Trivia: A singer almost from the time she learned to talk, American actress Shirley Jones was entered by her vocal coach in the Miss Pittsburgh contest at age 18. The attendant publicity led Jones to an audition with Rodgers and Hammerstein for potential stage work. Much taken by Jones' beautifully trained voice, the producers cast her as the leading lady in the expensive, prestigious film production of their theatrical smash Oklahoma! (1955). In 1956 Jones starred in another Rodgers and Hammerstein film adaptation, Carousel; this and her first film tended to limit her to sweet, peaches 'n' cream roles for the next several years. Thankfully, and with the full support of director Richard Brooks, Jones was able to break away from her screen stereotype with her role as a vengeful prostitute in Elmer Gantry (1960) -- a powerfully flamboyant performance that won her an Academy Award. Alas, filmgoers preferred the "nice" Shirley, and it was back to goody-goody roles in such films as The Music Man (1962) and A Ticklish Affair (1963) -- though critics heartily praised Jones' performances in these harmless confections. It was again for Brooks that Shirley had her next major dramatic film role, in 1969's The Happy Ending, which represented one of her last movie appearances before her four-year TV stint as the glamorous matriarch of The Partridge Family. This popular series did less for Shirley than it did for her stepson, teen idol David Cassidy, but The Partridge Family is still raking in ratings (and residuals) on the rerun circuit. Her unhappy marriage to the late actor Jack Cassidy long in the past, Jones found domestic stability as the wife of actor/agent Marty Ingels, with whom she wrote a refreshingly candid dual biography. The actress also played a recurring character on The Drew Carey Show (1998-1999), and appeared in numerous documentaries throughout the 2000s. Jones had a supporting role in 2006's Grandma's Boy, and guest roles on shows like Cougar Town and Raising Hope.

Trivia: A performer whose career soared and peaked in the early '70s, multifaceted entertainer David Cassidy dramatically redefined the term "teen idol," as others including Paul Anka and Neil Sedaka had before him. In his heyday, Cassidy culled an untoward number of admirers, including legions of starstruck teenage girls. The son of actors Jack Cassidy and Evelyn Ward (and the stepson of Shirley Jones), David landed his first major break on the blockbuster '70s musical sitcom The Partridge Family (1970-1974), opposite Jones, Susan Dey, and Danny Bonaduce. Based very loosely on the experiences of the real-life family vocal band the Cowsills, the now-iconic series told of a widowed mother and her brood of rowdy kids, who became national pop stars overnight, and eked out a life touring in a colorful schoolbus and performing all over the country. Cassidy -- 20 years old when the series premiered -- played the eldest Partridge boy, 16-year-old David. Series producers took advantage of the program's success by marketing the Partridges as a real-life recording group, fronted by David (who was not a professional musician); this worked, and brought Cassidy Grammy Awards and the largest celebrity fan club in the history of recorded music. The triumphs were somewhat short-lived, however, and by 1975 (a year after Family folded) Cassidy's popularity with the younger market had declined, as new and fresher talent took his place. He responded by branching out into acting roles, in films such as A Chance to Live (1978), The Narc (1978), and The Night the City Screamed (1980), and in time established an agreeable presence as a musical theater star, on Broadway and in London's famed West End.Cassidy's overall popularity rebounded in the mid- to late '90s. Thanks in no small part to a nostalgia craze and to presence on VH1, he landed an assignment opening the 75-million-dollar show EFX at the MGM Grand, which in turn gave him the clout to mount and produce his own revue in Vegas, a tribute to Sinatra and co. christened The Rat Pack Is Back (1999). In the following decade, Cassidy began touring once again, signed a new record deal, and issued a series of albums including Then and Now (2001) and Touch of Blue (2003). Busy as ever, he topped TV GUIDE's list of the 25 Greatest Teen Idols in 2005.

Trivia: Sandy Kenyon's name won't be familiar to too many people, but his face will be instantly recognizable to filmgoers and television viewers for the hundreds of roles that he has played -- cops and criminals, cowboys and government officials, and just about everything else that television or movies have had to offer since the late 1950s. Born in New York City on August 5, 1922, Kenyon served in the United States Army Air Force during World War II as a pilot, organizing shows in his spare time. He attended drama school on the G.I. Bill and formed the Town and Country Players with five friends in Hartford, CT, in 1946, performing eight seasons of summer stock work. His New York theater credits included Katherine Ann Porter's Pale Horse, Pale Rider, Sean O'Casey's Purple Dust, Ibsen's Peer Gynt, and Clifford Odets' Rocket to the Moon. Kenyon's screen career began in 1957 on television series such as Studio One, Kraft Playhouse, The Twilight Zone, Gunsmoke, and Have Gun, Will Travel. His movie debut took place in Al Capone (1959), in the role of Bones Corelli -- Kenyon's later screen credits have included roles in Nevada Smith (1966), Easy Come, Easy Go (1967), Something for a Lonely Man (1968), Rancho Deluxe (1975), and MacArthur (1977). He also got his first starring television role in 1958, working with Forrest Tucker in the adventure series Crunch and Des, based on the writings of Philip Wylie. In 1964, Kenyon made his Broadway debut as Pygmalion in Conversation at Midnight, which closed after only four performances. He is most familiar to audiences for his television work, which has included guest supporting roles on series ranging from All in the Family (as Dave the Cop in "Archie Is Worried About His Job") to Knots Landing; he was good at playing tough but fair-minded lunkheads, sleazy movie directors (Bracken's World), and single-minded public servants (Mod Squad). He has also done voice-over work in cartoons. The actor Sandy Kenyon is not to be confused with the entertainment correspondent of the same name.

Trivia: Like her TV contemporaries Ron Howard and Valerie Bertinelli, actress Susan Dey grew up before the eyes of America. In 1970, the eighteen-year-old Dey was cast as Laurie Partridge on the popular sitcom The Partridge Family, garnering excellent reviews from critics who otherwise wrote off the series as a waste of time. As early as the 1975 TV movie Cage without a Key, Susan was struggling to break away from her goodie-goodie Partridge image. She almost succeeded with her nude love scene in the 1977 theatrical feature First Love, but audiences still preferred to see Susan in such roles as Jo March in the 1977 made-for-TV Little Women. Also in 1977, she starred in the obscure television series Loves Me, Loves me Not. In 1986, she accepted the role of no-nonsense attorney Grace Van Owen in the courtroom television drama LA Law, and in 1992, Susan was permitted to flex her comedy muscles once more as Wallace Porter in the weekly sitcom Love and War, though she grew dissatisfied with her role and left the series in 1993. Dey would continue to appear in selective projects over the coming years, specializing in Lifetime orignal movies like Deadly Love, Blue River, and Bridge of Time. Dey would also enjoy a story arc on the series Third Watch.

Trivia: Ian Wolfe was determined to become an actor even as a youth in his hometown of Canton, IL. His Broadway debut was in the warhorse Lionel Barrymore vehicle The Claw. While acting with Katherine Cornell in The Barretts of Wimpole Street in 1934, Wolfe was spotted by MGM producer Irving Thalberg, who brought the actor to Hollywood to re-create his Barretts role. Though not yet 40, Wolfe had the receding hairline and lined features necessary for aged character roles. By his own count, Wolfe appeared in over 200 films, often uncredited assignments in the roles of judges, attorneys, butlers, and shopkeepers. Some of his best screen moments occurred in producer Val Lewton's Bedlam (1946), wherein Wolfe played an 18th century scientist confined to a mental asylum for proposing the invention of motion pictures. Because his actual age was difficult to pinpoint, Wolfe kept working into the 1990s (and his nineties); he was a particular favorite of TV's MTM productions, appearing on such sitcoms as The Mary Tyler Moore Show, The Bob Newhart Show, and Rhoda. Co-workers during this period noted affectionately that, despite his many years as a professional, Wolfe was always seized with "stage fright" just before walking on the set. Though often cast in timid roles, Ian Wolfe was quite outspoken and fiercely defensive of his craft; when asked what he thought of certain method actors who insist upon playing extensions of "themselves," Wolfe snapped that he became an actor to pretend to be other people.

Trivia: Character actor Harry Hickox worked on radio, television, stage, and in a few feature films of the 1950s and 1960s. Born in Big Spring, TX, Hickox found his first professional work on the radio, in post-WWII Hollywood. His Broadway credits include a role as the anvil salesman in The Music Man, a part he would reprise in the 1962 film version. He made his film debut in The Scarlet Hour (1956) and went on to appear in a variety of 1960s features, including the Elvis Presley vehicle Speedway (1968) and The Ghost and Mr. Chicken (1964), opposite Don Knotts. On television, Hickox played Sgt. King in No Time for Sergeants (1964-1965) and Herb Thornton in Please Don't Eat the Daisies (1965-1966). He also guest starred in numerous series.

Trivia: Best known for creating one of the most iconic, beloved, and instantly recognizable characters in American advertising -- Mr. Whipple of Charmin toilet paper commercials -- Dick Wilson was born in 1916 to a vaudeville family in England. Wilson moved to Canada during his childhood, served in the Canadian Air Force during World War II, and attained U.S. citizenship in 1954. His acting resumé included guest spots on such series as Bewitched (as a recurring drunk), The Paul Lynde Show, M Squad, and The Deputy, as well as a turn in the 1968 Don Knotts vehicle The Shakiest Gun in the West, but far outstripping these accomplishments in terms of fame and recognition was Wilson's 21-year, 500+ commercial stint for Procter & Gamble, warning housewives, "Please don't squeeze the Charmin" -- then turning around to secretly squeeze it himself. Wilson made a droll cameo appearance as a Whipple-like store manager in the Lily Tomlin vehicle The Incredible Shrinking Woman (1981). He died of natural causes at age 91 in November 2007, after a lengthy retirement. Wilson's daughter is Melanie Wilson, who played the statuesque stewardess Jennifer on Perfect Strangers (1986-1993).