Trivia: Though his earliest roles ranged from that of a young Hugh Hefner (Hefner: Unauthorized [1999]) to a pre-psychotic serial killer (he was Vincent D'Onifrio's sympathetic younger counterpart in The Cell [2000]), Jake Thomas faced his biggest challenge to date in the role of a sickly son who was temporarily replaced by an android longing to learn and love in director Steven Spielberg's A.I. (2001).Born in Knoxville, TN, in January 1990, to a radio personality father and a television reporter mother, Thomas got an unexpected break in show business after his parents relocated to Los Angeles to seek new career paths. Wandering off to the youth-division area as his mother dropped off her headshots for her agent, Thomas attracted the attention of another agent who promptly signed him, soon landing the youngster in his first national commercial. After guest shots on such popular television shows as Touched By an Angel and 3rd Rock From the Sun, as well as his appearance in Hefner: Unauthorized, Thomas made his feature debut in The Cell before landing a role on the imaginative television series Lizzie McGuire. Remaining optimistic and well grounded regarding his big-screen turn, Thomas said that though he hopes to carry a film like A.I. co-star Haley Joel Osment some day, he plans on working up to that goal slowly.

Trivia: Rarely garnering a lead role, M. Emmet Walsh has become one of the busiest character actors in Hollywood, using his ruddy, seedy appearance to embody countless low-life strangers with unsavory agendas. In his rare sympathetic roles, he's also capable of generating genuine pathos for the put upon plight of struggling small-timers. His effortless portrayals have made him a welcome addition to numerous ensembles, even if many viewers can't match a name to his recognizable mug. In fact, his work is so well thought of that critic Roger Ebert created the Stanton-Walsh Rule, which states that no film featuring either Walsh or Harry Dean Stanton can be altogether bad.Contrary to his frequent casting as a Southerner, Walsh is a native New Yorker, born on March 22, 1935, in Ogdensburg, NY. As a youth he attended the prestigious Tilton School in New Hampshire, and went on to share a college dorm room with actor William Devane. He graduated from the Clarkson University School of Business, but it was not until his thirties that he discovered his true calling: acting. He first popped up in Midnight Cowboy (1969), and has worked steadily ever since, some years appearing in as many as eight motion pictures, other years focusing more on TV movies. Working in relative anonymity through the '70s and early '80s, appearing in films ranging from Serpico (1973) to Slapshot (1977) to Blade Runner (1982), Walsh landed his meatiest and most memorable role in Joel and Ethan Coen's remarkable debut, Blood Simple (1984). Without batting an eye, Walsh exuded more casual menace as the amoral private detective doggedly pursuing his own self-interest than a host of typecast villains could muster in their entire careers. His role was key to creating a stylish noir that would launch the careers of two modern masters. It earned him an Independent Spirit Award.Blood Simple did not markedly alter Walsh's status as a supporting actor, as he went on to appear in this capacity in Fletch (1985), Back to School (1986), and Raising Arizona (1987), his next collaboration with the Coens, in which his bull-slinging machinist scores riotously with less than a minute of screen time. One of the first appearances of the kindly Walsh was in 1988's Clean and Sober, in which he plays a recovering alcoholic helping Michael Keaton through the same struggle.As he crept into his late fifties and early sixties, the stature of Walsh's films diminished a little, if not his actual workload. Continuing to dutifully pursue his craft throughout the early '90s, Walsh again returned to a higher profile with appearances in such films as A Time to Kill (1996), William Shakespeare's Romeo + Juliet (1996), and My Best Friend's Wedding (1997). More as a reaction to the ineptitude of the movie than Walsh's performance, Ebert called into question his own Walsh-Stanton Rule in his review of Wild Wild West, the 1999 Will Smith-Kevin Kline debacle in which Walsh is one of the only tolerable elements. In the years to come, Walsh would remain active on screen, appearing in films like Youth in Revolt and providing the voice of Olaf on the animated series Pound Puppies.

Trivia: The acting career of Adam Baldwin -- no relation to the famous Baldwin brothers Alec, William, and Stephen -- has been filled with ups and downs as he aspires to the stardom that as yet, seems to elude him. Due to his muscular 6'4" frame, the handsome Baldwin is frequently cast as hulking bad guys and psychopathic killers. He has been involved with films since he appeared in My Bodyguard (1980), the story of a victimized teenager seeking the protection of the school bully (Baldwin) who is believed to have killed his brother. While he did a fine job as the taciturn, deeply traumatized young man who affects a violent facade to conceal his inner pain, it was his costar Matt Dillon who became famous. Baldwin then went on to play supporting roles in three lesser films before playing the lead in the 1986 bomb Bad Guys, where he dyed his naturally dark hair bright blond and played a young cop who becomes a wrestler after he is suspended from the force. One year later he appeared in his most memorable role as the psychopathic war-loving soldier Animal in Stanley Kubrick's Full Metal Jacket (1987). In 1992, Baldwin played a drunken, abusive stepfather in Radio Flyer. He continued to work steadily in projects such as How to Make an American Quilt and Independence Day. He had the title role in the 1999 retelling of Dr. Jekyll and Mr. Hyde. As the new century began he was part of the cast of the short-lived but much beloved sci-fi series Firefly as Jayne, a character he would return to in Serenity, the big-screen version of that show. He voiced Jonah Hex and Superman in various animated projects, and in 2007 landed the part of Major John Casey on the NBC series Chuck, about a geeky dude who becomes a super spy. He could be seen on big screens in the thriller InSight in 2011.

Trivia: French Stewart, a native of New Mexico, received his professional training from the American Academy of Dramatic Arts, from which he earned a B.F.A. Stewart has numerous stage credits on his resumé, ranging from contemporary theater to the classics and has earned many awards for his work on stage. He is said to have earned his S.A.G. card by portraying Yogi Bear with a traveling children's show, from which he was eventually fired for removing the head of his costume in front of children. Stewart is primarily known for his portrayal of the goofy alien Harry on the NBC sitcom, 3rd Rock From the Sun, which is, by his own account, a character study of silent film comedians. Stewart reportedly owns a substantial collection of silent films. He is married to actor Katherine LaNasa. In the years to come, Stewart would remain active on screen, appearing in films like Beverly Hills Chihuahua 2.

Trivia: Tall, straight-laced American actor Robert Culp parlayed his appearance and demeanor into a series of clean-cut character roles, often (though not always) with a humorous, mildly sarcastic edge. He was perhaps best known for three accomplishments: his turn as a Southern California documentary filmmaker who decides, along with his wife (Natalie Wood) to suddenly go counterculture with an "open marriage" in Paul Mazursky's Bob & Carol & Ted & Alice (1969); his iconic three-season role as an undercover agent in the espionage-themed series I Spy (1965-8); and his three-season run as Bill Maxwell on Stephen Cannell's superhero spoof series The Greatest American Hero (1981-3). Born in Oakland, California in 1930, Culp attended several West Coast colleges while training for a dramatic career. At 21, he made his Broadway debut in He Who Gets Slapped. Within six years, he was starring in his own Friday night CBS Western, Trackdown (1957-9) as Hoby Gilman, an 1870s era Texas Ranger. During the two-year run of this program, Culp began writing scripts, a habit he'd carry over to other series, notably The Rifleman and Gunsmoke. These all represented fine and noble accomplishments for a young actor, but as indicated, I Spy delivered a far greater impact to the young actor's career: it made Culp (along with his co-star, Bill Cosby) a bona fide celebrity. The men co-starred in the NBC adventure yarn as, respectively, Kelly Robinson and Alexander Scott, undercover agents involved in globetrotting missions for the U.S. government. Both actors brought to the program a sharp yet subtle sense of humor that (coupled with its exotic locations) made it one of the major discoveries of the 1965-6 prime-time line-up. During the second of I Spy's three seasons, Culp made his directorial debut by helming episodes of Spy; he went on to direct installments of several other TV programs. The success of Bob & Carol at the tail end of the 1960s proved that Culp could hold his own as a movie star, and he later directed and co-starred in 1972 theatrical feature Hickey and Boggs, which reunited him with Cosby, albeit to much lesser acclaim. Unfortunately, as the years rolled on, Culp proved susceptible to the lure of parts in B-pictures, such as Sky Riders (1976), Flood! (1976) and Hot Rod (1979), though he delivered a fine portrayal in television's critically-acclaimed Roots: The Next Generations (1979). Culp rebounded further with the semicomic role of CIA chief Maxwell on American Hero, but many now-infamous behind-the-scenes issues (and external issues, such as the shooting of Ronald Reagan) beleaguered that program and ended its run after only three seasons. In the years that followed, Culp vacillated between exploitation roles, in tripe such as Big Bad Mama 2 and Silent Night, Deadly Night 3, and more respectable, mainstream guest turns in television series including The Cosby Show and Murder, She Wrote. He enjoyed one of his most prestigious assignments with a supporting role in the big screen John Grisham-Alan Pakula thriller The Parallax View (1993), opposite Denzel Washington and Julia Roberts. In the years that followed, Culp's on-camera presence grew less and less frequent, though he did make a cameo in the 1996 Leslie Nielsen laugher Spy Hard. Television continued to provide some of Culp's finest work: he rejoined old friend Cosby for a 1994 I Spy TV-movie reunion and made guest appearances in such series as Lonesome Dove, Law & Order and The Dead Zone. Following a period of semi-retirement, Culp died suddenly and rather arbitrarily, when he sustained a head injury during a fall outside of his Hollywood home in March 2010. He was 79 years old.

Trivia: Lead actor, onscreen from the '80s.

Trivia: As an instant American heartthrob, U.S. actor Andrew St. John recalled such earlier icons as Jason Priestley and Luke Perry, with his aura of handsome, sun-drenched California cool. St. John announced his presence to Hollywood with a turn on General Hospital in the early 2000s. He followed this up with frequent contributions to such network series as CSI: Miami, Criminal Minds, and Life Is Wild.

Trivia: Performed at the Alliance Theater in Atlanta as a child. Moved to Los Angeles with her mother at age 11 to pursue her acting career. Was homeschooled growing up and passed the California High School Proficiency Exam at age 14. In 2003, was nominated for a Young Artist Award for Best Performance in a TV Drama Series for her guest appearance on Lifetime's The Division. Joined ABC's Desperate Housewives in 2004 as Danielle Van de Kamp. Breeds and rides show horses in her spare time.

Trivia: A frequent presence in both film and television from the 1970s onward, African-American character player Earl Billings moved from landing one- and two-shot bit roles in prime-time series programs and low-profile movies to signing for supporting roles in some of Hollywood's most acclaimed comedies and dramas. This stocky, heavyset player demonstrated a knack for playing black everymen -- often essaying the parts of police officers, detectives, and security guards. Billings first began receiving onscreen credit around 1976, with a single-episode contribution to Norman Lear's sitcom Good Times. Soon after that, the actor appeared in the recurring role of Rob on What's Happening!! Following a turn in the little-seen Sounder, Part Two (1976) and credit as a parole office worker in the gentle yet profane Richard Pryor comedy Bustin' Loose (1981), Billings acted in several telemovies. After a cinematic lapse of several years, Billings rebounded with an appearance in the blockbuster 1987 John Badham crime comedy Stakeout. A consistent string of supporting turns in A-list productions followed, including (but not limited to) Jimmy Hollywood (1994), Crimson Tide (1995), American Splendor (2003), Thank You for Smoking (2005), and Something New (2006). Billings augmented this success with occasional work on such prime-time series as Ally McBeal and ER. In 2008, he took on his first regular TV role, playing Principal Huffy on the sitcom Miss Guided, starring Judy Greer as an earnest high-school guidance councilor, but the series was unfortunately very short-lived.