Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: After studying to become a painter, Mark Stevens became active in Canadian theatrical work. He then launched a radio career as an announcer at a small station in Akron, Ohio. In 1944, Stevens was brought to Hollywood by Warner Bros., where he was billed as Stephen Richards. He graduated to top billing in RKO's From This Day Forward (1945), playing a returning war hero making an uneasy adjustment to civilian life. Critics panned the film but praised Stevens, who was then snatched up by 20th Century-Fox for a series of plum starring roles, including songwriter Joe E. Howard in the 1947 musical biopic I Wonder Who's Kissing Her Now? and the husband of mental patient Olivia De Havilland in The Snake Pit (1949). When it seemed as though his film career had ground to a halt, Stevens moved to television, where in 1953 he became the fourth actor to essay the role of detective Martin Kane. The following year, he succeeded Pat McVey in the part of crusading journalist Steve Wilson on the weekly TVer Big Town. During both of his TV-series stints, Stevens publicly derided the quality of the material he'd been handed, demanding full script control and the opportunity to direct. Upon returning to the Big Screen, Stevens produced and directed a brace of serviceable programmers: Cry Vengeance (1954) and Timetable (1956). After closing out his Hollywood career in 1964, Mark Stevens repaired to Europe, where he directed his last film to date, the German-Spanish co-production Sunscorched (1966).

Trivia: Born in Indiana, Chad Everett attended high school in Dearborn, Michigan, where he played quarterback on the school football team. During his junior year at Wayne State University, Everett landed an acting role with a Michigan repertory company, accompanying the troupe on a State Department-sponsored tour of India. He headed to Hollywood in 1960, got nowhere fast, relocated to New York, did some modelling and TV commercials, then was signed to a $250-per week contract with Warner Bros. He made his film debut in Warners' Claudelle Inglish (1961), and co-starred in the studio's 1963 TV western series The Dakotas. Everett then signed with MGM, where he was featured in such films as Made in Paris (1964) and The Singing Nun (1965). In 1969, MGM's TV division cast Everett in his signature role as Dr. Joe Gannon in Medical Center, a popular weekly which ran until 1976. After Medical Center, Everett continued appearing in theatrical and made-for-TV movies, and also starred in three weekly series: Hagen (1980, as Paul Hagen), The Rousters (1983, as Wyatt Earp III) and McKenna (1994, as Jack McKenna). Chad Everett also wrote, directed and performed in several TV commercials and industrial films, and was the author of a self-published book of romantic poetry, written for and dedicated to his wife, actress Shelby Grant. He died of lung cancer in July 2012.

Trivia: Born Kathleen Gackle. Lead actress, onscreen from The Missouri Breaks (1976).

Trivia: A former stage director, Walter Grauman turned to films in 1957. Most of Grauman's big-screen efforts were unremarkable, with the exception of his taut 1964 thriller Lady in a Cage. He is best known for his TV work on such weekly series as The Untouchables and The Twilight Zone. Grauman also directed a wealth of worthwhile TV-movies and miniseries, among them The Old Man Who Cried Wolf (1970), The Streets of San Francisco (1971), The Memory of Eva Riker (1980), Bare Essence (1982), and the slicked-down 1981 remake of Valley of the Dolls. His final directorial effort was a handful of episodes of Murder, She Wrote. Grauman died in 2015, at age 93.

Trivia: California-born composer Richard Markowitz came to film scoring at a most inopportune time, when motion picture production in Hollywood was starting to implode during the mid-1950s. Thus, his earliest credits were for low-budget, independent productions, including the cult movie Stakeout on Dope Street (1958), The Hot Angel (1958), and Operation Dames (1959). He moved into television work soon after and scored a major success with his theme for The Rebel, a western drama series starring Nick Adams as ex-Confederate soldier Johnny Yuma looking for a place for himself in the post-Civil War west. Not only was the 1960 series a success, but Markowitz's theme song became a hit for Johnny Cash ("Johnny Yuma was a rebel/he wandered alone...."). With that credit behind him, he got better television assignments from that point on, as well as occasional film work, such as the score for The Magic Sword (1962). He got to do a lot of westerns, understandably, given the nature of his most famous composition, including Hondo. But he also composed for science fiction (The Invaders) and straight drama (Bus Riley's Back in Town), crime (The FBI), and suspense vehicles (Mission: Impossible). Markowitz's biggest television success came in 1966 when the producers of The Wild Wild West rejected the theme music written by Dimitri Tiomkin and, instead, chose his music for the series, which ended up running for four seasons. Additionally, he wrote the music for more than two-dozen episodes of the series. Markowitz wrote music for a few feature films, but spent most of the rest of his career working in television on such series as Mannix, Joe Forrester, Quincy, Police Story, Buck Rogers in the 25th Century, Columbo, and Murder, She Wrote, and television films such as The Stranger (1973) and The Hanged Man (1974).

Trivia: Lead actor, onscreen from 1963.

Trivia: American supporting and occasionally leading actor Robert Lipton made his feature-film debut with his sister, Peggy Lipton, in Blue (1968). He went on to appear on television, notably as Dr. Jeff Ward in the daytime serial As the World Turns from 1978 through 1984.

Trivia: The great-grandson of a famous and influential 19th century Minnesota senator, actor William Windom was born in New York, briefly raised in Virginia, and attended prep school in Connecticut. During World War II, Windom was drafted into the army, which acknowledged his above-the-norm intelligence by bankrolling his adult education at several colleges. It was during his military career that Windom developed a taste for the theater, acting in an all-serviceman production of Richard III directed by Richard Whorf. Windom went on to appear in 18 Broadway plays before making his film debut as the prosecuting attorney in To Kill a Mockingbird. He gained TV fame as the co-star of the popular 1960s sitcom The Farmer's Daughter and as the James Thurber-ish lead of the weekly 1969 series My World and Welcome to It. Though often cast in conservative, mild-mannered roles, Windom's offscreen persona was that of a much-married, Hemingway-esque adventurer. William Windom was seen in the recurring role of crusty Dr. Seth Haslett on the Angela Lansbury TV series Murder She Wrote.