Trivia: A dancer, singer, highly regarded actress and metaphysical time traveler, Shirley MacLaine is certainly among Hollywood's most unique stars. Born Shirley MacLane Beaty on April 24, 1934 in Richmond, Virginia, MacLaine was the daughter of drama coach and former actress Kathlyn MacLean Beaty and Ira O. Beaty, a professor of psychology and philosophy. Her younger brother, Warren Beatty, also grew up to be an important Hollywood figure as an actor/director/ producer and screenwriter. MacLaine's mother, who gave up her own dreams of stardom for her young family, greatly motivated her daughter to become an actress and dancer. MacLaine took dance lessons from age two, first performed publicly at age four, and at 16 went to New York, making her Broadway debut as a chorus girl in Me and Juliet (1953). When not scrambling for theatrical work, MacLaine worked as a model. Interestingly, MacLaine's big break was the result of another actress's bad luck. In 1954, MacLaine was understudying Broadway actress Carol Haney The Pajama Game when Haney fractured her ankle. MacLaine replaced her and was spotted and offered a movie contract by producer Hal Wallis. With her auburn hair cut impishly short, the young actress made her film debut in Hitchock's black comedy The Trouble With Harry (1955). Later that year, she co-starred opposite Dean Martin and Jerry Lewis in the comedy Artists and Models. In her next feature, Around the World in 80 Days (1956), she appeared as an Indian princess. MacLaine earned her first Oscar nomination for her portrayal of a pathetic tart who shocks a conservative town by showing up on the arm of young war hero Frank Sinatra in Some Came Running (1959). She then got the opportunity to show off her long legs and dancing talents in Can-Can (1960). Prior to that, she appeared with Rat Packers Frank Sinatra, Dean Martin, Sammy Davis Jr. and Peter Lawford in Oceans Eleven (1960). MacLaine, the only female member of the famed group, would later recount her experiences with them in her seventh book My Lucky Stars. In 1960, she won her second Oscar nomination for Billy Wilder's comedy/drama The Apartment, and a third nomination for Irma La Douce (1963). MacLaine's career was in high gear during the '60s, with her appearing in everything from dramas to madcap comedies to musicals such as What a Way to Go! (1964) and Bob Fosse's Sweet Charity! (1969). In addition to her screen work, she actively participated in Robert Kennedy's 1968 presidential campaign and served as a Democratic Convention delegate. She was similarly involved in George McGovern's 1972 campaign. Bored by sitting around on movie sets all day awaiting her scenes, MacLaine started writing down her thoughts and was thus inspired to add writing to her list of talents. She published her first book, Don't Fall Off the Mountain in 1970. She next tried her hand at series television in 1971, starring in the comedy Shirley's World (1971-72) as a globe-trotting photographer. The role reflected her real-life reputation as a world traveler, and these experiences resulted in her second book Don't Fall Off the Mountain and the documentary The Other Half of the Sky -- A China Memoir (1975) which she scripted, produced and co-directed with Claudia Weill. MacLaine returned to Broadway in 1976 with a spectacular one-woman show A Gypsy in My Soul, and the following year entered a new phase in her career playing a middle-aged former ballerina who regrets leaving dance to live a middle-class life in The Turning Point. MacLaine was memorable starring as a lonely political wife opposite Peter Sellers' simple-minded gardener in Being There (1979), but did not again attract too much attention until she played the over-protective, eccentric widow Aurora Greenway in James L. Brooks' Terms of Endearment (1983), a role that finally won MacLaine an Academy Award. That same year, she published the candid Out on a Limb, bravely risking public ridicule by describing her experiences and theories concerning out-of-body travel and reincarnation. MacLaine's film appearances were sporadic through the mid '80s, although she did appear in a few television specials. In 1988, she came back strong with three great roles in Madame Sousatzka (1988), Steel Magnolias (1989) and particularly Postcards from the Edge (1990), in which she played a fading star clinging to her own career while helping her daughter Meryl Streep, a drug addicted, self-destructive actress. Through the '90s, MacLaine specialized in playing rather crusty and strong-willed eccentrics, such as her title character in the 1994 comedy Guarding Tess. In 1997, MacLaine stole scenes as a wise grande dame who helps pregnant, homeless Ricki Lake in Mrs. Winterbourne, and the same year revived Aurora Greenway in The Evening Star, the critically maligned sequel to Terms of Endearment.MacLaine's onscreen performances were few and far between in the first half of the next decade, but in 2005 she returned in relatively full force, appearing in three features. She took on a pair of grandmother roles in the comedy-dramas In Her Shoes and Rumor Has It..., and was a perfect fit for the part of Endora in the bigscreen take on the classic sitcom Bewitched. In the coming years, McLaine would continue to give critically acclaimed performances in movies like Coco Chanel, Valentine's Day, and Bernie.For a long time, MacLaine did seminars on her books, but in the mid '90s stopped giving talks, claiming she did not want "to be anyone's guru." She does, however, continue writing and remains a popular writer.

Trivia: The daughter of a Kosher frozen-food distributor, American actress Debra Winger dropped out of high school at 16 in order to join an Israeli kibbutz. Upon returning to the U.S., she studied criminology and sociology at California State University, but before long she had dropped out and became a tour guide at the Magic Mountain amusement park. A serious accident suffered on the job at age 18 gave Winger time to contemplate her future, and it was then that she settled upon an acting career. Her first taste of fame was as the superpowered younger sister of Lynda Carter in the fantasy TV series Wonder Woman. But Winger chafed at the impositions placed on her by tight TV filming schedules and she retreated to theatrical films, where she made a most inauspicious debut in the award-losing Slumber Party '57 (1977). Winger became a full-fledged audience favorite for her peppery role opposite John Travolta in Urban Cowboy (1980), which led to the most famous of her "working-class" roles in An Officer and a Gentleman (1982). Already balking at the "Hollywood Game," Winger made no secret of her discomfort in that film's famous nude love scene, nor of her failure to truly connect with co-star Richard Gere. The actress' next truly important part was as Shirley MacLaine's foredoomed daughter in Terms of Endearment (1983). Her resultant Terms performance was so good that it warranted an Oscar nomination. Winger never again had a box-office success to match Terms of Endearment, though she remained a darling of the film critics for her work in such little-seen epics as Mike's Murder (1984) and Black Widow (1986). As the actress' star stature diminished, media scrutiny of her private life increased thanks to her romance with Nebraska governor Robert Kerrey. Winger's roles became fewer and more unorthodox as she continued to seek out acting challenges -- never more so than when she popped up in a lengthy, unbilled male part (complete with goatee) in Made in Heaven (1987), which starred her then-husband, Timothy Hutton. Winger continued to appear in high-profile but low-grossing films into the 1990s, delighting critics and fans in such films as The Sheltering Sky (1990) and Shadowlands (1993). Winger missed out on appearing in one of the most profitable films of the 1990s when she was replaced by Geena Davis in A League of Their Own (1993); it was not temperament but personal injuries and a recurring back ailment that prevented Winger from participating in two other major moneymakers, Peggy Sue Got Married (1986) and Bull Durham (1988). She did appear opposite Billy Crystal in the romantic comedy Forget Paris. As the 21st century began, Winger starred in and produced Big Bad Love, and the next year she was the subject of Searching for Debra Winger, a fascinating documentary about how actresses balance their lives and their career. She went on to appear in Radio, Rachel Getting Married, the third season of the HBO drama In Treatment, and the 2012 comedy Lola Versus.

Trivia: With his devil-may-care attitude and potent charisma, Jack Nicholson emerged as the most popular and celebrated actor of his generation. A classic anti-hero, he typified the new breed of Hollywood star -- rebellious, contentious and defiantly non-conformist. A supremely versatile talent, he uniquely defined the zeitgeist of the 1970s, a decade which his screen presence dominated virtually from start to finish, and remained an enduring counterculture icon for the duration of his long and renowned career. Born April 22, 1937 in Neptune, New Jersey, and raised by his mother and grandmother, Nicholson travelled to California at the age of 17, with the intent of returning east to attend college. It never happened -- he became so enamored of the west coast that he stayed, landing a job as an office boy in MGM's animation department. Nicholson studied acting with the area group the Players Ring Theater, eventually appearing on television as well as on stage. While performing theatrically, Nicholson was spotted by "B"-movie mogul Roger Corman, who cast him in the lead role in the 1958 quickie The Cry Baby Killer. He continued playing troubled teens in Corman's 1960 efforts Too Soon to Love and The Wild Ride before appearing in the Irving Lerner adaptation of the novel Studs Lonigan. He did not reappear on-screen prior to the 1962 Fox "B"-western The Broken Land. It was then back to the Corman camp for 1963's The Raven. For the follow-up, The Terror, he worked with a then-unknown Francis Ford Coppola and Monte Hellman. A year later, he enjoyed his second flirtation with mainstream Hollywood in the war comedy Ensign Pulver. Under Hellman, Nicholson next appeared in both Back Door to Hell and Flight to Fury. Together, they also co-produced a pair of 1967 Corman westerns, Ride in the Whirlwind and The Shooting. A brief appearance in the exploitation tale Hell's Angels on Wheels followed before Nicholson wrote the acid-culture drama The Trip, which co-starred Dennis Hopper and Peter Fonda. He also penned 1968's Head, a psychedelic saga, and wrote and co-starred in Psych-Out. After rejecting a role in Bonnie and Clyde, Nicholson was approached to star in the 1969 counterculture epic Easy Rider. As an ill-fated, alcoholic civil-rights lawyer, Nicholson immediately shot to stardom, earning a "Best Supporting Actor" Oscar nomination as the film rose to landmark status. Nicholson appeared briefly in the 1970 Barbra Streisand musical On a Clear Day You Can See Forever, followed by Rafelson's Five Easy Pieces, in which his notorious diner scene remains among the definitive moments in American cinematic history. The film was much acclaimed, earning a "Best Picture" Oscar nomination; Nicholson also received a "Best Actor" bid, and was now firmly established among the Hollywood elite. He next wrote, produced, directed and starred in 1971's Drive, He Said, which met with little notice. However, the follow-up, Mike Nichols's Carnal Knowledge, was a hit. After accepting a supporting role in Henry Jaglom's 1972 effort A Safe Place, Nicholson reunited with Rafelson for The King of Marvin Gardens, followed in 1973 by the Hal Ashby hit The Last Detail, which won him "Best Actor" honors at the Cannes Film Festival as well as another Academy Award nomination. Nicholson earned yet one more Oscar nomination as detective Jake Gittes in Roman Polanski's brilliant 1974 neo-noir Chinatown, universally hailed among the decade's greatest motion pictures. The next year, Nicholson starred in Michelangelo Antonioni's The Passenger, then delivered a memorable supporting turn in the musical Tommy. The Fortune, co-starring Warren Beatty and Stockard Channing, followed, before the year ended with Milos Forman's One Flew Over the Cuckoo's Nest; the winner of five Oscars, including "Best Picture" and, finally, "Best Actor." The film earned over $60 million and firmly established Nicholson as the screen's most popular star -- so popular, in fact, that he was able to turn down roles in projects including The Sting, The Godfather and Apocalypse Now without suffering any ill effects.. Nicholson did agree to co-star in 1977's The Missouri Breaks for the opportunity to work with his hero, Marlon Brando; despite their combined drawing power, however, the film was not a hit. Nor was his next directorial effort, 1978's Goin' South. A maniacal turn in Stanley Kubrick's 1980 horror tale The Shining proved much more successful, and a year later he starred in Rafelson's remake of The Postman Always Rings Twice. An Oscar-nominated supporting role in Beatty's epic Reds followed. Even when a film fell far short of expectations, Nicholson somehow remained impervious to damage. Audiences loved him regardless, as did critics and even his peers -- in 1983 he won a "Best Supporting Actor" Oscar for his work in James L. Brooks's much-acclaimed comedy-drama Terms of Endearment, and two years later netted another "Best Actor" nomination for John Huston's superb black comedy Prizzi's Honor.The following year, Heartburn was less well-received, but in 1987 Nicholson starred as the Devil in the hit The Witches of Eastwick -- a role few denied he was born to play. The by-now-requisite Academy Award nomination followed for his performance in Hector Babenco's Depression-era tale Ironweed, his ninth to date -- a total matched only by Spencer Tracy. Nicholson did not resurface until 1989, starring as the Joker in a wildly over-the-top performance in Tim Burton's blockbuster Batman. The 1990s began with the long-awaited and often-delayed Chinatown sequel The Two Jakes, which Nicholson also directed. Three more films followed in 1992 -- Rafelson's poorly-received Man Trouble, the biopic Hoffa, and A Few Good Men, for which he earned another "Best Supporting Actor" nod. For Mike Nichols, he next starred in 1994's Wolf, followed a year later by Sean Penn's The Crossing Guard. In 1996, Nicholson appeared in Blood and Wine, Burton's Mars Attacks! and The Evening Star, reprising his Terms of Endearment role.In 1997, Nicholson enjoyed a sort of career renaissance with James L. Brooks' As Good As it Gets, an enormously successful film that netted a third Oscar (for "Best Actor) for Nicholson. Subsequently taking a four-year exile from film, Nicholson stepped back in front of the camera under the direction of actor-turned-director Sean Penn for the police drama The Pledge. Though many agreed that Nicholson's overall performance in The Pledge was subtly effective, it was the following year that the legendary actor would find himself back in the critics' good graces, when Nicholson would receive an Oscar nomination for his performance in About Schmidt. The next year he appeared in a pair of box office hits. Anger Management found him playing an unorthodox therapist opposite Adam Sandler, while he played an aging lothario opposite Diane Keaton in {Nancy Myers's Something's Gotta Give. After taking a three year break from any on-screen work, Nicholson returned in 2006 as a fearsome criminal in Martin Scorsese's undercover police drama The Departed, the first collaboration between these two towering figures in American film. A starring role in Rob Reiner's comedy-drama The Bucket List followed, with Nicholson and Morgan Freeman co-starring as terminal cancer patients who decide to live it up during their final days. The film itself received mixed reviews, though many critics singled out Nicholson's fine work in it. 2010 reunited Nicholson with Terms of Endearment, Broadcast News and As Good As It Gets collaborator Jim Brooks for the romantic comedy How Do You Know, co-starring Reese Witherspoon, Owen Wilson and Paul Rudd. Nicholson's personal life has been one befitting a man who has made his mark playing so many devilishly charming characters. He has fathered a number of children from his relationships with various women, including a daughter, Lorraine (born in 1990), and a son, Raymond (born 1992) with Rebecca Broussard. It was Broussard's pregnancy with their first child that ended Nicholson's 17-year relationship with a woman who is known for her similarly enduring charisma, the actress Angelica Huston.

Trivia: Though he has never achieved the high profile or widespread acclaim of a Robert De Niro, Jeff Daniels ranks as one of Hollywood's most versatile leading men and over his career he has played everything from villains and cads to heroes and romantic leads to tragic figures and lovably goofy idiots, in movies of almost every genre. Daniels has also worked extensively on television and stage, where he first distinguished himself by winning an Obie for a production of Johnny Got His Gun. Blonde, cleft-chinned, and handsome in a rugged all-American way, Daniels made his screen debut playing PC O'Donnell in Milos Forman's Ragtime (1981). His breakthrough came when he was cast as Debra Winger's inconstant husband in Terms of Endearment (1983). Daniels has subsequently averaged one or two major feature films per year with notable performances, including: his memorable dual portrayal of a gallant movie hero/self-absorbed star who steps out of celluloid to steal the heart of lonely housewife Mia Farrow in Woody Allen's Purple Rose of Cairo (1984); his turn as a man terrified of spiders who finds himself surrounded by them in the horror-comedy Arachnophobia; and his role as Union officer Colonel Joshua Chamberlain, who led his troops into doom in Gettysburg (1993). In 1994, Daniels took a radical turn away from drama to star as one of the world's stupidest men opposite comic sensation Jim Carrey in the Farrelly brothers' hyperactive Dumb and Dumber. This lowest-common-denominator comedy proved one of the year's surprise hits and brought Daniels to a new level of recognition and popularity. Since then, Daniels has alternated more frequently between drama and comedy. His television credits include a moving portrayal of a troubled Vietnam vet in a Hallmark Hall of Fame production, Redwood Curtain. Daniels still maintains his connection to the stage and manages his own theatrical company. Before launching his acting career, he earned a degree in English from Central Michigan University in Mount Pleasant, MI. The later '90s found Daniels turning homeward and venturing into new territories through his labor of love, the Purple Rose Theater. Located in the small town of Chelsea, MI, the bus garage turned playhouse was designed to give Midwestern audiences the opportunity to enjoy entertainment generally reserved for big-city dwellers. Though he continued to appear in such films as Fly Away Home (1996) and Pleasantville (1998), Daniels made his feature directorial debut with the celluloid translation of his successful Yooper stage comedy Escanaba in da Moonlight (2000). Set in the Michigan's Upper Peninsula (U.P., hence "Yooper"), the tale of redemption by means of bagging a buck mixed the regionally accented humor of Fargo with the eccentricities inherent to northerners and served as an ideal directorial debut for the Michigan native. A modest regional success, Daniels would subsequently appear in such wide releases as Blood Work and The Hours (both 2002) before returning to the director's chair for the vacuum-salesman comedy Super Sucker (also 2002). Later reprising his role as Lt. Col. Joshua Lawrence Chamberlain from Gettysburg, Daniels once again went back in time for the Civial War drama Gods and Generals (2002). In 2004 he appeared in the adaptation of fellow Michigander Mitch Albom's best-seller The Five People You Meet in Heaven, and the next year he earned rave reviews for his role as a self-absorbed academic and terrible father in The Squid and the Whale. He continued to work steadily in a variety of projects including the Robin Williams vehicle RV, the indie thriller The Lookout, and Away We Go. He portrayed a Senator in the American remake of the British miniseries State of Play in 2009, and three years later he was cast as the lead in Aaron Sorkin's first cable series, The Newroom, playing the host of a cable news program who decides to tell it like it really is.

Trivia: Perhaps no Hollywood actor continually stirs up more of a gleeful admixture of feelings in his viewers than Danny DeVito. Singlehandedly portraying characters with mile-long, obnoxious jerk streaks that are nonetheless somehow loveable, DeVito -- with his diminutive stature, balding head, and broad Jersey accent -- made an art form out of playing endearingly loathsome little men.Born November 17, 1944, in Neptune, NJ, Daniel Michael DeVito Jr. survived a Catholic school upbringing and started his career from the ground up, laboring as a cosmetician in his sister's beauty parlor. Working under the name "Mr. Danny," DeVito decided to enter New York's American Academy of Dramatic Arts for the purpose of acquiring additional makeup expertise. However, he soon discovered his true theatrical calling and made his screen debut with a small part in the 1968 drama Dreams of Glass. After a few discouraging experiences within the film industry, DeVito decided to concentrate on stage work. During this time, he met actress Rhea Perlman, whom he later married in 1982. In 1972, the actor made his way back into films with a role in Lady Liberty, a comedy starring Sophia Loren. His first notable film part came three years later, when he reprised his stage role of Martini, a sweet-natured mental patient, in Milos Forman's screen version of One Flew Over the Cuckoo's Nest. Produced by DeVito's old friend Michael Douglas and co-scripted by Lawrence Hauben and Bo Goldman, the film won wide acclaim and nine Oscar nominations, eventually gleaning five statuettes (including Best Picture). Despite the adulation surrounding the film, DeVito's screen career remained lackluster, but he skyrocketed to fame three years later with his role as the obnoxious dispatcher Louie on the long-running television sitcom Taxi. From there, DeVito's career swung upward and he spent the next decade playing similarly repugnant characters with enormous success. He reunited with Douglas for Romancing the Stone (1984) and its 1985 sequel, Jewel of the Nile, teamed up with co-star Joe Piscopo and director Brian De Palma (as a scam artist on the run) in Wise Guys (1986), and signed with Disney's R-rated offshoot, Touchstone, for two comedies, the 1986 Ruthless People, and the 1987 Barry Levinson-directed Tin Men.Throw Momma from the Train (1987) marked DeVito's premier directorial outing. A madcap farce directed from a script by Benson and Soap scribe Stu Silver, Momma cast DeVito as Owen, a dim-bulb student living under the thumb of his loudmouthed mother, who is enrolled in a writing course taught by failing novelist Larry Donner (Billy Crystal). Stumbling into a repertory screening of Strangers on a Train one night, Owen has the not-so-bright idea of emulating the film, by bumping off Larry's conniving ex-wife in exchange for having Larry rub out his momma -- without asking Larry first.Throw Momma from the Train opened during the Christmas season of December 1987 and received mixed reviews. The picture nonetheless became a massive hit, grossing upwards of 57 million dollars, and thus paving the way for future DeVito-directed efforts. The War of the Roses (1989) recast DeVito with his Romancing the Stone and Jewel of the Nile co-stars, Michael Douglas and Kathleen Turner, but could not have been any more different in terms of theme, content, tone, or intended audience. Co-adapted by Warren Adler and Michael Leeson (from Adler's novel), this acerbic, black-as-coal comedy tells the story of Oliver and Barbara Rose, a seemingly happy and well-adjusted married couple whose nuptials descend into a violent hell when Barbara announces that she wants a divorce -- and Oliver refuses to give her one. DeVito plays the cherubic lawyer who relays their story to another client, and famously reflects, "If love is blind, then marriage must be like having a stroke." The picture instantly grossed dollar one, garnered legions of fans, and delighted critics across the board.Ida Random produced Momma, and DeVito's Taxi collaborator, James L. Brooks, produced War, but by the early '90s, DeVito gained additional autonomy by branching out into production duties himself, with the establishment of his own Jersey Films. Some of Jersey's more successful endeavors were 1994's Pulp Fiction (on which DeVito served as executive producer), Reality Bites (1994), Get Shorty (1995), Gattaca (1997), Out of Sight (1998), and Living Out Loud (1998). In the meantime, DeVito continued to act in a number of movies throughout the late '80s and '90s, his most notable being Twins (1988, in which he played the "twin" of Arnold Schwarzenegger), the disappointing Jack the Bear (1993), the delightful Other People's Money (1991, for which he took on the role of corporate monster Larry the Liquidator), Barry Sonnenfeld's Get Shorty, the screen adaptation of Roald Dahl's Matilda (1996, which he also directed and produced), L.A. Confidential (1997), and Living Out Loud. For the last of these DeVito won particular acclaim, impressing critics with his touching, sympathetic portrayal of a lonely elevator operator. In 1999, he added to his already impressive resumé with a role in Milos Forman's biopic of Taxi co-star Andy Kaufman, Man on the Moon, and a supporting turn in Sofia Coppola's The Virgin Suicides.Despite solid performances in a series of recent high-profile hits and decades of big-screen success, the millennial turnover found DeVito's star somewhat clouded as such efforts as Screwed (2000), What's the Worst That Could Happen? (2001), Death to Smoochy (2002), and Duplex (2003) failed to live up to box-office potential. DeVito fared only slightly better as producer of the critically acclaimed 2003 television series Karen Sisco and the ugly Get Shorty sequel, Be Cool. He also acted as executive producer for the acclaimed Zach Braff dramedy Garden State and could be spotted in director Tim Burton's imaginative fable Big Fish. As 2005 rolled around, audiences could spot DeVito in films such as The OH in Ohio, as well as on television as the actor found himself accepting a role in the quirky, taboo-busting series It's Always Sunny in Philadelphia.During 2006, DeVito balanced a full plate of work, temporarily retiring from the director's chair, but juggling small roles in no less than three A-list features. These included Brad Silberling's 10 Items or Less, a drama about the unlikely friendship that evolves between a has-been Hollywood star (Morgan Freeman) and a supermarket checkout clerk (Paz Vega); Jake Paltrow's directorial debut, The Good Night, a slice-of-life dramedy starring Gwyneth Paltrow and Penélope Cruz; and the holiday comedy Deck the Halls. The latter starred DeVito and Matthew Broderick as neighbors who go to "war" with competing decorations at Christmastime to see who can be the first to make his house visible from space. The film co-starred Kristin Davis and Kristin Chenoweth. Meanwhile, Jersey Films geared up to produce the 2007 Freedom Writers, directed by Richard LaGravenese -- a kind of retread of Stand and Deliver and Dangerous Minds, with Hilary Swank as a teacher determined to break through to her difficult students. Also in 2007, DeVito starred in Randall Miller's violent black comedy Nobel Son, DeVito joined longtime friend and collaborator Michael Douglas with a supporting role in the 2009 Solitary Man, then in 2012 voiced Dr. Seuss's title character in the classic animated fable The Lorax. DeVito and Perlman have three children.

Trivia: A distinguished actor of stage, television, and movies who is at home playing everything from menacing villains, big-hearted transsexuals, and loopy aliens, John Lithgow is also a composer and performer of children's songs, a Harvard graduate, a talented painter, and a devoted husband and father: in short, he is a true Renaissance man. Once hailed by the Wall Street Journal as "the film character actor of his generation," Lithgow is the son of a theater director who once headed Princeton's McCarter Theater and produced a series of Shakespeare festivals in Ohio, where Lithgow was six when he made his first theatrical bow in Henry VI, Part 3. His parents raised Lithgow in a loving home that encouraged artistic self-expression and took a broad view of the world. As a youth, Lithgow was passionate about painting and at age 16, he was actively involved with the Art Students League in New York. When the acting bug bit, Lithgow's father was supportive. After Lithgow graduated from Harvard, he received a Fulbright scholarship to study at the London Academy of Music and Dramatic Art; while in England, Lithgow also worked with the Royal Shakespeare Company and for the Royal Court Theatre. He returned to the U.S. in the early '70s and worked on Broadway where he won his first Tony and a Drama Desk Award for his part in The Changing Room (1973). Lithgow remained in New York for many years, establishing himself as one of Broadway's most respected stars and would go on to appear in at least one play per year through 1982. He would subsequently receive two more Tony nominations for Requiem for a Heavyweight and M. Butterfly. He made his first film appearance in Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972). The film itself was an inauspicious affair as were his other subsequent early efforts, though by the early '80s, his film roles improved and diversified dramatically. Though capable of essaying subtle, low-key characters, Lithgow excelled in over-the-top parts as the next decade in his career demonstrates. He got his first real break and a Best Supporting Actor nomination when he played macho football player-turned-sensitive woman Roberta Muldoon in The World According to Garp (1982). In 1983, he provided one of the highlights of Twilight Zone--The Movie as a terrified airline passenger and earned a second Best Supporting Actor Oscar nomination in Terms of Endearment where he appeared with Shirley Maclaine and Jack Nicholson, as well as playing a fiery preacher in Footloose. That year, he won his first Emmy nomination for his work in the scary nuclear holocaust drama The Day After. In 1984, he played the crazed Dr. Lizardo in the cult favorite The Adventures of Buckaroo Banzai. In Ricochet (1992), Lithgow proved himself a terrifying villain with his portrayal of a psychopathic killer hell-bent for revenge against Denzel Washington, the man who incarcerated him. In 1990, he made Babysong video tapes of his performing old and new children's songs on the guitar and banjo. Though he had already established himself on television as a guest star, Lithgow gained a large and devoted following when he was cast as an alien captain who, along with his clueless crew, attempts to pass for human in the fresh, well-written NBC sitcom Third Rock From the Sun (1996). The role has won him multiple Emmys and Golden Globe awards. When that show's run ended in 2001, Lithgow kept busy with roles in such high-profile features as The Life and Death of Peter Sellers (2004) (in which he essayed the role of comedy legend Blake Edwards), Kinsey, Dreamgirls, and Leap Year. Yet through it all the small screen still beckoned, and in 2010 the Lithgow won an Emmy for his role as Arthur Mitchell (aka The Trinity Killer) on the hit Showtime series Dexter. A poignant turn as a once-brilliant scientist stricken with Alzheimer's disease revealed a gentler side of Lithgow in Rise of the Planet of the Apes, and in 2012 he reminded us that he could still get big laughs with roles in both This is 40 (Judd Apatow's semi-sequel to Knocked Up) and the Will Ferrell/Zach Galifianakis political comedy The Campaign. When not busy working on the show, in theater, or in feature films, Lithgow is at home playing "Superdad" to his children and his wife, a tenured college professor at U.C.L.A.

Trivia: Most people know Betty King as the character of Rosie from the 1983 film Terms of Endearment, but the actress also made a few other notable appearances during her short but productive career onscreen. She also appeared in the movie Silkwood in 1983, as well as 1986's The Dirt Bike Kid and 1994's Holy Matrimony.

Trivia: Actress Lisa Hart Carroll made her screen debut as Patsy Clark in the 1983 hit Terms of Endearment. She made a few appearances in various projects over the following years, like the 1989 slasher Night Game, but the role of Patsy was taken over by Miranda Richardson for Terms of Endearment's 1996 sequel, The Evening Star, by which time Carroll had largely retired from the movie business.

Trivia: Born George Fox, child actor Huckleberry Fox first made an impression among the Oscar-studded cast of Terms of Endearment (1983).

Trivia: Many know the face of Megan Morris as the lively Melanie from the 1983 film Terms of Endearment, but despite the memorable role, Morris didn't capitalize much on the film's popularity. After an appearance in the 1988 film Johnny Be Good, the Texas native quit show business altogether.

Trivia: Ohio native Troy Bishop got a pretty big break for his first acting gig, playing little Tommy Horton in Terms of Endearment when he was just 11 years old. He would go on to assume other small roles in the years that followed, appearing in everything from Scream to an episode of Scrubs, but Bishop felt no particular need to limit his career to show business. He eventually attended Stanford University and became a licensed private pilot.

Trivia: When actor Norman Bennett got started in acting, he dove in full force, appearing in no less than six films in 1984 alone. He'd already gotten his feet wet with a supporting role in 1983's Terms of Endearment, and as the 1980s continued, Bennett remained extremely active, appearing in projects like 1985's Celebrity and 1988's Pancho Barnes. The actor subsequently slowed down, but didn't stop working, appearing notably in 1992's Ruby and 1998's Hope Floats.

Trivia: When actress Kate Charleson made her onscreen debut in 1983's Terms of Endearment, her youthful appearance and knack for subtle characterization made her a perfect fit to play Jeff Daniels' grad student protégée/mistress Janice. Few would have guessed that Charleson was 30 years old when she took on the role, but that fresh face would show up again in the coming years, appearing in 1984's Dreamscape and 1988's My First Love. Tragically, Charleson committed suicide in 1996.