia: Following an apprenticeship in regional theater in his native Australia, Murray Matheson first appeared on the London stage in 1935's And on We Go. His first film was 1945's The Way to the Stars. Matheson's brittle acting style was somewhat reminiscent of Noel Coward and Cyril Ritchard (whom Matheson closely resembled); accordingly, most of his film and TV roles were cut from the Coward/Ritchard waspish, epigrammatic cloth. His many roles included an amusing turn as business executive Benjamin Barton David Ovington (BBDO) in the 1967 film version of How to Succeed in Business Without Really Trying, and the recurring role of bookstore proprietor Felix Mulholland on the 1972 TV series Banacek. Murray Matheson also played The Clown in the memorable 1961 Twilight Zone episode "Six Characters in Search of an Exit"; ironically, Matheson's last appearance was in the "Kick the Can" segment of Twilight Zone: The Movie (1985).

Trivia: A member of the early Our Gang group, child actor Monty O'Grady appeared in Our Gang (1922), A Pleasant Journey (1923), Dogs of War (1923), and Every Man for Himself (1924). O'Grady was Splutters, one of Mary Pickford's fellow orphans in Sparrows, and Lafe McKee's little son in the Western Baited Trap (1926). Although he disappears from film credits after 1927, apparently Monty O'Grady continued to appear in films (and later television) for the remainder of his life, mainly as an extra. He died at the Motion Picture Country House and Hospital in Woodland Hills, CA, oddly enough on the very same day as yet another silent screen child actor, Stanley Goethals.

Trivia: Supporting actor Lee Wilkof has spent his career alternating among stage, screen, and television. He made his feature film debut in The Serial (1980). His television appearances include guest-starring roles on shows ranging from Law & Order to Newhart.