Trivia: American actor Richard Chamberlain was a star in his first appearance--as the Pied Piper in the 3rd grade. While attending Pomona College, Chamberlain decided to study acting in earnest, honing his craft in little theatre productions. His All-American handsomeness gained him entry into film and TV work; Chamberlain starred in the title role of the NBC weekly series Dr. Kildare in 1961. It was one of two major medical programs premiering that year; the other was Ben Casey. Chamberlain's first starring film, Twilight of Honor (1963) did little to shake his male ingenue image--nor did his first job after the cancellation of Kildare, the notoriously disastrous musical play Holly Golightly (most reviewers thought this celebrated fiasco would kill both Chamberlain's and co-star Mary Tyler Moore's careers). In the late 1960s, Chamberlain headed for England to seek work in the classics. He first starred in a 1970 stage production of Hamlet, which became one of the pinnacles of his career. Several prestigious film, stage and TV appearances later, Chamberlain headlined the 1980 television multi-part drama Shogun and the 1983 miniseries The Thorn Birds which led critics and viewers to crown him "King of the Miniseries." Following a lead role in the poorly-received big screen efforts King Solomon's Mines (1985) and its sequel, Allan Quartermain and the Lost City of Gold (1987) (which critics blasted as low-budget Indiana Jones knockoffs) Chamberlain harkened back to the small screen, and continued to make periodic appearances in telemovies throughout the eighties, nineties and early 2000s. Key roles included Jason Bourne in a 1988 adaptation of Robert Ludlum's The Bourne Identity, and a 1991 reworking of Charles Laughton's Night of the Hunter (with Chamberlain assuming the Robert Mitchum part). He also landed guest appearances in such series as Touched by An Angel, Will and Grace, and The Drew Carey Show The actor made headlines in 2003 - not simply because of the debut of his autobiography, Shattered Love: A Memoir, but because the actor - around whom rumors of homosexuality had swirled for years -- finally 'outed' himself officially. (He and his partner, Martin Rabbett, have been together for twenty-five years and live in Hawaii). Young Dr. Kildare no more, Richard Chamberlain is today a highly respected actor whose very presence in the cast list of a film or miniseries is a guarantee of distinction and class.

Trivia: American actress Blythe Danner brings a kind of classy elegance to her work that betrays her real-life background: the daughter of a Philadelphia bank executive, she enjoyed an expensive prep school education and undergraduate study at Bard College. Her earliest theatrical work was with the Theater Company of Boston and the Trinity Square Playhouse of Boston; by the time she was 25, Danner had won the Theatre World Award for her performance in the Lincoln Center Rep's production of The Miser. In 1970, she earned a Tony for her performance in Butterflies are Free; based on the true story of a blind attorney, Danner played the central character's free-spirit love interest. Given the tenor of '70s newspaper publicity, Danner was featured in several magazine and newspaper photo spreads because she spent much of Butterflies' first act clad in nothing but her underwear. Subsequently, the actress was frequently cast opposite fellow up-and-comer Ken Howard, notably in the short-lived 1973 TV sitcom Adam's Rib. She worked so well with Howard that many fans assumed that the two were married; in fact, Danner's longtime husband is Broadway and TV producer Bruce Paltrow.A "critic's darling" thanks to her husky voice and pleasantly mannered acting style, Danner has worked with distinction in TV and on stage, though her film roles have tended to be few and far between. She was memorable as Robert Duvall's long-suffering wife in The Great Santini (1980) and as Nick Nolte's wife in The Prince of Tides (1991), while in 1986's Brighton Beach Memoirs, the decidedly WASPish Danner surprised fans by portraying a middle-aged Jewish woman. Danner's film appearances became more frequent during the latter half of the '90s: she did starring work in such films as To Wong Foo: Thanks for Everything, Julie Newmar (1995), The Myth of Fingerprints (1997), The X-Files (1998), and The Love Letter (1999). A memorable turn opposite Robert DeNiro in the 2000 comedy found the established dramatic actress reaching the apex of a particularly impressive comedy run, and a year after reprising her role in the 2004 sequel Meet the Fockers, Danner would make showbiz history by earning a record three Emmy nominations for her roles in Huff, Will and Grace, and Back when We Were Grownups. When the smoke cleared and all of the winners had been announced, Danner did ineed come out on top when she took home the "Best Supporting Actress in a Drama Series" award for Huff, with nominations for both Huff and Will and Grace at the following year's ceremony offering telling testament as to just how strong her work truly was. In 2006 Danner could be seen performing opposite Zack Braff in the romantic comedy drama remake The Last Kiss. She continued to work steadily, often in comedies such as Paul, Little Fockers, and What's Your Number, and she starred in the 2012 drama The Lucky One.Frequently seen in TV guest roles (she managed to make her Mrs. Albert Speer in 1982's Inside the Third Reich sympathetic, no mean feat), Danner could be seen on television on a regular basis in the brief 1989 series Tattingers, produced by her husband. In 1992, she did stellar work in the made-for-TV movie Cruel Doubt, in which she played the matriarch of a broken family. Her daughter Gwyneth Paltrow was also featured in the movie.

Trivia: Simply by growing old gracefully, actress Susan Sarandon has defied the rules of Hollywood stardom: Not only has her fame continued to increase as she enters middle age, but the quality of her films and her performances in them has improved as well. Ultimately, she has come to embody an all-too-rare movie type -- the strong and sexy older woman. Born Susan Tomalin on October 4, 1946, in Queens, NY, she was the oldest of nine children. Even while attending the Catholic University of America, she did not study acting, and in fact expressed no interest in performing until after marrying actor Chris Sarandon. While accompanying her husband on an audition, Sarandon landed a pivotal role in the controversial 1970 feature Joe, and suddenly her own career as an actress was well underway. She soon became a regular on the daytime soap opera A World Apart and in 1972 appeared in the feature Mortadella. Lovin' Molly and The Front Page followed in 1974 before Sarandon earned cult immortality as Janet Weiss in 1975's camp classic The Rocky Horror Picture Show, the quintessential midnight movie of its era. After starring with Robert Redford in 1975's The Great Waldo Pepper, Sarandon struggled during the mid-'70s in a number of little-seen projects, including 1976's The Great Smokey Roadblock and 1978's Checkered Flag or Crash. Upon beginning a relationship with the famed filmmaker Louis Malle, however, her career took a turn for the better as she starred in the provocative Pretty Baby, portraying the prostitute mother of a 12-year-old Brooke Shields. Sarandon and Malle next teamed for 1980's superb Atlantic City, for which she earned her first Oscar nomination. After appearing in Paul Mazursky's Tempest, she then starred in Tony Scott's controversial 1983 horror film The Hunger, playing a scientist seduced by a vampire portrayed by Catherine Deneuve. The black comedy Compromising Positions followed in 1985, as did the TV miniseries Mussolini and I. Women of Valor, another mini, premiered a year later. While Sarandon had enjoyed a prolific career virtually from the outset, stardom remained just beyond her grasp prior to the mid-'80s. First, a prominent appearance with Jack Nicholson, Cher, and Michelle Pfeiffer in the 1986 hit The Witches of Eastwick brought her considerable attention, and then in 1988 she delivered a breakthrough performance in Ron Shelton's hit baseball comedy Bull Durham, which finally made her a star, at the age of 40. More important, the film teamed her with co-star Tim Robbins, with whom she soon began a long-term offscreen relationship. After a starring role in the 1989 apartheid drama A Dry White Season, Sarandon teamed with Geena Davis for Thelma and Louise, a much-discussed distaff road movie which became among the year's biggest hits and won both actresses Oscar nominations. Sarandon was again nominated for 1992's Lorenzo's Oil and 1994's The Client before finally winning her first Academy Award for 1995's Dead Man Walking, a gut-wrenching examination of the death penalty, adapted and directed by Robbins. Now a fully established star, Sarandon had her choice of projects; she decided to lend her voice to Tim Burton's animated James and the Giant Peach (1996). Two years later, she was more visible with starring roles in the thriller Twilight (starring opposite Paul Newman and Gene Hackman) and Stepmom, a weepie co-starring Julia Roberts. The same year, she had a supporting role in the John Turturro film Illuminata. Sarandon continued to stay busy in 1999, starring in Anywhere But Here, which featured her as Natalie Portman's mother, and Cradle Will Rock, Robbins' first directorial effort since Dead Man Walking. On television, Sarandon starred with Stephen Dorff in an adaptation of Anne Tyler's Earthly Possessions, and showed a keen sense of humor in her various appearances on SNL, Chappelle's Show, and Malcolm in the Middle. After starring alongside Goldie Hawn in The Banger Sisters, Sarandon could be seen in a variety of projects including Alfie (2004), Romance and Cigarettes (2005), and Elizabethtown (2006). In 2007, Sarandon joined Rachel Weisz and Mark Wahlberg in The Lovely Bones, director Peter Jackson's adaptation of Alice Sebold's novel of the same name. She continued her heavy work schedule into the 2010s- in 2012 alone, the actress took on the role of a long-suffering mother to two grown sons in various states of distress for Jeff, Who Lives at Home, appeared as an older version of a character played by her daughter, Eva Amurri Martino, in That's My Boy and played a variety of supporting roles in the Wachowskis' Cloud Atlas. The following year found her in the crime drama Snitch, the ensemble rom-com The Big Wedding and in the Errol Flynn biopic The Last of Robin Hood. In 2014, she played Melissa McCarthy's grandmother (despite the fact that the actresses are only 24 years apart in age) in Tammy. She made a cameo appearance, as herself, in Zoolander 2 (2016).

Trivia: David Huffman was a supporting actor and an occasional lead, onscreen from F.I.S.T. (1978). He was married to casting director Phyllis Huffman. His life was cut short in 1985, when he was murdered by a thief.

Trivia: The daughter of actors, Brooke Adams was once praised by the press for her supremely flexible countenance -- with expressions and demeanors to accommodate virtually any emotion or situation. Adams attended New York's High School of Performing Arts and the Institute of American Ballet, and took private acting lessons from Lee Strasberg. At age six, she made her Broadway debut in the 1954 revival of Finian's Rainbow. Eleven years later, she was cast as Burl Ives' teenaged daughter in the extremely short-lived TV sitcom O.K. Crackerby (1965-1966) on ABC.Adams then kept a low professional profile until making her adult off-Broadway bow in 1974, appearing in yet another revival, The Petrified Forest. A great future was predicted for Brooke when she starred as Abby, the romantic bone of contention between Richard Gere and Sam Shepard in Terrence Malick's critically acclaimed 1978 film, Days of Heaven. That same year, she played Elizabeth Driscoll (the Dana Wynter role) in the remake of Invasion of the Body Snatchers, opposite Donald Sutherland, and in 1979 she was Sean Connery's ethereal leading lady in the Richard Lester-directed Cuba. Any one of those three roles could have spelled superstardom for Brooke -- had she really wanted to be a superstar. Instead, she deliberately avoided the trappings of celebritydom, preferring to measure her achievements by her own standards rather than Hollywood's. And, if that meant accepting "small" but artistically rewarding theatrical projects or teaching acting classics to emotionally disturbed children, rather than accepting a role in the latest Spielberg or Scorsese blockbuster, so be it. Brooke Adams' more notable credits during the mid- to late '80s and '90s included guest appearances on TV's Moonlighting (as single mother and David Addison Lamaze partner Terri Knowles), a role in the Broadway production The Heidi Chronicles, the narration duties for the 1994 miniseries The Fire This Time, and the role of Ione Skye's hardscrabble mother in the Allison Anders-directed Gas Food Lodging (1992). These represented high points, however, and more often than not, Adams found herself relegated to parts unworthy of her, such as the unevenly received 1985 adaptation of Kevin Wade's play Key Exchange (in which she reprised her stage role) and the histrionic TV movies Lace (1984) and Lace II (1985).In subsequent years, Adams made a greater splash on television, with guest appearances on such series programs as Wings, Monk (both opposite husband Tony Shalhoub), and Touched by an Angel. She also returned to the big screen for supporting roles in several projects, including the 1995 Baby-Sitters Club and the 2007 Griffin Dunne-directed romantic comedy The Accidental Husband.

Trivia: A graduate of the ABC daytime drama All My Children, Richard Hatch managed to get off on the wrong foot with critics and audiences alike with his first starring prime-time TV role. In 1976, Hatch replaced Michael Douglas on the long-running cop series The Streets of San Francisco. Before the ink was dry on the contract, Hatch was issuing public complaints about the shortcomings of his character, inspector Dan Robbins. This might have been excused as the youthful hubris, but then Hatch took his beloved co-star Karl Malden to task for giving him acting advice on the set. Not altogether surprisingly, Hatch was the subject of fewer and fewer interviews and articles after Streets was cancelled in 1977. He tried to attain film stardom, but things like Charlie Chan and the Curse of the Dragon Queen (1980) were enough to scuttle anyone's career. Luckily, Richard Hatch was able to garner a fan following with his role as Apollo on the 1979 sci-fi series Battlestar Gallactica; he also delivered a superb performance as Jan of Jan and Dean in the 1978 TV biopic Dead Man's Curve. Hatch later joined the Battlestar Galactica remake, playing the recurring role of terrorist-turned-politician Tom Zarek. Hatch died in 2017, at age 71.

Trivia: Lead actor, onscreen from the '70s. He is the brother of actor David Naughton.

Trivia: As a writer, director, and actor, Ernest Thompson has had a varied career despite his relative obscurity. Born in Vermont, he started out as a playwright, stage actor, and theatrical director. In the '70s, he made the switch to television with the soap opera Somerset, the Yosemite park ranger show Sierra, and the medical drama West Side Medical. However, his major accomplishment was as a writer, adapting his original play On Golden Pond for the screen. Starring Katharine Hepburn and Henry Fonda, the family drama was a huge hit in 1981, winning Thompson Best Screenplay awards from the Academy, Golden Globes, and Writers Guild of America. Later in the '80s, he wrote the drama Sweet Hearts Dance, directed by Robert Greenwald and starring Susan Sarandon and Don Johnson. He made his directorial debut in 1989 with 1969, starring Kiefer Sutherland and Winona Ryder. During the '90s, he stuck with writing and directing made-for-TV movies with Take Me Home Again, The West Side Waltz, and Out of Time. In 2001, he directed his own TV version of On Golden Pond, starring Julie Andrews and Christopher Plummer.