Trivia: Educated at Yale and the Sorbonne, Sam Waterston, born November 15th, 1940, is far more than the "general purpose actor" he was pegged to be by one well-known film historian. A respected player on the stage, screen, and television, Waterston has cultivated a loyal following with his quietly charismatic, unfailingly solid performances. After beginning his career on the New York stage -- where he has continued to perform throughout his long career -- Waterston made his film debut in The Plastic Dome of Norma Jean in 1966. For a long time, his film career was not nearly as remarkable as his work on the stage and television, although non-New York audiences were made acutely aware of the depth and breadth of Waterston's talents when, in 1973, he starred in the television adaptation The Glass Menagerie (appearing alongside Katherine Hepburn) and -- also on TV -- in Tony Richardson's A Delicate Balance. The following year, the actor further impressed television audiences when he starred as Benedick in the CBS TV adaptation of Joseph Papp's staging of Much Ado About Nothing. Also in 1974, Waterston proved to be the best of the screen's Nick Carraways when he was cast in that expository role in the The Great Gatsby; subsequent films ranged from the midnight-movie favorite Rancho Deluxe (1975) to the unmitigated disaster Heaven's Gate (1981). In the late '70s, Waterston was "adopted" by Woody Allen, joining the director's ever-increasing unofficial stock company for such films as Interiors (1978), Hannah and Her Sisters (1986), September (1987), and Crimes and Misdemeanors. Waterston was nominated for an Academy award for his powerful portrayal of a conscience-stricken American journalist in The Killing Fields (1984); three years later he appeared in Swimming to Cambodia, Spalding Gray's acclaimed documentary about the making of the film. Subsequent film appearances included a turn as Kathleen Turner's hilariously timid husband in Serial Mom (1994) and a role in Ismail Merchant's The Proprietor in 1996.However, Waterston has continued to make his greatest mark on television, starring in the acclaimed The Nightmare Years in 1989 and in the similarly lauded series I'll Fly Away and Law & Order. In addition, he has gained a certain amount of fame playing Abraham Lincoln multiple times: In 1988, he starred in Gore Vidal's Lincoln on television, while he won a Tony nod playing him in the Lincoln Center production of Abe Lincoln in Illinois and supplied the president's voice for Ken Burns' documentary The Civil War.Though Waterson is most recognizable for his work in Law & Order, he took on a variety of other television roles throughout the 1990s and 2000s, among them including a turn as the District Attorney Forrest Bedford in I'll Fly Away (the role would win him an Golden Globe). In 2012, Waterson joined the cast of HBO's The Newsroom.

Trivia: Jesse L. Martin is proof that talent and popularity are not mutually exclusive. When the award-winning stage actor joined the cast of NBC's Law and Order in its tenth season, the program's already high ratings increased by 40 percent. Martin's debut episode drew the largest audience in Law and Order's history and positive press attracted more viewers throughout the season. The once starving artist is now both a critic's darling and one of T.V. Guide's "Sexiest People on Television," confirming that he is an actor with genuinely wide appeal. Martin was born Jesse Lamont Watkins on January 18, 1969, in Rocky Mountain, VA. He is the youngest of five sons. Martin's parents, truck driver Jesse Reed Watkins and college counselor Virginia Price, divorced when he was a child. Ms. Price eventually remarried and the boys adopted their stepfather's surname. When Martin was in grade school, the family relocated to Buffalo, NY, and the move was not an immediate success: Martin hated to speak because of his thick Southern accent and was often overcome with shyness. A concerned teacher influenced him to join an after-school drama program and cast him as the pastor in The Golden Goose. Being from Virginia, the young Martin played the character the only way he knew how: as an inspired Southern Baptist preacher. The act was a hit, and Martin emerged from his shell. The actor attended high school at Buffalo School for the Performing Arts, where he was voted "Most Talented" in his senior class. He later enrolled in New York University's prestigious Tisch School of the Arts Theater Program. After graduation, Martin toured the states with John Houseman's Acting Company. He appeared in Shakespeare's Rock-in-Roles at the Actors Theater of Louisville and The Butcher's Daughter at the Cleveland Playhouse, and returned to Manhattan to perform in local theater, soap operas, and commercials. Finding that auditions, regional theater, and bit parts were no way to support oneself, Martin waited tables at several restaurants around the city. He was literally serving a pizza when his appearance on CBS's Guiding Light aired in the same eatery. Martin made his Broadway debut in Timon of Athens, and then performed in The Government Inspector with Lainie Kazan. While employed at the Moondance Diner, he met the late playwright Jonathan Larson, who also worked on the restaurant's staff. In 1996, Larson's musical Rent took the theater world by storm -- with Martin in the part of gay computer geek Tom Collins. The '90s update of Puccini's La Bohème earned six Drama Desk Awards, five Obie Awards, four Tony Awards, and the Pulitzer Prize. Martin soon landed roles on Fox's short-lived 413 Hope Street and Eric Bross' independent film Restaurant (1998). Ally McBeal's creator, David E. Kelly, attended Rent's Broadway premiere and remembered Martin when the show needed a new boyfriend for Calista Flockhart's Ally. The actor's performance as Dr. Greg Butters on Ally McBeal caught David Duchovny's eye, who then cast Martin as a baseball-playing alien in a 1999 episode of The X-Files that he wrote and directed. While still shooting Ally McBeal, Martin heard rumors that actor Benjamin Bratt planned to leave the cast of Law and Order. Martin tried out for the show years before and won the minor role of a car-radio thief named Earl the Hamster, but decided to wait for a bigger part. With the opportunity presenting itself, Martin begged Law and Order producer Dick Wolf for Bratt's role. Wolf hoped to cast him, and upon hearing that CBS and Fox both offered Martin development deals, he gave the actor the part without an audition. During his first year on Law and Order, Martin co-produced the one-man show Fully Committed, about the amusing experiences of a waiter at an upscale restaurant. A skilled vocalist -- he sang in Rent, on Ally McBeal, and The X-Files -- Martin later appeared in the Rocky Horror Picture Show anniversary special and hopes to star in a big-screen biography of his mother's favorite singer, Marvin Gaye. Over the coming decade, Martin would appear in several more pictures, like The Cake Eaters, the big screen adaptation of Rent, and the TV series The Philanthropist.

Trivia: S. Epatha Merkerson is a Tony-nominated and Obie-winning, African-American stage actress, but is best known for her portrayal of detective squad chief Lt. Anita Van Buren in the series Law and Order. Born and raised in Detroit as the youngest of five children, she was a fine arts graduate of Wayne State University and began her New York theater career in the late 1970s. Merkerson was nominated for a Tony award for Best Actress for her performance as Berniece in The Piano Lesson and won an Obie award in 1992 for her work in I'm Not Stupid. Her screen credits include Jacob's Ladder and Loose Cannons and, perhaps most visibly, her role as Joe Morton's terrified wife in James Cameron's Terminator 2: Judgment Day. Merkerson made her television debut as Reba, the Mail Lady on Pee Wee's Playhouse, and has appeared on The Cosby Show, among other series, but her most important single television appearance may have been in the first season Law and Order show "Mushrooms," in which she portrayed the grief-stricken mother of an 11-month-old boy who is shot accidentally. Her work was not only memorable to the audience during that key first season, but also to the producers, who later picked Merkerson for the role of the new detective squad chief in the series' fourth season--a role she continued to play for over ten years. Merkerson's talent on the small screen led to roles in numerous TV movies such as Breaking Through and A Mother's Prayer, as well as roles in such films as Radio and The Rising Place. Still, her monumental gifts in both presence and interpretation may not have truly been utilized until she took the part of a strong matriarch who runs a 1960's boarding house in HBO's mini series Lackawanna Blues. Her first leading role in almost twenty years on screen, her performance earned her an Emmy Award as well as a Golden Globe. After her triumphant turn in Lackawanna Blues she returned to the big-screen in Craig Brewer's follow-up to Hustle & Flow, Black Snake Moan co-starring Christina Ricci and Samuel L. Jackson.Over the coming years, Merkerson would appear in a number of films, like The Six Wives of Henry Lefay and Mother and Child.

Trivia: With film roles ranging from his portrayal of a psychotic satanic killer (Hideaway [1995]) to Jesus (1999), one would not be hard-pressed to give actor Jeremy Sisto the credit of having a fairly impressive range of dramatic abilities. Born in Northern California, Sisto spent his early years living in the rock-built home his parents had made in the lower Sierra Nevada Mountains. Sisto would gain his earliest experiences as an actor after moving to Chicago with his mother and sister (Reedy Gibbs and Meadow Sisto, also actors) at the age of six. Jeremy and Meadow's turn as specters in the Goodman Theater's adaptation of Tennessee William's House Not Meant to Stand earned the young thespians positive notice, and led to theater work with such other Windy City institutions as the Absolute Theater Company and the Cherry Street Theater. After constant auditioning and small roles in commercials and industrial films, Sisto's breakthrough came with his being cast in Lawrence Kasdan's Grand Canyon (1991) after a deceptively discouraging audition. Returning to Chicago to finish school after wrapping up Grand Canyon in Los Angeles, Sisto constantly auditioned and played small roles in theater and independent films before moving to L.A. and finding roles in Clueless (1995) and White Squall (1996). A busy actor in the later '90s, Sisto appeared in the infamous Don's Plum (1998) before his role in the television mini-series The 60s and Jesus (both 1999). The next year Sisto would follow-up as a troubled young filmmaker coming to grips with the death of his wife in This Space Between Us, and with Angel Eyes, a mysterious tale of fate and urban isolation starring Jennifer Lopez.Subsequent roles in Lucky McKee's well-received feature debut May, the popular backwoods slasher flick Wrong Turn, and the 2004 horror-comedy Dead and Breakfast served well to increase Sisto's street credibility among genre buffs, but when he wasn't running from inbred killers in the forest or falling under the spell of mentally disturbed waifs, Sisto was gaining positive notice for his role as a delusional man who believes his life is the subject of a film in Movie Hero, and returning to the small screen in shows like the hit crime drama Law & Order or the ABC comedy Suburgatory.

Trivia: Started modeling at age 13. Studied acting at JoAnna Beckson Studios in Manhattan. Breakthrough role was as Rosa Santos on All My Children. Appeared in the Brooks and Dunn music video "Ain't Nothing 'Bout You." Played series regular Connie Rubirosa on two editions of the Law & Order franchise.

Trivia: Possessing a wistful handsomness and vulnerable charisma, British actor Linus Roache first gained recognition -- and controversy -- as a gay Catholic priest in Antonia Bird's 1994 Priest. A native of Manchester, where he was born in 1964, Roache is the son of actor William Roache, best known for his long-running role on the popular TV series Coronation Street. It was on that show that the younger Roache made his debut at the age of nine, playing his father's son. Following his debut, he spent much of the next decade on stage, performing with the likes of the Royal Shakespeare Company.Following the success of Priest, as well as a role in the popular BBC TV series Seaforth that same year, Roache took some time off to recuperate from the grueling experience of making Priest. When he returned to the screen, it was in Iain Softley's adaptation of Henry James' The Wings of the Dove (1997). Roache won acclaim for his complex portrayal of Merton Densher, an impoverished journalist who becomes caught up in a disastrous scheme involving his girlfriend (Helena Bonham Carter) and a dying heiress (Alison Elliott). The film itself was roundly praised and helped put Roache back in the spotlight that he had rejected just two years earlier.The actor could subsequently be seen doing work in a number of diverse films, including Shot Through the Heart (1998), which cast him as a Yugoslavian marksman caught up in the horrors of war; and The Venice Project (1999), a drama in which he played both a 17th-century Italian count and a member of the 20th-century California art world.

Trivia: You knew him as Lenny Koznowski, the nasal, nerdish pal of Andrew "Squiggy" Squigman (David L. Lander) on the hit TV series Laverne and Shirley. Show-biz insiders knew Michael McKean as an intelligent, versatile actor and writer. Shedding himself of the "Lenny" image after Laverne and Shirley folded in 1983, McKean became involved in several ensemble comedy projects with such kindred spirits as Harry Shearer, Rob Reiner and Christopher Guest. In the 1984 "rockumentary" spoof This Is Spinal Tap, McKean played the cockney-accented heavy metal musician David St. Hubbins. Apparently McKean enjoyed posing as an Englishman, inasmuch as he has done it so often and so well since Spinal Tap, most recently as Brian Benben's snippish boss on the cable TV sitcom Dream On. In the early '90s, McKean was one of the stars of another, less memorable TV comedy, Grand, and appeared for two season on Saturday Night Live. He continues to land film roles, usually in comedies, including the successful The Brady Bunch Movie (1995).

Trivia: Brad Dourif is a quirky character actor whose gallery of killers, sociopaths, and other lost souls brought to life any number of contemporary horror and science fiction projects. Born March 18, 1950, in Huntington, WV, he began his professional acting career after graduating from college, honing his skills during a three-year apprenticeship with New York's Circle Repertory under the celebrated drama coach Sanford Meisner. While appearing off-Broadway in a production of When You Comin' Back, Red Rider?, Dourif was spotted by director Milos Forman, who immediately cast him in his 1975 film adaptation of the Ken Kesey novel One Flew Over the Cuckoo's Nest. Dourif's turn as a suicidal teen asylum inmate was one of the most acclaimed film debuts in memory, earning a Best Supporting Actor Golden Globe as well as an Oscar nomination. However, the performance also typecast him as a talent best suited to idiosyncratic, off-center character roles, a straitjacket he remained unable to break from for the duration of his career. He then did not reappear onscreen for another two years before co-starring in the 1977 West German production Gruppenbild mit Dame. Dourif's next major performance came in the 1978 Irvin Kershner thriller The Eyes of Laura Mars, followed by a superb starring turn as a damaged war veteran in John Huston's Wise Blood. Upon completing a supporting role in the 1980 television film Guyana Tragedy: The Story of Jim Jones, Dourif next surfaced in Michael Cimino's legendary flop Heaven's Gate, the first in a string of big-budget disasters to which the actor was attached including Forman's Ragtime and David Lynch's Dune. A series of low-budget projects followed before Dourif reunited with Lynch for a small role in the director's 1986 masterpiece Blue Velvet. However, no other offers of a similar caliber were immediately forthcoming, and instead he found himself providing the voice of the evil doll Chuckie in the Child's Play series of slasher movies. In the years which followed, Dourif occasionally reappeared in more substantial projects (including the 1988 Alan Parker film Mississippi Burning, the 1990 Ken Loach picture Hidden Agenda, and Hanif Kureishi's 1991 directorial debut London Kills Me), but he remained primarily confined to low-budget genre work; additionally, he often guest starred on television, appearing in series including The X-Files, Millennium, and Star Trek: Voyager. In 2001, Dourif took a break from low-budget fright flicks to appear in a decidedly more enormous production, director Peter Jackson's eagerly anticipated Lord of the Rings trilogy.

Trivia: Is a practicing Quaker. Her first professional role was as Isabella in Measure for Measure at the Stratford Festival in Ontario. Made her Broadway debut as an understudy in The SeagulI in 1992. Performed as Katherine in the New York Shakespeare Festival stage production of Henry V. Played Brooke Wyeth in the off-Broadway premiere of Other Desert Cities in 2011; when the show transfered to Broadway, she was replaced by Rachel Griffith, but later joined the show as a replacement.

Trivia: Father worked for the Oscar Mayer company for 40 years. Once had a job with an elevator company in which he had to count the number of people who rode the lift. Also had a job demonstrating toys in New York's FAO Schwartz. Made his Broadway debut in a 1998 revival of Wait Until Dark. Met his wife, actress Ilana Levine, when they worked together on the play Surviving Grace at the Kennedy Center in 2001. Part of the original Off-Broadway 2002 cast of Take Me Out, where he appeared completely naked on stage; his role was re-cast when the show transferred to Broadway. Played Mitch Albom in a touring company of the author's Tuesdays With Morrie.

Trivia: Jerry Orbach often commented, without false modesty, that he was fortunate indeed to have been a steadily working actor since the age of 20. Such was an understatement: graced with not only formidable dramatic instinct but one of American theater's top singing voices, Orbach resisted others' attempts to peg him as a character actor time and again and established himself as one of the most unique talents in entertainment per se. Television producer Dick Wolf perhaps put it best when he described Orbach as "a legendary figure of 20th century show business" and "one of the most honored performers of his generation."A native of the Bronx, Orbach was born to an ex-vaudevillian father who worked full time as a restaurant manager and a mother who sang professionally on the radio. The Orbachs moved around constantly during Jerry's youth, relocating from Gotham to Scranton to Wilkes-Barre to Springfield, Massachusetts and eventually settling in Chicago - a mobility that gave the young Orbach an unusual ability to adapt to any circumstance or situation, and thus presaged his involvement in drama. Orbach later attended Northwestern University, trained with Herbert Berghof and Lee Strasberg, and took his Gotham theatrical bow in 1955, as an understudy in the popular 1955 revival of Bertolt Brecht and Kurt Weill's The Threepenny Opera, eventually playing the lead role of serial killer Macheath. During the Threepenny run, Orbach made his first film appearance in the Manhattan-filmed low budgeter Cop Killer (1958). In 1960, Orbach created the role of flamboyant interlocutor El Gallo in the off-Broadway smash The Fantasticks, and later starred in such Broadway productions as Carnival (1961), Promises Promises (1966), Chicago (1975) and 42nd Street (1983). By day, Orbach made early-1960s appearances in several New York-based TV series, notably The Shari Lewis Show. In the early years, Orbach's film assignments were infrequent, but starting around 1981, with his pivotal role as officer Gus Levy in Sidney Lumet's masterful urban epic Prince of the City, the actor generally turned up in around one movie per year. His more fondly remembered screen assignments include the part of Jennifer Grey's father in Dirty Dancing (1987), Martin Landau's shady underworld brother in Woody Allen's Crimes and Misdemeanors (1989) the voice of the Chevalieresque candellabra in the Disney cartoon feature Beauty and the Beast (1990), and Billy Crystal's easily amused agent in Mr. Saturday Night (1992). Orbach perhaps made his most memorable contribution to television, however. After headlining a brief, short-lived detective series entitled The Law and Harry McGraw from September 1987 to February 1988 (a spinoff of Murder, She Wrote), Orbach landed a role that seemed to draw heavily from his Prince of the City portrayal: Detective Lennie Briscoe, a sardonic, mordant police investigator on Wolf's blockbuster cop drama Law & Order.Orbach carried the assignment for twelve seasons, and many attributed a large degree of the program's success to him.Jerry Orbach died of prostate cancer at the age of 69 on December 28, 2004. Three years later, Orbach turned up, posthumously, on subway print advertisements for the New York Eye Bank. As a performer with nearly perfect vision, he had opted to donate his eyes to two women after his death - a reflection on the remarkable humanitarian ideals that characterized his off-camera self.

Trivia: Had to make appointments for her singing lessons with her father, a voice teacher who performed the National Anthem at Oklahoma Sooner games for 22 years, to prove she was serious about her training. Minored in dance and violin during college. Played Sally Bowles in the Broadway revival of Cabaret at Studio 54; her brother Mateja was also part of the cast. Traveled to China to sing in rock concerts with a top recording artist, Fei Xiang. Took shooting lessons from her uncle and cousin, both police officers, to prepare for her Law & Order role.

Trivia: Fred Dalton Thompson spent 25 years as an active Nashville and Washington, D.C., attorney before making his film debut playing himself in a 1985 retelling of the true tale of a Tennessee woman who took on the state's crooked governor in Marie. When Thompson won more acclaim than the film's stars Sissy Spacek and Jeff Daniels, he decided to add "character actor" to his resumé, and went on to appear in numerous major features. Standing 6'5," he was a commanding presence and was usually cast as an authoritarian. Thompson put his film career on hold when he made a successful bid to become a Tennessee senator in 1994, then picked up where he left off when his term ended, playing DA Arthur Branch on Law & Order, along with other supporting film roles. Thompson returned to politics with an attempt at the 2008 presidential election, but was unsuccessful, and soon resumed his acting career. He played horse breeder Arthur Hancock in Secretariat (2010) and appeared in the Hank Williams biopic The Last Ride (2011). One of his final acting roles was as an FBI Director in the short-lived NBC series Allegiance in 2015. Thompson died later that year, at age 73.

Trivia: An actor since 1967, eternally boyish leading man Anthony Andrews first gained notice as one of the teenaged protagonists of the Irish-filmed TV drama A War of Children. Andrews played bits in a couple of films, then co-starred as Stephen Kelko in QB VII (1974), the first of his many TV miniseries appearances. Of his later ventures into serialized teledramas, Andrews' most famous assignment was the role of Sebastian Flyte in the internationally popular Brideshead Revisited (1981). He has also played the title characters in the early-1980s TV adaptations of The Scarlet Pimpernel and Ivanhoe, was seen as Nero in AD (1985), and impersonated Professor Moriarty in the 1990 Sherlock Holmes adventure Hands of a Murderer. Perhaps the best of Anthony Andrews' comparatively few theatrical-film stints was his performance as the half-brother of tosspot Albert Finney in John Huston's Under the Volcano.