Trivia: An acclaimed character actor of the stage, screen, and television, Don Cheadle often manages to steal most of the scenes in which he appears. That is no small feat, for the slender African-American actor has, at first glance, a rather unassuming physical presence, particularly when compared to some of his big-name co-stars. An actor whose style compliments rather than overshadows the performances of those around him, Cheadle stands out for his rare ability to bring a laid-back intensity and subtle charisma to his roles.A native of Kansas City, MO, Cheadle was born on November 29, 1964, to a psychologist father and bank manager mother. During his early childhood, his family moved to Denver and then Nebraska. One thing that remained a constant in Cheadle's childhood was his interest in performing, which began around the age of five. In addition to acting, he was interested in jazz music and his parents supported both of these endeavors. By the time he graduated from high school, he had scholarships from both music and acting schools; choosing the latter, he attended the California Institute of the Arts in Valencia. Following graduation, Cheadle made his film debut with a small role as a hamburger server in Moving Violations (1985). He honed his acting skills as a guest star on television series ranging from Hill Street Blues to Night Court, and, in 1992, he landed a regular role as a fussy hotel manager on The Golden Palace. Although the show faltered after only one season, Cheadle landed on his feet, subsequently snagging the plum role of earnest district attorney John Littleton on Picket Fences (1993-1995). While he was building a career on television, Cheadle was also earning a reputation in feature films. He first made an impression on audiences with his lead role in Hamburger Hill (1987), and, in 1994, he had his true screen breakthrough portraying Denzel Washington's best friend in Devil in a Blue Dress. So good was his performance -- which earned him a number of film critics awards -- that many felt an Oscar nomination was inevitable; when the Academy passed him over, many, including Cheadle, wondered why. However, the actor chalked it up to politics and got on with his career, working steadily throughout the remainder of the decade. 1997 proved to be a big year for him: he co-starred in three major films, Volcano, Boogie Nights, and John Singleton's Rosewood. He won particular praise for his work in the latter two films, earning nominations for SAG and Image awards.The following year, Cheadle made a triumphant return to television with his portrayal of Sammy Davis Jr. in The Rat Pack, winning an Emmy nomination and a Golden Globe award. Also in 1998, he did stellar work in Steven Soderbergh's Out of Sight and Warren Beatty's Bulworth, playing a down and dirty ex-con in the former and a drug lord in the latter. Another Emmy nomination followed in 1999, for Cheadle's powerful portrayal of a school teacher sent in to counsel a young man on death row, in A Lesson Before Dying. Cheadle would become something of a fixture in Soderbergh's films, and in fact delivered a stunning performance as a federal drug agent in the director's epic muckraking drama Traffic (2000).Cheadle then turned up in Soderbergh's remake of the Rat Pack classic Ocean's Eleven in 2002.The chasm between Traffic and Ocean's Eleven (not in terms of quality but in terms of intended audience and depth) is instructive; it established a definitive career pattern for Cheadle during the mid-late 2000s. Throughout that period, the gifted actor continually projected versatility by alternating between buttered-popcorn pictures - such as Soderbergh's 2004 and 2007 follow ups to Eleven (Ocean's Twelve and Ocean's Thirteen) - and more complex, demanding, intelligent material. For example, in 2004 (a particularly vital year for Cheadle) the actor delivered a four-barrelled lead portrayal in the heart-wrenching docudrama Hotel Rwanda. In that politically-tinged, factually-charged account, the actor plays the Rwandan manager of a Kigali hotel, so devastated by the surrounding massacres of his fellow countrymen that he turns the establishment into a clandestine refugee camp. Cheadle justly netted an Oscar nomination for his work. That same year, the thespian held his own against lead Sean Penn (no small feat, that) in the depressing and despairing yet critically acclaimed psychodrama The Assassination of Richard Nixon. Cheadle reserved his most formidable coup, however, for 2005, when he both produced and co-starred (opposite many, many others) in Paul Haggis's difficult ensemble film Crash-a searing, biting meditation on racism and the Best Picture winner of its year. In early 2007, Cheadle paired up with actor Adam Sandler and writer-director Mike Binder for Reign Over Me, a two-character drama about a dentist (Cheadle) reunited with his displaced college roommate (Sandler) after the trauma of 9/11. The picture reeled in generally favorable, if not universally positive, reviews. Later that same year, the actor essayed the lead role in Talk to Me. As directed by Kasi Lemmons, this period drama recreated the life and times of the controversial 1960s convict-cum-shock jock Petey Greene (Cheadle) who rides to fame amid the throes of the civil rights movement and Vietnam-era tumult; many critics tagged the portrayal as definitively Oscar worthy.Cheadle would remain a top star over the coming years, appearing in everything from the kid-friendly Hotel for Dogs to the gritty crime thriller Brooklyn's Finest. Cheadle would also take over the role of Lt. James Rhodes in the Iron Man sequel, replacing Terrence Howard. Cheadle would also find success on the small screen, producing and starring in the critically acclaimed comedy series House of Lies.

Trivia: For an actress whose late-blooming career began its slow but steady ascent around the age of 18, acclaimed stage and screen beauty Sophie Okonedo has more than made up for any lost time. As comfortable onscreen as she is on-stage, Okonedo first gained critical acclaim for her role as Cressida in Trevor Nunn's production of Shakespeare's Troilus and Cressida at London's National Theater. Though Okonedo would soon expand her repertoire to include roles in film and television, it was her unwavering dedication to the stage that would be the defining aspect of her early career until breakout roles in such films as Stephen Frears' Dirty Pretty Things and the devastating Hotel Rwanda brought her both international acclaim and an Oscar nomination. Born in London to a Nigerian father and a British mother, Okonedo was 18 years old when she came across an advertisement for a writer's workshop in Time Out magazine. It didn't take long for Okonedo to realize that she was more proficient in offering dramatically rendered readings of her fellow classmate's stories than penning her own, and with the encouragement of writing coach Hanif Kureishi, the aspiring actress was soon honing her skills at the Royal Court Theater. A scholarship to the Royal Academy was quick to follow, and in the succeeding years, Okonedo would earn glowing reviews thanks to, among many other roles, her stunning performance in Shakespeare's Troilus and Cressida. A brief appearance as a tribal princess in the Jim Carrey vehicle Ace Ventura: When Nature Calls found Okonedo becoming increasingly at ease in front of the camera, and upon returning to the U.K., the rising starlet began to carve out an impressive niche for herself on such television productions as The Governor, Deep Secrets, and In Defence. Despite Okonedo's increasing exposure abroad on screens both large and small, it was her touching turn as a sympathetic prostitute in Frears' dark thriller Dirty Pretty Things (2002) that proved to be her breakout role in film. It was shortly after witnessing Okonedo's performance in that movie that filmmaker Terry George approached her for a substantial role in his upcoming docudrama Hotel Rwanda -- am emotionally devastating retelling of the 1994 Tutsi massacre and one local hotel owner's noble attempt to save innocent lives by opening his doors to those hoping to escape a grim fate at the hands of the Hutus. Delivering a performance that was as genuinely moving as it was heartbreaking, Okonedo truly came into her own with the role -- and earned an Oscar nomination in the process. In addition to her increasingly busy onscreen career (by the time Hotel Rwanda was released into theaters she was already nearly finished filming her role opposite Charlize Theron in the sci-fi action effort Aeon Flux), Okonedo still found time to remain loyal to the stage by serving on the board of directors at the Royal Court Theater. Nevertheless the silver screen was calling now, and when her theatrical obligations were fullfilled, Okonedo was ready to jump back into the fray with a key supporting role n the family friendly action flick Stormbreaker - a cinematic adaptation of author Anthony Horowitz popular series of novels concerning the wild adventures of fourteen-year-old super-spy Alex Rider.

Trivia: With ruggedly handsome looks and a lengthy screen career, actor-producer Nick Nolte has established himself as a major industry figure. His enviable standing as one of Hollywood's most distinctive leading men was further cemented with a 1998 Best Actor Oscar nomination for his role in Affliction. A native of Omaha, NE, Nolte was born February 8, 1941. While a student at Arizona State University, he revealed talent as a football player, but whatever promise he may have had on the field was aborted by his expulsion from the school for bad grades. A subsequent move to California convinced Nolte to try acting instead. He studied at the Pasadena Playhouse, then at Stella Adler's Academy in Los Angeles under Bryan O'Byrne, while he held down a job as an iron worker. After his training, Nolte spent 14 years traveling the country and working in regional theater, occasionally landing parts in B-movies and television films. Debuting onscreen with a small role in Dirty Little Billy (1972), Nolte was 34 when he finally got his break in the acclaimed television miniseries Rich Man, Poor Man (1976). His portrayal of Tom Jordache earned him an Emmy nomination and led to a starring role opposite Jacqueline Bisset in The Deep (1977). In addition to starring in the football exposé North Dallas Forty (1979), Nolte contributed to its screenplay, written by Peter Gent.Showing a marked preference for unusual and difficult films, it was not long before Nolte became known as a well-rounded actor who brought realism, depth, and spirit to even his most offbeat or even unsympathetic roles. Some of those parts include Beat author Neal Cassady in Heart Beat (1980), a homeless bum who helps a dysfunctional rich family in the hit comedy Down and Out in Beverly Hills (1986), a family man attempting to come to grips with his family's traumatic past while falling in love with his therapist in The Prince of Tides (1991), a midwestern basketball coach in Blue Chips, and a world-weary detective in Mulholland Falls (1996).For a grim period in the late '80s, Nolte's career was threatened by his unrestrained drug and alcohol use, but a subsequent rehabilitation strengthened his career, paving the way for roles such as Jake McKenna in Oliver Stone's neo-noir thriller U-Turn (1997) and his Oscar-nominated turn as Sheriff Wade Whitehouse in Paul Schrader's Affliction (1997), a picture Nolte also executive produced. Following this triumph, Nolte further re-established his reputation as a major Hollywood player with his role in Terrence Malick's 1998 adaptation of James Jones' The Thin Red Line, headlining a cast including George Clooney, Sean Penn, and John Travolta. If the subsequent adaptation of author Kurt Vonnegut Jr.'s acclaimed novel Breakfast of Champions failed to capture the essence of the written word, Nolte still managed to offer an impressive performance in the following year's The Golden Bowl.At this point in his career Nolte could certainly be counted on to turn in compelling performances regardless of the project, which made the return of his former demons more tragic than ever. On the heels of a mesmerizing lead performance as an aging gambler in director Neil Jordan's The Good Thief (a remake of the Jean-Pierre Melville classic Bob le Flambeur), Nolte's arrest for driving under the influence in September of 2002 made headlines when it was discovered that he was under the influence of GHB. The disheveled mugshot that followed made him the butt of many a joke; Nolte would later credit the arrest for helping him to clean up his act and get back on track with his onscreen career. A late-night jam that found neighbors phoning police made headlines the following year, and the Hulk came and went with disappointing results.In the subsequent period, Nolte remained in good form, with idiosyncratic and fascinating roles. He triumphed in the spectacular late 2004 drama Hotel Rwanda, as the politically impotent Col. Oliver during the Rwandan genocide. Neophyte director Hans Petter Moland then tapped Nolte for a pivotal characterization in his drama The Beautiful Country, released in July 2005. That same year, Nolte also triumphed on the festival circuit with his delicate work in Olivier Assayas's harrowing dysfunctional family drama Clean. In 2006, he voiced Vincent in the hit animated feature Over the Hedge, and claimed a seldom-seen but pivotal role in the thriller A Few Days in September, as an American spy desperate to reconnect with his children. Next up was Mysteries of Pittsburgh, an adaptation of Michael Chabon's debut coming-of-age novel.In 2008 Nolte appeared as the grizzled Vietnam Vet whose life the movie within the movie in Tropic Thunder is based on, and in the next few years he continued to lend his distinct, gravelly voice to a number of projects including the Kevin James vehicle Zookeeper.In 2011 his work in Warrior, as the father of two MMA fighters, earned him strong reviews as well as Oscar, BAFTA, and Screen Actors Guild nominations for Best Supporting Actor.

Trivia: Staying true to his last name, Joaquin Phoenix has made a career out of making a couple of films, disappearing, and then reappearing from the ashes to rise upward toward greater glory. The actor, who began his career under the name of "Leaf," lived for a long time in the shadow of his older brother, River. After River's tragic death at the age of 23, Leaf abandoned his career for two years, making a comeback in 1995 with his performance in To Die For, directed by Gus Van Sant (who ironically directed River in one of his last films, 1993's Even Cowgirls Get the Blues). Since then, the actor, who changed his name back to Joaquin in the early '90s, has worked steadily in Hollywood, solidifying both his experience and reputation.Born Joaquin Raphael Phoenix on October 28, 1974, in Puerto Rico, Phoenix was raised in a close-knit, unconventional family. His parents encouraged all of their children to go into acting, and Phoenix did just that, following in the footsteps of older siblings River and Rain. As Leaf Phoenix, he got his first significant role in 1986's Spacecamp, and then went on to star in Russkies (1987) and Parenthood (1989), the latter of which was successful enough to make Phoenix something of a fledgling star. However, he chose to retreat from Hollywood, spending a few years traveling and living with his father in Mexico.It was River's 1993 death that brought his younger brother -- now called Joaquin -- back into the limelight, albeit a very unwelcome limelight. The 911 call that Phoenix made as his older brother lay dying was broadcast over radio and television in the aftermath of River's death. Again, Phoenix left Hollywood, not to be seen again until 1995, when his performance as the tragically confused and horny Jimmy Emmett won him an array of positive reviews. From there, Phoenix went on to film Inventing the Abbotts (1997), which failed at the box office but introduced the actor to his co-star Liv Tyler, with whom he had a three-year relationship.Phoenix's next project, Oliver Stone's U-Turn (1997), also proved to be a modest flop, but Return to Paradise (1998), in which he starred with Vince Vaughn and Anne Heche, was a bigger hit among critics and filmgoers. He starred again with Vaughn in Clay Pigeons (1998), which unfortunately didn't fare as well as his previous film. However, his next endeavor, 8MM with Nicolas Cage, although not a huge box office hit, did win him acclaim for his portrayal of thoughtful porn shop owner Max California, further proving that the family talent was not solely the province of Phoenix's late, great older brother. In 2000 Phoenix took one of his biggest and most extravagant roles to date as Commodus in director Ridley Scott's big-budget peplum Gladiator. Phoenix's turn as the devious Commodus was a marked departure from the actor's generally likeable characterizations, and proved further indication of his dramatic versitility. On the opposite end of the period piece spectrum, Jaoquin appeased art-house crowds with a memorable performance as the priest who runs the asylum housing the Marquis de Sade in Quills before moving closer to the present and impressing critics with a leading role in Buffalo Soldiers (2001). As a bored military camp clerk who runs goods in the black market, Phoenix's impressive performance was well recieved by festival critics and continued to provide further argument for his viability as a leading man. Phoenix would next turn-up alongside Mel Gibson in The Sixth Sense director M. Night Shyamalan's rural alien invasion thriller Signs. Replacing actor Mark Ruffalo after Ruffalo pulled out of the film due to ill-health, Phoenix stepped into the role as Gibson's younger brother, a member of a family caught in an alien invasion following the appearance of crop circles in the family's cornfield. In 2003, Phoenix lent his voice to the Disney animated film Brother Bear, before re-teaming with M. Night Shyalaman for The Village, a thriller in the same vein as Signs that proved a major disappointment to audiences and critics alike. He followed this with a small part in the highly respected Hotel Rwanda, playing an American camera man covering the 1994 war in Rwanda that ended in 1 million deaths as a result of genocidal murder. This performance, along with his role as a rookie firefighter in Ladder 49 helped him establish himself as an everyman, as well as a character actor.By 2005, Phoenix had developed a reputation as a dependable, versatile actor, but he would rise from respectability to greatness with his depiction of legendary country singer Johnny Cash in James Mangold's biopic Walk the Line. Performing all his own singing for the part and learning the guitar from scratch, Phoenix received a Golden Globe Award for the film, along with his costar Reese Witherspoon.Phoenix's reputation for reliability fell under question when he arrived for a guest spot on Late Night with David Letterman disheveled and seemingly intoxicated. Though his appearance on Letterman was intended as a promotional piece for Two Lovers (2008), a romantic drama following a depressed young man (Phoenix) who finds himself in the middle of a love triangle, it was eventually revealed that the Letterman appearance was intended for I'm Still Here, a "biopic" depicting Phoenix as a drug-addled, emotional disaster. Shortly before the premier of I'm Still Here, director Casey Affleck admitted the film was satirical in nature and not meant to be taken literally.Two years after that public-relations hiccup, Phoenix returned earning rave reviews for his role as a disturbed war veteran who falls under the spell of a charismatic cult leader in Paul Thomas Anderson's drama The Master. His work in that film was recognized by the Academy, who tapped Phoenix for the Best Actor category.

Trivia: British-born actress Cara Seymour entered into a budding film career after establishing herself on-stage in both England and the United States. In the U.K., her performance in Now and at the Hour of Our Death earned her a Time Out award; in New York, she won an Obie for her work in Mike Leigh's Ecstacy and a Drama Desk nomination for her work in Goose Pimples. The actress made her film debut in the 1999 independent drama A Good Baby, and, in 2000, appeared in two acclaimed and highly individual films, Dancer in the Dark and American Psycho. Seymour was also featured in two of the most eagerly awaited films of 2002, Adaptation and Gangs of New York.

Trivia: With mournful eyes that suggest deep contemplation lurking beneath a sometimes imposing exterior, French actor Jean Reno (born July 30th, 1948) has carved a particular niche in cinema by portraying men who prefer to define themselves through action rather than words. Though his characters may often resort to violence without pause when necessary, that isn't to say that they are without the sort of honor or dignity that has served to define some of the screen's most memorable action stars. Born Juan Moreno Errere y Rimenes in Casablanca, Morocco, the future star spent his early, more carefree days roaming the beaches with friends to escape the searing summer heat. Reno was captivated by the likes of such screen legends as John Wayne, Marlon Brando, and Jean Gabin, who would form the foundation of his screen persona much later in life. An early stint in drama school found Reno exploring his acting abilities, but little did the aspiring talent know that his life would soon take a new and unexpected turn. Though Reno's life to that point had been somewhat idyllic, Morocco's increasing instability forced Reno's family to flee to France to start anew. Unfortunately, his new homeland was in the midst of turbulent civil unrest. In order to gain his citizenship, Reno had to sign up with the national service, and he was quickly recruited into the army. When his superiors noticed that he had previously been to drama school, they placed him in charge of arts and entertainment, and after a year of service, Reno set his sights on Paris. More drama school was soon to follow, and throughout the 1970s, Reno gained experience through stage and television work. After being singled out by critics for memorable appearances in such plays as Costa-Gavras' Clair de Femme (a role that he would later revisit in the 1979 film of the same name) and touring Europe with Didier Flamand's theater troupe, Reno made his screen debut in the 1979 Raúl Ruiz film The Hypothesis of the Stolen Painting. Throughout the 1980s, Reno made a name for himself playing screen heavies with little dialogue, and in 1981, things began to look up for the rising star when he teamed with hot young French director Luc Besson for the short film L'Avant Dernier. In the years that followed, Reno and Besson not only became close personal friends, but Reno would also appear in almost every one of the director's films. With small parts in Le Dernier Combat (1983) and Subway slowly elevating his star status, it was only a matter of time until Reno landed his breakout role. Of course, it came as no surprise to many that that particular role was in one of Besson's films, and with the release of Besson's Le Grand Bleu in 1988, Reno's time finally came. Cast as the comic rival of diver Jacques Mayhol (Jean-Marc Barr), Reno received international exposure when the film became a worldwide hit with both critics and audiences. In his home country of France, Reno was even nominated for a Best Supporting Actor César. He took a somewhat darker turn two years later when he was cast as a taciturn hit man in Besson's art-house action hit Nikita. By the time Reno took the lead in the 1993 time travel comedy Les Visiteurs (which quickly became the most successful film in French box-office history), he had truly established himself as a lucrative box-office draw. Though the film was indeed a massive success in France, it was deemed "too French" for U.S. distribution, and only the most die-hard fans and critics outside of Reno's native country were truly aware of his star power. If Reno's rise in France had been successfully boosted thanks, in part, to old friend Besson, so would his international exposure thanks to Besson's masterful 1994 effort Léon (released stateside as The Professional). With Reno once again cast in the role of a hit man, Léon told the remarkably tender tale of a sympathetic killer who befriends a young orphan named Mathilda (memorably portrayed by screen newcomer Natalie Portman) after her family is wiped out by a corrupt DEA agent (an unhinged Gary Oldman). Despite the fact that the heart of Léon and Mathilda's relationship was edited out of the U.S. release after being deemed too intense for stateside audiences (the film would eventually find release in the U.S. uncut thanks to a 2000 DVD release of the original version), the movie still possessed a soulful display of character generally lacking in the action genre, and audiences took to the film in droves. Reno was now a bankable star worldwide, though his unpredictable film choices continued to surprise audiences while also informing them that he was capable of much more than high-octane gunplay. In the years that followed, Reno made it a point to act in one French film for each American film in which he appeared, and with stateside roles in French Kiss (1995), Mission: Impossible (1996), and Roseanna's Grave (1997), Reno successfully pleased both his testosterone-driven male fan base and his more sensitive female followers. 1998 would prove a remarkably successful year for Reno in both the U.S. and his native France when, after completing the sequel Corridors of Time: The Visitors II, he turned up in both the disastrous wannabe summer blockbuster Godzilla (for which he turned down the role of Agent Smith in The Matrix) and Manchurian Candidate director John Frankenheimer's masterful action thriller Ronin. Holding his own opposite screen legend Robert De Niro, Reno was clearly a talent to be reckoned with. Before adapting The Visitors for U.S. audiences (as Just Visiting), Reno faced unspeakable danger in the Seven-esque French thriller The Crimson Rivers (2000). In between such action efforts as the Besson-produced Wasabi (2001) and the misguided sci-fi remake Rollerball (2002), Reno found time for love in the romantic comedy Jet Lag (also 2002) with Juliette Binoche. Despite the fact that action in such efforts as 2001's Wasabi and 2003's Ruby & Quentin tended to lean toward the comic angle, Reno proved he wasn't afraid to get a little dirty by once again facing danger in Crimson Rivers 2: Angels of the Apocalypse (2004). Roles in the French-language flicks L'Corse Enquête and L'Empire des loups were quick to follow in 2004 and 2005 respectively, and shortly after starring opposite Roberto Benigni and Tom Waits in Benigni's 2005 effort The Tiger and the Snow, Reno would head back into blockbuster territory stateside with supporting performances in The Pink Panther and The Da Vinci Code. In 2006 Reno would take to the skies with some determined American fighter pilots in the World War I war adventure Flyboys. Reno continued to work in films throughout the 2000s, appearing in The Pink Panther 2, Flushed Away, and Couples Retreat.

Trivia: Moved to the United Kingdom with his parents at a young age.Delivered his youngest daughter.Started acting while in school doing plays.Decided to pursue a career in acting after started doing youth theater.While in drama school, he was offered a position in The Royal Shakespeare Company and continued his classical training there.Has worked closely as an ambassador of Africa 2.0, an organization committed to the development of Africa through initiatives and advocacy.

Trivia: Best friend of frequent co-star Simon Pegg, Essex-born Nick Frost got his start as a comedy writer before gaining prominence on the BAFTA-nominated sitcom Spaced. After the show bowed in 2001, Frost joined his cast mates and director Edgar Wright in the zombie comedy Shaun of the Dead. Featuring Frost as the slovenly sidekick to the aforementioned Pegg's leading man, Shaun was released in 2004 and went on to become an international cult hit, turning its modest budget into 30 million dollars in worldwide box-office grosses. For his performance, Frost earned a nomination for the Most Promising Newcomer prize at the British Independent Film Awards. In the wake of the success of Shaun of the Dead, Frost starred in the U.K. sci-fi comedy series Hyperdrive before re-teaming with Pegg and Wright yet again, this time for the 2007 big-screen cop comedy Hot Fuzz. That same year, Frost and Pegg could also be seen on La Triviata, a BBC sitcom they co-wrote and directed about pub trivia contests.