Trivia: Ron Perlman grew up in the Washington Heights section of New York City, where his father was a radio/TV repairman and his mother an employee with the city's Department of Health. A profoundly unhandsome youth, Perlman was nonetheless very active in high school theater by virtue of his height (6-foot-2) and his deep, rolling voice. He continued studying drama at Lehman College and later at the University of Minnesota, where he graduated with a master's degree in theater arts. He went to work with New York's Classic Stage Company, an organization specializing in Elizabethan and Restoration plays. Perlman starred in several Manhattan and touring productions staged by Tom O'Horgan of Hair fame before accepting his first film role as a Neanderthal man in 1981's Quest for Fire. Emotionally drained, Perlman backed off from acting after finishing the movie, but was soon back in the groove, essaying such attention-getting roles as the hunchbacked Salvatore in The Name of the Rose (1986). Most often cast as brooding, inarticulate, villainous characters in films (such as Pap in 1993's The Adventures of Huck Finn), Perlman became best known for his performance as the beneficent, albeit hideously ugly, sewer-dwelling Vincent in the late-'80s TV series Beauty and the Beast. Though this remained the actor's defining role for years after the show's run had drawn to a close, he was busier than ever through the '90s. Appearing in everything from obscure arthouse hits (Cronos [1993] and The City of Lost Children [1995]) to voice-over work for television (Aladdin) and video games (Fallout, A Post Nuclear Role Playing Game) to overblown Hollywood blockbusters (Alien Resurrection), Perlman left few stones unturned in terms of flexibility and experimentation in new media. He continued this trend into the early 2000s, alternating between various arenas with remarkable ease and refusing to be pigeonholed, appearing in such high-profile releases as Titan A.E. (2000), Enemy at the Gates (2001), and Blade II (2002). Though his recognition factor seemed higher than ever, few could foresee the opportunity just ahead when Blade II and Cronos director Guillermo del Toro announced that Perlman would star in the film adaptation of Mike Mignola's popular comic book Hellboy, although it seemed highly unlikely that studios would invest the millions of dollars needed to bring the comic to life with an actor of such minimal "marquee value." They wanted Vin Diesel for the role, but del Toro, with the blessing and encouragement of character originator Mignola, eventually won out to have Perlman play the Nazi-creation-turned-superhero in the 2004 fantasy-action film.

Trivia: The stepdaughter of the fire chief of Salisbury, MD, Linda Hamilton began her acting career with local children's theater groups. After college training and dramatic lessons conducted by former director Nicholas Ray, Hamilton was cast in a handful of inexpensive film programs. She briefly costarred in the prime-time TV soap opera Secrets of Midland Heights (1980) which led to an equally short stint on the weekly series King's Crossing (1982). Hamilton's stock in the film industry rose substantially when she was cast as Sarah Connor, the target for the homicidal intentions of futuristic android Arnold Schwarzenegger in The Terminator (1984). No shivering ingenue, the agile and athletic Hamilton proved a formidable foe for the forces of evil in both The Terminator and its sequel, Terminator 2: Judgment Day, where at times she came off tougher than the "kinder, gentler" Arnold. From 1987-1989, Hamilton starred as Catherine Chandler on the cult TV fantasy series Beauty and the Beast, eventually leaving the show to have her first child. In 1995 Hamilton earned a Golden Globe nomination for her performance as a single mother who learns she has contracted AIDS in A Mother's Prayer, and though with the exception of Dante's Peak (1997) she stuck mainly to made-for-television movies in the following decade, notable guest spots on Showtime's Weeds and NBC's Chuck served as strong reminders of her onscreen charisma. Married to actor Bruce Abbot throughout much of the '80s, Hamilton later wed Terminator 2 director James Cameron, though their union ended after just two years.

Trivia: Halliwell's Filmgoers Companion states that British character actor Roy Dotrice had "a strong line in senile characterizations". Maybe so, but he certainly seemed chillingly cogent in his portrayal of Mozart's father in the Oscar-winning Amadeus. In films since 1965's The Heroes of Telemark, Dotrice has been equally busy on television: he was a regular on such series as Space: 1999 (1975-76), Going to Extremes (1986), Wizards (1986) and Beauty and the Beast (1987-1990, as "The Beast's" Father). Roy Dotrice is the father of actresses Karen and Michele Dotrice.

Trivia: Educated at Arcadia University and prepped for an acting career at AADA, Canadian-born Stephen McHattie billed himself as Stephen Smith during his earliest New York years. McHattie made his Broadway debut in 1968's The American Dream; two years later, he was seen in his first television production, The People Next Door. Though he has shown up in quite a few theatrical features (Belizaire the Cajun, Beverly Hills Cop), McHattie has most often been seen on TV, usually in such oddball roles as the grown-up protagonist in Look What's Happened to Rosemary's Baby (1976). He was a regular on the weekly series Highcliffe Manor (1979, as Reverend Glenville), Beauty and the Beast (1989, as the unspeakable Gabriel) and the "repertory company" Canadian anthology Scene of the Crime (1991); he also played two significant guest roles on the Fox Network's X Files. Stephen McHattie was married to actress Meg Foster.

Trivia: Jo Anderson has appeared on stage, television, and in feature films of the '80s and '90s. Fans of the defunct television series Northern Exposure will remember her for playing Roslyn, one of the founders of the town of Cicely on the memorable episode "Cicely" in 1992.

Trivia: The son of actors Eddie Albert and Margo, Edward Albert was educated abroad at Oxford University. While chronologically his movie debut was in 1965's The Fool Killer, Albert didn't seriously pursue acting as a profession until his early twenties. In 1972, he made his film-starring bow in Butterflies are Free (1972), playing a well-adjusted sightless youth who becomes the object of hippie-like Goldie Hawn's affections. His next film, Forty Carats (1973), was like Butterflies an adaptation of a popular stage play, though this time his part was less interesting. Albert's subsequent films are most likely not as rewarding to him as his ongoing hobby of photography. Ardent TV viewers have seen Edward Albert in regular roles on the nighttime soap operas The Yellow Rose (1984) and Falcon Crest (1986).

Trivia: Blaxploitation superstar Richard Roundtree earned screen immortality during the 1970s as the legendary Shaft, "the black private dick that's the sex machine to all the chicks." Born July 9, 1942, in New Rochelle, NY, Roundtree attended college on a football scholarship but later gave up athletics to pursue an acting career. After touring as a model with the Ebony Fashion Fair, he joined the Negro Ensemble Company's acting workshop program in 1967. He made his film debut in 1970's What Do You Say to a Naked Lady?, but was still an unknown when filmmaker Gordon Parks Sr. cast him as Shaft. The role shot Roundtree to instant fame, launching the blaxploitation genre and proving so successful at the box office that it helped save MGM from the brink of bankruptcy. Thanks to the film's popularity -- as well as its two sequels, 1972's Shaft's Big Score! and the following year's Shaft in Africa, and even a short-lived television series -- Roundtree became an icon of '70s-era cool, and his image graced countless magazine covers. Outside of the Shaft franchise, he also appeared in films including the 1974 disaster epic Earthquake, 1975's Man Friday, and the blockbuster 1977 TV miniseries Roots. By the end of the decade, however, the blaxploitation movement was a thing of the past, and Roundtree's stardom waned; apart from the 1981 big-budget flop Inchon, he spent the 1980s appearing almost exclusively in TV roles or low-rent, direct-to-video features. Still, he continued working steadily, and in 1995 appeared in David Fincher's smash thriller Seven. The following year he co-starred in the acclaimed Once Upon a Time...When We Were Colored, and also teamed with fellow blaxploitation vets Pam Grier and Fred "the Hammer" Williamson in Original Gangstas. In 1997, Roundtree returned to series television in 413 Hope St.

Trivia: An offbeat character actor whose stark features lent him to effective portrayals of villains and seedy figures, Stanley Kamel grew up in New Jersey and attended Boston University, where he received formalized dramatic training under the aegis of noted instructor Sanford Meisner. Kamel began his acting career with roles in off-Broadway productions during the early '70s, and quickly landed his first major on-camera role, as Eric Peters, on the daytime soap Days of Our Lives. His subsequent work over the following three decades consisted largely of recurring roles and guest parts in prime-time series including Cagney & Lacey, Hunter, Melrose Place, and -- most visibly -- the Tony Shalhoub sitcom Monk, as the lead character's shrink, Dr. Charles Kroger.