Trivia: Born September 8, 1971, to a family of entertainers, David Arquette is the youngest brother of actors Rosanna Arquette, Patricia Arquette, and Alexis Arquette, and the son of veteran bit-part actor Lewis Arquette. During David's early years, the family lived on a Virginia commune, but moved to Los Angeles so that Rosanna could pursue an acting career. David first brought his quirky, eccentric persona to the small screen in 1989, with a television adaptation of the film The Outsiders. He had his big screen debut in 1992, when he performed in a number of films, including Buffy the Vampire Slayer and Where the Day Takes You. Small roles in subsequent features followed, including 1994's Airheads, but it wasn't until his turn as a bumbling deputy in Wes Craven's Scream (1996) that he began to receive wider recognition. The same year, his visibility was further increased by a secondary role in Beautiful Girls and his turn as a struggling prostitute in Johns. 1997 brought with it Scream's highly successful sequel, the accurately titled Scream 2. In addition, it brought Dream With Fishes, a film that Arquette both acted in and co-produced. 1999 was a busy year for the actor, signaling that Hollywood was finding more room to accommodate his offbeat talent. In addition to his recurring spot in a series of creepy AT&T commercials, Arquette had major roles in three movies, the Drew Barrymore romantic comedy Never Been Kissed, Muppets From Space, and Antonia Bird's much maligned Ravenous. Arquette further increased his Hollywood visibility with his marriage to Courteney Cox, whom he wed in April 1999.He starred in the wrestling film Ready to Rumble in 2000, and returned to the Scream franchise that same year for the third film in that series. The next year he appeared as a death camp prisoner in The Grey Zone, and had a part in the action comedy 3000 Miles to Graceland. He starred in the giant-spider movie Eight Legged Freaks and played the father in The Adventures of Shark Boy and Lava Girl.In the mid-2000s, Arquette began working mostly in television, but in several different jobs. He directed several episodes of his sister Patricia's show, Medium, and acted as a producer with then-wife Cox on her series Dirt and Cougar Town (he was also a guest star on Medium and Cougar Town). Arquette continued to act, though, and had guest spots on Pushing Daisies and My Name is Earl before returning to the Scream franchise once again in 2011 (even though Arquette and Cox had separated by this point and were headed towards a divorce).Arquette began voicing Skully the parrot on the Disney Junior series Jake and the Neverland Pirates in 2011, and continued the role in the 2014 spin-off, Jake's Buccaneer Blast.

Trivia: One of Hollywood's funniest and most underappreciated actresses, Joan Cusack was for years relegated to playing the buddy sidekicks of her more glamorous co-stars and known primarily as John Cusack's older sister. Thanks to a couple of Oscar nominations and strong roles in a number of movies, Cusack finally began getting her due in the late 1990s, earning both recognition and respect for her singular talent.Born in New York City on October 11, 1962, Cusack grew up in the Chicago suburb of Evanston. The daughter of actor and filmmaker Richard Cusack, she and her siblings were encouraged to perform from an early age. As a result, Cusack grew up acting on the stage and training with the Piven Theatre Workshop. She broke into film while still in her teens, getting her start - -and often acting alongside her brother -- in such teen comedies as My Bodyguard (1980) and Sixteen Candles (1984). In 1985 she was offered a part on the Saturday Night Live roster, but felt constrained by the lack of quality material offered to women, and left the show after one season. Gradually getting better supporting work in such films as Broadcast News (1987) and Married to the Mob (1988), Cusack had her screen breakthrough in Working Girl (1988), earning a Best Supporting Actress Oscar nomination for her role as Melanie Griffith's street-smart best friend. More strong notices followed in 1989 for Cusack's work in the drama Men Don't Leave, in which she played a nurse who helps get Jessica Lange's life back on track after her husband's death. Though Cusack would move to Chicago for much of the 90's to focus on her family, she would appear in a handful of memorable titles, like My Blue Heaven (1990), Addams Family Values, Corrina, Corrina, Nine Months, and In & Out. Cusack would amp it up in the coming years, however, with appearances in a slew of popular films like Grosse Point Blank, Runaway Bride, High Fidelity, and Cradle will Rock. As the 2000's rolled onward, Cusack would continue to maintain her status as a go-to character actor, appearing in fims like Friends with Money, My Sister's Keeper and Mars Needs Moms, and on the critically acclaimed series Shameless.

Trivia: Though best known as an outspoken comedienne, Whoopi Goldberg is also a talented dramatic actress. By virtue of her distinctive appearance and a persona that is both no-nonsense and empathic, Goldberg has emerged as one of the most recognizable celebrities of the '80s and '90s.Born Caryn Johnson on November 13, 1955 in New York City, Goldberg began her long career when she was eight years old, performing with New York's Helena Rubenstein Children's Theater. She then went on to study with the Hudson Guild children's arts program and attended the prestigious High School for the Performing Arts. After graduating, Goldberg occasionally won small parts in Broadway productions such as Hair, Pippin and Jesus Christ Superstar, but also supported herself doing odd jobs like bricklaying and serving as a funeral parlor make-up artist. In 1975, Goldberg moved West and helped found the San Diego Repertory Theater, where she appeared in a number of plays, including Brecht's Mother Courage and Marsha Norman's Getting Out. After several stints with the Spontaneous Combustion improvisational troupe and work in avant-garde productions at Berkeley's Blake Street Hawkeyes theater, Goldberg devised The Spook Show, a one woman satirical production in which she played several characters. The show, which originated in San Francisco, eventually toured the U.S. and Europe, earning acclaim and the attention of director Mike Nichols. Nichols went on to direct a 1984 Broadway version of the show, which earned Goldberg Drama Desk and Theatre World awards, as well as a Grammy for the album recording.Goldberg made an auspicious Hollywood debut with her portrayal of Celie, the lead character in Steven Spielberg's controversial 1985 adaptation of Alice Walker's novel. Goldberg's moving performance was rewarded with an Oscar nomination and Best Actress Golden Globe, as well as instant stardom for the actress. Although Goldberg's film career looked promising, the actress unfortunately spent much of the decade's remainder appearing in terrible action comedies such as Fatal Beauty and Burglar (both 1987) that did not do her comic gifts justice. Her one partial success during this period was her first action comedy, Jumpin' Jack Flash (1986), which did relatively well at the box office and gave her a certain cult status. In 1988, Goldberg took a break from comedy with a memorable turn as a worldly Jamaican nanny in the otherwise unremarkable Clara's Heart. She also made numerous appearances in television specials, most notably as a co-host for the annual Comic Relief benefit for the homeless. Her attempt at sitcoms failed with the short-lived series Bagdad Cafe, but she did find greater television success with a small but crucial recurring role as the sagacious intergalactic bartender Guinan on the syndicated Star Trek: The Next Generation. Around the same time, Goldberg's film career underwent a sharp turn-around. She won acclaim playing a selfless housekeeper opposite Sissy Spacek in the provocative Civil Rights drama The Long Walk Home (1989), and then played an eccentric con artist possessing unexpected psychic powers in the 1990 smash hit Ghost. Goldberg's funny yet moving performance earned her her first Oscar and the widespread opinion that this marked her comeback performance. After a couple of missteps that had a few people rethinking this verdict, Goldberg scored again with the 1992 hit comedy Sister Act. Nominated for Golden Globes and two NAACP awards, the film spawned mass ticket sales and an unsuccessful 1993 sequel, Sister Act 2: Back in the Habit. Meanwhile, Goldberg also continued her television work with a 1992 late night talk show. A laid back affair that ran for 200 episodes, it was praised by critics but failed to secure high ratings and went on permanent hiatus after only six months. However, Goldberg continued to appear on TV with her recurring role as a Comic Relief co-host and as an MC for the Academy Awards ceremony, a role she reprised multiple times. At the same time, Goldberg continued to work in film, doing both comedy and drama and experiencing the obligatory highs and lows. Some of her more memorable roles included that of a single mother who discovers that Ted Danson, not a black genius, fathered her daughter in Made in America (1993), a lesbian lounge singer in Boys on the Side (1995), a white-middle-aged corporate executive in The Associate (1996), Angela Bassett's best friend in the 1998 hit How Stella Got Her Groove Back, and a private detective in the drama The Deep End of the Ocean (1999). In addition, Goldberg also appeared in two notable documentaries, The Celluloid Closet (1995), and Get Bruce! a piece about comedy writer Bruce Vilanch that also featured fellow comedians such as Robin Williams, Billy Crystal, Nathan Lane and Bette Midler.As the new decade dawned, Goldberg could be seen in supporting roles in projects like Rocky and Bullwinkle and the ensemble comedy Rat Race. Then, in 2003, she tried her hand at a starring sitcom role for the first time with Whoopi. The show found Goldberg playing an irreverent hotel owner and was met with mixed reviews before being cancelled mid-season.In 2004, Goldberg focused her career on voice work with appearances in Doogal, The Lion King 1 1/2, and P3K: Pinocchio3000. She continued this trend in the following years with such films as Racing Stripes and Everyone's Hero. Then, in 2007, Goldberg returned to the small-screen, replacing Rosie O'Donnell on the ABC panel show The View. Goldberg lent her voice to Pixar's Toy Story 3 in 2010, and as the narrator for 2011's documentary Being Elmo: A Puppeteer's Journey.

Trivia: William H. Macy came to acting by way of Bethany and Goddard Colleges. At the latter school, Macy studied under playwright David Mamet, with whom he would be frequently associated throughout his career. After college, Macy was a member of Mamet's theater troupe, the St. Nicholas Company. The actor performed in a number of productions, many of them written by Mamet, until 1978 when he left the company and headed to New York. Some of his earliest work there included commercial voice-overs, such as the now infamous "Secret: Strong enough for a man, but PH balanced for a woman." Macy also continued his theater work, forming the Atlantic Theatre Company with Mamet in 1985 and acting in Broadway and off-Broadway shows. In addition, he worked in television and began doing feature films, debuting in '80s Foolin' Around. He continued to act in supporting roles throughout the decade, appearing in such films as Mamet's directorial debut, House of Games (1987) and Woody Allen's Radio Days (1987). In 1991, he won a more substantial role, in Mamet's Homicide, and subsequently began to find work in more well-known films, including Benny and Joon and The Client.Macy finally got a shot at a leading role with his turn in Mamet's Oleanna. He won positive notices and an Independent Spirit Award nomination for his portrayal of a professor accused of sexual harassment. More acclaim followed with his starring role as a hapless car salesman in Joel Coen and Ethan Coen's Fargo (1996), for which he garnered a Best Supporting Actor Oscar nomination. The next year, Macy's star rose a little higher, thanks to his work in three high-profile films, Wag the Dog, Air Force One, and Paul Thomas Anderson's Boogie Nights. He was similarly lauded for his versatility through work in such films as Psycho and Pleasantville, and in 1999 he continued his winning streak as an unconventional superhero in Mystery Men, a gay sheriff in Happy, Texas, and a member of the ensemble cast of Paul Thomas Anderson's Magnolia. Despite the fact that Macy drew praise for his turn as a reluctant hit man in the 2000 drama Panic, the film went largely unseen, and his next substantial role found him running from dinosaurs in Jurassic Park III. As always Macy continued to intercut his more commercial efforts with such decidedly non-mainstream fare as Focus and Stealing Sinatra. Surprisingly, it was just such work that netted Macy some of his most glowing reviews. Case in point was a memorable performance as a disabled traveling salesman in the 2003 drama Door to Door; a role that earned its convincing lead an Emmy. After sticking to the small screen with the Showtime miniseries Out of Order, Macy went wide with the theatrical hit Seabiscuit and the breathless Larry Cohen-scripted thriller Cellular. That same year, the actor would continue to nurture a succesful ongoing collaboration with famed writer/director David Mamet in the widely-praised but little-seen crime drama Spartan. Macy has also continued to do television work, appearing on such series as Spencer, Law & Order, and ER. For his role in the 2004 made for television drama The Wool Cap (which also found him teaming with writer Steven Schachter to adapt a story originally written by Jackie Gleason), Macy was nominated for multiple awards including a Best Actor at the Golden Globe and an Emmys. In 2005, Macy returned to home turf with the Mamet-scripted thriller Edmond, directed by Stuart "Reanimator" Gordon. The picture reunited the actor and director, who originally collaborated in the early eighties on the stage version of the playwright's Sexual Perversity in Chicago. Adapted from Mamet's 1982 one-acter, Edmond dramatizes the descent of a seemingly normal man (Macy) from sanity to unbridled psychosis. While Edmond didn't exactly bomb critically or commercially after its July 14, 2006 premiere, it fell below the bar of previous Mamet efforts on two levels: first, the studio opened it to decidedly more limited release than Mamet's directorial projects over the previous several years (such as Spartan and Heist), thus ensuring that fewer would see it, and it also suffered from somewhat lackluster reviews. Surprisingly, those who did complain of the work attacked Mamet's script in lieu Gordon's direction. Variety's Scott Foundas observed, "The problem is that, too often, we don't fully understand what motivates Edmond, and many of Mamet's efforts toward explanation -- that life is one big shell game, that we're all latent racists at heart -- feel like specious armchair philosophizing." Macy produced that same year's Transamerica, and graced the cast of Jason Reitman's hearty satire Thank You For Smoking, with a funny turn as senator and anti-tobacco promulgator Ortolan Finistirre. At around the same time, he also voiced a crooked, baseball bat-swiping security guard in that year's family friendly animated feature Everyone's Hero. Meanwhile, audiences geared up for Macy's contribution to the ensemble of actor-cum-director Emilio Estevez's semi-fictional, Altmanesque docudrama Bobby, which recounts the events that preceded RFK's assassination by Sirhan Sirhan at the Ambassador Hotel. As the hotel manager, Macy joins a line-up of formidable heavyweights: Helen Hunt, Elijah Wood, Harry Belafonte, Martin Sheen, Estevez himself, Anthony Hopkins, Sharon Stone, and many others. The picture had journalists and moviegoers across America whispering 'Oscar contender' long before its initial release on November 22, 2006. Shortly after production wrapped, Macy made headlines in mid-late 2006 for a comment that involved his allegedly berating Bobby co-star Lindsay Lohan's on-set behavior, in reference to her constant tardiness. Meanwhile, the trades reported the everpresent Macy's involvement in two 2007 features: the animated Bee Movie (with a lead voice by Jerry Seinfeld), about a honeybee who decides to sue mankind for its use of honey, and Wild Hogs, a farce with Tim Allen, Martin Lawrence and John Travolta as a trio of Hell's Angels. Over the coming years, Macy would appear in movies like Shorts, Dirty Girl, and The Lincoln Lawyer, as well as the critically acclaimed series Shameless.In 1997, William H. Macy married Felicity Huffman, with whom he appeared in Magnolia.

Trivia: Kelly Ripa, the bubbly, blonde, and garrulous host of Live With Regis and Kelly (formerly Live With Regis and Kathie Lee), made the leap from semi-obscurity to American icon in early 2001, when the producers of that nationally syndicated daytime talk program selected her as the replacement for 15-year hostess Kathie Lee Gifford. Born October 2, 1970, to parents of mixed Irish and Italian heritage, the photogenic Ripa began her career as an actress -- first in high-school productions, then as a participant on the USA channel's Dance Party USA, and finally as a soap opera star on All My Children. Her portrayal of psychologically tortured teenager Hayley Vaughan on that program spanned 12 years, from 1990 through 2002. During her time with that series, she also met and married co-star Mark Consuelos, and eventually had several children with him. The actress' assignment on Live With Regis represented the denouement of a long, suspenseful, and nationally publicized search after Gifford withdrew in mid-2000. In the final analysis, many insiders felt that executive producer Michael Gelman and others had clearly made the right choice, for then-30-year-old Ripa's ascent to the co-host's chair helped the show reel in the highest ratings of its multi-decade run. Moreover, the program's fans asserted that the central banter between "Reege" and his hostess had never once been livelier, more entertaining or more fluid.In mid-2003, the peppy Ripa signed for another popular small-screen gig, albeit in a completely different venue: she and Faith Ford (Murphy Brown) played reunited sisters -- Ripa one of the glitterati, Ford a low-key suburban wife and mother -- on the situation comedy Hope & Faith. The program debuted that fall and lasted for three seasons. Ripa guest-hosted Saturday Night Live in November 2003; she and Regis are also frequent guests on Late Night with David Letterman. In addition to small-screen work, Ripa's resumé includes a bit part in the Muppet specials Sesame Street: Elmo's World -- Happy Holidays! and It's a Very Merry Muppet Christmas Movie, as well as the Steve Martin comedy remake Cheaper by the Dozen (2003).

Trivia: Few celebrities claim a broader omnipresence in the media than former MTV veejay and all-around heartthrob Carson Daly. This quintessential Southern California native shot to fame in the late '90s, initially as the host of the MTV channel's Total Request Live -- a long-running showcase for the most requested music videos of the day, voted on by viewers. Around January 2002, Daly left the program and received an offer from NBC to produce and host one of that network's late-late-night talk spots, Last Call with Carson Daly, which premiered to -- and sustained -- excellent ratings. In 2011, he began hosting the popular competetive reality series The Voice and in fall of 2013, continued his relationship with NBC by taking a job as one of the hosts of the Today show.

Trivia: The career of comedian/talk show host Jon Stewart (born on November 28th, 1963 as Jon Stewart Leibowitz) has been filled with critical praise but is absent of the kind of widespread success that his talents suggest. A graduate of College of William and Mary, Stewart held several mundane jobs until a stint as a puppeteer performing for children convinced him to go into standup comedy. Moving to New York, the comedian spent several years on the comedy circuit before landing a job as the host of Comedy Central's Short Attention Span Theatre. After leaving the cable network, Stewart spent a brief stint hosting MTV's ill-fated You Wrote It, You Watch It series before landing a job as the network's first talk show host. Premiering in 1993, The Jon Stewart Show became a hit with the college crowd, due mainly to Stewart's self-effacing humor, quick wit, and ridiculous antics, such as sitting on William Shatner's lap and playing ping-pong with Gabriella Sabatini. The show became syndicated in 1994, and although it garnered critical praise in publications such as the Village Voice and New York Magazine, Stewart's off-beat brand of humor and penchant for the obscure didn't catch on with middle-American viewers, and the show was eventually canceled. The comedian has since found success and added critical acclaim as host of Comedy Central's The Daily Show. His combination of biting critical humor and giggly self effacement made him an icon, and he was well received as host of the Academy Awards in 2006 and 2007. In 2009 he was named "Entertainer of the Decade" by the magazine Entertainment Weekly.

Trivia: Another Saturday Night Live cast member who has taken her act to the big screen, Molly Shannon is probably best known to TV and film audiences as Mary Katherine Gallagher, the hapless, armpit-sniffing Catholic school girl she originated on SNL and then brought to multiplexes everywhere as the heroine of Superstar.Born in Shaker Heights, a posh suburb of Cleveland, on September 16, 1964, Shannon developed a proclivity for performing at an early age and dreamt of being famous. After receiving a Catholic school education, she earned a B.F.A. in drama from NYU's Tisch School of the Arts, Circle in the Square Studio. Armed with her diploma, she headed West to L.A., where she proceeded to struggle in relative poverty and almost complete obscurity for the next nine years. Although she occasionally found bit parts in film and on such TV series as Seinfeld, Shannon mainly supported herself with odd jobs and waitressing. Finally, in 1994, she got her big break when she won a spot on Saturday Night Live. After making her debut during the 1995 season, Shannon became exceedingly popular with audiences, thanks to her impersonations of the likes of Monica Lewinsky, and Courtney Love.In 1998, Shannon joined fellow SNL cast members Will Ferrell and Chris Kattan to appear in the disastrous A Night at the Roxbury; the following year, she brought her own alter ego to the screen in Superstar. The film earned drastically mixed reviews, although it did fare somewhat better than any number of other SNL film adaptations. Also in 1999, Shannon played Drew Barrymore's newsroom colleague in Never Been Kissed and had a supporting role alongside Robert De Niro, Billy Crystal, and Lisa Kudrow in Analyze This. She subsequently starred alongside Jim Carrey in Ron Howard's 2000 screen adaptation of The Grinch.She continued to work primarily in comedies including Wet Hot American Summer, Good Boy, American Splendor, Scary Movie 4, Little Man, and Talladega Nights: The Ballad of Ricky Bobby. After a small part in Sofia Coppola's Marie Antoinette, she starred in the Mike White film Year of the Dog, and appeared in the big-budget sequel Evan Almighty. She had a short-lived sitcom, Kath & Kim, before appearing in a number of animated films including Igor, Snow Buddies, and Hotel Transylvania. In 2012 she could be seen opposite her old SNL castmate Will Ferrell in the Spanish-language comedy Casa de mi Padre.

Trivia: Making a career out of playing either sociopaths or the hyperkinetically weird, Matthew Lillard has established himself as one of the more promising, to say nothing of idiosyncratic, actors of his generation. Originally hailing from Lansing, MI, where he was born on January 24, 1970, Lillard was raised in California. His first break came in the form of Ghoulies 3: Ghoulies Go to College (1993), in which he was credited as Matthew Lynn. More auspicious work followed in John Waters' lovably warped Serial Mom (1994), which cast Lillard as the gore-obsessed son of the decidedly unhinged Kathleen Turner. The role was one of the first in which Lillard played the type of superficially normal yet profoundly wacked-out character that was to become his trademark. It was followed by a minor role in the Drew Barrymore/Chris O'Donnell doomed love vehicle Mad Love (directed by Antonia Bird in 1995) and a cyberpunk turn in Hackers (also 1995). Next up was the film that would make him famous, Wes Craven's Scream (1996). The film, in addition to simultaneously parodying and reviving the teen horror genre, helped to enhance the careers of more than a few of its actors, including David Arquette, Courtney Cox, Neve Campbell, and Skeet Ulrich.Lillard's next project of any acclaim (following such disappointments as Dish Dogs, The Curve, and Senseless, all made in 1998) was Robert Towne's Without Limits (1998), the critically lauded, if little-seen, story of the life of runner Steve Prefontaine (played by Billy Crudup, with Donald Sutherland as his coach). Lillard's subsequent film, SLC Punk! (1999), met with similarly good reviews, with praise being singled out for both Lillard's performance and that of his co-star, Michael Goorjian. The film told the story of two punks growing up in staid Salt Lake City during the Reagan years, and contained the type of small-budget charm lacking in Lillard's next two projects, Wing Commander and She's All That. Both films featured Lillard co-starring with Freddie Prinze Jr., as well as a score of bad reviews. However, while the former also succumbed to dismal box-office performance, the latter met with widespread success, virtually guaranteeing future work for Lillard and his young co-stars. Following the release of such efforts as Summer Catch and 13 Ghosts (both 2001), Lillard would take on the role of the fragile-nerved Shaggy in the live-action adaptation of the enduring cartoon Scooby-Doo in 2002. He appeared in The Baker and The Escapsit in 2008, and in 2011 he was cast in the well-reviewed made-for-cable series Homeland. That same year he appeared in the period pot comedy Your Highness.

Trivia: Began professional modeling at age 17. Made a big splash as a Sports Illustrated model in 1989. Developed an interest in acting in the mid-'90s and took acting lessons. Appeared in Fountains of Wayne's video for their song "Stacy's Mom" in 2003. Launched swimsuit line Lola by Rachel Hunter in 2007. Is an ambassador to the Born Free Foundation. Established the Rachel Hunter Gorilla Fund.

Trivia: Grew up in New Jersey, San Francisco and Boston, where he started his stand-up career. Holds a black belt in Tae Kwon Do and a brown belt in Brazilian Jiu-Jitsu. Won the lightweight division of the U.S. Open Tae Kwon Do Championship at 19, and later claimed the Grand Championship by beating the middleweight and heavyweight titleholders. Was a series regular on the '90s sitcoms Hardball and NewsRadio. Released his first comedy album, Someday I'll Be Dead, in 2000. Officiated at the wedding of two Fear Factor contestants in 2004, after becoming an ordained minister through the Internet. Sometimes serves as an Ultimate Fighting Championship color commentator. Launched a weekly podcast, the Joe Rogan Experience, in 2009. Founded Higher Primate clothing in 2010.

Trivia: Known mostly for his role as medical intern John "J.D." Dorian on NBC's sitcom Scrubs, Zach Braff has an enthusiasm for acting that can be traced back to his childhood in South Orange, NJ, where, at eight years old, he recalls watching his attorney father participate in a local theater group. Three years later, Braff could be found cultivating his own show-business skills at Stagedoor Manor, a renowned children's acting camp. After attracting the attention of a well-connected talent scout, Braff made his would-have-been television debut opposite Gwyneth Paltrow in an unsold pilot produced by Bruce Paltrow. His contribution to CBS's after-school special My Summer as a Girl in 1994 made it to the television screen, but, by that time, he had a significantly more notable role under his belt: the teenaged son of two neurotic New Yorkers (Woody Allen and Diane Keaton) in Manhattan Murder Mystery (1993). Though moderately successful in his childhood and late teens, Braff opted to attend college at Northwestern University rather than making an immediate transition to a full-time career of pursuing roles in the wilds of Los Angeles. While at Northwestern, Braff wrote and directed several short films, among them Lionel on a Sunday, which fared successfully in the 1998 festival season. The young actor went on to co-star in Getting to Know You, an adaptation of various short stories penned by author Joyce Carol Oates, which won praise at the 1999 Sundance Film Festival. After a role as a gay party-boy drug addict in The Broken Hearts Club (2000), which won a GLAAD Media Award for Outstanding Film, Braff auditioned for Scrubs; despite his prior experience, the sitcom undoubtedly became his breakout role. Indeed, the Scrubs success helped Braff write, direct, and star in Garden State (2003) opposite Natalie Portman and Ian Holm. The "little Sundance film that could" of its particular year, Garden State became a major indie hit, as its look and sound resonated with the creeping-toward-maturity Gen-Y demographic to whom Braff was obviously appealing. His next role as the lead character in Disney's animated Chicken Little appealed to a younger crowd, but still banked some serious cash at the box office. Braff next appeared in the flesh in 2006's Tony Goldwyn romantic comedy The Last Kiss. The film, scripted by Crash's Paul Haggis, co-starred Casey Affleck, Tom Wilkinson, and Blythe Danner, and mined much of the same simultaneously sad and funny emotional ground explored in Garden State. It died a quick death at theaters as fans heeded the advice of critics who deemed it a more morose gloss on well-trod twentysomething angst. The actor's next film was the lighter romantic-triangle comedy The Ex.Scrubs finally ended its run in 2011, and Braff made another big screen appearance, this time in the drama The High Cost of Living. He had a supporting role in 2013's Oz the Great and Powerful before returning to the indie scene in 2014 with the Kickstarter-funded Wish I Was Here, which he directed, co-wrote (with his brother Adam) and starred in.

Trivia: Ottawa-born Sarah Chalke first gained notoriety in 1993 when, at the beginning of the show's sixth season, she was cast on ABC's hit sitcom Roseanne as oldest daughter Becky, a role that had previously been filled by Alicia Goranson, who exited the show for college. Chalke continued to play Becky for two seasons until Goranson returned, but the two actresses took turns playing the character throughout the season. Goranson left again before the show's ninth and final season, and Chalke resumed the role full-time.Following the end of Roseanne, Chalke took on a role in the Canadian series Nothing Too Good for a Cowboy. While that show only lasted nine episodes, it would only be a couple more years before the actress found herself on another hit series. In 2001, she was cast as Elliot Reid, the female lead opposite Zach Braff on the cult hit NBC medical comedy Scrubs. The massively successful show would run until 2010, earning Chalke legions of fans.In addition to her series television work, Chalke has acted in a number of made-for-TV movies and small independent films over the years. In 2007 she had her first role in a high-profile Hollywood movie with a supporting turn alongside Jon Heder and Diane Keaton in the comedy Mama's Boy. She would also find continued success on the small screen, with starring roles on shows like Mad Love, a recurring gig on Cougar Town and guest spots on shows like Grey's Anatomy and Angie Tribeca.

Trivia: John McGinley, often credited as John C. McGinley, has become one of the most prolific character actors in Hollywood since he first got noticed in Oliver Stone's Platoon (1986). The intense, unblinking actor specializes in sarcasm, cynicism, and a used car dealer's unctuous insincerity, meaning he can play either wacky or sinister in both comedies and dramas. Although he has appeared in six Stone films, his breakout performance came in a very different format, as the acerbic and piercingly straightforward Dr. Perry Cox on the hit NBC sitcom Scrubs (2001).McGinley was born on August 3, 1959, in New York City. Growing up in Millburn, NJ, he was more involved in sports than theater. He began studying acting at Syracuse University, continuing at N.Y.U.'s Tisch School of the Arts. McGinley then toiled both on and off-Broadway, as well as two years on the soap opera Another World, scoring his first film role in the Alan Alda-directed Sweet Liberty (1986). It was while he was serving as John Turturro's understudy on the play Danny and the Deep Blue Sea that a casting scout in Stone's employ spotted him and got him an audition for Platoon. McGinley was cast as the sycophantic Sgt. Red O'Neill in the eventual Oscar winner.McGinley followed up Platoon with another one-two punch of Stone movies, Wall Street (1987) and Talk Radio (1988). In interviews, McGinley has described theirs as a "strong working relationship," not a friendship per se with the demanding director. He appeared in a handful of other films before his fourth Stone collaboration, Born on the Fourth of July (1989), which was quickly followed by his first screenwriting effort. McGinley co-scripted and co-starred in the 1990 film Suffering Bastards, alongside Talk Radio's Eric Bogosian.The 1990s were a period of intense work for the actor, who appeared in an average of three movies a year, sometimes as many as seven -- a necessary but no less tricky feat for a character actor earning modest paychecks. The most heralded of these were David Fincher's Seven and Stone's Nixon (both 1995); the most forgettable were Highlander II: The Quickening (1991) and the Steven Seagal starrer On Deadly Ground (1994). For most moviegoers, he remained under the radar.Two showy roles in 1999 ably demonstrated McGinley's facility for comedy. As a callous efficiency expert brought aboard to reorganize (i.e., downsize) the tech firm at the heart of Office Space, McGinley grinned and joked his way through a round of heartless layoffs. A similar oiliness informed his loud, obnoxious, kiss-ass portrayal of a Jim Rome-type sports interviewer in Stone's Any Given Sunday. It was soon after, in 2001, that McGinley was brought aboard for the role destined to identify him beyond any single film. As the default mentor on Scrubs, McGinley alternated hard-knocks frankness, biting wit, and a genuine desire to be left alone, in turn creating a hilarious persona and sealing his fate as an unwitting cult figure to the young surgeons. The sitcom work schedule has given him the necessary stability to spend time with his young son, Max, who has Down's syndrome.

Trivia: Comedic actor Donald Faison began his acting career with bit parts in gritty urban dramas like Juice and Sugar Hill before breaking through with a supporting role in the hit 1995 comedy Clueless. A year later, he was one of the few cast members to make the leap to the film's TV spin-off and stuck with the show throughout its three-year run. After Clueless bowed, Faison wasted little time before joining the cast of the popular drama Felicity. But it was in 2001 that he would land his most noteworthy role, that of surgeon Dr. Christopher Turk on the hit NBC medical-sitcom Scrubs. When Scrubs ended in 2010, Faison immediately jumped to another show, the TV Land sitcom The Exes.

Trivia: Farce, satire, and parody come together with Vaudeville roots and manic energy to create the Mel Brooks style of comedy. Born Melvin Kaminsky to a Russian Jewish family in Brooklyn, NY, the writer/producer/director/actor was one of very few people to win an Oscar, Emmy, Grammy, and Tony award. After serving in the U.S. Army during World War II, he worked as a standup comic at resorts in the Catskills and started writing comedy. Along with Woody Allen, Neil Simon, and others, he wrote for Sid Caesar's Your Show of Shows, which later became Caesar's Hour. Teaming up with fellow staff writer Carl Reiner, he developed the award-winning "2000 Year Old Man" comedy skit, which led to several recordings, television appearances, and a 1998 Grammy. He and writer Buck Henry also created the spy-parody TV series Get Smart (1965-1970) starring Don Adams. During this time, he produced theater, married actress Anne Bancroft, and made his first film: an Oscar-winning animated short parody of modern art called The Critic. He then put together a screenplay based upon his experiences working with Broadway executives that led to his feature-length debut The Producers. He cast stage legend Zero Mostel in the lead role and got B-movie producer Joseph Levine to put up the funds, but the movie didn't get distributed until Peter Sellers saw it and encouraged its release. Brooks ended up winning an Oscar for Best Screenplay and, in 2000, adapted the film into a highly successful Broadway musical. By 1970, after the release of his next film The Twelve Chairs, Hollywood thought his work was "too Jewish." In 1974, Brooks made the marketable move toward parodies with the Western spoof Blazing Saddles, winning him a Writer's Guild award and introducing his stock actors Harvey Korman and Madeline Kahn. Finding his niche, he would continue to make parodies throughout his career by spoofing horror (Young Frankenstein), silent movies (Silent Movie), Hitchcock (High Anxiety), historical epics (History of the World -- Part I), and science fiction (Spaceballs). Working simultaneously as writer, director, and lead actor, Brooks started to generate negative press about his excessive style. In 1983, appearing opposite Bancroft, he concentrated on just acting for the remake of the Ernst Lubitch classic To Be or Not to Be. He continued working with his production company Brooksfilms during the '80s as an executive producer on projects as varied as The Fly, The Elephant Man, Solarbabies, and 84 Charing Cross Road (starring Bancroft). His brief stray into non-parody films in 1991 (Life Stinks) was universally dismissed, so he returned to form with Robin Hood: Men in Tights and Dracula: Dead and Loving It. Other than the occasional cameo or random appearance as voice talent, Brooks spent the late '90s winning awards and playing Uncle Phil on the NBC series Mad About You. In 2001, the Broadway musical version of The Producers (starring Nathan Lane and Matthew Broderick) led to a successful national tour and broke a new record by winning one Grammy and 12 Tony awards. The stage version would lead to a new big screen adaptation in 2005, creating a whole new generation of fans. Over the coming years, Brooks would lend his voice to Spaceballs: The Animated Series and Jakers! The Adventures of Piggley Winks.

Trivia: While growing up, his family moved a lot to different towns and cities.Was an excellent student and was awarded multiple scholarships to universities across Canada.Was a professional volleyball player in Holland.While living in Australia, became a professional photographer and started his acting career.Studied acting and performed on stage in London before moving back to Canada.

Trivia: Icon of British cool in the 1960s, leading action star in the late '70s, and knighted into official respectability in 1993, Michael Caine has enjoyed a long, varied, and enviably prolific career. Although he played a part in some notable cinematic failures, particularly during the 1980s, Caine remains one of the most established performers in the business, serving as a role model for actors and filmmakers young and old. The son of a fish-porter father and a charwoman mother, Caine's beginnings were less than glamorous. Born Maurice Micklewhite in 1943, in the squalid South London neighborhood of Bermondsey, Caine got his first taste of the world beyond when he was evacuated to the countryside during World War II. A misfit in school, the military (he served during the Korean War), and the job pool, Caine found acceptance after answering a want ad for an assistant stage manager at the Horsham Repertory Company. Already star struck thanks to incessant filmgoing, Caine naturally took to acting, even though the life of a British regional actor was one step away from abject poverty. Changing his last name from Micklewhite to Caine in tribute to one of his favorite movies, The Caine Mutiny (1954), the actor toiled in obscurity in unbilled film bits and TV walk-ons from 1956 through 1962, occasionally obtaining leads on a TV series based on the Edgar Wallace mysteries. Caine's big break occurred in 1963, when he was cast in a leading role in the epic, star-studded historical adventure film Zulu. Suddenly finding himself bearing a modicum of importance in the British film industry, the actor next played Harry Palmer, the bespectacled, iconoclastic secret agent protagonist of The Ipcress File (1965); he would go on to reprise the role in two more films, Funeral in Berlin (1966) and The Billion Dollar Brain (1967). After 12 years of obscure and unappreciated work, Caine was glibly hailed as an "overnight star," and with the success of The Ipcress Files, advanced to a new role as a major industry player. He went on to gain international fame in his next film, Alfie (1966), in which he played the title character, a gleefully cheeky, womanizing cockney lad. For his portrayal of Alfie, Caine was rewarded with a Golden Globe award and an Oscar nomination. One of the most popular action stars of the late '60s and early '70s, Caine had leading roles in films such as the classic 1969 action comedy The Italian Job (considered by many to be the celluloid manifestation of all that was hip in Britain at the time); Joseph L. Manckiewic's Sleuth (1972), in which he starred opposite Laurence Olivier and won his second Oscar nomination; and The Man Who Would Be King (1976), which cast him alongside Sean Connery. During the 1980s, Caine gained additional acclaim with an Oscar nomination for Educating Rita (1983) and a 1986 Best Supporting Actor Oscar for Hannah and Her Sisters. He had a dastardly turn as an underworld kingpin in Neil Jordan's small but fervently praised Mona Lisa, and two years later once again proved his comic talents with the hit comedy Dirty Rotten Scoundrels, in which he and Steve Martin starred as scheming con artists. Although Caine was no less prolific during the 1990s, his career began to falter with a series of lackluster films. Among the disappointments were Steven Seagal's environmental action flick On Deadly Ground (1994) and Blood and Wine, a 1996 thriller in which he starred with Jack Nicholson and Judy Davis. In the late '90s, Caine began to rebound, appearing in the acclaimed independent film Little Voice (1998), for which he won a Golden Globe for his portrayal of a seedy talent agent. In addition, Caine -- or Sir Michael, as he was called after receiving his knighthood in 2000 -- got a new audience through his television work, starring in the 1997 miniseries Mandela and de Klerk. The actor, who was ranked 55 in Empire Magazine's 1997 Top 100 Actors of All Time list, also kept busy as the co-owner of a successful London restaurant, and enjoyed a new wave of appreciation from younger filmmakers who praised him as the film industry's enduring model of British cool. This appreciation was further evidenced in 2000, when Caine was honored with a Best Supporting Actor Academy Award for his portrayal of an abortionist in The Cider House Rules. After launching the new millennium with both a revitalized career momentum and newfound popularity among fans who were too young to appreciate his early efforts, Caine once again scored a hit with the art-house circuit as the torturous Dr Royer-Collard in director Phillip Kaufman's Quills. Later paid homage by Hollywood icon Sylvester Stallone when the muscle-bound actor stepped into Caine's well-worn shoes for a remake of Get Carter (in which Caine also appeared in a minor role) the actor would gain positive notice the following year for his turn as a friend attempting to keep a promise in Last Orders. As if the Get Carter remake wasn't enought to emphasize Caine's coolness to a new generation of moviegoers, his turn as bespectacled super-spy Austin Powers' father in Austin Powers in Goldfinger proved that even years beyond The Italian Job Caine was still at the top of his game. Moving seamlessly from kitsch to stirring drama, Caine's role in 2002's The Quiet American earned the actor not only some of the best reviews of his later career, but another Oscar nomination as well. Caine had long demonstrated an unusual versatility that made him a cult favorite with popular and arthouse audiences, but as the decade wore on, he demonstrated more box-office savvy by pursuing increasingly lucrative audience pleasers, almost exclusively for a period of time. The thesp first resusciated the triumph of his Muppet role with a brief return to family-friendly material in Disney's Secondhand Lions, alongside screen legend Robert Duvall (Tender Mercies, The Apostle). The two play quirky great-uncles to a maladjusted adolescent boy (Haley Joel Osment), who take the child for the summer as a guest on their Texas ranch. The film elicited mediocre reviews (Carrie Rickey termed it "edgeless as a marshmallow and twice as syrupy") but scored with ticket buyers during its initial fall 2003 run. Caine then co-starred with Christopher Walken and Josh Lucas in the family issues drama Around the Bend (2004). In 2005, perhaps cued by the bankability of Goldfinger and Lions, Caine landed a couple of additional turns in Hollywood A-listers. In that year's Nicole Kidman/Will Ferrell starrer Bewitched, he plays Nigel Bigelow, Kidman's ever philandering warlock father. Even as critics wrote the vehicle off as a turkey, audiences didn't listen, and it did outstanding business, doubtless helped by the weight of old pros Caine and Shirley Maclaine. That same year's franchise prequel Batman Begins not only grossed dollar one, but handed Caine some of his most favorable notices to date, as he inherited the role of Bruce Wayne's butler, a role he would return to in both of the film's sequels, The Dark Knight and The Dark Knight Rises. Caine contributed an elegiac portrayal to Gore Verbinski's quirky late 2005 character drama The Weatherman, as Robert Spritz, the novelist father of Nic Cage's David Spritz, who casts a giant shadow over the young man. In 2006, Caine joined the cast of the esteemed Alfonso Cuaron's dystopian sci-fi drama Children of Men, and lent a supporting role to Memento helmer Christopher Nolan's psychological thriller The Prestige. In 2009 Caine starred as the title character in Harry Brown, a thriller about a senior citizen vigilante, and the next year worked with Nolan yet again on the mind-bending Inception.