Trivia: Educated at Yale and the Sorbonne, Sam Waterston, born November 15th, 1940, is far more than the "general purpose actor" he was pegged to be by one well-known film historian. A respected player on the stage, screen, and television, Waterston has cultivated a loyal following with his quietly charismatic, unfailingly solid performances. After beginning his career on the New York stage -- where he has continued to perform throughout his long career -- Waterston made his film debut in The Plastic Dome of Norma Jean in 1966. For a long time, his film career was not nearly as remarkable as his work on the stage and television, although non-New York audiences were made acutely aware of the depth and breadth of Waterston's talents when, in 1973, he starred in the television adaptation The Glass Menagerie (appearing alongside Katherine Hepburn) and -- also on TV -- in Tony Richardson's A Delicate Balance. The following year, the actor further impressed television audiences when he starred as Benedick in the CBS TV adaptation of Joseph Papp's staging of Much Ado About Nothing. Also in 1974, Waterston proved to be the best of the screen's Nick Carraways when he was cast in that expository role in the The Great Gatsby; subsequent films ranged from the midnight-movie favorite Rancho Deluxe (1975) to the unmitigated disaster Heaven's Gate (1981). In the late '70s, Waterston was "adopted" by Woody Allen, joining the director's ever-increasing unofficial stock company for such films as Interiors (1978), Hannah and Her Sisters (1986), September (1987), and Crimes and Misdemeanors. Waterston was nominated for an Academy award for his powerful portrayal of a conscience-stricken American journalist in The Killing Fields (1984); three years later he appeared in Swimming to Cambodia, Spalding Gray's acclaimed documentary about the making of the film. Subsequent film appearances included a turn as Kathleen Turner's hilariously timid husband in Serial Mom (1994) and a role in Ismail Merchant's The Proprietor in 1996.However, Waterston has continued to make his greatest mark on television, starring in the acclaimed The Nightmare Years in 1989 and in the similarly lauded series I'll Fly Away and Law & Order. In addition, he has gained a certain amount of fame playing Abraham Lincoln multiple times: In 1988, he starred in Gore Vidal's Lincoln on television, while he won a Tony nod playing him in the Lincoln Center production of Abe Lincoln in Illinois and supplied the president's voice for Ken Burns' documentary The Civil War.Though Waterson is most recognizable for his work in Law & Order, he took on a variety of other television roles throughout the 1990s and 2000s, among them including a turn as the District Attorney Forrest Bedford in I'll Fly Away (the role would win him an Golden Globe). In 2012, Waterson joined the cast of HBO's The Newsroom.

Trivia: Jesse L. Martin is proof that talent and popularity are not mutually exclusive. When the award-winning stage actor joined the cast of NBC's Law and Order in its tenth season, the program's already high ratings increased by 40 percent. Martin's debut episode drew the largest audience in Law and Order's history and positive press attracted more viewers throughout the season. The once starving artist is now both a critic's darling and one of T.V. Guide's "Sexiest People on Television," confirming that he is an actor with genuinely wide appeal. Martin was born Jesse Lamont Watkins on January 18, 1969, in Rocky Mountain, VA. He is the youngest of five sons. Martin's parents, truck driver Jesse Reed Watkins and college counselor Virginia Price, divorced when he was a child. Ms. Price eventually remarried and the boys adopted their stepfather's surname. When Martin was in grade school, the family relocated to Buffalo, NY, and the move was not an immediate success: Martin hated to speak because of his thick Southern accent and was often overcome with shyness. A concerned teacher influenced him to join an after-school drama program and cast him as the pastor in The Golden Goose. Being from Virginia, the young Martin played the character the only way he knew how: as an inspired Southern Baptist preacher. The act was a hit, and Martin emerged from his shell. The actor attended high school at Buffalo School for the Performing Arts, where he was voted "Most Talented" in his senior class. He later enrolled in New York University's prestigious Tisch School of the Arts Theater Program. After graduation, Martin toured the states with John Houseman's Acting Company. He appeared in Shakespeare's Rock-in-Roles at the Actors Theater of Louisville and The Butcher's Daughter at the Cleveland Playhouse, and returned to Manhattan to perform in local theater, soap operas, and commercials. Finding that auditions, regional theater, and bit parts were no way to support oneself, Martin waited tables at several restaurants around the city. He was literally serving a pizza when his appearance on CBS's Guiding Light aired in the same eatery. Martin made his Broadway debut in Timon of Athens, and then performed in The Government Inspector with Lainie Kazan. While employed at the Moondance Diner, he met the late playwright Jonathan Larson, who also worked on the restaurant's staff. In 1996, Larson's musical Rent took the theater world by storm -- with Martin in the part of gay computer geek Tom Collins. The '90s update of Puccini's La Bohème earned six Drama Desk Awards, five Obie Awards, four Tony Awards, and the Pulitzer Prize. Martin soon landed roles on Fox's short-lived 413 Hope Street and Eric Bross' independent film Restaurant (1998). Ally McBeal's creator, David E. Kelly, attended Rent's Broadway premiere and remembered Martin when the show needed a new boyfriend for Calista Flockhart's Ally. The actor's performance as Dr. Greg Butters on Ally McBeal caught David Duchovny's eye, who then cast Martin as a baseball-playing alien in a 1999 episode of The X-Files that he wrote and directed. While still shooting Ally McBeal, Martin heard rumors that actor Benjamin Bratt planned to leave the cast of Law and Order. Martin tried out for the show years before and won the minor role of a car-radio thief named Earl the Hamster, but decided to wait for a bigger part. With the opportunity presenting itself, Martin begged Law and Order producer Dick Wolf for Bratt's role. Wolf hoped to cast him, and upon hearing that CBS and Fox both offered Martin development deals, he gave the actor the part without an audition. During his first year on Law and Order, Martin co-produced the one-man show Fully Committed, about the amusing experiences of a waiter at an upscale restaurant. A skilled vocalist -- he sang in Rent, on Ally McBeal, and The X-Files -- Martin later appeared in the Rocky Horror Picture Show anniversary special and hopes to star in a big-screen biography of his mother's favorite singer, Marvin Gaye. Over the coming decade, Martin would appear in several more pictures, like The Cake Eaters, the big screen adaptation of Rent, and the TV series The Philanthropist.

Trivia: Lovable tough guy character actor Dennis Farina was already well into his first career as a Chicago cop before he was able to turn his occasional acting gigs into a prodigious new line of work.Raised in Chicago by Italian immigrant parents, Farina joined his hometown's police force in the mid-'60s, settling into a life of law enforcement. When he was hired to be a local consultant on Michael Mann's film Thief (1981), however, Farina wound up with a bit part as the villain's heavy. Farina continued to moonlight as an actor for several years, appearing in local theater and occasional movies, including Final Jeopardy (1985) and the Chuck Norris vehicle Code of Silence (1985). Though he never took an acting class, Farina was a natural; after Michael Mann offered him the lead in the series Crime Story in 1986, Farina left the police force to play a TV cop. During his 1986-1988 stint on the series, Farina also played FBI agent Jack Crawford (Scott Glen's part in Silence of the Lambs [1991]) in Mann's stylish thriller Manhunter (1986), was the Birdman of Alcatraz in the TV movie Six Against the Rock (1987), and a cop in TV movie mystery Through Naked Eyes (1987). Drawing on his no-nonsense charm as well as his eclectic life experience, Farina continued to shine in roles on both sides of the law, such as serial killer Angelo Buono in The Case of the Hillside Stranglers (1989) and the lead prosecutor in the TV docudrama Blind Faith (1990). As nimble with comedy, Farina went up against Robert De Niro and Charles Grodin as a mobster in the popular buddy yarn Midnight Run (1988). His versatility firmly established by the 1990s, Farina's early '90s work ranged from playing a billionaire in People Like Us (1990), to Banquo in a New York gangland version of Macbeth, Men of Honor (1991), as well as supporting roles in the comedy Another Stakeout (1993), Bruce Willis actioner Striking Distance (1993), John Turturro's Italian-American family drama Mac (1993), and vicious neo-noir Romeo Is Bleeding (1994). Farina's appearance as John Travolta's nemesis, hilariously bumbling tough guy Ray "Bones" Barboni, in Barry Sonnenfeld's adaptation of Elmore Leonard's Get Shorty (1995), led to his most notable hit since Midnight Run. His career hitting a new high, Farina co-starred with Bette Midler as reunited exes in Carl Reiner's That Old Feeling (1997), and starred as a Sicilian bigwig in the high-profile TV miniseries Bella Mafia (1997). Though his Marshall Sisco made only a brief appearance in Steven Soderbergh's esteemed Elmore Leonard adaptation Out of Sight (1998), Farina was pitch-perfect as Jennifer Lopez's protective dad. After joining the superb corps in Steven Spielberg's award-winning Saving Private Ryan (1998), Farina returned to series TV, playing smooth detective Buddy Faro (1998); the series, however, lasted only one season. Returning to films, Farina followed his role as the police captain who recruits The Mod Squad (1999) with another comic turn as a New York gangster who sets the diamond larceny plot in motion in Snatch (2000), adding a dash of Hollywood celebrity (along with Brad Pitt and Benicio del Toro) to British lad director Guy Ritchie's sophomore effort. The releases of two of Farina's next films, Barry Sonnenfeld's caper Big Trouble (2001) and Edward Burns' romantic comedy Sidewalks of New York (2001), were delayed after the terrorist attack on New York on September 11, 2001. Sidewalks of New York surfaced later in 2001, but the romantic comedy failed to charm a large audience. Big Trouble finally made it into theaters in the first half of 2002, but despite the big name cast, Sonnenfeld's farce joined such high profile fare as Arnold Schwarzenegger vehicle Collateral Damage (2002) and the espionage actioner Bad Company (2002) on the list of 9/11-delayed flops. Farina's next film, the broad, witless comedy Stealing Harvard (2002), also failed at the box office. Farina returned to television during the fall 2002 season with a lead role as a comically monstrous Meet the Parents-esque father-in-law on the sitcom The In-Laws (2002). Despite initially withering reviews, The In-Laws managed to show signs of ratings life.As the 2000's rolled forward, Farina appeared in a number of movies, most notably in Bottle Shock and What Happens in Vegas. Farina would find even more success on the small screen, with roles on Law & Order and the much discussed horse-racing drama Luck. Sadly, Farina died of a bloodclot in his lung in July of 2013. He was 69 years old.

Trivia: S. Epatha Merkerson is a Tony-nominated and Obie-winning, African-American stage actress, but is best known for her portrayal of detective squad chief Lt. Anita Van Buren in the series Law and Order. Born and raised in Detroit as the youngest of five children, she was a fine arts graduate of Wayne State University and began her New York theater career in the late 1970s. Merkerson was nominated for a Tony award for Best Actress for her performance as Berniece in The Piano Lesson and won an Obie award in 1992 for her work in I'm Not Stupid. Her screen credits include Jacob's Ladder and Loose Cannons and, perhaps most visibly, her role as Joe Morton's terrified wife in James Cameron's Terminator 2: Judgment Day. Merkerson made her television debut as Reba, the Mail Lady on Pee Wee's Playhouse, and has appeared on The Cosby Show, among other series, but her most important single television appearance may have been in the first season Law and Order show "Mushrooms," in which she portrayed the grief-stricken mother of an 11-month-old boy who is shot accidentally. Her work was not only memorable to the audience during that key first season, but also to the producers, who later picked Merkerson for the role of the new detective squad chief in the series' fourth season--a role she continued to play for over ten years. Merkerson's talent on the small screen led to roles in numerous TV movies such as Breaking Through and A Mother's Prayer, as well as roles in such films as Radio and The Rising Place. Still, her monumental gifts in both presence and interpretation may not have truly been utilized until she took the part of a strong matriarch who runs a 1960's boarding house in HBO's mini series Lackawanna Blues. Her first leading role in almost twenty years on screen, her performance earned her an Emmy Award as well as a Golden Globe. After her triumphant turn in Lackawanna Blues she returned to the big-screen in Craig Brewer's follow-up to Hustle & Flow, Black Snake Moan co-starring Christina Ricci and Samuel L. Jackson.Over the coming years, Merkerson would appear in a number of films, like The Six Wives of Henry Lefay and Mother and Child.

Trivia: Fred Dalton Thompson spent 25 years as an active Nashville and Washington, D.C., attorney before making his film debut playing himself in a 1985 retelling of the true tale of a Tennessee woman who took on the state's crooked governor in Marie. When Thompson won more acclaim than the film's stars Sissy Spacek and Jeff Daniels, he decided to add "character actor" to his resumé, and went on to appear in numerous major features. Standing 6'5," he was a commanding presence and was usually cast as an authoritarian. Thompson put his film career on hold when he made a successful bid to become a Tennessee senator in 1994, then picked up where he left off when his term ended, playing DA Arthur Branch on Law & Order, along with other supporting film roles. Thompson returned to politics with an attempt at the 2008 presidential election, but was unsuccessful, and soon resumed his acting career. He played horse breeder Arthur Hancock in Secretariat (2010) and appeared in the Hank Williams biopic The Last Ride (2011). One of his final acting roles was as an FBI Director in the short-lived NBC series Allegiance in 2015. Thompson died later that year, at age 73.

Trivia: After her debut film Mississippi Masala (1992) became an art house hit, Sarita Choudhury was determined not to "go Hollywood," focusing her acting energies on independent film instead. Raised in Jamaica, Mexico, and Italy, the half-Indian, half-English Choudhury studied economics at Queens University in Ontario before switching to acting. She casually auditioned for Mississippi Masala and wound up cast as the lead opposite Denzel Washington in the singular interracial romance between a Southern African American man and a transplanted Indian woman. Despite the film's surprise success, Choudhury stuck to her non-Hollywood roots, putting her exotic looks and talent to versatile use as a Pakistani country-western singer in Wild West (1992), a Chilean maid in Bille August's adaptation of The House of the Spirits (1993), and a lesbian mother in Fresh Kill (1994). Choudhury worked with Mississippi Masala director Mira Nair again in The Perez Family (1995) and played the cuckolded queen Tara in Nair's frankly-sensual feminist parable Kama Sutra: A Tale of Love (1996). By the late 1990s, Choudhury added a touch of Hollywood to her repertoire with supporting roles in the glossy Alfred Hitchcock remake A Perfect Murder (1998) and the John Cassavetes retread Gloria (1999).Back in more original territory, Choudhury regained her footing somewhat with a series of television roles on such small-screen dramas as Homicide: Life on the Streets, Deadline, 100 Centre Street, and Law and Order. A series of key roles in such little-seen independents as Rhythm of the Saints, Marmalade, and Indocumentados was offset by lesser roles in wuch wide-release efforts as It Runs in the Family, She Hate Me, and M. Night Shyamalan's Lady in the Water, proving that even if she didn't headline every movie she appeared in, Choudhury was still a worthy supporting player who was always worth watching.

Trivia: Ron Silver was known for his extraordinary stage presence and high-energy portrayals of a variety of offbeat characters in films and on television. A native New Yorker, Silver studied Chinese at State University of New York at Buffalo and drama at the Herbert Berghof Studio and the Actors Studio. After receiving his bachelor's from S.U.N.Y., Silver earned a master's degree in Chinese history at the College of Chinese Culture in Taiwan and then returned to New York to study at the aforementioned acting studios. 1976 was a big year for Silver who debuted as a comedian in feature films (Tunnelvision), television (The Mac Davis Show), and theater (El Grande de Coca-Cola). He was also a regular cast member between 1976 and 1978 on the sitcom Rhoda, and then appeared in several made-for-television movies before appearing in Semi-Tough (1977). His feature film career picked up in the early '80s, but he did not get his first big break until he starred opposite Anne Bancroft in Sidney Lumet's Garbo Talks (1984). Silver earned critical acclaim in 1989 for starring in Philip Saville's Fellow Traveler as a Hollywood screenwriter forced to flee his family and friends to avoid getting blacklisted during the early '50s. That same year, Silver won a Tony and a Drama Desk Award for starring in David Mamet's Speed-The-Plow and scored a second film coup in Paul Mazursky's adaptation of author Isaac Bashevis Singer's Enemies, A Love Story. In the years to follow,, the busy Silver, who juggled his time between the three entertainment forms, became a respected mid-range star who could be counted on to deliver consistently strong, fine performances. As the '90s progressed, he moved into more lead roles playing everything from psychopaths (Blue Steel [1990]), senators (Time Cop [1994]), sleazy lawyers (in the TV medical drama Chicago Hope [1994- ]), and scientists (The Arrival [1996]). Silver died of esophageal cancer in 2009 at the age of 62.

Trivia: Tall, chiseled-face character actor Robert John Burke has been acting since the 1970s, but he is best known to art house audiences as a regular member of New York-based director Hal Hartley's stock company of decidedly non-Hollywood actors. Born on Long Island, Burke studied acting at S.U.N.Y. Purchase in the early '70s. After he graduated from college, Burke began acting in TV, appearing on such shows as As the World Turns and Happy Days. Though he made his feature film debut in The Chosen (1981), Burke devoted his energies in the early '80s to an experimental teaching program designed to involve students directly in the arts. Burke returned to movies and TV in the latter half of the 1980s with roles in actioner Wanted Dead or Alive (1986), TV movie comedy Pass the Ammo (1989), and late-'80s dance trend vehicle Lambada (1989). Burke's fortunes began to change when he was cast in the lead role of an enigmatic ex-con who returns to his Long Island hometown in the then-unknown Hartley's first feature, The Unbelievable Truth (1990). Shot on a shoestring budget in 11 days, The Unbelievable Truth garnered positive notice for Hartley's distinctly offbeat, dark comic sensibility and his stars' deadpan, wry performances. Burke followed The Unbelievable Truth with a supporting part in the Oscar-nominated 1930s coming of age film Rambling Rose (1991) and a high-profile starring role replacing Peter Weller as the imposing eponymous cyborg law enforcer in Robocop 3 (1992). Burke stayed busy from then on, alternating between independent movies and Hollywood projects. Working with Hartley again, Burke starred as one of a pair of brothers searching for their ballplayer-turned-anarchist father in the quirky yet appealing Simple Men (1992); he played a smaller role in Hartley's troubled romance triad Flirt (1995). Burke also acted more than once with the far less celebrated independent filmmaker Eric Schaeffer, appearing in Schaeffer's industry insider comedy My Life's in Turnaround (1993) and self-indulgent romantic comedy If Lucy Fell (1996). Outside of the New York independent scene, Burke played Reese Witherspoon's African gamekeeper father in the children's adventure A Far Off Place (1993), joined the distinguished cast populating Tombstone (1993) (the Kurt Russell version of the Wyatt Earp Western legend), appeared in Oliver Stone's third Vietnam movie, Heaven and Earth (1993), and starred as the cursed obese lawyer in Stephen King's horror yarn Thinner (1996). Continuing to show his versatility in both comedy and drama, Burke joined the supporting cast of the light-hearted buddy chase movie Fled (1996) and starred as Natasha Gregson Wagner's father in the bayou love story First Love, Last Rites (1997). Burke returned to TV in the late '90s in two acclaimed HBO productions, the ambitious miniseries From the Earth to the Moon (1998) and the wrenching Vietnam War docudrama A Bright Shining Lie (1998). At the start of the 2000s, Burke reunited with Hal Hartley for the Cannes Film Festival entry No Such Thing (2001). Drawing upon his varied experience, not to mention his formidable mien, Burke played the mammal/lizard Beast to Sarah Polley's Beauty in Hartley's singular reworking of the fairy tale romance.

Trivia: The daughter of an attorney father and writer mother, German-born Elisabeth Röhm spent the majority of her childhood and adolescence coming of age in New York. Röhm discovered an innate love of acting during her collegiate years (in the early '90s) and thereafter landed a regular role on the daytime drama One Life to Live. She graduated to fame, however, by virtue of two prime-time roles: Detective Kate Lockley on the supernatural drama series Angel (1999) and Assistant District Attorney Serena Southerlyn on NBC's Law & Order. Big-screen roles include supporting turns in Miss Congeniality 2: Armed and Fabulous (2005) and Aftermath (2008).

Trivia: Born in California in 1936, Joel Fabiani went through a multitude of schools and jobs, in addition to a stint in the army, before returning to college, where he first started acting. Based in San Francisco, he trained at the Actors' Workshop and later moved to New York, where he began working in commercials. His first major acting credit was in the feature-length pilot episode for the television series Ironside. He later appeared on such prime time network shows as N.Y.P.D. and Marcus Welby, M.D., in addition to daytime dramas, including Dark Shadows and The Doctors. Fabiani's major bid for TV stardom came when he was spotted by producers of the British series Department S, who were putting together the cast and needed a muscular American to play Stewart Sullivan, the team's man of action. The series was sold around the world and ran in the U.S. (among other countries) for its 28-show 1969-1970 season. Fabiani returned to America after the series was over and did extensive television work -- including appearances on Columbo, The Cosby Show, and Murder, She Wrote -- and occasional film work, with roles in Looking for Mr. Goodbar and Reuben, Reuben. He also had a long run on the soap opera All My Children beginning in 1999.

Trivia: Began acting in school plays in third grade. Appeared in the Signature Theatre Company's production of Queens Boulevard in 2007. Starred in 2009's Why Torture is Wrong at the Public Theater. Appeared in Labyrinth Theater Company's premiere of The Muscles in Our Toes during a hiatus from The Blacklist.

Trivia: Before his starring role in The Sopranos made his name, character actor Michael Imperioli worked in numerous films during the 1990s with an impressive array of New York-based talent. Born in Mount Vernon, NY, Imperioli did not have to move far when he decided to study acting at New York City's Stella Adler Conservatory. Soon after his 1988 movie debut, Imperioli burnished his acting resumé with a small part as Spider, shot by Joe Pesci in Martin Scorsese's Goodfellas (1990). The following year, Imperioli earned his first role in a Spike Lee film, Jungle Fever (1991). Becoming a Lee regular, Imperioli also played small parts in Malcolm X (1992), Clockers (1995), and Girl 6 (1996), and garnered his first feature screenplay credit as co-writer and executive producer of Lee's Summer of Sam (1999). Imperioli added Italian-American authenticity to Nancy Savoca's quirky ethnic tale Household Saints (1993) and appeared with future Sopranos co-stars Dominic Chianese in The Night We Never Met (1993) and Edie Falco in Abel Ferrara's vampire allegory The Addiction (1995). Briefly "going Hollywood" with parts in the first Michael Bay extravaganza Bad Boys (1995), and Walter Hill's Last Man Standing (1996), Imperioli returned to his New York state of mind in the latter half of the 1990s. Working with The Addiction star Lili Taylor again, Imperioli was an arrogant Ondine to Taylor's disturbed Factory hanger-on Valerie Solanas in Mary Harron's I Shot Andy Warhol (1996). Audiences could finally attach a name to Imperioli's oft-seen face when he was cast as drug-addicted wannabe screenwriter/mobster Christopher Moltisanti in David Chase's Mafia series The Sopranos. A critical hit from its 1999 debut onward, The Sopranos' potent combination of black comedy, family drama, and violence allowed Imperioli to display the full range of his talents onscreen, particularly when Christopher dabbles in Method acting, and offscreen as one of the second season writers. Imperioli is married and has two children.