Trivia: At first intending to become a minister, actor/monologist Andy Griffith (born June 1st, 1926) became active with the Carolina Playmakers, the prestigious drama-and-music adjunct of the University of North Carolina--Chapel Hill. He spent several seasons portraying Sir Walter Raleigh in the summertime outdoor drama The Lost Colony, spending the rest of the years as a schoolteacher. Griffith continued performing fitfully as an after-dinner speaker on the men's club circuit, developing hilariously bucolic routines on subjects ranging from Shakespeare to football. Under the aegis of agent/producer Richard O. Linke, Griffith returned to acting, attaining stardom in the role of bumptious Air Force rookie Will Stockdale in the TV and Broadway productions of No Time For Sergeants. Before committing Sergeants to film, Griffith made his movie debut in director Elia Kazan's A Face in the Crowd, in which he portrayed an outwardly folksy but inwardly vicious TV personality (patterned, some say, after Arthur Godfrey).After filming Face in the Crowd, No Time for Sergeants and Onionhead for Warner Bros. during the years 1957 and 1958, Griffith starred in a 1959 Broadway musical version of Destry Rides Again; as an added source of income, Griffith ran a North Carolina supermarket. On February 15, 1960 he first appeared as Andy Taylor, the laid-back sheriff of Mayberry, North Carolina, on an episode of The Danny Thomas Show. This one-shot was of course the pilot film for the Emmy-winning The Andy Griffith Show, in which Griffith starred from 1960 through 1968. Eternally easygoing on camera, Griffith, who owned 50% of the series, ruled his sitcom set with an iron hand, though he was never as hard on the other actors as he was on himself; to this day, he remains close to fellow Griffith stars Don Knotts and Ron Howard. An unsuccessful return to films with 1969's Angel in My Pocket was followed by an equally unsuccessful 1970 TV series Headmaster. For the next 15 years, Griffith confined himself to guest-star appearances, often surprising his fans by accepting cold-blooded villainous roles. In 1985, he made a triumphal return to series television in Matlock, playing a folksy but very crafty Southern defense attorney. A life-threatening disease known as Gillian-Barre syndrome curtailed his activities in the late 1980s, but as of 1995 Andy Griffith was still raking in the ratings with his infrequent Matlock two-hour specials. The actor worked on and off throughout the late nineties and early 2000s, and co-starred with Keri Russell and Nathan Fillion in the romantic comedy Waitress in 2007.

Trivia: Became a member of The American Conservatory Theatre when he was 16.Was a member of the Sigma Nu while at University of Southern California.Studied acting with legendary acting teacher Peggy Feury at the Loft Studio, alongside Sean Penn, Forest Whitaker, Meg Ryan, Michelle Pfeiffer and Nicolas Cage.First acting credit was on the 1983 episode "But It's Not My Fault" of ABC Afterschool Specials.Frequently does writing projects with his writing partner and wife Marcia Blake, for screenwriter Robert Towne, Tom Cruise's production companies, HBO, among others.

Trivia: American entertainer Joel Grey was the son of Mickey Katz, the famous "gurgler" of the Spike Jones Orchestra and a legend in his own right as a performer/producer of nightclub, resort and Broadway satirical revues. Growing up around some of the best comics, musical performers and second bananas in the business, Joel was all but predestined to enter show business himself. An accomplished singer and dancer, Grey was rather wasted in such early film roles as About Face (1953) and Come September (1961), though he achieved minor fame on TV variety shows and in the lead of a televised musical version of Jack and the Beanstalk; ironically, one of his best TV parts was on an episode of 77 Sunset Strip as a second-rate comic unable to live up to the accomplishments of a famous relative.Grey's career was boosted in 1966 when he was cast in the Broadway musical Cabaret as the Master of Ceremonies, a white-faced, smirking, sexually ambivalent observer of changing mores and philosophies in pre-Hitler Berlin. Grey won a Tony Award for his brilliant portrayal, and copped an Academy Award for repeating the role in the 1972 film version of Cabaret. Grey enjoyed a second Broadway triumph as George M. Cohan in the 1969 musical George M., a virtuoso performance he recreated on TV in the early 1970s. Thanks to his highly stylized Broadway roles, Joel Grey was never easy to cast in "normal" movie parts; among his better roles were that of an Austrian petty criminal in The Seven Per Cent Solution (1976) and an ancient and irredeemably sarcastic oriental martial arts master in Remo Williams (1985). On the final episode of the TV serial Dallas in 1991, Grey was a red-eyed satanic chap who showed a suicidal J.R. (Larry Hagman) how much better the world would have been without him. Joel Grey is the father of actress Jennifer Grey, whose breakthrough role was in Dirty Dancing, which coincidentally was set in a Catskills resort not unlike those in which her dad Joel learned his craft.Over the next several years, Grey found memorable roles in films like My Friend Joe, Dancer in the Dark, and Choke, as well as an acclaimed role on the HBO prison series Oz.

Trivia: Those who heard the voice of actor Tony Roberts on the 1970s dramatic series "The CBS Radio Mystery Theater" may not have been aware that by performing before a mike, he was maintaining a family tradition. Roberts was the son of announcer Ken Roberts and the cousin of actor Everett Sloane, both alumni of such golden age radio endeavors as "The Mercury Theatre of the Air" and "The Shadow." After studying acting at Northwestern University, the lanky, curly headed Roberts struck out for New York, working in commercials ("Boss, you've got bad breath! Bad breath!") before landing a regular stint on the TV soap opera The Edge of Night. His long-term friendship and professional relationship with comedian/writer/director Woody Allen began when Roberts was cast as Diane Keaton's husband in Allen's Broadway production Play It Again, Sam in 1969. Since that time, Roberts has appeared in such Allen efforts as Annie Hall (1977), Stardust Memories (1980), A Midsummer Night's Sex Comedy (1982), and Radio Days (1987). On prime time TV, Roberts co-starred in the 1977 adventure series Rossetti and Ryan. In 1995, Tony Roberts co-starred on Broadway with Julie Andrews, playing a flamboyant homosexual cabaret entertainer in the musical version of Andrews' 1981 movie vehicle Victor/Victoria.

Trivia: Sturdy, reliable character player Kene Holliday specialized in portrayals of vociferous everymen, with a strong emphasis on television work. Holliday landed one of his first major roles in the small-screen blockbuster Roots: The Next Generations (as Detroit, one of the direct descendants of the iconic Kunta Kinte), and subsequently divided his time between occasional big-screen features (No Small Affair, The Philadelphia Experiment), series work (with many appearances on Matlock), and TV movies, such as the 1988 Dangerous Company. Holliday tackled a rare yet effective lead role in the much-anticipated 2007 drama Great World of Sound, as Clarence, a well-meaning record producer in training who discovers that his parent company isn't exactly all that it professes to be.

Trivia: Lead actor, onscreen from 1985.

Trivia: Having made her feature film debut in Sex and the College Girl (1964), blonde actress Julie Sommars went on to appear in television movies of the '70s and in the occasional feature film through the mid-'80s. Fans of the television drama Matlock (1986-1995) will recognize her for playing Julie March.