Trivia: The younger brother of Family Ties star Justine Bateman, actor Jason Bateman has been a mainstay on television since the 1980s, starring in countless sitcoms of varying success. He first displayed his scene-stealing propensity in the role of young sharpster Derek Taylor, best friend of star Ricky Schroder, on Silver Spoons. The audience response to Bateman was so positive that the 15-year-old was given his own sitcom vehicle in 1984, as "teenaged con man" Matthew Burton on It's Your Move. When this series was cancelled after one season, Bateman moved to the long-running role of wise-guy teen David Hogan on the mid-1980s series Valerie, which of course later changed names (and leading actresses) to emerge as The Hogan Family. During this period, Bateman also found time to star or co-star in a handful of feature films, such as the 1985 made-for-TV summer-camp comedy Poison Ivy, Teen Wolf, Too, and 1991's Necessary Roughness. However, none of the projects were successful enough to give Bateman a springboard to bigscreen stardom.Following the conclusion of The Hogan Family in 1991, Bateman embarked on a decade plagued by failed TV outings. On top of several pilots that never even saw the light of day, he was the lead in no less than four ill-fated sitcoms, Simon, George and Leo, Chicago Sons, and Some of My Best Friends. Fortunately, as the new millenium was ushered in, things started to look bright for Bateman. After a supporting turn in the Cameron Diaz comedy The Sweetest Thing, his first major theatrical feature in a decade, he was tapped to lead the eclectic ansemble cast of the Ron Howard-produced Fox sitcom Arrested Development. Acclaimed for its smart humor and fresh concept, the show became a hit with critics and viewers.In the wake of Arrested Development's success, Bateman continued to increase his presence in the world of comedy, but henceforth on the silver screen. He made memorable appearances in 2004 comedies like Starsky and Hutch and Dodgeball: A True Underdog Story, as well as more serious fare, like the 2007 Iraq War movie The Kingdom, but Bateman's next major hit seemed to come later that year, with a memorable supporting role in the comedy Juno. He would continue to be a mainstay in comedy, however, with appearances in Forgetting Sarah Marshall, The Invention of Lying, Extract, Couples Retreat, and The Switch, but the actor would continue to surprise audiences with more dramatic films as well, like 2009's State of Play and Up in the Air. For comedy fans, Bateman couldn't be avoided in 2011, with roles in Horrible Bosses as well as The Change-Up. Soon, he was signing up to star alongside Olivia Wilde and Billy Cruddup in The Longest Week, and Alexander Skarsgard in Disconnect.

Trivia: Kim Darby's assertive acting style was likened by one film historian to "a 1938 Judy Garland forever waiting to burst into song." The daughter of "The Dancing Zerbies," Kim was a stage performer from childhood, when she was billed as Derby Zerby. Her short stature and cherubic face enabled Kim to play teenagers well into her twenties. After several TV appearances, she began her film career in 1965, reaching a peak with the role of Maddie Ross in True Grit (1968). Forever feisty, Kim earned one of the biggest laughs in 1977's The One and Only when she decked Henry Winkler with a one-two punch. Kim Darby has continued in secondary roles into the 1990s, recently making a guest appearance on that crowded way-station for former celebrities, TV's Murder She Wrote.

Trivia: American actor John Astin was the son of Dr. Allen V. Astin, director of the National Bureau of Standards. Evidently inheriting his intellectual bent from his father, Astin was a voracious reader and mathematician, at one point in his high school career mastering an entire semester's worth of study in one evening (that's his story, anyway). A part in the senior play at Johns Hopkins University (where he was majoring in math) cemented his desire to act, and in 1952 Astin did graduate work in dramatics at the University of Minnesota, where he appeared in 40 plays in and around the campus, played the violin, and gambled incessantly (and badly). With $100 in his pocket, Astin headed to New York, where he did janitorial work in theatres until securing a role in the off-Broadway Threepenny Opera for a princely $15 per week. Better money came Astin's way when he started doing voice-over work for animated commercials; in 1961 he extended his acting skills to films in a small but memorable part as a smarmy social worker in the Oscar-winning West Side Story. In 1962, Astin was teamed with Marty Ingels on the blue-collar sitcom I'm Dickens, He's Fenster, which despite a loyal following failed to garner ratings. The show did, however, establish Astin as a reliable laugh-getter, leading to a more successful run as Gomez Addams, the macabre but passionate paterfamilias on The Addams Family. This series ran from 1964 to 1966, after which Astin spent a great deal of time touring the country in theatrical productions - often living out of a van, a lifestyle he seemed to thrive upon. Joining Astin during his barnstorming days was his second wife, actress Patty Duke, who called herself Patty Duke Astin for the duration (Astin and Duke raised a son, Sean Astin, who grew up to become a popular film actor in his own right). The marriage ultimately dissolved due in part to Astin's bohemian point of view, though while the union lasted both Astin and Duke were tireless workaholics who were rarely without acting gigs. His many credits during this time period include 1974's Skyway to Death, and playing the dad in the original version of Freaky Friday. He directed and appeared in the TV movie Operation Petticoat. In the 1980's he landed recurring roles on both Murder, She Wrote and the sitcom Night Court. His marriage to Patti Duke ended in 1985, but Astin maintained a busy schedule appearing as a game-show host in National Lampoon's European Vacation, Teen Wolf Two, and Return of the Killer Tomatoes! As the 90s got under way he made two more Killer Tomatoes movies, appeared on the TV shows Mad About You and The Adventures of Brisco County Jr., and earned favorable reviews for his appearance in The Frighteners.

Trivia: A shy and withdrawn child, 11-year-old Paul Sanchez emerged from his shell upon joining Viola Spolin's Children's Theatre Workshop. Even at this early stage of the game, he was a gifted improvisational comedian, delighting friends and theatregoers alike with his inspired flights of fancy. After attending Los Angeles State College, he journeyed to Paris at his own expense, hoping to meet his idols Jean-Louis Barrault and Marcel Marceau. The latter was so impressed by his instinctive talents that he hired the young performer for his prestigious touring mime troupe. Upon returning to the states, he worked with Viola Spolin's son Paul Sills at Chicago's Second City; somewhere along the way, he changed his professional moniker from Sanchez to Sand. He appeared in the popular off-Broadway revue The Mad Show, then linked up with Sills again in Story Theatre, winning a Tony Award for his portrayal of an itching dog! Hired as a general-purpose comic actor by MTM productions at the recommendation of his old Story Theatre-cohort Valerie Harper, Paul was starred in his own sitcom, Paul Sand in Friends and Lovers. This fey, good-natured endeavor was widely touted as the sleeper of the 1974-75 television season. Unfortunately, viewers were not as enchanted by Sands' talents as "live" audiences had been, and Friends and Lovers was axed after 13 weeks. Paul Sand has continued to thrive as a supporting actor in films (his first was 1969's Viva Max) and such TV weeklies as St. Elswhere. Paul Sand's best showing of the 1980s was on the NBC sitcom Gimme a Break, in which he played Marty, an eccentric Manhattan-born restaurateur who posed as a flamboyant Mexican named Esteban for the benefit of his customers.

Trivia: Most "baby boomers" first saw actor James Hampton in the whimsically funny role of bugler Hannibal Dobbs on the mid-1960s sitcom F Troop. Even today, memories of Dobson's earnest but hopelessly inept rendition of "Reveille" and his anguished reaction to public revelation of his character's middle name (Shirley) is enough to bring a warm smile to the lips. During the 1970s, Hampton was unofficially "adopted" by old pal Burt Reynolds, appearing in such Reynolds vehicles as The Longest Yard (1974) and Hustle (1975). James Hampton was afforded star billing for his role as the lycanthropic dad of Michael J. Fox in Teen Wolf (1985), a part he carried over into the film's TV-cartoon spin-off.

Trivia: Supporting actor, onscreen from the '80s.

Trivia: The inimitable American actress Kathleen Freeman has been convulsing film audiences with portrayals of dowdy, sharp-tongued matrons since she was in her 20s. After stage work, Freeman began taking bit roles in major-studio features in 1948, seldom getting screen credit but always making a positive impression. The best of her earliest roles was in Singin' in the Rain (1952); Freeman played long-suffering vocal coach Phoebe Dinsmore, whose Herculean efforts to get dumb movie star Jean Hagen to grasp the proper enunciation of the phrase "I can't staaaand him" proved uproariously futile. Often cast as domestics, Freeman had a year's run in 1953 as the "spooked" maid on the ghostly TV sitcom Topper. Freeman was a particular favorite of comedian Jerry Lewis, who cast the actress in showy (and billed!) roles in such farces as The Errand Boy (1961), The Nutty Professor (1963) and Who's Got the Action?. As Nurse Higgins in Lewis' Disorderly Orderly (1964), Freeman weeps quietly as Jerry meekly scrapes oatmeal off her face and babbles "Oh, Nurse Higgins...you're all full of...stuff." Lewis so trusted Freeman's acting instincts that he sent her to the set of director William Wyler's The Collector (1965) in order to help build up the confidence of Wyler's nervous young leading lady Samantha Eggar. Throughout the '70s and '80s, Freeman took occasional "sabbaticals" from her movie and TV assignments to do stage work, enjoying a lengthy run in a Chicago production of Ira Levin's Deathtrap. Like many character actors of the '50s, Kathleen Freeman is frequently called upon to buoy the projects of baby-boomer directors: she was recently seen as an hysterical Julia Child clone in Joe Dante's Gremlins 2: The New Batch (1990).